Category Archives: Status Update

Website news (9/23/13)

A few things going on with the website.

  1. Prints are now sold sealed in archival sleeves (with thick backing boards) rather than in glass-fronted frames. I adjusted all of the prices in the store to reflect the change. Whereas a print of “Stand Up and Say No” used to come out to $24.98 after framing and S/H, it’s now listed at $13.99 with no additional fee for S/H.
  2. Lots of content on this site was published as typed. I didn’t spend any time editing for strength and I fell victim to a “more is better” mentality. From now on, I promise to take a little more time and not pad my artist’s statements with anything that I wouldn’t be interested in reading from someone else.
  3. I deleted a few categories in the store to make it more navigable. And I added pages exclusively for Recently Added and Now On Sale.
  4. I’m toying with the idea of not posting artwork in the blog at all and just posting the statements on each image’s page. (Go to the Gallery and click on an image if you don’t know what I mean). What would you think of that?

 

Here are some entries that have been revised so far. Let me know what you think.

Journal: September 22, 2013

I was updating Storenvy listings when I found the original statement that I had written for “Out All Day” back in June but hadn’t included when I wrote my blog entry around it in early August. So I went back just now and worked it in.

In doing so, of course, I also read what I did write at that point: something about how I had sold a bunch of records and books that day but no artwork. And how I had some ideas as to why that might be, but that the reasons didn’t matter. That’d be true if it weren’t for the fact that I was afraid to acknowledge them. But I can now.

In early August, I was doing my best to be positive and upbeat but I think it was coming across in my art and my writing that all was not well. I had just wrapped with the shooting of “No Real Than You Are,” one of my first entries on this website was a painting detailing a relapse from earlier that day, and I think I looked a lot like a disaster waiting to happen.

I was used to a regular flow of feedback from posting my artwork on Facebook. When I got home to Jacksonville and launched this website in the last week of July, I half-suspected that I’d start to get more than ever (especially in light of the text content I was posting to accompany the art). That didn’t happen. Instead, my stream of feedback ceased almost entirely. After a week or so, I asked my friend David if he had any guesses as to why that might be. “I don’t think people know what to say,” he told me.

At the time, I thought that meant that the things I was putting up here were so earnest and vulnerable that they made people uncomfortable. There might be a little truth to that but, in hindsight, I think it’s mostly because I looked like I was about to fall – back into heroin, misery, and shit – and like I had no idea it was coming. If nothing else though, I know that my soul felt rotten and my strained optimism wasn’t hiding it. I had fallen apart to some extent – more than I was willing to let on (and I still haven’t talked about everything that happened with anyone other than my counselors and a few close friends). I’m sure I’ll eventually get to the point where I’m able to be as open about that period of time as I am about most of my life but – for now – I’m just happy that I pulled through it.

While Heather certainly deserves a lot of credit for my well-being overall, I think that – had it not been for Rational Anthem and the trip they took me on – things could have turned out much differently and much worse. I can say without any reservations that I’m really happy to be exactly where I am right now. – I’m really happy that I don’t have to remind myself to be grateful right now.

Granted, I was in a rough spot last night but those things happen. In fact, in that respect, tonight’s a lot like the night when I actually made “Out All Day” – just twenty four hours after the emotional turmoil that created “Blueprint for a Successful Evening.” I just hope that from here my next piece doesn’t turn out to be along the lines of the one that came next.

Punched in the Dick By a Baby Gorilla

"Punched in the Dick By a Baby Gorilla." 9/21/13. Pencil and marker on vellum.
“Punched in the Dick By a Baby Gorilla.” 9/21/13. Pencil and marker on vellum. 8×10″.

After a couple of days, not having Adderall really drastically hurts my mood, energy, and outlook but – if I just miss a dose – the only consequence is… silliness.

Months ago, riding in the car with Heather back in Bradenton, I had gone longer than I should have without Adderall and I decided that my having been “punched in the dick by a baby gorilla” was the funniest thing ever. I spent ten minutes finding any excuse at all to say the words, “punched in the dick by a baby gorilla.” It’s not at all in line with my usual sense of humor, is totally stupid, and – it’s just absurd. Which is probably why I thought it was so funny at the time; it was funny that I’d even had a thought like that.

Last night, after I started to feel a little better, I spent a couple hours painting. Smoking a cigarette, looking at Instagram, I saw something my friend Trey made. I like my art a lot, but every now and then I wish that I actually had the talent to put an image on my canvas exactly as it appears in my head. Unfortunately, that takes practice. Which is what Trey’s sketch inspired me to do. For some reason, the baby gorilla thing came to mind so I went with that.

I realize that any high school art student could bang this out in two minutes or less but anything other than a cartoon Sam standing perfectly upright is still pretty tough for me. It took me two hours to get to the point where I was ready to color and outline this. It was good practice though and I had fun making it.

 

Just listed for sale ($25).

Weird Kids With Bad Teeth

"Weird Kids With Bad Teeth." 2/27/13. Acrylic paint, pen, duct tape. 4x4".
“Weird Kids With Bad Teeth.” 2/27/13. Acrylic paint, pen, duct tape. 4×4″.

I alluded to this piece in “Titrating,” when I described myself as feeling scared, stuck, and trapped, but smiling. (See the red text in the background).

Like the pieces in “The Weak End” series of paintings, this (along with several others) started out as one large painting that I eventually cut up into a lot of smaller ones. Unlike that series though, all of the paintings in this series (“Your Higher Power is Literally Garbage”) were painted and repainted so much that they don’t really share much in common.

In the center of this piece is a strip of pink duct tape that I drew on, while riding in the car, because I had no paper. Yet another weird/poor drawing of a kid with fucked up teeth. It’s pretty representative of my belief that I’ve got a lot more willingness than I do talent (or even creativity).

As often as I feel “inspired,” I’ve got nothing. But that doesn’t mean that I don’t still have the need to create something. So I do. Because it’s good for me. It helps me, emotionally.

And if you read my last post, you know that right now is one of those occasions where I desperately need to create something. And I knew that I’d come to that conclusion if I wrote up the entry for this piece, which is why I chose to write an entry around “Pulp” first. I wasn’t ready to do what I needed to do to get better. But I am now.

UPDATE (9/23/13): Now listed for sale.
UPDATE (12/1/13): SOLD! Now listed for sale as a 4×4″ print. 

Pulp

I’m in the middle of a silent temper tantrum, by which I mean I’m not talking and have dedicated myself to staying miserable until I exhaust myself. I used to do this almost every day, but they’ve been pretty few and far between since the day that I consider my “emotional sobriety date.” So – of course – I’m angry and now I’m even angrier with myself for this than I am about the stupid incident that sparked this episode.

Here’s the other of my two 9×12″ learning to draw with charcoal sketches from January.

"Pulp." 1/17/13. Charcoal. 9x12".
“Pulp.” 1/17/13. Charcoal. 9×12″.

In February 2012, I was kicked out of my second rehab in as many months. I found myself running around Delray Beach with the girl I had been kicked out with. I’m not going to try and diagnose her state back then but – if I did something that bothered her – she could flip a switch and go from being totally in love with me to telling me what an ugly, worthless, pathetic, despicable piece of shit I was. On one occasion in our first week out on our own, we were staying in some little shitbox motel. (If you’re familiar with Delray, I’m sure you know it). I don’t remember exactly what went wrong, but it had something to do with heroin or getting more heroin. And – in case I didn’t already hate myself enough (I did) – she was really piling on as much hatred and vitriol as she could manage, to ensure that there wasn’t so much as a shred of self-esteem left in me.

I went into the bathroom. I was crying. I looked at myself in the mirror and couldn’t fucking stand the sight. It made me angry that I was the person looking back at me. So I started punching myself in the face. I don’t remember how many times. Enough that, for a good while after, I looked like someone had kicked the shit out of me pretty well.

Which I’ve always been good at. I’ve always been good at beating myself up. But that was the one time when it was most literal.

 

I’ve had thoughts like these today. I have had these impulses today.

This seems appropriate.

Little pop punk things that warm my little heart

I remember in 2008, somebody asked me, “Are you really still gonna care about bands like Drunken Boat and Ringers five years from now?” I stated confidently that I would. And I do! In his review of the Frozen Teens LP, Todd Taylor compares the band to The Replacements, Bent Outta Shape, and Drunken Boat. Obviously, The Replacements get their due every day and Bent Outta Shape still get nods pretty often too. But it’s nice to see that someone else out there picked up on the little something-specials going on in the music of Drunken Boat, remembers them, and still cares as much as I do.

I don’t know Bianca, but in her review of the Peeple Watchin’ cassette, she writes, “If I were in a pit of despair, this would be the soundtrack to my triumphant escape from it.” And that is exactly how I felt about Peeple Watchin’s “I’m Still Here, Asshole” in the darkest moments of this last July.

Marty Ploy’s top five list concludes with “Having Rational Anthem in southern California for a week.” I love those kids too, Marty!

Another reviewer I don’t know (Rick Ecker) writes of The Turkletons (in his review of their split with Lipstick Homicide) that they’re “every bit the equal on this split single.” Like my first little note, I think Lipstick Homicide are a band that have been getting the recognition they deserve but it makes me happy to see that The Turkletons are too. If Lipstick Homicide’s “Not That Easy” is my favorite song on the record, then The Turkletons’ “Geography” is only the slightest scratch behind it. And the lead in that song is definitely the highlight of the record.

A few weeks back, Jesse (Slow Death) wrote something online about all of the records he had in the works and Chris (Turkletons) said something like, “You’re boring everyone.” His response: “What if I told you they were all based around puns and clever wordplay?” Chris: “Sold!” I think I laughed out loud reading that.

Ten thousand years ago, I was supposed to release The Humanoids’ debut full-length on Traffic Street. Those plans took a backseat to my heroin problem but the LP has finally seen the light of day thanks to Darren’s new(ish) label, Throwing Things Records. He gave me a copy when Rational played with The Haddonfields in St. Louis last month, it just happens to be spinning on my turntable as I type all of this, and – like everything else that I just mentioned – it’s one more little thing that makes me happy, one more little thing that puts a smile on my face.

 

Did you know that there are people in the world who care about shit other than pop punk?

It’s sad, really.
Listen to The Turkletons.
Contact Derron at Throwing Things and tell him to add The Humanoids LP to his webstore already!
Buy the issue of Razorcake that sparked this blog entry.

Parents (I’m Not Sorry)

"Parents (I'm Not Sorry)." 12/11/12. Pen and pencil. 2x3"
“Parents (I’m Not Sorry).” 12/11/12. Pen and pencil. 2×3″

I drew this while sitting in an Alcoholics Anonymous meeting, one night after “Clarity” and “Chrissy Fit” and one night before “No Accident.” I guess you could say it’s about stress and coping mechanisms. Cigarettes, yoga, whatever. I chose the kangaroo with the overgrown kid ’cause the things that stress us out most tend to be (1) problems we’ve created ourselves and (2) things that – long after we have any reason to – we continue to carry around with us.

—–

I’m still sick and I’ve been feeling especially under the weather today.  I’m good emotionally though, so I’m very grateful for that.

—–

The original is still available, but the image pictured here is the 4×4″ print that I have for sale in my webstore.