Tag Archives: December 2012

Artist Statements, Expressive, Inpatient, Rehab Journals

Face Thing

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"Face Thing." 12/12/12. Oil pastel and watercolor. 12x34".
“Face Thing.” 12/12/12. Oil pastel and watercolor. 12×34″.

For a long time, I thought this was the most embarrassing thing I’d ever made. I was hesitant to even call it “art.”

—–

Immediately after figuring out how I felt about myself, I decided to see if I could use the same approach to figure out how I felt about the girl. With my non-dominant hand, I wrote until I had completely filled the two sheets in front of me (taped together earlier for some other purpose). My only pauses were to change colors and even that was done without real consideration – a quick swap when I felt the urge.  I tried my best to be totally blunt, perfectly honest, and entirely concentrated on my feelings. I didn’t want to rationalize, bullshit, or otherwise fuck myself up. I wanted what came out of me to be real. I’m not sure whether or not it was…

Some parts were written in such a way that they wouldn’t make sense to anyone else – and there was no punctuation in any of it – so I’ve made a few minor edits.

—–

Your first group, the buddhist monk we had coming was running late. I was manic but I caught myself and asked the group to keep me in check. I didn’t want to be a spazz on your first day even though I preemptively disliked you. (You seemed too level-headed and assembled to like me).

I didn’t like the way the other guys talked about (and sometimes to) you. We didn’t talk much but you were nicer than I’d assumed and smarter too. When I ran into you after getting kicked out, you were so sweet to me. I thought, “I’d like to have sex with her.”

I didn’t really understand friendship but ,when I came back, we became friends. It was outstanding. We were exceptional. I liked it when we’d touch but knew that was the limit. We had both made that mistake in treatment before. Our counselors said they were worried about us getting too close. We talked about it and you said, “If this were last year, we’d be in trouble.”

We respected the physical boundaries we were given (for the most part) but got carried away otherwise – we loved each other too much. I didn’t know what was real. A pretty girl, an interesting boy, codependency issues, rehab and limited options… Was it love or something like it, or just compulsion and fear?

You didn’t seem too interested when I presented my life story. (Punishment for how I acted at your first step?) It hurt. That and more. It got worse. I needed to talk. I still don’t understand that night. I  got mean enough to get rid of you when all I really wanted was for your door to open.

I couldn’t handle it. I told the truth and you denied everything but, in between, I realized that I really did care about you, contrary to what I thought and said when I first spilled our guts to everyone, while you were away. It gets worse: I think i love you. I admit, I’m still not 100% but I’m going with it – even if you hate me. And not ’cause I wanna be tragic.

I still want to have sex with you but, mostly, I want to be friends.

For real.

—–

Two months later, when I had my coin out, the staff decided that we should have an “art show” – everything I had made since arriving (more than one hundred pieces) was hung up on display in the group room. Each had a title card with a short statement. The one next to this piece said, “If this thing actually ends up on the wall at my coin-out then I am way fucking braver than I have ever suspected. And way more honest. Well, honest about disclosing my art and my thoughts from the past (as evidenced in my art). There’s very little that’s honest about this thing in and of itself.” I’m not totally sure how I feel about that. The things I said with this piece were definitely honest when I wrote them… By February though, I had convinced myself that I had been seriously deluding myself – to such an extent that “the truth” was something completely beyond my reach. Today, I think that was probably an example of my “putting walls back up” to protect myself. My feelings were real and I shouldn’t have tried to discount them just because things played out a certain way and I now (then) felt silly about them.

—–

tipjarThis piece was later cut up and merged with its title card and a related piece I’ve also thought of as “embarrassing.” It’s listed for sale in my webstore but – if anyone wants it – you can name your price. Seven dollars should cover postage and (beyond that) I don’t care about the money.

Update (a couple hours later): Wow – kinda funny. I just looked at the Storenvy listing for this piece and it has a different statement that I wrote back when I first listed it for sale (sometime in August, I think). It’s interesting how much my attitudes and perceptions shift over time.

Artist Statements, Inpatient

Why I Fail

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"Why I Fail." 12/8/12. Tempera, watercolor, oil pastel. 9x12".
“Why I Fail.” 12/8/12. Tempera, watercolor, oil pastel. 9×12″.

Initially, this was to be a painting of me and this girl, having a picnic under the shade of a tree. You know – cute, innocent. Except not really.

