She’s Cut with Xylazine

“She’s Cut with Xylazine” 9/29/2024. Acrylic paint. 24×20″

My next painting was “pre-purchased” before it was started. The only request was “could it please be one of the journal heavy paintings?” That was a bit of a problem. My journals from August are so boring. I was really happy and complacent. They are not interesting. Really just a collection of “here’s what I did today” entries. Because “she” and I were spending every day together. She’d signed a lease on a studio apartment just one block from mine. I’d held to the idea that we shouldn’t move in together right away. That we should take it a little more slowly and cautiously. But we were having such a great time together. Even when my grandpa was in the hospital, she came with me every single day and was so good and kind and supportive. Two days before she was set to move in, I asked, “how often are we gonna do overnights together?” “Every night,” she said. I still thought it was important that we have our own apartments, but why wouldn’t I want to go to sleep every night and wake up every morning next to her? That she wanted the same made me very happy.

She’d always been the partner in the relationship who loved more. She was more in love with me than I with her. But she was so insecure when we met that she never really let me fall all the way in love with her. And then I was on drugs. Our relationship dynamic was a natural consequence of those two things. But now, totally clean, I was excited to be equally in love with her and not take her for granted at all. It made me very happy to show someone that kind of love.

The day before her move she said she was scared. I’ll cut to the chase. She didn’t move. And then she changed her mind. And then she changed her mind about changing her mind. And that cycle went on until the apartment was gone and she’d burned through all the money that’d been set aside for her move. She was stuck and I was tired of being dicked around. I blocked her number. (This is the very short version. What she actually put me through after the first failure-to-move was both agonizing and agonizingly drawn out).

My painting would get PLENTY of journals now.

I know it makes me sound like a FUCKING PSYCHOPATH but it makes me ANGRY that we’re not together.

SO MANY lost experiences that should have been shared. [Every time I see something that makes me smile, I want her to be there with me – or I at least want to tell her about it. I want those to be her smiles too. But she’s out of the picture now. We don’t share anything].

A friend of mine died this week.

Her circumstances were remarkably similar to this person I’m writing about. Trapped in a bad situation. Paralyzed by fear. Using substances incredibly recklessly to cope. When she could have just walked away. But she didn’t want to admit defeat. She’d tried a new kind of relationship – if she broke up and moved out, it would be another failure. (SO WORRIED about how other people see us, ready to literally die first; talk about tragic and pointless).

I was talking to another friend after we learned of the death. She was having a hard time but said it was made easier by the fact that people in her life depend on her. “Gotta keep going for them. Simple as that.” It reminded me very much of where this next journal (written a couple weeks ago) goes.

I’m not trying to be all melo-fucking-dramatic but what’s the point? What good reason is there to not kill myself? [It’s so hard to even get my thoughts in the right order].

I know she loves me and yet we’re not together. I know I make her happy in a way no one else ever has or maybe ever could. And she makes me happy.

The thought of even trying to find someone else seems so fucking stupid. How could I ever love anyone else as much as I love her?

She will come back to me eventually but can I even take her back then? If I let her take me for granted, she will take me for granted. And it won’t 

work out. She’ll never be happy in a relationship where she feels like she has all the power, or where her actions don’t have consequences. Is she too broken for it to even work out anyway?

I’m not sure there’s anything in the world that I love doing enough purely for its own sake that it’s enough to make me happy without her. Making art makes me happy but not enough that… 

FUCK! I’m so lost.

If I’m with her, I have the drive to be more successful. If I’m not with her, I need the drive to be more successful or else I’ll never be happy.

If I have her, I’m willing to do what I need to do to make money off my art more aggressively. Because then it’s for something. But if it’s me alone, who cares about making any more than I need to live?

It hurts to love someone so much and not be able to have them. I made it too easy for her. Maybe disconnecting is what I needed to do to get through to her. That feels like a “game” but maybe that’s what it takes with her.

What I need to do is just be patient, let whatever happens happen, not stress about her or about not being in a relationship, and just do my best whether it’s for her, someone I don’t know yet, or [duh] myself. It’s just so hard to be totally self-motivated AND – let’s face it – I’m just always starved for love, attention, and validation.

The next section of text in the painting is the “untitled prose poem” that I shared last month. It’s heavy on the kind of SALACIOUS stuff that generates clicks. It’s also really honest because it wasn’t written with a mind of it ever having an audience. It was maybe a letter that I was going to send, maybe just for myself. Click this link and it’ll open in a new window. Then you can come back here.

My dreamgirl versus THE LIE SPIDER…

“My dreamgirl” is a phrase I used in a letter I wrote to her. I’m not going to share it here (because it was private and) because I don’t want to romanticize this relationship right now. And – at the risk of TOOTING MY OWN HORN – the letter is VERY romantic) “I read it everyday,” she once told me.


BUT… (next journal from the painting):


Maybe I’m not in love with you. Maybe I’m just in love with the idealized version I have of you in  my head. Maybe I shouldn’t have to make so many excuses for you. Maybe the fact that all of this is so “complicated” and requires so many explanations to make sense – maybe that tells me everything I need to know. Maybe I should believe you when you show me who you are. Maybe actions speak louder than words. I like to pride myself on my ability to see through your lies and get the truth out of you, but maybe I’m still not getting the whole truth. Maybe you’re just as dishonest with me as you are with him and I’m a bigger sucker than I realize. I don’t really think that’s true but it’s probably more true than I want to believe. You didn’t earn your nickname for nothing. You are the LIE SPIDER.

And she really is. The nickname goes way back. It wasn’t even really derogatory, just matter-of-fact. Because she will lie about anything. She will lie when the truth is fine. And then she has to tell another lie to cover the first lie. And then another. And eventually there’s a whole complicated web of lies to keep track of. “You are a lie SPIDER,” I’d once told her in a moment of (good-natured but nevertheless) exasperation. The name stuck because it would earn its relevance again and again with every new web of lies.

I was thinking about how much clean time I have now,

how little I’m tempted by drugs (not at all), and how this situation with her (everything before, plus now having her blocked from contacting me) was so much like a withdrawal. And how I was having such a hard time with it. How “relapse” was so tempting to me. I could easily have her back in the same way I’d had her before. She still wanted me. She just wasn’t willing to do what I needed her to do for her own sake – for her own well-being and happiness. But if I was okay with a sick girl, that was still on the table. But I don’t want a sick girl. I want a healthy, happy life with a healthy, happy partner. I started to journal about it when I hit on something. 

