Tag Archives: heroin

Raygun Youth

"Raygun Youth." 8/3/13. Acrylic paint and ink on wood panel. 24x6".
“Raygun Youth.” 8/3/13. Acrylic paint and ink on wood panel. 24×6″.

I painted this for the cover of Billy Raygun’s posthumous discographic cassette. Each of the three bits of text is a lyric from a song of theirs that means something to me.

I thought I heard you calling; it was just the emptiness ringing in my head. I still think about you a lot. I still think about you a lot. I still think about you a lot.

In April 2011, my six-year relationship with Taylor came to a close. She broke up with me. I didn’t take it well. I had been pretty strung out on heroin, in a pretty bad way, for a little while but had just gotten into my first “treatment program” a few days prior (it was just methadone maintenance – not exactly the best path to wellness but what did I know?) On top of that, final exams for my final semester at Georgetown Law were about to begin and I hadn’t been to any of my classes all year. I didn’t even own the textbooks. I had a lot of studying to do if I was gonna graduate on time and I knew god damn well that if I didn’t graduate now that it was never gonna happen. I needed to keep it together (get it together) real, real fast if I was gonna keep everything in my life from crumbling into absolute shit, misery, and failure. Between the methadone, the heroin, the Adderall, and the sleep deprivation that goes along with studying in 24-hour shifts, I was … not entirely well. For a while there, I started to experience regular auditory hallucinations. Mostly, it was people (strangers) screaming at each other. It was like channel surfing on a TV where every single show featured nothing but loud, angry people. Occasionally though, I’d get a break in that and hear something softer and sweeter: “Sam…” It was a voice I knew; it was Taylor’s voice. Every single time, I’d turn around without fail, hoping (and actually believing) that this time she’d actually be standing there. She never was (of course) but it still broke my heart a little bit every time. It was a miserable cycle of studying, drugs, and crying.

All of this care / not caring is killing me.

This lyric isn’t tied into any one specific memory as much as it serves as an all-encompassing description of my relationships (romantic and otherwise) throughout my life. Oscillating frantically back and forth between giving a shit and shutting down. Between feeling loved and feeling abandoned and rejected. Sometimes it seems like my emotions are wired to a light switch. It doesn’t take a lot to flip from “perfect” love to total apathy (or even hatred). And since “we’re attracted to those at our same level of sickness/health,” I’ve gotten mixed up with plenty of girls who are equally skilled at unintentional (often drug-fueled) emotional back-and-forth. There was one night in early 2012 when my then-girlfriend professed her deep, unending, profound love for me in one moment, and was swearing that I was a disgusting, ugly, unlovable piece of shit in the next. And before the hour was up, she was right back to telling me how wonderful I was. Experiences like that can fuck with a person…

I’ll just admit that it’s a different girl, the same old story.

When I half-heartedly tried to kill myself in December 2012, I didn’t write a suicide note, but I did scribble something down on the back of one of many scraps of paper that were laying around my room. All that it said: “different girl / same old story.

—–

Ideally, I’d have held on to sharing this until this release was announced but – shit – it’s been more than six months since I painted it so… sorry, kids!

Here’s a stream of their self-titled full-length. The first song is the first song I quoted lyrics from.

Because Nihilism

"Because Nihilism." 4/22/13. Watercolor and acrylic paints, charcoal, and ink. 12x16".
“Because Nihilism.” 4/22/13. Watercolor and acrylic paints, charcoal, and ink. 12×16″.

 

I painted this in April. I like ants. It’s expressive art and the story behind it is enough like a million others that it’s not worth telling. Instead, here’s the story of my life in April 2011.

—–

When Taylor finally called me back, she sounded weird. “What’s going on?” She wouldn’t say. She was being evasive. I just came out and asked – “are you done with me?” She didn’t answer right away but – when she did – yeah, that was pretty much the gist of it.

Six years… I was in total shock. I had just gotten into my first “treatment” program eight days prior. (Methadone maintenance). I was cured! How could she break up with me now?!? Life was about to become a dream! This is preposterous!

Not to mention, I was in the middle of my final exams. My final final exams. She couldn’t wait two fucking weeks to do this? I was gonna be so busy for the next few weeks that, at most she might have seen me once. By breaking up with me now, it was guaranteeing that I’d fail my exams, not graduate from law school, lose at life, and DIE. What a selfish, miserable human being. (Her, I mean). (I’m really cool and great).