Toward the end of 2012, there were a couple times in the van when I took out my headphones and noticed that the female patients were a little more giggly than usual – and talking about trees. On both occasions, I was the only male in the van and had been listening to music but it was still pretty dumb insofar as it was painfully obvious. Trees was a code word (and not a particularly clever one). I didn’t say anything though (who was I to ruin their fun?) I just rolled my eyes and put my headphones back in.

But that’s how I got the idea and I thought was really clever. On the surface, it’d be really sweet and innocuous but – underlying that – something a little bolder. I wanted it to say, “Hey, I like you, you like me, we’re really cute together,” as well as, “I know what your little code word means and – oh –  here’s a picture of my dick — how ’bout that?”

So I set to work. First thing’s first: I needed to trace my penis (you know – the “tree” under which we’d be having our picnic). I chose not to start tracing from the bottom edge because I wanted to leave a little ambiguity. (Like, “Is this the whole thing? Maybe! Maybe not!”). After all, you don’t wanna give it all away, right? I still needed to camouflage it to some extent with branches and leaves, but I decided to draw the two of us sitting in the grass first.

I couldn’t fucking do it. I couldn’t get the characters to look the way that I wanted. I erased and began again over and over until I got frustrated. And then it occurred to me: this wonderful new thing (art) that had recently come into my life — I didn’t enjoy it because it was a way for me to showcase my dazzling fucking wit (or my penis), I enjoyed it because it was a way for me to legitimately work through my feelings and express myself authentically. This – what I was currently engaged in – was bullshit. And what do you know? Like so many of my mistakes and fuck-ups, both big and small, what was at the root of this misstep? My dick.

I changed course, painted without intent, and looked at the page. Yeah – there it was, right in front of me: WHY I FAIL.

—–

Aside from a commission, my first sale was for two pieces: this painting and a drawing.

My first sale as an artist was a painting of my dick.

The buyer had to have seen it, right? Jacob certainly spotted it when I posted it on Facebook back in December. I opted to respond vaguely with comments like, “Eye of the beholder, my friend!” (even when he posted his own derivative work on Imgur to support his interpretation).

I think I was scared because if I acknowledged  it, anyone that saw it could play mathematician based on the dimensions of the painting. Unless I also added that it wasn’t my entire penis. And then I’m suddenly the kid on the internet writing about how “my dick is at least this big (and who knows how much bigger?)!”

Which – now – I totally am anyway.

[By the way,  the answer: not that much].

tipjar

Artist Statements, Cartoons, Inpatient, Stories

Another Opportunity For Growth!!!

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"Another Opportunity For Growth!!!" 1/6/13. Crayon on a "sorry we lost your mail" envelope from the US Postal Service. 4¾x9½".
“Another Opportunity For Growth!!!” 1/6/13. Crayon. 4¾x9½”.

In the last months of 2012, I was inpatient at Tranquil Shores and taking my recovery really seriously. My general mood and outlook were more positive and upbeat than at any point prior in my life; things were going well – most of the time. When they weren’t, it was bad. I had learned to deal with some emotional triggers but others could still set me off in an instant. I was breaking down in a mess of tears constantly [and, historically, crying wasn’t something I had done very often]. The treatment team was really happy with my progress but were discussing the option of adding an antipsychotic to my daily prescription. Personally, I was 100% on board with the idea at the time. The way I felt most of the time was great. I just wanted to stop falling apart for two hours every other day.

There was something else going on though that was tearing me up and that I wasn’t talking about. There was this girl. And though (for the first time) I cared enough about “playing by the rules” (for the sake of my recovery) to not turn it into a sexual relationship, we were very much emotionally invested in one another. And the kinds of little things that chip away at my soul whenever I’m involved with any girl (coupled with the shame of having to lie to my counselor to keep it a secret) were killing me.

Eventually, I came clean about the whole thing. Alexis denied it but she was leaving Tranquil Shores in a week or so anyway. That confession was the catalyst that finally kicked my recovery into gear (for real). There was no need to talk about anti-psychotics after that. When she left, still denying everything though, I figured it was all over between us. It hurt but what could I do?

In the last week of December, she got in touch with me and we started talking again. She still saw her [also my] counselor on an outpatient basis and she had gotten honest and confessed that everything I had said was true. We had both been advised that we shouldn’t be speaking with one another until we had a better grip on exactly what was going on between us, but I was so excited to find that she was no longer furious with me (and wanted to see me) that I didn’t care. On December 30th, I snuck out of Tranquil Shores and she picked me up down the street. At the end of the night when she dropped me off to sneak back in, I could have skipped back to Tranquil Shores; I couldn’t wipe the smile off my face. I didn’t get caught and we made plans to meet up again the next night: New Year’s Eve.

I played it cool and waited all day for her to hit me up. Nothing. I tried her phone. Nothing. And then four more days of the same.

She had relapsed… right? The night that we were together, she had told me that that it had been on her mind a lot but that she had held strong. That was the way I usually talked to people on the occasions that I had already relapsed, but I took her word for it. I had to because I so badly wanted it to be true. It was obvious now though. Our night together had been incredible. She apologized for denying everything initially (in fear) and said that she had been dying to talk to / see me, but needed to sort through her feelings first. She had done that though now, she said, and she told me she was more in love with me than she had ever been in love with anyone and that there was no doubt in her mind that her love was real, authentic, and deep. You don’t disappear on someone for five days after saying some shit like that. It wasn’t the behavior of someone “living a program.” I didn’t know what to do. She might be dead. [People that start shooting up again after a period of clean time have an incredibly high rate of overdose]. Two friends of mine had already overdosed in the last two months. I feared the worst and it ate away at me.

In those five days, I exercised self-discipline like never before. I only allowed myself to try and reach her once or twice a day and I kept myself busy and focused around the clock with my art and my treatment plan. I was a ball of anxiety but I was extremely proud of the way that I didn’t completely lose my fucking mind. I felt like I had bullets under my skin, bouncing around my skeleton… but I managed.

Late afternoon, January 5th, I got a text: “hi sammy.”

HOLY FUCKING SHIT.

“Hey! Where have you been? Are you okay? I’m so happy to hear from you! Call me!”

She called later that night. It was … off. She didn’t sound high, but she wasn’t exactly coherent either. Above all though, she stressed that I didn’t have anything to worry about –  and she asked if she could see me tomorrow [Sunday] night. “Of course.”

Those weren’t my only plans for the day: Taylor was coming to visit. I had been looking forward to it for at least a month. I got all my little papers to my counselor, got them stamped, signed, approved, and sent over to property staff. Everything was in order. It was the first time I’d get to see her since Labor Day, 2011 – when we left San Diego on separate flights and, upon arrival in Florida,  I immediately proceeded to overdose (intentionally) in an attempt to kill myself. [But that’s another story].

I’ve written a lot about overlapping things I’ve had with girls (especially in this stretch of time) but I don’t consider this anything like that. Taylor and I had dated and lived together for six years, but I had spent a lot of time looking at the relationship and was almost certain that I was looking forward to seeing my friend, Taylor (and not Taylor, the girl with whom I might still be in love). I wasn’t trying to “win her back” as I had back in 2011; this wasn’t romantic, we were friends. [Though this, too,  is tangential – a subject for another time]. We planned her visit at 10 AM because she was flying back to Baltimore at 4 that afternoon. I was excited.

At 11AM, I called. Running late, she said. Okay – no big deal.

At 1PM, I called. No response.

At 4PM… she’s on her flight right now. She fucking bailed on me and didn’t even care enough to tell me.

And what do you know… I haven’t heard from Her all day either. We’re supposed to meet up tonight… I sent her a text. I tried to call. Nothing. I need to go for a walk.

I signed out for an hour [I had been at Tranquil Shores for five months so I had that privilege on a Sunday afternoon]. I walked down the street not knowing what the fuck I was even doing. I sat down at a bus stop and waited… to hear from her. I wrote her a short but desperately conflicted “please let me back into your life” kind of note. I sent it as a picture so that she’d be more likely to look at it (assuming she actually had her phone and really was just ignoring me).

No response. I walked some more. Sat at another bus stop. Decided to draw. I looked in my bag and took out the only medium and paper I had on me: crayons and a tattered envelope. I was trying so desperately to remain optimistic and see everything in the best possible light. Taylor’s bailing on me that day and this girl (that I was in love with)’s strange behavior and looming death… it all hurt but it had to be for something. If nothing else, I told myself, it’s practice; I’m getting better at feeling pain and not falling apart. When I live in the real world again one day, where I could quickly and easily numb out pain with heroin, these experiences will be what keep me from doing so. I will get through this and I will be okay. It’s another opportunity for growth…

—–

2013-01-06 note

  • Here’s the note that I wrote her just before I drew my little cartoon.
  • If you wanna know how things turned out with her, it’s in my statement for “Spoiler Alert.”
  • Taylor and I are pals and talk all the time (but never about why she didn’t show up that day).
  • The cartoon featured in this entry is for sale in my webstore (and comes in a custom frame/mat set that I painted/made myself).
  • This cartoon was among the twenty-five pieces featured in my first art show. It was sold 11/9/13.
Artist Statements, Cartoons, Inpatient

Dry Goods / Old Timers (Singleness of Purpose, Dickweed!)

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"Dry Goods / Old Timers (Singleness of Purpose, Dickweed)." 12/15/12. Pen. 3x5".
“Dry Goods / Old Timers (Singleness of Purpose, Dickweed!).” 12/15/12. Pen. 3×5″.

Narcotics Anonymous has a statement of clarity, which says that they don’t distinguish between drugs and alcohol. Makes sense, right? After all, heroin (for example) has got way more in common with alcohol than it does most illicit drugs (crack and cocaine, meth, acid, and weed, to name a few). For the purposes of recovery, what’s important isn’t a substance’s legality – it’s the effect that it’s had on your life. NA doesn’t care if your problem’s with heroin, alcohol, or Benadryl; if it’s a chemical, if it’s fucking up your shit, and if you wanna try their way of life – their doors are open to you.

In Alcoholics Anonymous, on the other hand, there’s a principle oft cited (in some groups) known as the singleness of purpose: “Each [AA] group has but one primary purpose – to carry its message to the alcoholic who still suffers.”

No one forced me into recovery. Anytime I showed up to any kind of twelve-step meeting, it’s ’cause I was ten kinds of fucked up, miserable, and desperate. And I didn’t need someone to give me shit about “not belonging” for me to feel that way – I already did.

I’m not gonna use this as an opportunity to tear into the Fifth Tradition (from which singleness of purpose is derived) and the subsequent literature like I’m interpreting constitutional law for the Supreme Court. One thing I’m fucking certain of though is that it was never meant as an excuse for people to be assholes. I’ve seen kids come into meetings, fresh off the streets, grasping at straws, just desperate for anything to help save their lives. And I’ve seen shitbag AA “old timers” start coughing and muttering “singleness of purpose” under their breath when some poor kid that isn’t fully acquainted with the rules of AA mentions a drug other than alcohol. I’ve even seen a kid interrupted and told that he needs to go to an NA meeting (and not in a well-meaning, helpful kind of way).

There’s a reason that the twelve steps are identical in AA, NA, CA, OA, CodA, SLA, EA, and all the others. Compulsive behavior is compulsive behavior. The (specific) problems may vary (a little) but the fix is always the same.

In an effort to placate singleness hardliners, some alcoholic-addicts use codewords like “dry goods” and “other forms of alcohol.” Personally, I don’t bother with that. I know “the rules” so, if I’m at an AA meeting, I’m perfectly okay with total substitution. I say “alcohol” instead of “heroin,” “bottle” instead of “needle,” and “drink” instead of “shoot up.” While I might think that all of that’s kind of dumb, I do respect that the purpose of a meeting is to carry the message to those that still suffer –  not to offer me a soapbox from which I can share my brilliant opinions (that’s what this website’s for!) So here we go…

So-called “old timers” that take a hardline stance on this shit are dinosaurs, and they’re on their way out. The time when alcoholics outnumbered drug addicts is history. For every kid that realizes he has an alcohol (and only an alcohol) problem,  there’s gotta be a dozen more that are fucked up on alcohol and/or some other drug (or combination of other  drugs). And I use the word “other” in that last sentence very purposefully: because alcohol is a drug. You’re not better than or different from some junkie just ’cause your chemical is legal. Get the fuck over it, get better, and help somebody else do the same.

—–

singleness-of-purpose_original

  • Signed 4×6″ prints of this cartoon are available in my webstore.
  • The framed original cartoon is now for sale as well. (As you can see, like many of my pencil/pen cartoons, it differs from the version sold as a print).

—–

Though I shared “witness accounts” in this entry, I do have my own story about being turned away by singleness of purpose hardliners. (It’s pretty fucked up). I’m going to leave it for some other time though.

 

Artist Statements, Cartoons, Post-Treatment, Rehab Journals, Stories

Autobiography

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"Autobiography." 9/30/13. Watercolor (with acrylic outline). 16x20" stretched canvas.
“Autobiography.” 9/30/13. Watercolor (with acrylic outline). 16×20″ stretched canvas.

When I was asked to consider how I present myself to the world, I was able to identify four different “roles” that I play. While all of them are genuine parts of who I am, what’s not genuine is how I’ll focus on (or “play up”) whichever will best suit me in some situation. These days, I try to be authentic but I (of course) still do it to some degree. We all do.

I like this cartoon a lot but—in all honesty—it’s kind of bullshit. I hardly ever put myself out there in such a way as to risk being rejected by a girl. I just thought this up one night because I knew it’d be cute and it’d fit well with my “wounded child / stray dog” persona that some girls seem to find so endearing and attractive.

As redundant as my art may be at times, it’s incredibly rare that I’ll make the same thing twice. This cartoon is one of those exceptions. Below are some journal excerpts that explain why I wanted to create this image again and [bonus!] paint a pretty good picture of a kid with low self-esteem, trying to solve his problems with female attention.

—–

Tranquil Shores Journal, November 16th, 2012:
Saw Kelly at the Church of the Isles meeting last night. First time since she bolted from Tranquil Shores. She came up to me and was really flirty. Lightly kicked me ‘cause I was sitting on a curb smoking a cigarette and then sat down next to me. I kicked it with her at the Fairwinds table. Or – rather – I sat down at a table and they all sat down with me. She didn’t sit next to me, but across from me (which I commented on). We made funny faces throughout the meeting, with occasional little comments. I drew a picture of Satan with the caption, “Anal Sex and Goat’s Blood,” and passed it across the table to her. She asked if she could keep it and then pointed out that the crumpled paper on the table (that she had thrown at me a little earlier) was actually a note. I uncrumpled it; it said, “You’re hot.” I gave her a look. After the meeting, we traded numbers. I’m looking forward to that. Though she does have a boyfriend, he just got arrested so I don’t think it’ll be an obstacle. Not that I want to date her anyway. I do think she’s cool, but she’s not ready to get better. They don’t get to keep their phones in Fairwinds but she gets out in eight days.

I broke up with Chelsea. She keeps going back and forth. Trying to be mean to me, begging me to still be with her, saying I used her, trying to pull me back in with sex appeal (“I want you in my bed right now; I want to have sex with you so bad”). It’s all over the place. For the time being, I blocked her on Facebook. I think it should stay that way so she’s not perpetually flipping her shit every time there’s any activity on my page.

Alexis coins out in three weeks. I’m not thrilled about that.

Met another girl at the meeting on Tuesday. Lilly. She’s from Lexington. I said I had some friends there. “Anybody I’d know?” I asked if she ever went to shows or was at all into punk. “Sort of.” Turns out while she didn’t know the kids I named, she is friends with Infected (that sorta-metal punk band on A.D.D.). Outstanding. [I don’t know those guys, but that’s close enough to my world]. She was cute. Not insanely hot, but definitely a cute girl. We talked for a long while before the meeting, while Alexis sat to my left feeling totally neglected (I’m sure) which I kind of enjoyed. I had done the same thing with/to her back when Kelly was at Tranquil Shores and it only got her to pay more attention to me. At one point, Lilly was fishing in her bag for something to show me that she thought I’d get a kick out of. She couldn’t find it and told me she’d show it to me “next time” so after the meeting, I asked for a pen and gave her my number and Facebook. She hasn’t hit me up yet, but it’s only been a couple days.

The property staff is out of town for some training seminar so the clinical and office staffs are filling in as our weekend babysitters. Should be fun.

Tracy came by and I played “Song For the Desperate” for her. She liked “parts of it.”
When she left, it was just Ashley and I. We talked about girls and boys and rehab romance and I told her about Jesse’s coin out and running into Kelly last night. I also tricked her into telling me how much Tranquil Shores pays her (and then pointed that out). It was fun talking to her. I think she’ll be a good counselor.

—–

Tranquil Shores Journal, December 6th, 2012:
Kelly never called but word is Fairwinds decided to hold her for another 30 [which means she still doesn’t have a phone]. For the first time since I saw her there, we went to Church of the Isles for our meeting tonight. I was looking forward to it all week ‘cause Fairwinds is always there on Thursdays. Until tonight… Maybe I’ll see her when we come back on the 20th.

Willa [who I met at Blind Pass recently] was at the meeting though, so maybe it’s for the best that Kelly wasn’t. I sat with her and pulled (what I guess is now) my “Church of the Isles” trick: I drew a picture and passed it to her. It was a fucked up looking kid offering a flower to a pretty (but disgusted or annoyed) looking girl, captioned “My Autobiography.” She said something nice but didn’t ask if she could keep it. But she did pass me a note with her phone number in it.

After the meeting, I went outside and sat on the curb to smoke a cigarette. Alexis came out and sat down next to me. I pulled the “My Autobiography” cartoon from my pocket and showed it to her. “Did you make this for me?” she asked. I froze for just a second and then nodded and smiled, “I did!” She was really into it. It’s funny how things play out sometimes.

—-

Journal, April 7th, 2013:
On top of everything else that happened yesterday, Alexis sent me a text. It’s gotten less and less frequent and I’m not sure why she even bothers at this point. It’s so pointless and she acts so oblivious. I tried to have a conversation with her and when that proved impossible, I just asked her to please send me a picture of my cartoon like she promised. It’s the one thing I’ve made that I don’t have a picture of. She told me when she moved out that she hung it next to her bed but I can never actually get her to send the picture. I think it’s because she knows it’s the one thing she’s got to keep me from ignoring her outright.

—–

Journal, June 21st, 2013:
Not that I expected her to show up this weekend [for the Tranquil Shores Alumni Reunion], but I just found out that Alexis violated her probation (again) and is almost certainly going to jail for the next decade or so. I saw it coming but it still… it’s just sad how fast she went from “shining star of recovery” to “totally fucked in the head and making all the wrong decisions.” We both let each other fuck us up a little bit but she was still my best friend for a while there—and I really thought she was going to do well. I really wanted her to do well.

In any case, it’s a safe bet that I’m never getting a picture of that cartoon. Is it fucked up for me to even think of that?

 

Artist Statements, Cartoons, Inpatient

I Believe in The Promises

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"I Believe in The Promises." 12/11/12. Pen. 3x3".
“I Believe in The Promises.” 12/11/12. Pen. 3×3″.

“The Promises” is a passage in the Alcoholics Anonymous text. Don’t quote me on this, but it’s something like: “If we are painstaking about this phase of our development, we will be amazed before we are halfway through, we will know a new freedom and a new happiness, fear of people and of economic insecurity will leave us, the dog will stop peeing on the futon and pulling snotty tissue out of the garbage can.”

 In early recovery, I hated The Promises. It just read like bullshit to me. I drew this cartoon while sitting in an Alcoholics Anonymous meeting. It’s just some snarky bullshit—I’m crazy, I feel like I’ve got a boot to my head crushing my skull into the ground, but – oh yeah, sure – I believe in The Promises!

I had been off heroin for about four months, trying in earnest to do everything I could to get better, but there was resistance in me that I couldn’t shake; it was keeping me from really moving forward. This cartoon is from the week when that would finally change though.

—–

Artist Statements, Cartoons, Inpatient, Status Update

Parents (I’m Not Sorry)

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"Parents (I'm Not Sorry)." 12/11/12. Pen and pencil. 2x3"
“Parents (I’m Not Sorry).” 12/11/12. Pen and pencil. 2×3″

I drew this while sitting in an Alcoholics Anonymous meeting, one night after “Clarity” and “Chrissy Fit” and one night before “No Accident.” I guess you could say it’s about stress and coping mechanisms. Cigarettes, yoga, whatever. I chose the kangaroo with the overgrown kid ’cause the things that stress us out most tend to be (1) problems we’ve created ourselves and (2) things that – long after we have any reason to – we continue to carry around with us.

—–

I’m still sick and I’ve been feeling especially under the weather today.  I’m good emotionally though, so I’m very grateful for that.

—–

The original is still available, but the image pictured here is the 4×4″ print that I have for sale in my webstore.