She’s the drug I can’t stay away from.

I need to think of her like I’d think of heroin. I can’t afford to relapse. Just one time runs the risk of pulling me back in and starting the cycle all over again.

It’s easier staying clean now that heroin doesn’t exist anymore and all the fentanyl is cut with xylazine. Shooting up isn’t comforting in the way it used to be. It’s not the easy, stressless escape that she still is. I still love the way she makes me feel. Ooooo – shit. But that’s the thing. I love the way she used to make me feel – or could make me feel IN THEORY. But the reality of the situation is that she’s so broken right now that she just makes a mess of everything and leaves me feeling worse. Just like the drugs would. It’s like SHE’S CUT WITH XYLAZINE. She’s THE GIRL CUT WITH XYLAZINE. She’s necrotic.

God damn – that’s a PERFECT metaphor. “Until they get the xylazine out” (of her), she’s too overloaded with poison to serve any purpose. She should be avoided at all costs. No good can come from her.

[Very quickly, xylazine is an inexpensive veterinary tranquilizer mixed (or cut) into opiates to increase volume and, consequently, profit. It doesn’t provide a euphoric high; it simply knocks the user out. The real issue though is that it rots the skin off your fucking body. Xylazine has completely infected America’s illicit opiate supply].

That really crystallized it for me.

For the next week, I was able to focus entirely on my work, get a ton done, and just generally be in a better mood. The drugs I was addicted to don’t exist in the same way anymore. And the girl I was in love with doesn’t exist in the same way anymore.

That said, I’m not gonna pretend that I’ve totally gotten her off my mind (in the way I have with drugs) or that I don’t still secretly hope that something will change and she’ll become “xylazine-free,” but – at least until that happens – it’s made it much easier to not be consumed by her or to get pulled back in to her shitty cycles of destruction.

Part of me still feels like I need to be there for her. I really do worry that she may die. But I did everything I could to try to help her. And she wasted my efforts and then I did it again. And again. And again. If something happens, I’ll be fucking furious (and devastated) but not at myself. For me to continue trying right now would be insane. She’s got to want to get better herself. She’s got to take at least one step on her own. And I’m not saying what would or wouldn’t happen at that point or what I would or wouldn’t do, but that doesn’t matter anyway. I. can’t waste my energy trying to predict or plan for something that’s totally out of my control (and may never happen). I can’t help someone who refuses to be helped. It’s not selfish to worry about, to prioritize me. To take care of me. (SOMEONE HAS TO). And the other people in my life that I care about. I’ve got enough on my plate without taking on XYLAZINE PROBLEMS.

all images on the site are fairly low-res but click/tap for a larger image with somewhat clearer details. for a truly high-resolution image, BUY THE PRINT 😜


Hey! I finally set up a webstore to sell prints! You can buy your very own 14×11-inch “She’s Cut with Xylazine” print today! Not only will you get a beautiful, provocative piece of art for your home, but I’ll get to continue sleeping indoors!

Thanks so much to everyone who supports my work. Whether you buy, share on social media, drop a comment, or even just take the time to read this stuff, I can’t express how much it means to me. I couldn’t do this in a vacuum. You all are what keep me going.

And speaking of “keep me going,” I now have FIVE MONTHS CLEAN off any/everything again! Time flies when you’re an emotional basket case!


untitled prose poem

I wrote a stream-of-consciousness prose poem. It doesn’t have a title. It may or may not find its way into the painting I’m working on right now. It’s about the girl who says she can’t live without me – and the guy that she rebounded with when we broke up – who she’s still living with because she’s too piss-scared of change to crawl out of her rut.

If you’re going to cling to a safety net
Could you at least choose one that’s less pathetic?
A chronic masturbator, jerking off in his car
Into socks that he lets pile up in the back seat…

I know you like having someone you know will never leave you
Or hold you accountable for anything
But how about a chronic masturbator
who jerks off into tissues that he throws away?

‘Cause it’s embarrassing having to try to explain
Why we’re not together
Even though you’re in love with me
That this is a tough choice for you
DOES NOT REFLECT WELL ON ME

I think you’re afraid to be in a healthy relationship
Which is why you never leave the bad ones
I know you’ll try to come back to me
(Because you’re still trying)
But I know you’ll try harder
You will eventually make a real effort
But even if I took you back for real
And we made a real go of it
I don’t think you’d stick around
Because you wouldn’t be comfortable
With someone who makes you happy
With someone you like fucking
With someone who loves you
And dotes on you
You’re too used to neglect
And alienation
And watching TV on separate couches
And sleeping in the same bed
Without ever making physical contact

It breaks my fucking heart
How scared you are
How broken you are
How much fun we have
How much love we have
Until you self-sabotage
So I pull back
And you go back
To living alone
In a house with someone else
Where you drink
And cry
And are always sick
And never happy
Until we reconnect again
And you start to heal
And start to love
And start to smile
And laugh
And everyone can see how happy you are
And how in love we are
Until you fuck it up all over again
And the cycle goes on

I’m too old now
To be wasting time repeating the same mistakes
I’m ready to be happy
It breaks my heart
That it won’t be with you

Because you’re everything I want
You’re my dream girl
I can’t imagine
Being more attracted to
Having more fun with
Having better sex with
Sharing more love with
Anyone else
You’re perfect
Except for that one little thing
Inside of your brain
That nullifies everything else
That makes it all worthless
Because it’ll never work
Because you’re too afraid
to just let yourself be happy

And you hate yourself so much
You can’t believe anyone could really love you
Unless there’s something wrong with them
So you stay stuck in your rut
With someone that you know you at least have control over
Because he’s the personification of a wet paper bag
Except that wet paper bags
Don’t get drunk and watch Andrew Tate videos
Or have a dozen jizz-crusted socks in the backseat of their car
You can cheat on him
(And show him videos of you cheating on him)
Show him what it looks like when you’re with someone else
Who you actually love
And actually fuck
And enjoy it
You can scream at him
You can say awful things to cut him down
To make him feel totally worthless
You can be cruel
Because you resent him
Because he doesn’t make you happy
And he’ll just take it

And resent you
But never leave
Just sulk
And get drunk
And text you Andrew Tate videos

That’s the life you’re choosing
That’s what you’re afraid to let go
It’s a tragedy
A genuine fucking tragedy
Because unlike the movies
This won’t have a happy ending
Unless you make it happen
And I don’t think you can

Update from two days later (Tue, Sep 10): The same day that I wrote this (but before I’d posted it) I got a phone call from someone on this girl’s behalf. I was told that she’d been looking at keepsakes of her father (who died a little over a year ago) and had come to the realization that she didn’t want to waste one more single day of her life living without me. I was asked to please call her and hear her out. I was skeptical when she gave me all the usual lines. She was going to officially break it off with that guy and let him know that she was moving out at the end of the month. She also told me she’d already found a couple of prospective apartments. She begged me to believe her and give her another shot. I told that, frankly, I didn’t believe her but that she could come over. So that night, she asked me to pick her up. When I told her I was outside, she told her sockboy (actually, we usually call him “Lumpy” but his real name is Brett) that she was going to the kitchen for a glass of water, but instead came out and got in the car. She stayed the night and – when I dropped her back off the next day – she said she was gonna tell Lumpy the truth about everything when he got home from work and that she’d call me the next morning to come pick her up so we could spend the day together.

Instead, she texted me just to say, “I’m an idiot.” I called to ask what that meant (as if I didn’t already know) and she said that she’d only gotten as far into the conversation with Lumpy to say that things weren’t working out, but hadn’t been able to muster the courage to tell him the full truth about her and I, or that she was planning on moving out. I asked if she was still planning on moving out and – oh so predictably – she said she didn’t know. Said she needed “time” to figure it out. Even though I had already been giving her all the time and space in the world and she reached out to me (as always) to once more say she was certain now.

So I’m cutting off communication again. And hoping that’s the last time I get dragged through that same cycle. I could make excuses for why I keep letting it happen or explain what I think needs to happen for me to stop but I’ll just leave it at that for now.

Oh, wait – one more thing. Remember the part where I mentioned that she sent Lumpy a video of me fucking her in order to hurt his feelings? While drunk, he told her that he had kept the video. Because he jerks off to it. Probably while sitting in his car. Into a sock. That’s probably still lying in his back seat. What a champ. Cheers, Brett Riddick. Or Reddick. Or whatever the fuck your name is. If anyone ever has cause to Google your name one day, I hope they find this page.

SECOND UPDATE!: This poem is now also a TikTok video because 🤪.


Mental Health Services Available to Strippers, Junkies, Cutters, and Other SICK GIRLS

“Mental Health Services Available to Strippers, Junkies, Cutters, and Other SICK GIRLS.” 12/6/17. Acrylic paint. 3×4′.

GOD DAMN. Where do I start? As 2015 and my third year as an artist drew to a close, I relapsed. By February 2016, I was back to shooting up all day everyday and had completely stopped painting. My three years of art and clean time were over and I was back to where I started before I went to rehab for two years, discovered art, and gave up heroin. It wouldn’t be until September of 2017 that I got clean again and another couple months before I got back to painting. This was the first painting I made at that time. Unfortunately, after seven months off heroin, I relapsed again in April 2018 (and stayed fucked up through October) so I’m just now (April 2019) getting back on top of my game and doing the things I should have been doing all along, like updating my website and writing the statements for the batch of paintings I made in those 7 months of clean time that ended a year ago.

I did a fair amount of journaling on this canvas so I’m going to let it mostly speak for itself and just interject as I wanna supplement or comment on what I remember was going on in my head. For a little context though, I was living with the same family that “adopted” me when I was a teenager and that have been in my life ever since, I had broken up with Wallis, and I was trying to regain my footing but feeling pretty broken and lonely a fair amount of the time. Things were better than they’d been in a long time but, overall, I was just generally shaky. Regarding the title/main caption though (“Mental health services available to strippers, junkies, cutters, and other SICK GIRLS”), it was like a calling card. A casting call. I was putting it out to the world that I was looking for a girlfriend and making a joke about the kinds of girls that I attract and a joke about what I have to offer those girls. Anyway, here’s what else is written on the canvas (in chronological order, to the best of my recollection).

Yo – I am super fucking codependent. It’s been maybe two weeks that I’ve been “single” and I’m already fiending like a lonely little sad sack. Painting helps but it’s weird on a back porch instead of on the street with an audience and a stream of validation AND GIRLS.

I’m happy to report that, today (as I write this blog a year and a half later), after getting back together with Wallis, relapsing again, and breaking up again, I got over that overwhelming need to be with someone. I do have a girlfriend again at this point [Juliana] but – before I met her – I wasn’t sadding
around
and obsessing about finding someone. I was back to painting, spending time with friends, and – for the most part – I was pretty happy, even without a girlfriend for once.

I keep thinking if I could just find the right record to listen to or the right colors to energize me or the right title to plaster across this thing, I might get excited to paint and not just want to go lay down. I’m smoking way too many cigarettes, sitting out here, NOT painting.

I don’t know what I’m doing anymore.

People say shit like, “You don’t know how good you had it ’til you lost it.” I don’t know if I knew back then. I honestly might have. (Certainly at times; in moments, I knew how lucky I was). One thing I know absolutely: I DON’T HAVE IT THAT GOOD ANYMORE. But I still got something. I still got SOME THINGS (people, a bed, whatever) to be grateful for. I’m thinking maybe this is one of those times to realize how good I got it before I don’t anymore…

HOW ‘BOUT THAT? A couple months after penning that shit, I got my girlfriend back. A couple months after that, I got a motorcycle. And then my own home/apartment. And then I fucking
lost it all again
and was worse off than when I was painting this.

Here’s the longest “journal entry” on this painting:

I’m not sure what’s motivating my behavior. I mean, I know I’m codependent. I miss her [Wallis]. But I’m not doing everything I could to get her back to me. Is that what I should be doing? I’ve been chasing other girls… “Chasing” is a strong word. I’m barely even casting my line out. But is it even fair to do that? Am I even looking for anyone as more than a temporary substitute until I can have [Wallis] again? (I don’t like that I’m writing this, knowing it’ll soon be public record; no girl wants to be a placeholder; I’m not doing myself any favors putting this out there). Whatever. I’m lonely but I miss her. I’m lonely because I miss her. I miss her because I’m lonely. At least one of those is true. (Or more true than the others). I don’t know which one. I absolutely love her. But do I need her back because I love her or just because I’m codependent? I’m having plenty of fun without her but maybe that’s just because it’s easier to have fun when you’re broke and only one person – not responsible for a second person. Or maybe just because I’m going out more. Even if I had money right now, I probably wouldn’t go out as much if she were here. But part of that is because I’d be more content just being at home with her. Content. With her. That sounds like not a bad thing either. But if we’re apart for long enough for her to get over me, which I’m piss-scared of, I need to be (ready to be) over her. That’s probably not gonna happen unless I meet someone else. A right someone else. That doesn’t seem like the worst thing in the world but, in my current state, doesn’t seem super likely. Then again, the sale of a painting or two could drastically change my “current state.” …GIRLS AND MONEY. [That’s what it always comes down to.] I’m no more substantial than mainstream hip hop. AWESOME.

And last but perhaps most significantly, a regurgitation of something I was taught in rehab.

WE ARE ATTRACTED (AND ATTRACTIVE) TO THOSE WITH EQUIVALENT LEVELS OF MENTAL HEALTH. (All my girlfriends have scars).

That final parenthetical is a reference to the fact that a few of the girls that I’ve dated (casually or seriously) have been cutters. I definitely don’t ever look for or target girls that have self-harm scars, but it’s something I’ve found out about or noticed shortly after getting involved (to whatever degree) with more than a couple of my “partners” (or whatever you wanna call ’em).

On a related note, I’ve been struggling a little bit lately with something. In the past, I’ve publicized my partners’ personal issues in the same way that I do my own. I wouldn’t say I feel like it’s been exploitative but – even with consent – I just feel a little more uneasy about it than I used to. With that being said…

My new girlfriend, Juliana, has a history with self-harm. As time passes, I’m hoping it proves to be just that: history. But, in any case, it’s no coincidence that she (LIKE ME) “suffers” from some mental health issues. Honestly, if she didn’t – if she were completely well-adjusted – I have a hard time believing that she’d have any interest in me. She’s just too wonderful. Really, her only issue is insecurity. Especially when it comes to my past with other girls. THIS ARTIST’S STATEMENT IS CERTAINLY EXACERBATING THAT. For real, she cannot handle anything involving my past with other girls. It’s the only thing we “argue” about at all. (PLEASE DON’T BE UPSET WHEN YOU READ THIS, JULIANA; I LOVE YOU A LOT, YOU LITTLE TWERP; I’m just wrapping up loose ends/finishing old projects so I can put this shit 100% behind me). Anyway, I don’t know exactly why it’s such a sensitive area for her but I know that her previous relationships (to put it mildly) have been abusive. She has not had the loving partners she deserves. I’m very proud though of the fact that she is already repeatedly telling me that no one has ever treated her as well as I do and that I make her very happy. It’s my hope that – just in loving her and treating her well – I’ll be able to help her feel as secure, safe, and loved as she deserves. Which isn’t to say that she’s a “project” or that I’m trying to “fix” her. But I can’t deny that the title of this painting, which I made over a year ago, still has some application to my life presently.

So we’re both sick but I think we’re good for each other. WE’LL SEE HOW IT GOES…


At the time of this writing, this original painting is still available for purchase, as are 12×16-inch signed, sealed, hand-numbered archival prints. Get in touch if you’d like to ask about the original 3×4-foot painting. Hit the webstore to buy a print.


I Could Never Love Anyone More Than I Hate Myself

"I Could Never Love Anyone More Than i Hate Myself ." 4/30/15. Acrylic paint. 36x36".
“I Could Never Love Anyone More Than i Hate Myself .” 4/30/15. Acrylic paint. 36×36″.

For as much as I talk and write about Wallis, I’ve never really shared the full story of how we first came together. I’ll save the cute elements of the story for later and just give you the important part that hasn’t seemed relevant until now.

When I met Wallis, she was actively addicted to heroin. She was trying to not be on heroin but (like most addicts) she was finding that to be a little tougher than she could handle. We hit it off really quickly but I told her on our very first night together that I couldn’t be around that sort of thing. I told her that if she wanted to continue spending time with me, she couldn’t be using drugs. (I’m way too fucking fragile to not relapse if a pretty girl has a needle and a bag of dope to share with me). She told me she didn’t wanna use. I invited her to go with me on a road trip for a week – up to Illinois and back.

In the course of that trip, we fell in love. Which was a problem because it meant we needed to figure out what we were gonna do to keep her from going back to heroin once we got back to Jacksonville. We decided that she’d need to quit the strip club and get another job (nobody can stay off drugs in that environment – no addict anyway). I told her I’d cover her (financially) ’til she got a new job and then – when it was time for me to leave Jacksonville – she’d quit her new job and come with me. Sound familiar? I did for Wallis the same thing I had done for my best friend, Chris, a year prior. I brought her out on the road with me to keep her off drugs. To show her another kind of life. Like Chris had done, in exchange for “all expenses paid” she’d just help me with my set-up, selling art, whatever. (And like Chris, it pretty much worked. She never used once; not while traveling with me anyway).

When we left Jacksonville, it was for Minneapolis, where I was to be featured in a gallery exhibit. Halfway through the exhibition’s run, we returned to Jacksonville for a week, so I could make CRAZY MONEY at One Spark. On the drive down, Wallis started talking about going to see old friends – friends that she had, historically, used drugs with. I told her that this was a terrible idea. She argued that I needed to have faith in her. I responded that I’d heard that same exact sentence and had this same exact conversation many, many times in the past (with another girl) and that I knew perfectly well how this was gonna end. I told her that if she wasn’t willing to forego the reunion (and the inevitable relapse that’d come with it) that I couldn’t be her boyfriend anymore. One Spark was going to be an incredibly important week for me financially and I didn’t wanna fuck it up by spending the whole time worried about whether Wallis was safe.

She said okay (as in “okay, then you don’t need to be my boyfriend anymore“). There was no hostility or drama beyond that but when we got to Jacksonville, we went our separate ways. Wallis relapsed that very first night (though she wouldn’t tell me until later), but called me the next morning and spent the rest of the week by my side like a lost puppy. On the night before I was to return to Minneapolis, she broke down crying, told me she had fucked up, and that she still wanted to be with me.

And I took her back.

I first had the thought years and years ago – upon hearing Rivethead’s “In My Heart a Warehouse Burns For You.” The last lyric in the song is “I love you just as much as I hate the man.” I’m not exactly the biggest fan of cops or authority figures of any kind but when I’m really fired up and full of hate, there’s only one target it’s ever directed at: me. I still listen to that record (The Cheap Wine of Youth) all the time so the idea of captioning a painting with “I love you just as much as I hate myself” had occurred to me on a couple occasions but I didn’t wanna be derivative.

Then, when I bought Pretty Boy Thorson’s An Uneasy Peace (the final song of which is called “I Love You Even More Than I Hate Myself”) I had a bit of a god dammit moment. That should’ve been mine! The song’s awesome and it doesn’t matter that the lyric is similar to another.

I started thinking about it though – that line – and whether or not it was actually true (for me). I was dating Wallis and I absolutely loved her but did I love her more than I hated myself? I wasn’t really sure. I decided that sometimes I’m afraid that I could never love anyone more than I hate myself. After all, we had weathered the storm of her relapse but I was sabotaging our relationship bit by bit with my low self-esteem [and cheating]. I wrote about some of that anxiety in the bottom-right corner of the painting:

It’s so much harder to travel with a second person. Staying with friends feels like a much bigger imposition and I can’t stay with girls I meet. That’s probably the hardest part. But I love Wallis. (And I really like fucking her). And I think she needs me. I tried to leave her in Jacksonville but it didn’t work out. I hope she’s with me because she really loves me and not just ‘cause she’s scared to go back to “real life.” It if doesn’t work out, it’s probably gonna be because I can’t stop thinking about fucking other girls, which I know hurts her (and is really so selfish and dumb - and even mean - on my part) but really has nothing to do with her. (She’s so fucking hot and sexy and cute and beautiful). It’s just my insecurity and my compulsion to fuck every pretty girl, to prove to the world (and myself) just how fucking wonderful and desirable I am. It’s not helping that girls are throwing themselves at me these days. But I know (or think) that shit won’t make me happy. And in the end, I’m just gonna want someone to love me and I love Wallis.

There’s another, shorter string of text higher up in the painting, similarly inspired by punk rock: “I was listening to that Gateway District song where they sing, ‘I’m always falling way behind and you go on and on and on.’ If only I knew someone like that. Maybe I’d have someone to look to. Everybody I know is struggling. Everyone I know is as hopeless as I am. (Or worse).”

There’s a brighter, happier pair of sentences in the top-left corner – the product of a moment when everything was right in the world. Amazing sex with Wallis and I’m driving to the gallery showcasing my art while listening to “Another Way Out of Here” by The Murderburgers. The thought occurred to me that “nothing in this world makes me happier than an energetic, upbeat song about suicide.” I gave it a second thought. Is that true?  I concluded, “Except (maybe) hitting girls in the face during sex.” I smiled. That’s pretty funny. I’m pretty fucked up. The things that I enjoy are – well – a little odd. This was all well and good at the time. I posted a close-up of that part of the painting online and it was met with positive feedback and just a little bit of “Oh, Sam…” But before I even got the chance to write the statement for this painting (as I am now), that photograph – that caption – would make the rounds on the internet elsewhere and garner a very different kind of response.

You see, when I wrote that, it was about sex with Wallis. Sex which includes light, consensual, fake-violence (or whatever the fuck you wanna call it). Wallis likes getting slapped in the face during sex. And I like doing it. Win-win, right? Well, yeah – until you get accused of a violent rape and the media picks up on the story and uses your art to support the idea that you’re the kind of person capable of violently raping a nineteen year-old girl you just met.

Sitting in jail, I wondered how I was going to break the news to my friends and fans that I had been accused of this horrible fucking crime. I bailed out, Chris Spillane picked me up, and after ten minutes of discussion he tells me, “There’s one more thing we’ve gotta talk about, Sam. The publicity on this story is not good right now.” Publicity? This story? “What the fuck are you talking about?” I googled my name and discovered that I didn’t need to worry about breaking this news to anyone. Some reporter knew or figured out who I was, wrote an article about me complete with images of my art (like the “hitting girls in the face” one) and everyone else picked it up and ran with it. Suddenly, strangers on the internet were talking about how I was the kind of person who PUNCHES girls in the face. I was a scumbag and I was definitely guilty. What the fuck? I’ve never punched a girl in the face! I slap! Playfully! And only with girls that WANT me to!

But none of that mattered. What mattered was that it was incredibly easy to paint me as some kind of violent sexual deviant who had finally gone off the rails and just started violently raping people. Freedom of expression has its fucking consequences apparently. The charges against me have since been dismissed by a judge who (after hearing all of the prosecution’s evidence and the girl’s testimony) ruled that there was no probable cause to believe that any crime had been committed but the evidence in the case isn’t all public yet and I’m still having to deal with (well-meaning) assholes who think I deserve to be castrated for something I never did. At the time of this writing, this is all still incredibly recent so I’m still working out exactly how a person does deal with something like that. (I’ll let you know when I figure it out).

Flashback to five months before that nightmare though – back to when I was still working on this painting (that’d later incriminate me in the court of public opinion). I wrote that I was feeling:

“stuck in a rut. This spot [on the street] isn’t super profitable [for selling prints]. I don’t even wanna write about what else is going on. I don’t want to muddle up this painting that I’m not even happy with. My little sister is killing herself and today I blocked her phone number because I’m tired of her asking for help, not taking my advice, and then texting me updates on her self-destruction that she knows will just upset me. 

I really need the validation of some sales to cheer me up today. If I make less than $100 today, I’m gonna feel super depressed.”

And then – to remind myself what a dipshit I am for worrying about how much I make in one particular day, I added: “I’ve made $7,000 this month.” True as it was, it didn’t really help me feel any better in that moment. I continued writing – about an interaction I had with a guy who stopped to watch me paint:

“Someone asked me yesterday if I really hate myself and why. I had a hard time articulating it [the way that I feel sometimes]. He said he thinks I’m not as unhappy as I let on. I’d do a much better job explaining it to him today: I’M UGLY, PALE, OUTTA SHAPE, MEAN, SHITTY, POOR, FEARFUL, AND IN A CONSTANT STATE OF STARVATION FOR VALIDATION.”

Reading that now, remembering that day – it’s kinda scary. Everything in my life was going so well and I still had this monster inside me, gnawing at my insides, telling me that everything was awful. That I was awful. I’m really grateful that I don’t feel that way about myself all the time. Arguably, my life is way more fucked up now (on account of the VIOLENT RAPE ACCUSATION) but – I don’t know – I feel better today. Maybe it’s because I’ve had to fight this awful thing. Maybe it’s because I’ve had to become stronger. Maybe it’s because enough other people hate me now that I can take a break on the self-loathing. I don’t know. I’m not sure. But after separating in late-June and spending two months mostly apart, Wallis and I are back together full-time. We’re living together in an apartment in Chicago and it’s been really great. And you know what? I love her WAY more than I hate myself. Not just ‘cause I’m not hating myself so much right now but… This girl… After all we’ve been through. After all I’ve done for her and all she’s done for me… Words are insufficient to express my gratitude, affection, and love for her. I’m probably gonna marry her.