Granted, her timing was a little poor but I’m obviously still alive, and my interpretation of things has changed with time. Taylor didn’t leave me that day – because I had already left her – when I let heroin overtake her on my list of priorities. For the last eight months, I had barely existed in her life. I spent all my time hiding from her, out all day, out all night, shooting up at school or the basement of our building, ignoring her phone calls. Now that I had a couple pleasant days I thought everything was gonna be okay again?

But I couldn’t see that; I couldn’t see anything. I just hurt. More than hurt. I was fucking leveled. I didn’t want to use but… I had to. If I didn’t relapse, that’d mean I wasn’t really hurt. And I was really hurt so… I had to shoot some heroin to prove it. To myself. To Taylor. To the world. (I’m not really sure). And I had to buy a lot (two hundred bucks’ worth) ‘cause that was the best deal. (Money management’s an important skill!) My little bundle lasted me through the day with a few caps left over for the next. And then I put it out of my head and got back to the task at hand.

I hadn’t been to any of my courses all semester (I never even bothered to get textbooks). I logged in to the school’s website, found out which classes I was enrolled in, and settled into a couch in a (usually) empty room at school, where I’d spend the next few weeks, trying to learn as much as I could and just maybe graduate. When I couldn’t stay up any longer, I’d put my computer in my backpack and sleep on that same couch where I was studying. I didn’t get up for anything. Almost. Every six or seven days, I’d walk to the closest store to stock up on bagel bites and apples, which I kept in the fridge of a student organization to which I (of course) didn’t belong. There were three other reasons I’d occasionally leave the couch: to smoke a cigarette, use the bathroom, and (most importantly) – once a day, between the hours of 6AM and noon – go get my daily dose of methadone.

At one point, I saw myself in the bathroom mirror and was pretty impressed with how strung out I looked. (I guess the methadone / Adderall / sleep deprivation combo will do that you).  I took a picture for posterity.

April 2011
Less than a month after this photo was taken, THIS DRUG-ADDLED FUCK UP GOT A LAW DEGREE FROM GEORGETOWN UNIVERSITY!

—–

“Barkmarket Fuckacy” by House Boat is my favorite song on the last record [The Thorns of Life CD/LP] to bear the Traffic Street Records logo.

In the liner notes for the record, there’s a special “thanks to Sam North for basically ruining his life to help get this record made.”

(On our way to the studio for the recording of the album, I caught two felony possession of heroin charges and more misdemeanor charges for needles and other paraphernalia than I can count/remember). And if that wasn’t bad enough, the cops didn’t even give me back my drugs when they let me go! So on top of everything else, I had to spend the next day scrambling around Indiana looking for heroin.

Winter Colors

I could describe my day in a way that’d sound horribly tragic and it’d be totally true. Shit – I could frame my entire life in such a way that it’d sound really awful…

But… as much as I feel like a crybaby in this moment – as stressed as I am right now – I know that the other truth – the one in which my life is awesome and I’ve got nothing but good things to be grateful for… it’s a better story and it’s better for me. And like I said, it’s totally true.

So – with an eye toward focusing on the positive – check out how happy this kid is….

roberts-painting

 

And that’s from just earlier today!

I posted that photo on Instagram a little bit ago with the caption: “The (former) police officer and the KING OF THE SUPER PUNKS had a few disagreements when they first met last January. But *today* Robert bought a painting from his friend, Sam, who happily posed for a photo before he parted ways with the piece, less than 48 hours after its completion.” That was after Robert had posted it on Facebook with the caption: “I am now the proud owner of an original Sammy ThrashLife canvas! He is an intelligent (went to law school) and talented artist I’ve had the pleasure to get to know; he creates edgy works via stream of consciousness and drawing upon his emotions at the time.”

And all of that’s really awesome. It means a whole, whole lot to me. This little art thing I do… it’s my life. It’s saved my life. It’s brought people into my life. It’s made me a better person. It’s made it all worthwhile.

It’s what I do when I’m feeling down – to pull me out of that and get me back to a better place… it takes me places I never used to go.

Here’s one of my very first pieces, from November of last year; I made it one night when I was feeling especially depressed and suddenly (well, by the time I finished it HOURS after I started) I wasn’t depressed anymore.

"Winter Colors." 11/26/12.  Sharpie, colored paper, kids paint, pencil, hair dye, and glue. 12x18".
“Winter Colors.” 11/26/12. Sharpie, colored paper, kids paint, pencil, hair dye, and glue. 12×18″.

In the past, when I’d felt as I did that night, it was an occasion to do way too much heroin. A few times in an attempt to fatally overdose, other times to just not have to exist for a little while. But – you know – I was in rehab so it seemed like the thing to do would be to maybe just create that image. It’s a mixed media collage – can you see the little cartoon syringe that I drew and glued onto my arm? The caption says, “Is blue a good color on me?”

Here’s a song I like a lot.

“Rejoice despite the fact this world will hurt you. Rejoice despite the fact this world will kill you. Rejoice despite the fact this world will tear you to shreds. Rejoice because you’re trying your best.”Andrew Jackson Jihad

—–

Numbered, signed, and sealed 12×18″ prints of Winter Colors are available in my webstore.

If you’re interested in the original piece, please get in touch.

Shoot Me

"Shoot Me." 12/6/12. Pen. 5x7"
“Shoot Me.” 12/6/12. Pen. 5×7″

I drew this in the same Alcoholics Anonymous meeting as the original (lost) Autobiography cartoon. It’s one of the random scrap drawings that I wasn’t sure I’d ever actually add to the site but – while going through files, sizing artwork for my next batch of prints – I decided to clean it up a little bit and I sorta like it now. Besides – this little character’s got history! He popped up again just two days later in Group Therapy.

Anyway, I’ve been at it now for virtually all of the last twenty-four hours. I was up all night doing all sorts of basic maintenance/inventory kinds of stuff so that I can reorder out-of-stock prints, get some others for the first time, and buy more of the supplies that I need to package ’em all. I think I’ll probably stay up straight through the day and just go to sleep tonight. I can’t remember the last time I did that, but I feel pretty okay. I’ve been so productive that – until this moment – it hadn’t even occurred to me that I haven’t taken any Adderall today; I’m just on a streak, I guess.

Around 7 or 8 this morning, I took a break from the boring business end of “being an artist” and started working on a new cartoon, which I’m going to finish today but (for TOP SECRET REASONS) won’t be able to share with anyone for a month or so. I’m pretty excited about it though; it’s coming out really well.

—–

When I looked up that Atom & His Package song for yesterday’s entry, I stumbled into this one first, which I had never heard before. I saw Atom & His Package play when I was fourteen (at The Orpheum in late 2000). It’s never really been my thing but after more than a decade of not being even slightly interested in anything beyond “Punk Rock Academy,” it’s starting to grow on me. This one’s really good. It’s total nonsense but it’s just too god damn catchy and energetic to ignore.

—–

  • 4×5½” prints of “Shoot Me” (numbered, signed, and sealed) are available in my webstore. In the same listing (for the same price) you can also buy the original.
  • “I’m Downright Amazed” was included on Atom’s final release, which my friend Alex told me is one of the best live albums he’s ever heard.

I Am Impossible

"First Day of My Life (Story)." 11/28/12. Colored pencil. 6x8½".
“I Am Impossible.” 11/28/12. Colored pencil. 6×8½”.

Jesse coined out and went on vacation with friends of her parents. She’ll be back, in two weeks, as an outpatient, and she’ll be living on property again. That makes me really, really happy. I don’t know what I would do if she left for good. She’s the source of all that’s good in my life. She’s what makes my life worth living. You know… since I had met her a couple weeks ago anyway.

We talk every day while she’s gone. I tell her about the note I got from Hal. She has something to tell me but won’t say what. I’ll get it out of her when I have her in person. I don’t think for a second that she’s relapsed. But she has. And that’s not fair.

Jesse got back two days ago and, yesterday, started to really push. She wants to get high. “That’s a terrible idea,” I tell her. But then something MONUMENTAL happens. This morning, she went off-property to go do something other than hang out with me. Naturally, I’m feeling rejected and depressed and  am in a really dark place again [unreasonable as that may be]. As she always does when I get this way, she’s distanced herself, which is – of course – making me feel even more rejected. But I know how I can feel better and win her back.

I call Stacy. She’s at the hospital because her sister is giving birth but – if I can meet her there – she’s got some thirtys on her that she’ll sell me. [Florida. It’s always pills with these kids.] Close enough. I set it up and look for Jesse. When I see her, I creep up with a grin that tells her everything she needs to know: “Go sign out and park your car at the strip mall. Soon as the coast is clear, I’ll sneak off property and meet you. We’ve got an errand to run.”

—–

That was part two of the story I started to tell yesterday.

I’m pretty sure anyone reading this already knows but just in case… A “thirty” is a 30mg oxycodone pill. More commonly known as “blues,” but I’ve always hated that name. It’s too cute. If you had asked me about it back in the day, I’d probably have said something like… “I shoot heroin and – absent that – synthetic heroin. But never blues. There’s nothing colorful or fun about this.”

Really, I think I was just upset that my SUPER COOL DRUG HABIT had been co-opted by half the dorks in Florida and I didn’t wanna use the same terminology as them. I was dangerous; they were cuttin’ loose! … Fuck that.

[Check it out, guys! You can be a douchey elitist when it comes to just about anything!]

The drawing I chose for this entry was drawn on the day that I shared the first half of my life story in group at Tranquil Shores. It was also a day on which I was similarly upset because I felt similarly rejected by a girl that I was similarly in treatment with.

The tombstone behind me reads: “Sickle Cell: November 4, 1985 to Any Day Now.” The original drawing was damaged before I ever got a good picture or scan of it, so this image is the best I can do.

 

Group Therapy

"Group Therapy." 12/8/12. Colored pencil. Ink outline.  5½x4¼”.
“Group Therapy.” 12/8/12. Colored pencil. Ink outline. 5½x4¼”.

While in rehab last year, I drew a cartoon for a Christmas card to send my friends. It’s me and Santa hanging out with The Devil, Borderline Personality Disorder, an undefined higher power, a Disney-fied syringe full of heroin, myself at age four, an identity issue monster, and two girls that I’m either in love with, trying to fuck, or just looking to get some kind of self-esteem bump out of.

——

We didn’t have a community event that week so I had Saturday almost entirely to myself. After trying and failing to create something a little more self-serving, I decided to do something nice. I drew this – my most detailed piece up to that point – for a card I could send to all the people I care about. My list had 110 names on it. That wouldn’t have been all that difficult had I not made it into the most emotionally intensive project ever. If these were people I cared about, I decided, then I should write each of them a letter letting them know why I cared about them, just how much I appreciated them, or [you get the idea]. It was more than I could handle. In the end, I got around 60 cards written (and about 55 actually mailed out). The people that have meant the most to me over the years: their cards were the hardest to write. I forced myself to scratch a few of those out early in, but others I kept putting off ’til I could find what I needed to give it the focus and honesty it deserved. Since I had about 50 names left to cross out when I threw in the towel though, some of those people never got any card at all.

As a whole, this was one of the toughest things I ever tried my hand at. Though I ultimately fell short, I’m still really glad that I did it. The 50 or so people that did receive cards – well, that’s still something.

For the backs of the cards, I traced the Traffic Street logo (with one modification) and the barcode from a box of Cap'n Crunch.
For the backs of the cards, I traced the Traffic Street logo (with one modification) and the barcode from a box of Cap’n Crunch.

As for the content of the image, sitting around me are physical manifestations of all of my “issues.” From the bottom-right, we’ve got Satan as my dark, sarcastic, attention-seeking behavior;  the mask I made in our expressive art group on identity [it’s not up on the site yet and won’t be ’til I can summon some bravery]; a syringe filled with heroin; the ghost that I used in this period as a symbol for borderline personality disorder; Santa’s just hangin’ out ’cause it’s like, Christmas, yo;  the girl represents different issues with sex, love, and codependency; the empty chair is for my [then] undefined higher power; the little kid is me at four years old, an age that came up a lot in the course of my treatment and that a lot of my core beliefs can be traced back to; and the second girl is for sex, love, and codependency. Yeah – two chairs for that set of issues. They come up a lot.

—–

Status update (10/30/13): This isn’t exactly my strongest entry but I don’t have much in me tonight. I feel pretty hollow right now. [More on that later, I suppose]. Earlier today I was extremely productive though and got a lot of writing and editing done. I’m really happy about that. While most of that work isn’t anything I want to share here yet,  I did completely overhaul the statement for one piece, edit the fuck out of another, and add a good amount to a third.

Living in Shit with The Copyrights (Song Stories #1)

If you’re anything like me (and for your sake, I hope the similarities start and end right here) certain songs trigger memories for you. On our drive down from Jacksonville, late Thursday night, I had the iPod on shuffle and a few songs came up that I hadn’t heard in a while but gave me an idea that I thought might make for a cool series of entries on the website. Here’s the first in my (remarkably cleverly titled) series of Song Stories.

Song: “Prove Me Wrong” by The Copyrights
Time: June 2012
Place: Miami, FL

—–

It backed up. From wall to wall, the floor in our little shitbox of an apartment was now seeped in toilet water. And yeah – when I say “toilet water,” I’m talking about a lot more than water. We had no cleaning supplies and no car to get to the store. Normally, I’m happy to walk but this was Miami in June and I was in the midst of heroin withdrawals. I felt about as awful as a human being can feel. Besides, we didn’t have any money to buy cleaning supplies anyway. And you can fucking bet that – whatever money we were going to scam up – it sure as shit wasn’t going to pay for paper towels and Lysol. I did the same thing any “sensible” person would do in my position: I took the comforter off the bed and threw it on the floor. It stayed there like that until we left town a few weeks later.

I hated being in that apartment. Actually, to call it an “apartment” paints too grand of a picture. It was a fucking room. And it felt more like a coffin. I felt trapped all day and night around the clock. I wished I were dead. But I wasn’t going to walk out the door for anything. Anything but drugs.

My memory’s a little hazy but if things were as I remember, I’m too ashamed to spill all of the details. You don’t really need to know the source of the money anyway. Suffice to say it was a process that involved more than one felony and ended with a Moneygram or Western Union transfer. I braved the outside world to go pick up the cash, so I could hop a train to Overtown and finally get some heroin. Not enough to overdose and kill myself (what a sweet dream that would have been; I fantasized about it constantly) but enough to make the hurt go away for a few hours. That was enough. I calculated the exact minute that I could expect the money to be ready and left so as to arrive just in time.

But it wasn’t ready. I waited. And waited. And waited. And it still hadn’t come in. Because the people that I was counting on to send it were also drug addicts and – you know – they’ve got their own schedules.

So I sat on the sidewalk outside of the CVS, calling and texting, trying to find out when the money would become available. It started to rain. And I just sat there, clinging to my hope that they would eventually come through. I shook and shivered and sweated. I prayed not to be recognized – after all, this was the same CVS where I’d steal $80 boxes of allergy medication which I’d then return to Publix or Walgreens for store credit. (On the rare occasions that I ate, this was one of the ways that I got food). I’d have walked down the street and looked suspicious elsewhere but I just didn’t have it in me to care that much. It all hurt just a little more than I could stand. Sitting there in the rain… I don’t know… maybe I was paralyzed or maybe I was punishing myself. Maybe I enjoyed my squalor and tragedy on some sick, stupid, self-destructive level.

In any case, that was my evening. And as I sat on that stupid fucking sidewalk in the rain, I listened to music on her phone. The battery was low and I shouldn’t have done anything to speed that process up but I couldn’t help it. Those songs, my songs, were all that kept me from laying down in traffic some days. There was one that stuck out and that I’ll forever associate with that night.

I told you there was a time back then when I still believed
You asked “believed in what” and I said “in anything”
Well the world’s still spinning, and we’re still grinning with cold drinks in our hands
But you’re grading on a curve while we’re sitting on a curb in a cold and callous land

And you tell me there was a time I’d laugh at this dramatic trash
That was coming out of my mouth after too much sour mash
I say the world only spins when I shut my eyes and it goes too fucking fast
But then I’m free to dream about the frequent smiles of a not-too-distant past

You will always run into creeps like me
Who love to swim and drown in negativity
But we want you to strongly disagree
Ignore all the surface signs and prove me wrong

Reminds me when I first saw the Pacific in a sunset glow
Or when we came through the Holland Tunnel for our first New York Show
But if the winners like these are fewer and further between now
The losers like us are too stubborn to ever forget how
to compare and contrast to the best of days
in competitive, unfair, and bullshit ways
instead of just putting our arms around someone we love
you gotta let it go

Please make sure to remind us
Our best days are not behind us

—–

“Prove Me Wrong” by The Copyrights comes from the compilation LP, “The Thing That Ate Larry Livermore.” You can buy the LP from Interpunk. And (I was under the impression that it was only released on vinyl but) it looks like you can also get it on CD from It’s Alive.