No Breaks Records | Sammy thrashLife

"Punk Rock Today is Better Than It's Ever Been." 5/28/14. Pen. 4½x5¼". — “Punk Rock Today is Better Than It’s Ever Been.” 5/28/14. Pen. 4½x5¼”.

Back in February, I was lucky enough to get to work on a painting and set up a print table at a couple shows some of my favorite bands were playing. On the second night, I asked my buddy Mike (who runs Dead Broke Rekerds) if I could scoop up some records in exchange for some artwork. He picked out a print and asked if I would draw something for a Dead Broke sticker. It took me a while ’cause I was stressing out, worrying about whether or not Mike would like whatever I came up with. As soon as I decided to drop the anxiety and just do what came naturally though, it was done in no time and I had this design. I’m really happy with it – in large part just because it’s so radically unlike the kind of art that a band or label would normally use for a sticker design.

I don’t think I met him just then but the first time Mike and I crossed paths was in late 2006. His band, Down in the Dumps, was in Florida to play The Fest and I caught their set in Tampa at Transitions Art Gallery (now Epic Problem). In my mind, this was right around the time when DIY pop punk was really blowing the fuck up (in an incredibly relative sense) and getting awesome/exciting again. Off With Their Heads released Hospitals, started their never-ending tour, and were in the midst of the flurry of 7-inches that they’d release leading up to their first full-length for No Idea. 1-2-3-4 Go!, Kiss of Death, and A.D.D. were all fucking killing it with bands like Ringers, Snuggle, Drunken Boat, Monikers, Witches With Dicks, Tiltwheel, Chinese Telephones, and Pretty Boy Thorson & The Falling Angels. Labels like No Breaks, It’s Alive, Dirt Cult, and Salinas were similarly picking up the pace, building incredible catalogs, and (soon enough) inspiring me to do the same. Banner Pilot self-released their first record. The Brokedowns put out “New Brains For Everyone.” Blotto was on the other side of the Pacific, churning out 7-inches at the same rate as Off With Their Heads, (mostly for Snuffy Smile, who were also tearing it up on the label side of things). And shortly thereafter (or right around then), we got the first records out of Dear Landlord, The Measure, The Gateway District, Dead Mechanical, The Humanoids, and The Steinways.

But I’m getting carried away… the FIRST band to play at Transitions that aforementioned night in October 2006 was Down in the Dumps. They were the only band on the line-up I didn’t know anything about. And they were fucking awesome. It was everything punk rock’s supposed to be: grimy, coarse, fucked up but catchy and upbeat (sonically, if not in content). Mike played bass and sang. And as I’d later find out, he was also the guy responsible for Dead Broke Rekerds, whose catalog now boasts a whole slew of my favorite records.

After I moved to DC for law school and started my record label, Traffic Street, the first bands to come through Baltimore and stay at my place were Iron Chic and Jonesin’. Mike played bass and sang in Jonesin’ and – though he wasn’t at the time – is now the bassist in Iron Chic as well. Both bands mean a lot to me. One of Traffic Street’s final releases was Jonesin’s EP, “The Dream is Dead.” And – going back to the beginning – #001 in the Traffic Street catalog was a 7-inch compilation called “Dangerous Intersections,” which was not only my first vinyl release but also Iron Chic’s first appearance on vinyl (and only their second release overall, following their five-song demo).

Before Traffic Street collapsed under the weight of my mental health issues and heroin addiction, Mike and I were in regular contact, states away, trading our releases for our distros, talking music, making fun of each other, and – every so often – crossing paths again when I’d book a show for Iron Chic or he’d book one for Rational Anthem (who, coincidentally, shared the A-side of “Dangerous Intersections” with Iron Chic). When it all went wrong for me, he continued to stay in touch, checking up on me periodically, wishing me well, and even sending me a slew of records in the mail while I was in rehab. He’s continued being a source of support since I’ve been back in the real world too. He’s a great friend and a veritable fucking pillar of DIY punk rock. I’m honored to have my art featured on one of his label’s stickers.

AND REGARDING “punk rock today” and the claim made by the title of this piece… Allow me to present some audible evidence! Here are songs from the records Mike traded me that night back in February, as well as some recent stuff by other bands I’ve mentioned (and some by bands that spawned from their ashes).