And you know what? When it comes to “falling way behind” versus “going on and on and on,” maybe I do a little more of the latter than I allow myself to recognize sometimes. Maybe I do a lot more of it.

HAPPY ENDING.



“I Love You Even More” by Pretty Boy Thorson & The Falling Angels


“Another Way Out of Here” by The Murderburgers


“Waves and Cars” by The Gateway District

“In My Heart a Warehouse Burns For You” by Rivethead


“I Could Never Love Anyone More Than I Hate Myself” is now up in the webstore.


Don’t move in with a girl you’ve never met

“Joy” is a fake name. Sometimes I have to use fake names.

Incoming Facebook message (May 27th) from Joy: I haven’t spoken to you since high school. I used to think you were just the coolest.
Sam: I don’t recognize you but you’re pretty cute so I sure wish I did!
Joy: I remember you from some parties… AND MYSPACE.

And so it began. She told me she was a model and an acrobat. Asked for my phone number so she could text me some photos. I happily obliged because I’m an incorrigible flirt. We started texting back and forth pretty frequently. She told me she liked my blog, complimented it as “raw,” “honest,” and “brave.” We talked about potentially meeting in person one day, we talked about having sex, she sent me a lot of really suggestive texts, I responded in kind to a degree but not like I would with a lot of other girls because she had already told me that she wasn’t into the kind of rough sex stuff that I am. After about a week though, I started texting less. I wasn’t going to be seeing this girl in real life anytime soon and I had – you know – a life to live in the meantime. I can’t be wrapped up in all day text message conversations all the time.

After a couple days of not much interaction (about two weeks after we first started talking) I hit her up. “Does it even matter?” she said, “You hate me.” That was my first red flag. I wasn’t texting her as often and her interpretation of that was that I hated her?? The next day, she apologized and started texting me more often. My responses were far less frequent and far less detailed than before but I kept the conversation going.

Toward the end of June, she told me that she might have an opportunity to stay for free in a really nice apartment in Manhattan – for two months – as a house/catsitter. A few days later, she sent me a long message:

I think you should come stay with me and sell your art here. No rent. No parking fees. A warm bed in a plush place. If it goes well, you can stay as long as I stay. Maybe you’ll make really good money. Hustle to get in some galleries. […] You help out so many people… And so many people have helped ME out… I wanna help someone. And you’ve been on my mind the last few days.

“That sounds amazing,” I told her. I had been wanting to get out to New York, to meet with galleries for a long time. But the city is so big and the art scene is so big that the prospect was a little overwhelming. Having a place to stay, a place where I could feel welcome and not like an imposition – that made it a lot easier. This was going to be an outstanding opportunity.

But I was just a little hesitant. I thought it was strange that – despite growing up in the same city – we didn’t seem to have any mutual friends. I asked some of my friends about her and their responses weren’t exactly comforting. She was – as I was told – not an easy person to get along with. (And that’s putting it lightly). Going to New York, to stay with her, would be a little bit of a risk. But when I got the go ahead from the court to leave the state of Illinois, I was too excited to not take her up on the offer. It’s not like I had any other city I needed to be in at the time; my next exhibit was in Seattle and I wouldn’t need to be out there until October.

I started driving to New York but along the way, I got a phone call. It was her and she was crying. “I’m having a panic attack,” she told me. I asked her what was wrong, what was happening. She said that she felt trapped in the apartment but felt like she couldn’t go outside either. She was anxious and uncomfortable and nothing was wrong but everything was wrong. I did my best to talk her down from the ledge. She regained her composure and said she was going to go out to the fruit stand across the street. We hung up. Fuck, I thought. This doesn’t exactly bode well.

The night that I got there, she said she wasn’t sure if she wanted to have sex yet. I said okay but that night in bed, while I was falling asleep, she started to fool around with me and we wound up having sex after all. I was really gentle, really vanilla, really boring. We had talked about what I was into, she had said she wasn’t sure she could handle it, and I had told her that that was fine. That we could do whatever she was comfortable with and maybe slowly try to incorporate some more dominant/submissive stuff and see how she liked it. That’s kind of how it always goes whenever I have sex with someone the first time. Unless they explicitly tell me “yeah – I want you to do this, I want you to do that,” I’m not gonna chance it. So I played it cool and just had regular-people-sex with her. When I was just about done though, I whispered in her ear, “I’m gonna cum on your face.” “Do you want to?” she asked. “Yeah.” She said okay. So I pulled out and I came on her face.

And she immediately started crying.

FUCK.

I gave it some time. I didn’t wanna upset her any more than she already was. I didn’t wanna make her feel bad. But, eventually, I had to tell her, “If you’re not comfortable with something, you’ve gotta tell me.” “Well, it’s just that no one’s ever done that to me before,” she said. “Okay, well, that doesn’t really change anything. I don’t wanna do anything that’s gonna upset you. You had even told me before I got here that I could cum on your face so long as I ‘was sweet afterward and cleaned you up with a warm cloth.’” “I know,” she said, “I’m just… I’m sorry. I don’t know.”

We had already broached the topic of “what if we’re not sexually compatible” before I even got to New York but it quickly became a regular topic of conversation once I was there. “It’s not a big deal,” I’d tell her. “We don’t have to have sex. We can just be friends that don’t have sex.” Her response: “I know but I wanna make you happy. If that’s what you’re into then I wanna do those things.”

This was awful, terrible news. I told her that I was already happy and that – even if I weren’t – she couldn’t make me happy. And what’s more: if she wasn’t into [whichever kind of sex act] then I wasn’t gonna wanna do that with her. I’m into violent shit and I’m not gonna do that kind of stuff with a girl who isn’t enjoying it just because she wants me to enjoy it. That might technically be consensual but it still sounds like abuse to me and it definitely doesn’t sound fun.

We tried to fuck a few more times over the course of the next week, sometimes with better results than others but it didn’t feel natural or right or good. And there was other stuff going on too. By my third night in town, she had told me that she loved me – and that she was in love with me. “You don’t know me well enough to be in love with me,” I told her. “You’re in love with some idea of me that you got from my art and my writing. You hardly know me as an actual person.”

But even that wasn’t the worst of it. The worst was her mood swings. One minute she’d be perfectly fine, the next she’d be having an anxiety attack about a delivery coming to the apartment or a scheduled meeting with a photographer. I’d do my best to soothe her nerves, calm her down, and everything would be okay. I could handle those mood swings. The ones I couldn’t handle were the temper tantrums. In an instant, she’d FLIP THE FUCK OUT over some insignificant little thing that – more often than not – had nothing to do with me. One morning she woke me up, SCREAMING at me. Holy shit, I thought – what is happening?

DON’T USE FUCKING GLASSES AS ASHTRAYS!” she screamed. “THIS GLASS IS FUCKING FULL OF CIGARETTES!

The glass she was holding, she had picked up from the counter by the window where she smoked cigarettes (I had smoked all of mine out on the fire escape the night before). I walked over. “These are all Pall Mall Blues with the exception of one Camel Menthol that you bummed from me last night. I don’t smoke non-menthol cigarettes; these are all your cigarettes. I didn’t use that glass as an ashtray; you did. Why are you screaming at me?”

After episodes like that one, she’d eventually calm down, apologize, become sweet and affectionate once more. But it was too much. It was more than I could handle. And it was every day. Several times a day. I told her that I could continue to stay there if we could just be friends. No more kissing, no more touching, definitely no more fucking or physical intimacy – and I’d be sleeping on the couch instead of in bed with her. She said she wasn’t sure if she could do that. That she was in love with me and that it would be too hard. I assured her that not only did she not know me well enough to be in love with me but that people don’t treat the people that they love the way that she was treating me. This was seriously fucked and it was seriously not okay. I left but she invited me to come back later that night and I did, to sleep on the couch. She woke me up in the morning, yelling at me again. I told her that it was totally over. That we could still be friends but that it wasn’t a good idea for me to stay in the apartment at all. I told her that she could call me anytime – if she was freaking out, having a panic attack, if she needed a friend. But that that was all that I could be to her: a friend.

A few days after I left, there was one night when I needed a shower and I was in her neighborhood. I didn’t wanna go all the way out to Brooklyn just to shower and then have to come back out to Manhattan. I offered her five bucks for the use of the shower. She asked me to just pick up some toilet paper on my way over. Deal. I stopped at the store, went to the apartment, and took a shower. Before I left, she offered me some leftover pizza. We hung out and talked as it heated up. Everything was okay, we got along fine. After I finished eating, I gave her a hug and said goodbye. She texted me later and said that if I wanted, I could come back that night and stay on the couch. I told her it was nice to see her but that we’d better not push our luck.

About a week later, she called me and invited me over. I took a shower and – again – she offered to let me stay over. This time I took her up on the invitation but told her I’d need to move my van (to somewhere it could be legally parked overnight). After I moved it, I went back upstairs and told her, “I’m gonna go downstairs to the deli and get something to eat. Would you like anything?” This was not acceptable. She got really mad at me. Told me that if I was going to stay, then I needed to just stay. She yelled at me for leaving to go move my van and for not having gone to the deli (which is literally underneath the apartment) before I came back upstairs. She called me “gross and manipulative.” She told me that I’m a bad person.

So… that’s about enough of that. I left and I blocked her number. The convenience of a place to shower or sleep isn’t worth the way that this girl treated me. I was in one shitty relationship before and this time I wasn’t even dating the girl. I barely fucking know her. I understand now why none of my friends from Sarasota had nice things to say about her. I understand now why (as she herself told me) she’s never had a “boyfriend.” I feel for her because she’s clearly lost and in a lot of pain but I’m not gonna be her fucking pincushion.

Is New York more difficult without having the apartment as a base of operations? Yeah – absolutely. But if I really need a place to sleep (an air-conditioned place to sleep) I’ve always got my friends in Brooklyn and Queens, I’ve always got Tinder, and I’ve always got the option to just sleep in the van. It’s been about two weeks now since I stayed with Joy (and a few days since that last time I went over) and I’ve been doing just fine. I’ve started hitting up some of the galleries around the city; I’ve set up my table out on the street a few times and made a little bit of money; and I’ve gotten to see a lot of friends I hadn’t seen in a long time (and gotten to make some new ones). Now, when I need to do work on the computer during the day (like writing this blog post), I just stop in at some coffee shop and buy a fucking lemonade and take a seat. It’s not so bad. Some of these places even have bathrooms.

Cool.

My first day in the city, my little brother was passing through New York with his girlfriend, Valerie. Since both of my sisters live here in the city, we all met up. It's probably one of just three times that the four of us have all been together in the last five years.
My first day in the city, my little brother was passing through New York with his girlfriend, Valerie. Since both of my sisters live here in the city, we all met up. It’s probably one of just three times that the four of us have all been together in the last five years.

I Have Borderline Personality Disorder and I Accept Credit and Debit

“I Have Borderline Personality Disorder and I Accept Credit and Debit.” 9/26/14. Ink. 40×32″.

You could call this piece the second in a series of three, detailing my second “romantic entanglement” in Chicago last year. The caption/title of the piece is (obviously) an acknowledgment of the way I’ve commercialized my “disease.” The text scattered throughout this piece is a pretty good document of that disease. It was all written as the piece was created (between August 15th and September 26th, 2014) and is as follows:

AAAANNNNNDDD – emotional attachment severed in 5… 4… 3… 2… gone.
And I don’t give a fuck about anyone.
Good thing I told Spillane earlier how much this girl likes me – and how (obviously) that means I need to be cutting it off soon. By nonchalantly bailing on our (admittedly) tentative (but – as of an hour ago – confirmed) plans for tonight, she’s given me all the cause I need.
Except I know she’s gonna materialize by my side tomorrow when I’m downtown working on this piece and selling prints.
So we’ll see how the fuck THAT pans out. Or – fuck it – maybe she won’t and maybe we won’t.
Did I mention that I don’t give a fuck? ‘Cause I really wanna stress that point. Does it sound like I’m trying really hard to prove it. If not to you, then to me?
Whatever. (Forever).
If I were feeling mean (and I am), I’d say: “That ‘love letter’ I wrote you is nothing but another product for my inventory. You’re just a couple pages in a chapter in my story. A subplot, a side story, a tangent.”
ON/OFF. ON/OFF. I still keep my feelings wired to a light switch. And I don’t care anymore.

Oh – wait – new day. Don’t care about any of that nonsense yesterday. Switch back on! I’m “in love” again!

Ink requires so much more precision than paint. I’m having a hard time finishing this drawing without my Adderall, which the police took, as evidence, the other night. A little over a year ago, I got out of Tranquil Shores and turned myself in for an outstanding warrant. As I sat in jail, I remember thinking, “This is the last time I’ll ever have to do this.” And now I’m facing charges again. FELONY charges. Felony DRUG charges. For my fucking Adderall. I need to get my shit together for my case. Letters from doctors, counselors, Tranquil Shores – to prove that I’m not some kid abusing this stuff – I just happened to let my prescription lapse (irresponsibly, I know). But that’s hard to do [manage my prescriptions in new cities] without my Adderall. Everything is. Everything is more difficult. And I’m overwhelmed. I can do it. Call a lawyer, call the doctors, get my suit shipped up here from Florida.
It doesn’t sound like much but the anxiety of it all has me almost to panic mode. I want to shut down, block it all out, and just leave the state [of Illinois]. If this had happened in Kansas or Oklahoma, I’d just never go back. But it was on this side of the Illinois line. I hate it. This court doesn’t care about me. The judge, the prosecutors, the system. None of them care. I hate it so much. It’s cold and mean and awful and it makes me wanna give up.
Two Saturdays ago, I got invited to two parties. I invited Nicole to go with me to both. I went to pick her up, anxiety set in, I told her to forget it, and I went out to my car to… I wasn’t sure. She sent a text: “Are you okay? What are you doing?” I was online, researching dope spots in Chicago so I could go cop. I told her ‘cause she’s twenty, might not understand how serious that is, might be naive enough and like me enough to just want to do it with me. But she knew better. She stopped me. Saved me from myself. Not that I didn’t put up a fight. She cried. I felt terrible. It was a mess. But she stuck it out. She really cares. That’s scary. We’re still seeing each other. That’s scary. I’m [this] close to referring to her as my girlfriend. If I were a better person, I’d probably break it off with her and stop getting involved with girls. IT ALWAYS ENDS THE SAME. Or maybe I should quit playing fortune teller, just live life, and let what happens happen.

OUT OF ADDERALL PROBLEMS: Meanwhile, I won’t shower or even get dressed until I have clean socks to put on. But I won’t have that until I go to the laundromat and I can’t go to the laundromat unless I get dressed and I can’t do that until I have clean socks to put on.

We’ve been seeing each other for six weeks. Became “boyfriend/girlfriend-official” last week. I haven’t put it on Facebook because I guess I just figure it won’t last. We got into an argument this morning. I started repeating “idon’tcareidon’tcareidon’tcare,” she goes “and you don’t care about me so FUCK OFF,” and then she hung up. (I think – I did anyway). I think that’s it. I think we’re done now. I talked to my south Florida girl last night. It was great except she sounded high but assured me she wasn’t. She invited me to come stay with her when I go back down there. If she’s clean, that’d be great! She called again this morning, moments after hanging up with my girlfriend. It turns out she is getting high and everything’s a mess.
I’m stuck in Illinois on bail. Mike and I butt heads. I don’t feel secure here. I’m always walking on eggshells. My relationship with Nicole is dicey if not over. I’m ready to get the fuck out and go somewhere new. Sometimes I feel like I’m floating – for what? Is it about art? A career? Or do I do it all for girls, sex, love? Is it for myself – ego, fulfillment, ACTUALIZATION? What am I looking for? What am I after?
UGH – WHO THE FUCK CARES???
Oh – WAIT – SHE JUST TEXTED ME. We’re still cool. (Or cool again). Game on. I feel better, I guess.

Don’t let the fact that I usually sleep indoors fool you. I might be charming but no place feels safe. This is what it means to be really homeless. I’m reinventing homelessness. And I do technically live in a minivan. If you did, your art would have unintentional creases and pressure spots too.

Depression, isolation, giving up…
I started this piece over a month ago. My life was different then. It’s gotten worse. My faith’s been shaken. I’m so sad. It’s cold outside. I don’t wanna kill myself…

The first piece in this series was “Love Letter;” the third is “The Last Unfinished Work.”

This gigantic drawing was BEAUTIFUL when it was framed and behind glass. Alas, it sold years ago. But I now HAVE PRINTS for sale in my webstore!


I Finally Understand All Those Straight Edge Songs on the Radio!

"I Finally Understand All Those Straight Edge Songs on the Radio!" 8/11/14. Ink. 6x6".
“I Finally Understand All Those Straight Edge Songs on the Radio!” 8/11/14. Ink. 6×6″.

The four drawings in this series were all completed following (what I guess I’d call) a “break-up.” We weren’t officially dating but we spent virtually every night together for a month straight. I was the one to end the relationship but I wasn’t happy about it. I don’t think I even realized it at the time but – in hindsight – it’s hard not to recognize that I was outright mad. At what exactly, I’m not sure. At the time, it was easy to fault her drinking for all of our relational issues but (while I definitely think it was a factor) I think my own emotional insecurity and low self-esteem was just as much (probably more) to blame. Maybe that’s what I was so mad about – my inability to feel okay in a relationship. The slightest bit of criticism or the slightest disagreement would push me over the edge and I’d find myself instantly packing my things until she was able to soothe, comfort, and calm me. The night she was too drunk to manage (or too drunk to care) was the night I finally left for real.

This is the angriest of the four drawings – the one in which I really get mean. It says:

What about any of this [me, my lifestyle, my personality disorder] made you think that I’m boyfriend material? Enjoy me for what I am or don’t.

I don’t wanna come across as one of those “I wouldn’t belong to any club that’d have me as a member”-types but – seriously – if you wanna date me, something is seriously wrong with you. Your emotional issues are worse than mine and that’s saying something.

If your past is littered with broken friendships, there’s a reason your past is littered with broken friendships. It’s got nothing to do with the universe. It’s YOU. It’s the people YOU choose to surround yourself with. It’s the way you behave and the kind of people that behavior attracts.

I’m a bit of a broken fuck-up but I’m not so broke to stick around for this. You could’ve chosen to be better. You’re on the precipice. You chose not to. You chose old habits.
Enjoy “drinking [your] dinner.” It makes me sad but not that sad.

I finally understand all those straight edge songs on the radio!

For those of you keeping score at home, here’s the “Hindsight’s 20/20 Recap.” 1) When I got to Chicago, I was in no fucking shape to be any kind of a partner to anyone. 2) We attract (and are attracted to) people who are about as emotionally healthy/sick as we are. 3) I thought I was leaving because I was too well for this girl but we were probably at just about the same level. 4) I might be flighty and insecure but drinking (as a coping mechanism) sucks and will only ever make everything worse; it precludes so much as the initiation of any real, lasting solution.


 

It’s worth pointing out that this drawing was finished in August and the relationship to which it refers is not the one I bailed on last week. (This one ended a day and a half before that one started).