Tag Archives: St. Augustine

A Plume of My Own Cigarette Smoke

I drove past a bridge this morning that was so beautiful that I caught myself actually exclaim, “holy shit,” out loud. If I needed any evidence that I’m not the miserable, cynical little shithead of years past, I think that might be it.

Here’s a painting and a “story.”

"A Plume of My Own Cigarette Smoke." 2/20/14. Acrylic, spray, and watercolor paints, food coloring, and ink. 36x48".
“A Plume of My Own Cigarette Smoke.” 2/20/14. Acrylic, spray, and watercolor paints, food coloring, and ink. 36×48″.

My first large, expressive painting after I decided to leave my girlfriend, break my lease, buy a van, and devote myself entirely – not only to the creation of art – but to traveling the country, chasing after whatever opportunity may come along and getting serious about building a real life and career as a professional artist.

I’m happy with this painting as “art,” less so insomuch as it’s a personal artifact. The whole thing was fueled by a sense of inadequacy and complimented by anxiety and fear as I wrapped up the loose ends in my personal life and prepared to embark on the new course I had charted for myself. A lot of my art is chaotic and busy but – in this case – I was adding to it and making changes everyday (for more than two weeks!) because I just didn’t feel like it was enough.

There’s a good deal of small print spread around this piece, addressing a veritable shit ton of emotionally-bananas nonsense.  Regarding the large caption (“Sometimes I’ll see a plume of my own cigarette smoke in my peripheral and mistake it for an approaching human; so – NO – I wouldn’t say that I’m all that lonely”):

“I don’t think I’ve felt lonely since I started this. I wrote that shit in my phone a month ago and pulled it out [just now] to show the world how god damn clever I am. It was real when I thought it though but that was before I even broke up with my girlfriend.”

One of the primary objectives from my continuing care treatment plan reviews was always to go out and interact with HUMAN BEINGS more often. The night I wrote this, I went to see some bands play at Rain Dogs but was (of course) set up to sell prints and working on this painting as well. At one point, it was actually in my lap as I painted in a corner. I realized it and scribbled, “I’m out but I’m holding a four-foot canvas. AREN’T I QUIRKY?!?!” (Because I’m still not comfortable simply existing in a crowd. It makes me anxious to be seen when my presence doesn’t have an obvious purpose). Painting, or selling something, gives me one.

Between starting and finishing this painting, I met a girl that I maybe kinda sorta like a little bit. The story of our first two nights together is thoroughly documented in my EPIC POEM, “The Long Con.” On that second night though, when I FOLLOWED HER SIGNAL and made my move (only to be shot down!) I was pretty confused. At the same time, it was a relief to know that I could just hang out with her and not worry about whether I was saying or doing the right things to eventuate our sleeping together that night. After all, did I really even like her? Maybe I just wanted to feel validated by getting her to like me

“It’s sort of a relief, it’s nothing that matters, it’s just insecurity, it doesn’t add up to shit. The day I understand anything at all… whatever. BUT HOW COME I LOOK OVER AND SHE’S SMILING AT ME LIKE THAT? WHAT DOES SHE KNOW THAT I DON’T?”

For the most part, I was able to sort of laugh off what, in that moment, I perceived as rejection. (It helped that a friend had told me she was only interested in girls). Even still, I don’t get all that bold that often. I usually find a way to guarantee that there’s a green light before I put my fragile little ego on the line like I did. The aftershock of the incident had me feeling a little shaky. This was the eve of a much bolder risk; this was the night before I started the next phase of my life. My next scribble said, “I’m leaving tomorrow and scared and on edge and cry and shoot drugs.” While I didn’t actually cry and I definitely didn’t shoot any drugs, that’s the kind of self-pity/doubt that I was slipping in and out of. (Girls are DANGEROUS for me).

I was still struggling to find happiness in my painting. I was trying too hard. When I finally went back to basics and scratched out SOME FUNNY FACES, I had an epiphany: “I am reinvigorated by funny faces. Sometimes I try to expand and grow as an artist. FUCK THAT! Write what you know (my own mental instability); paint what you know (funny faces).” I started to feel better immediately. Not that that stopped me from finding new and exciting ways to fuck up or otherwise complicate my life! Within a day or so, I had cause to add…

“I’m in the middle of a 61-day crystal/herb spiritual healing. I was told that my [ultimate] spiritual goal should be “to be an excellent father” even though I said I didn’t think I wanna have kids [‘cause I’m too self-absorbed / preoccupied to ever be a decent father]. Long story short, cumming on her face tonight seemed too IMPERSONAL so – between the two things – I decided to make her the first girl I’ve ever intentionally cum inside of. She wasn’t mad but I’m OUT OF MY MIND. (Her too).”

So now I was mixed up and sleeping with four girls but only excited about one of them and – in moments – questioning even the authenticity of my feelings for her. BECAUSE I DON’T UNDERSTAND MY OWN BRAIN SOMETIMES. And I definitely have trouble trusting my feelings. AND I’M EMOTIONALLY FICKLE! As I concluded with my in-painting journal:

“I keep trying to get girls to fall in love with me AND IT KEEPS WORKING. And then I sort of lose interest and feel like an asshole. It’s not like I’m fully planning it that way but it keeps happening and I should probably know better by now. MAYBE I FINALLY DO??”

 I stopped and seriously considered it. “Am I done? Do I finally get it? Am I ready to stop fucking around and validating myself by (as I love to put it) tricking girls into thinking I’m worthwhile?”

“J/K LOL,” I added, and my painting was finished.

I Look Cool Doing It

"I Look Cool Doing It." 2/20/14. Acrylic paint. 18x24".
“I Look Cool Doing It.” 2/20/14. Acrylic paint. 18×24″.

I used to care about stuff. These days, whenever I hear someone railing on about how this or that is bullshit or a scam or [whatever], I just kinda roll my eyes. “Get some real problems,” I’ll think. “Isn’t there anything going on in your own life worth being concerned about?” I’ve only got so much emotional capital and I’m definitely not investing it in some shit that has zero bearing on my day-to-day. And (of course) I’ve got my own principles, but I’m not about to start preaching to other people about what they ought to support, not support, believe, or not believe. Again – I GOT ENOUGH GOING ON RIGHT HERE. I don’t have the time or energy to waste on trying to change or influence somebody else. Besides, I’m pretty sure that the most positive effect I’ve ever had on the world has been through my art and my writing, which I do for my own benefit but which seems to positively impact other people as an added bonus.

On another note: I’VE BEEN FUCKING A LOT LATELY. I’m getting a lot of attention from girls. It’s probably going to my head a little bit. There are still plenty of times when I’ll catch a glimpse of my reflection and get pretty bummed out about the way that I look but for the most part I’m pretty pleased with myself these days.

I painted this while I was selling prints at the opening of a new art space in St. Augustine. It’s been a really long time since I spent less than ten hours on a painting, but I’m pretty sure I wrapped this one up within an hour or so. If I’m being honest, it was half expressive art and half “hey, girls! look at me! come talk to me!” Even still, I’m pretty happy with it.

I chose to use only the second half of my caption as the title because (by itself) it’s sexually suggestive but silly. That line underneath the body was originally meant just to distinguish one leg from the other but I left it as is ‘cause it kinda looks like it’s meant to be a dick. That works too.

—–

This painting is already up as part up my exhibit at Burrito Gallery in Jacksonville, FL. By tomorrow afternoon, it’ll also be available as a 12×16″ print.

Speaking of prints, I set up at Rain Dogs to sell last night (thanks to my buddy, Mike, who does art under the banner of Hood Rat Shit). I just found out that Chris Wollard and Jon Snodgrass are playing there tonight, so I might try to go back and do the same. Here are some photos from last night though.

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“Art by Sammy thrashLife. Buy something or don’t. I live in a minivan – NOTHING MATTERS.”
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Gauging by the Facebook/Instagram reaction, it seems that I find this sign to be FAR MORE HILARIOUS than most people do.

Snarkiness, pride, self-deprecation, vanity, whatever… all that shit aside – I really do have fun. And I really am grateful. I couldn’t ask for anything more than what I’ve got. And when I think about all the people that have been so supportive of me recently – personally or in just buying my work – it really is humbling. I feel like I’m in a pretty good state of being, even if it is a delicate balancing act sometimes.

A week in the life of Sammy thrashLife

Thursday: I packed up the rest of my stuff and left Bradenton. My first stop was Umatilla, to visit an ex-girlfriend in rehab. I had dropped her off there myself after visiting friends in Boca Raton and discovering that she wasn’t quite as clean and stable as she had been telling me. After that, I went to Gainesville to teach Valerie how to format, package, and sell prints of her artwork. I had met Valerie while filming my scenes in her brother’s movie (“No Real Than You Are”) over the summer. The previous Saturday, I had gone to the cast/crew screening of the film, where I’d seen her parents for the first time since July. The next morning, they took me out to brunch and – after seeing my prints – told her what I was up to and she reached out to me for a tutorial. Friday, I woke up in Gainesville and spent the day meeting with galleries. Valerie’s mom, Nancy, called and said there was a big arts festival that weekend in Sarasota so I stayed the night and we rode down the next day.

Saturday, we arrived too late to really do the art fair but we went to her parents’ house in Osprey for dinner. They wanted to screen the film for some friends so – as the SUPER IMPORTANT ACTOR that I am – I stuck around for that. Afterward, we got to talking, they asked to see my art, and I wound up selling a bunch of prints.

Sunday, I did the art fair in Sarasota with Morgan and sold another
good handful of prints.

On Monday, Valerie and I hit the print shop to re-up on my supply. We drove back to Gainesville, I showed her the final stages of the packaging process, and then carried on to Jacksonville.

Tuesday, I went to Chamblin’s where I have a bunch of originals hanging, as well as some prints for sale. Collected a few bucks for prints sold while I’ve been away and then spent the afternoon writing up statements for some older pieces that I’ve been neglecting. Saw Heather for the first time in a while and then got a call from Erin Murphy, who informed me that her band, Teach Me Equals, were playing Jacksonville that very night and would I like to come out and set up to try and sell some art? Went over the Burro Bar around ten, watched them play, and sold way more stuff than I should have considering the Tuesday night attendance. Also got to meet Greg, the other half of the band and a really nice guy. Teach Me Equals definitely aren’t in line with my regular listening habits but I was really pleasantly surprised by their set. Loud, discordant, and fucked up but melodic, energetic, and dynamic in the way that kind of shit’s
supposed to be. Afterward, they invited me to come set up again at
their show in St Augustine.

Today, I woke up and went to see my Jacksonville counselor before setting up on the sidewalk in Five Points to finish packaging / assembling all the new prints I’d either just gotten or just printed statements for. Sold a couple and then went into Sun Ray to see Tim and collect the stuff is left behind before I left Jacksonville in January. Went by Burrito Gallery on the off chance I could catch the owner, did, and he informed me that they’d been saving a wall for me. This is the place I’ve wanted to show for a while so I was pretty excited. I got about 90% set up (with close to twenty pieces on the wall) and then hit the road for St Augustine. I’m about to go set up inside to sell
prints.

Tomorrow, I’ll check out and try to meet with galleries here in St Augustine and (depending on how it goes) get back to Jacksonville tomorrow night or the next day and finish setting up at Burrito Gallery. That’s gonna run through ’til sometime in April (I forget) and then I’m gonna leave Jacksonville behind and head north to the next city on my list. Had the Burrito Gallery thing not panned out, it’d have been New Orleans but since it’ll already be April, I think I’ll head somewhere a little cooler. I don’t mind sleeping in a minivan, but I’d rather not bake in a minivan.