“Babyboo” by Unfun

“Snow Angels” by Murmurs

“Wolf Dix Rd.” by Iron Chic

“I Wish I Could Be Happy” by Rational Anthem

“Not Cool” by The Slow Death

“Old Man Yells at Cloud” by Skinny Genes

“This Future Sucks” by The Brokedowns

“Hey Caroline” by Dear Landlord

“Look” by Science Police

“How the Day Runs Down” by Dead Mechanical

“Start Walking” by Off With Their Heads

“Hold Fast” by Banner Pilot

And even though they’re not technically “punk rock today“…

“‘Lone” by Jonesin’

“City of the Living Dead” by Down in the Dumps

Oh! AND… I think I like the black-and-white version better but since I can’t resist coloring anything and everything, here’s what the finished, physical drawing looks like (though the stickers will still be black-and-white).

"Punk Rock Today is Better Than It's Ever Been" (with color). 6/1/14. Ink. 4½x5¼". — “Punk Rock Today is Better Than It’s Ever Been” (with color). 6/1/14. Ink. 4½x5¼”.

“Fuzzles” is the second painting in “The Weak End” series. It was a response to something that happened in the “rehab talent show” the previous day. The last performance was by the counselors, who put on a skit, in which one of the characters was me. Part of the costume was a shredded, sleeveless shirt with the words, “I Hate the Easter Bunny” painted on the front (that, as I was told, was their tamer/safer equivalent to something I might wear). So when it came time to caption this painting, I thought, “If I were actually going to make some kind of a joke about a bunny, what would it be?” And the caption on this piece is what spilled out of my brain.

I don’t usually try to be funny when I make artwork. I make jokes through/with art sometimes, but it’s never my main purpose. And when I do make jokes, they tend to be at my expense, poking fun at my real mental and emotional defects. This is somewhere on the line though between honest and silly. At the specific moment when I captioned this, I wasn’t feeling particularly happy or sane, so while I have never had a rabbit named Fuzzles that I put in a freezer, this is definitely a reflection of where I was at emotionally on the morning of February 16th. It was raining outside. I remember looking out the window as I painted and feeling lonely, unappreciated, unloved, and – kind of angry about it.

But when I looked down at my cardboard canvas and saw what I had painted and what I had written, I smiled. Art (even art that’s kind of silly) makes me feel better – about myself and about the world I live in. Life is funny. Life is fun. Sometimes it’s tough to keep that at the forefront of my mind. Fuzzles helps.

—–

I get to go on tour with Rational Anthem soon. It’s only for a week, but I’m really excited. Especially since it’s around Dave Strait Fest in Minneapolis, where something like twenty of my favorite bands are going to be playing. And, the night that we leave, there’s no show, but we needed to stay somewhere between Sarasota and St. Louis. I hit up Stewart at No Breaks Records to see if we could stay with him in Atlanta. Stewart and I never hung out that much (’cause we’ve never lived in the same state) but back when I was running Traffic Street we’d talk all the time. I talked to Stewart as much as any of my friends back then. The last time I saw him in person though was Awesome Fest 5. Which was a disaster for me. Actually, like two of my last three posts, I’m realizing that there’s a story here that I didn’t anticipate. I’ll have to come back to that. The point is (aside from everyone else I already knew I’d be seeing) I’m excited that I’ll get to see him too. And not be a trainwreck of a human being, alternately high or sick, this time. And it struck me as really rad that even though we’ve barely talked in the last two years, I was still able to message him and see if he’d put us up, and he responded just as quickly that – yeah – of course. There needs to be more to friendship than a common interest in punk rock, but friendships that begin with that, that are built around those ideals… it’s a pretty great place to start. I’m grateful for punk rock, for community, and for friends like Stewart (and Rational Anthem)!

Here’s a song from the record Stewart and I split-released back in the day.

Which reminds me, I’m also gonna get to see Troy (ex-Creases) for the first time in two years. And I’ll get to see his new band, Tight Bros, for the first time ever. Twice! – And I just realized this is only four days away. I have no concept of time… ever. But I’m excited.

—–

“The Weak End” series includes: