Category Archives: Post-Treatment

Current Journal, Photographs, Post-Treatment

Website changes / first Jacksonville NA meeting

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Up and running for two weeks now and I changed the sitemap today. I think I’m going to really divide the writing and the the visual art a little bit more. I set up a gallery so that all of the drawings and paintings I’ve put up thus far can be seen on one page. From each image, you can click a link to go to the blog entry it was originally featured in, but from now on, I think I’m just going to add the images to the gallery and feature the statements there. And then I’ll use this (the frontpage) as more of a daily journal. So far as older writing like the (gasoline) story from yesterday’s update (“Funny”) or the rehab journals, I’m not sure yet. It’s early though and I’m still figuring this out so we’ll see.

I had a session with my counselor this morning, in which I decided to go to an NA meeting here in Jacksonville. I journaled about it afterward because it affected me more powerfully than NA or AA meetings usually do (in a good way). As the day went on though, I found myself feeling more and more depressed. Unreasonably depressed.

I feel really, terribly inadequate.

And since I don’t like feeling this way, I’ve got to do… something.

I don’t think I’m going to use Facebook anymore. I’ll let my website post updates for me when I post here, but I’m not going to post anything directly to my page. If you’re not a fan of these updates, tonight would be a good time to hide me from your newsfeed or remove me from your friends list.

Heather read my “life story” project last night. All 165 pages in one sitting. I was scared because it’s even more personal/confessional than anything I’ve written/posted here, but I think it was a good thing. She also told me last night though that – one thing that’s been different about me since I was away for a month to make that movie – I’m less positive. Less upbeat. And way harder on myself. I’m a lot more critical of everything I do, say, and feel. And she’s right. It wasn’t an easy month and a lot of things changed. Mostly though, my ideas about myself and who I am. I’m still sorting all of that out. Obviously, I slipped up (see: “Diazepam” from 8/1, for example) so I’ve “lost” my clean time, but that’s kind of a bullshit statement/sentiment anyway. My “clean date” was in August but I didn’t really get much better until December… but the time that I did have, spent doing the right things, doing well, doing good: I still have that. I didn’t “lose” it. And I’ve got a lot more of it coming up so long as I take care of myself and make healthy choices.

Tonight or tomorrow, I’m going to take steps to ready myself to approach some businesses in Jacksonville (later in the week) about the possibility of putting pieces on display, on consignment.

I’m also going to keep (as I have been) selling off the material things in my life that I don’t really need. I feel weighed down by so much of it. I want to get rid of enough that I can get rid of the furniture that’s been holding it all. Then again, this could be some type of substitution or projection. I don’t really know. Well, I know one thing: selling off a bunch of books and records isn’t going to make me happy. My issues are a little deeper than “clutter.”

I finished a piece today that I’m really excited to share, but it was made for someone else’s project and I don’t want to steal their thunder so I’ve got to sit on it for a little bit. It means a lot to me though and I’m really grateful that I had the opportunity to make it. More on that later, I guess.

I shipped the last of yesterday’s orders today. Some got little thank you notes with dumb little drawings on them. Nothing remarkable, but for some reason, I really like one of them, so I’ll just share that.

thankyounote

Artist Statements, Expressive, Post-Treatment, Status Update

Out All Day

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I sold a lot of my stuff online today. Some leftover distro stock, but a lot of personal stuff too. Tonight, I borrowed Heather’s car to scrounge up cardboard boxes to ship these things in. At the gas station where I found most of my cardboard, I also found a couple. Homeless, fucked up. Not totally unlike me a year or so ago. They wanted money and I told them I had none. I gave them a couple cigarettes and used my food stamps to get them something to drink. They wanted a ride and I told them that it wasn’t my car. They had a pretty great sob story about why they couldn’t walk. I told them I’ve fucked up too many things in my life. That I was sorry, but I can’t give strangers a ride in a car that I’ve been trusted to borrow.  I can’t take any risks.

It was sad and it sucks but it’s also [whatever]. It just is. And it’s not a big deal. But I’m proud of myself for saying “no” and for being honest about the reason why.

“Out All Day.” 6/18/13. Marker and pen on canvas board. 8x10".
“Out All Day.” 6/18/13. Marker and pen on canvas board. 8×10″.

Says, “I was out all day. No one told me I had paint in my hair ’til 11 pm. I had a shirt with me in case I went to the library. I couldn’t be happier.”

This was only my second piece done entirely with markers. My first was “Powerless Over Flexeril,” but since then I’ve done more. While on tour, I made “Lost in St. Louis” and “Fear is Killing Me” and more recently I made “Still Sick,” one of my largest pieces to date.

A couple hours before I made this, someone told me they liked my outfit and I thought they were making fun of me ’cause I barely wear any clothes. She was serious though. It made me think about how I really like the fact that I have the sort of life that rarely requires a shirt (and even more rarely requires a shirt with sleeves or a collar). I like the fact that I have the sort of life where I can have paint on my hands, on my arms, my face, and my hair, and – not only is it not an issue or a problem but – it’s not even something that anybody comments on.

As anyone that saw my painting from last night (“Blueprint For a Successful Evening“) can probably guess, things were a little off when I got up this morning. But I went about my day, did my own thing, didn’t stress about it, and everything worked out perfectly.
I’ve said it before, but it’s still true – so long as I’m cool, so is everything else.

By the way, it’s not easy leaving white space on the canvas. So – you know – be REALLY impressed by that AMAZING feat.

(This next part – don’t get me wrong: I’m not majorly bumming out or anything like that but) I am feeling just a little bit sorry for myself tonight. Or I was earlier today anyway. With all the traffic to my webstore today (people buying records and books) I’d have thought that I’d have sold at least a little bit of my artwork. But I didn’t. I can think of a lot of reasons for that (some are a little more disconcerting than others) but like the couple I met tonight at the gas station, the reasons don’t really matter. It just is how it is. And my life is still pretty excellent. And I need to remember to be grateful for that. I need to focus on all of the good things. Lucky for me, there are a lot of them so it’s not all that difficult.

And if there’s something in my life that I’d like to be different, then I need to be bold. And brave. I need to take healthy risks and I need to take responsibility for actually making change happen. I don’t just get to have the life I want. I have to be the person I want to be and do the things that… that I need to do. I have to work at it. Whatever [it] might be.

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Signed and numbered 9×11¼” prints of “Out All Day” are available in my webstore. The original sold in November 2013.

Current Journal, Expressive, Post-Treatment

Diazepam

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Someone made the mistake of asking me to transport a bottle of diazepam for a friend. Sounds like trouble in river city!

diazepam
“Diazepam (My Hands Still Shake).” August 1st, 2013. Acrylics and ink. 10×10″ block of wood.

Those of you that followed my progress / story / artwork may remember that back in – oh, when was it – April (probably) I made a piece that addressed how it had become more difficult to be as thoroughly transparent about my feelings as it had been back when I was still living inside the walls of a treatment facility. I believe that I addressed it specifically in my piece, “Maybe I Don’t Believe in God.”

What very few of you know is that I have been compelled for reasons (somewhat) beyond my control to be even less honest in the last month or so. You see, sometimes the choices that I make have repercussions for people that are not… um… me. And that puts a person in a little bit of a moral/spiritual grey area. On the one hand, I want (maybe even need) to be “rigorously honest” (as they say in “the rooms”). But I live in a world where things can get a little complicated and I’ve allowed myself, recently, to slip into a pattern of lying by omission. I carry many of these lies today. Some of them, some of you are aware of. I have confided in you. Others, remain totally in the dark. Today, however, I am choosing to be fully honest. Here is how I spent my day.

I drank coffee, ate some breakfast, bullshitted around the apartment, ate some diazepam, ran some errands, dyed my hair, ate more diazepam, painted this picture, and then – without any real concern for the paints and painting adjacent to me on the couch, stretched out (lying on top of them), and took a nap for a while. And then I hung my stupid confession on the same wall that I’ve been hanging all my newest “works of art” on. My girlfriend came home (remember: silly as it may seem, since she’s my current girlfriend, I’m not using any real names on this website). From there, we mostly continued where we left off last night. Not talking to or really even acknowledging one another. I love her, she loves me. But things are not going well these last couple of days. Maybe it’s the fact that I’m FUCKING EATING DIAZEPAM. Or maybe that’s a symptom of the larger problem. Either way, I am not happy. And while I recognize that a lot of people are something less than happy a lot of the time, it’s not really something that I’m particularly great at. When I get unhappy, I sometimes begin to behave in ways that have a pretty good chance of fucking killing me. I’ve learned other ways to deal with that discontent, but my usual methods of feeling better are not working out so well for me lately. It’s not for a lack of trying. I’ve been painting like a motherfucker, I’ve seen a mental health counselor twice in the last four days, and I’ll see another on Saturday and another on Tuesday. Whatever the issue is… fuck if I know.

I am tentatively making plans to bail the fuck out of Jacksonville. I love this girl, but I don’t know if that’s enough. And maybe – just maybe – I’d be doing her a favor by leaving. It’s entirely possible that I am not cut out for sharing a life with another human being. My own mental illness is – sometimes – all that I can manage. Having to help someone else with their own… may be beyond my range of capability. It’s possible that I make a better friend than I make a boyfriend. Shit – just ask my last serious girlfriend – we’re doing great as friends! (Isn’t that right, [girl whose name I won’t use]?) It was probably selfish and fucked up of me to ever get involved in the first place. After all, she probably didn’t fully understand exactly what she would be getting herself into. And I certainly did my best, at the time, to convince her that all was well. I was healed, after all!

So, here’s the general game plan… I have way too much stuff and whether I leave or not, I feel like it’s time to slim the fuck down. All of my records, books, etc, are now for sale. And of course ALL OF MY ART IS FOR SALE. (PLEASE BUY SOME OF IT). Ignore the prices in the store. I will cut you a god damn deal.

One last note, as I wrote on Facebook earlier this evening…

Would it be fair to say that we’ve pretty much established that I have no problems when it comes to disclosing personal details of my life to the Internet at large?
Okay, cool. Glad we’re on the same page.
NOW… if something I’ve written means something to you and you wanna tell me about it… Awesome! I appreciate that kind of shit. It’s inspiring, encouraging, and totally welcome.
Similarly, if you’d like to share something *with me* about your own life that you think might be helpful… Awesome! That kind of feedback is also great and I really appreciate it!
BUT if you reach out to me just to ask for MORE details about what’s going on with me… If you have nothing to offer me and you just want the inside scoop for your own weird selfish (probably ego or gossip related reasons) well… feel free to fuck right off with that shit.
My life is hectic enough without having to play twenty questions with every asshole that wants a piece of me.
Love, Sam

Current Journal, Expressive, Intentional, Post-Treatment

Stand Up and Say No

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It wasn’t gradual and it wasn’t an accident. I was eighteen years old and I remember saying to a friend, “Where can we get heroin and where can we get needles?” I was angry and I was miserable. The world was not fair and it wasn’t fun. Everything that everyone had told me was important was not. Shooting heroin seemed like a pretty good way to prove either that nothing mattered or – at the very least – that everything everyone else believed to be true was actually bullshit.

Six years later I was even angrier and even more miserable. I got reckless with heroin. I didn’t care anymore about whether or not I developed a physical dependence. I started shooting up every day. This would really prove a point, right? Eh, probably not. But it didn’t matter anymore. I didn’t care. It made me hurt less. That was enough.

When I started a record label in 2008, I named it “Traffic Street,” after the last song on “The Cheap Wine of Youth,” the second EP by Rivethead. It’s been my favorite record for a long time and it means even more to me today than it did back then.

The songs on that record describe life more accurately and poetically than anything I’ve ever read. There are the feelings of desperation and exhaustion, but there are also all the little moments that make life worth living. And there’s hope. When I’m feeling awful, I listen to “The Cheap Wine of Youth.” When everything’s going my way, I listen to “The Cheap Wine of Youth.” I’ve been asked for advice in the past and found myself quoting these lyrics. They come into my head every day, whether or not I’ve listened to it. It’s the most important piece of art I’ve ever been exposed to and its influenced the way that I’ve lived my life and the way that I live it today.

From “48 Doublestack”: I know it’s nothing short of terrible – the way this place seems sometimes. Still, it’s not impossible to laugh at the bullshit, drink up with the worst. Kid, I know it’s hard but try not to let the world make you the sucker all the time. These things that we’ve done, somewhat desperate and drunk, built the basis for this restless way that we live. We’ve rejected what you’ve got to show for the trade-off.

From “Traffic Street”: And now today I think I found a way to make myself go outside and laugh in the faces of the winning team, while they chase boring dreams and still live paycheck to paycheck. Do what you really wanna do. Don’t fucking “yes, sir” through your whole life like a fool, kid. I hope you don’t really need the lies. Don’t fucking waste your time with the world always dragging you down.

I don’t shoot heroin anymore and I’m not miserable anymore. People tell me I should take the bar exam and be a lawyer. I don’t want to be a lawyer. A lot of people think that’s crazy and think that they know better than I do how I ought to be living. I don’t need to shoot heroin anymore to show them just how little their ideas and opinions mean to me. Now, I’ve got a new way to laugh in the faces of the winning team. I wipe my ass with my law degree and I paint pictures of weird kids with bad teeth. Money is cool, but it’s not that cool. I’m not interested in the trade-off. I like my life the way that it is and I’m way happier living this dream than I would be chasing that other kind.

When life seems tough, I draw inspiration and encouragement from these lyrics (and a lot of others in the Rivethead / Dear Landlord catalog).  If it sounds silly to say stuff like this about a pop punk record… I don’t care. This is the kind of stuff that I think is important.

standupandsayno
“Stand Up and Say No.”July 31st, 2013. Acrylics and ink. 16×20″ stretched canvas.

Zack (who wrote the music (and sang) in Rivethead) has become one of my closest friends over the last few years.  Brad (who wrote the lyrics (and played drums) in Rivethead), on the other hand, I don’t really know outside of a couple shows and a couple fests. But he knows how much I like that band. One day last year, my counselor gave me a package that had come in the mail for me. It had Brad’s name on the return address. I opened it up to find a letter and a test pressing of “The Cheap Wine of Youth.” I’m pretty sure there are only four of these in the world. He could have easily sold it on eBay for … shit … at least a couple hundred bucks I’d guess. Probably more. But he sent it to me, as a surprise, while I was in rehab. I’m not exaggerating when I say that it’s pretty much the coolest thing anyone could have sent me. It’s on the same level as if Aaron Cometbus had sent me the original handwritten Double Duce. Or if Zack had given me the last Rivethead t-shirt and City Sound Number Five poster (which he did (because he’s awesome) (and I love him for it)).

But – yeah – this painting is my “thank you” to Brad ‘cause getting that record, from him, on that day, was… something for which I am incredibly grateful. I don’t really have the words to describe it.

The images are allusions to the lyrics of “48 Double Stack” and “Traffic Street.” If you don’t understand the caption, go pick up a copy of the record and start from the beginning.

Here it is on my wall. It’s the one record I’ve ever framed.
cheapwinetest

And here – for your listening pleasure – (by the flip of a coin) is “48 Doublestack.”

The painting featured in this entry is available as a 12×16″ print/poster. It comes signed, numbered (of 10), and framed.

Artist Statements, Current Journal, Expressive, Photographs, Post-Treatment

Uncertainty

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image

That feeling when you get to the grocery store, unaware of anything that you’ve done wrong, yet the one person who’s supposed to love you, is very clearly feeling anything but love for you. So you withdraw and stop trying, only to have her take out the car keys and say she’d just rather go home. And since the idea of going back to your “home” with this person, who clearly has no degree of affection for you, sounds about as appealing/energizing as … its not an exciting prospect. So you walk back to the car with her, grab your bag, smoke a cigarette in the parking lot as she drives away, and then start wandering in the general direction that your *current* residence is. But you look down a side street and see the water. And it strikes you that maybe the best course of action is to just sit on the ledge with your feet resting on a rusted out sewer pipe just above the water’s surface.

This isn’t anything I’ve ever experienced, but it seems like something a lot of other people might be able to relate to.
[end sarcasm]
When I’m away, she’s terribly in love with me, can’t stand to be away from me, and can’t wait to see me. And once I’m back, she’s just frustrated with me almost all of the time. For no reason. Or at least not one that she’s willing to share with me or address in any way.
I meet with mental health professionals twice a week. I might not be the poster boy for wellness, but I think I’ve achieved some level of awareness and I think I do a pretty good job at expressing myself, my feelings, and my needs.
She, on the other hand, won’t talk to me about shit.
What am I doing here? Why are we a couple? Why are we living together?
Maybe it was naive to think that the first girl I got involved with at the end of my two years in and out of inpatient treatment would be the one for me.
Or maybe it can work.
I don’t know, but this is a bummer.
Did I mention that it’s raining?
uncertainty
“Uncertainty.” 7/29/31. Acrylics and Ink. 16×20″ stretched canvas.
Painted two days ago, at a time when I was feeling pretty disconnected. The only thing that I could recognize when I was painting it was the way i felt so in love with her every time I looked at her.
Artist Statements, Current Journal, Expressive, Post-Treatment

I Am Not As Interesting As I Think I Am

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Somehow, at the end of my ride home, the perfect song always seems to come up to remind me that life is spectacular. Tonight it was “Why’d You Walk Away?” by The Potential Johns.

Here’s the first real break in the chronology. I spent between four and five hours painting it earlier tonight.

"I Am Not As Interesting As I Think I Am." 7/27/13. Acrylics and ink. 16x20".
“I Am Not As Interesting As I Think I Am.” 7/27/13. Acrylics and ink. 16×20″.

As I mentioned earlier, I had been stressing out about this site. Heather asked me the other day what I was trying to get out of it. “Money and attention,” I told her. And then I backpedaled because I was really thrown by my answer. And then I was just sort of confused. Was that really what I was after? If so, what the fuck was wrong with me?

Tonight I realized that nothing’s wrong with me – well, not that anyway. That is the purpose of this site and I’m totally okay with that. Because that’s NOT the purpose of the content, just the site itself. My journals (both while in treatment and today) aren’t something that I write for money or attention. They’re usually the product of intense psychic trauma that I’m trying to get rid of – especially these days. In treatment, I tried to journal every day just for its own sake. Lately, I really only journal when I’m incredibly stressed out and need to get some shit out of my head and in front of my eyes. Similarly, my artwork is all about emotional balance. I make it because it’s what I have to do in order to stay sane. When I don’t make it, I start stressing out about stupid shit (like this website).

But I don’t need to share any of this stuff publicly, on the internet, in order to be well. I do it because I was encouraged by counselors and peers to dedicate as much of my time as possible to doing these creative things and to see if I could find a way to use the products of that time to support myself as well. I was told that the things I was making had value to other people and I decided to put myself out there and see what would happen. Thus far, the return I’ve gotten on that emotional risk has been incredible in just about every sense. It’s true that – since this site has launched – I haven’t gotten a ton of feedback, but we’re only talking about five days. I can’t even count how many people have reached out to me because of the things I’ve put out there prior to this week. I can hardly comprehend the amount of love and support people have shown me as a result of all of this.

The site is about marketing in a sense and so it’s disappointing when I’m not selling anything or getting as much attention as I’ve become accustomed to, but that’s some bullshit on my part. I need to remember to be grateful for all that I have received. I also need to remember to be humble. Posting old journal entries from when I first got into treatment… there may be some value to it, but it’s probably not quite as fascinating to read as I initially thought it might be. Which leads me to the most important point – that I need to remember to honor myself with honest self-expression. Yesterday has happened. What matters is today. What matters is how I’m feeling, how I’m doing, and what I’m doing today. And today, I’m back to focusing on the process of creating art, rather than what might come of it down the road.

 

Psst… If you notice any weird lines in the image, it’s ’cause I had to use a low-resolution camera and I pieced together a few close-up photographs. (I’ll replace it with a better photo once I’m able).

Bonus! Remember when I was talking about “Why’d You Walk Away” by The Potential Johns?

(And if you don’t already have it, go pick up their most recent 7-inch, which has maybe my favorite Potential Johns song ever).

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  • Signed 12×15″ prints of “I Am Not As Interesting As I Think I Am” are available in my webstore.
  • If you’re interested in purchasing the original painting, feel free to contact me.