Buy This Painting or They’ll Put Me in Jail Where I Belong

“Buy This Painting or They’ll Put Me in Jail Where I Belong.” 2/7/18. Acrylic paint. 24×30″.

I’ve got a new organizational system in my head…

The period of time when I was at Tranquil Shores (beginning in 2012), all the way through to my relapse at the very end of 2015: that’s what I’m calling “ROUND ONE.”

In the fall of 2017, I left Jacksonville and got clean. I think it lasted about eight months before I relapsed. That period is ROUND TWO.

In October of 2018, Wallis and I broke up for good and I got clean again. This stretch also lasted about eight months and is ROUND THREE.

In March of 2024, Juliana and I broke up, I started sublocade for the first time, and I began making art in earnest again for the first time in five years. This is Round 4. We’re IN IT NOW.

I imagine this’ll come up fairly often in my writing from here on, so I want readers to have some idea what I’m talking about.

“Buy This Painting or They’ll Put Me in Jail WHERE I BELONG” is a Round 2 painting. It’s been on the website for a while but I’d never published the statement until now. I thought about giving some extra background but I’ll just let it speak for itself. The statement is exactly what appears in the big white “STORY TIME” block on the painting.

Okay –  STORY TIME: about three years after I started making art and quit shooting heroin, 2015 was turning into 2016 and I stopped fucking with paintbrushes and went back to needles. It wasn’t long before I regretted the trade-off but that didn’t help me undo it any. By October 16th though, I was trying pretty desperately to get clean. I made a plan with my friend, Jen, who lived outside Jacksonville in Nocatee. I would go to her house to detox so that – in a weaker moment – I couldn’t just call one of my dealers to get more dope to ease the pain of withdrawal. Since I could always just get in my car and drive [to Jacksonville] though, we’d also block my car into her driveway with one of hers. (She had THREE).

I think it was my second day of detox. I was NOT FEELING WELL. Jen gave me some xanax to help sleep it off. I took one (2mg) but didn’t really feel any better. Some time later,  I took another and fell asleep. When I woke up though, I still felt pretty terrible. I decided to take two more [for a total now of 8 mg]. I got in bed and fell asleep again.

When I woke up, I was NAKED IN A JAIL CELL. So… what happened? Apparently my car wasn’t blocked in when I woke up blacked-out and (presumably) got in my car and drove off.

After I got into some clothes and in front of a judge, they said I was charged with three DUIs (for allegedly hitting three cars) AND assault on a law enforcement officer. 

But… but… but… I was trying to do good!! I was trying to get OFF drugs! I didn’t have any intention of driving anywhere! I even took steps to ensure that I couldn’t drive even if I wanted to! (Not because of anything like this; I never even imagined such a possibility. I’m a JUNKIE! Not a xanax addict. I don’t know how this shit works!) However, yeah – I get it. Knowingly or not, whatever the circumstances, I was guilty of driving under the influence and people could have been hurt as a consequence of my actions. (Unless – y’know – I was abducted from the bed and framed (WHICH IS ALSO SUPER POSSIBLE). 

I pled the charges down to one count of DUI and got six months of probation. In the first two months, I took one of the two classes they said I had to take and paid all $2,000+ of my court costs and fines or whatever. And then – with three months left on my sentence – my probation officer told me a new rule had been implemented requiring all terms of probation to be completed 45 days before the termination date. And that the other class [that I still needed to take] had no open seats until after that 45 day date. Which meant that violating my probation was now an inevitability over which I had no control. So she filed my violation right then and there and told me to watch the mailbox for “what’s next.”

A letter came. It said to come to the courthouse within 48 hours so the judge could decide what to do with me. I called a lawyer to make sure they weren’t going to arrest me on the spot. (I didn’t wanna detox in jail again). (Because – OBVIOUSLY – I’d gone back to heroin right after the initial arrest and ultra fun jail cell withdrawal). “Seems they issued the warrant yesterday,” he said. “But I just got this today!” “Sorry.”

I DON’T LIKE JAIL; I DON’T WANT TO GO TO JAIL. So for the last nine months, I’ve been “on the run.” When the cops started coming to my house looking for me too often, I left Jacksonville. Which I needed to do anyway if I was ever gonna kick heroin again. It worked. I’m four months clean now. I’ve started making art again. This will be my fifth post-relapse painting. I don’t want to turn myself in. I don’t want to go back to Jacksonville. I know myself: if I go back to Jacksonville, where all my dealers are just a phone call/stone’s throw away, I will wind up back on heroin. Could I get drugs in the city where I’ve been hiding out? Yes – OF COURSE. (I’m a PROFESSIONAL). But I have just enough willpower/self-discipline and enough good things going here that – in my weaker moments – I can be strong (enough to hold fast so long as scoring dope will require more than a single phone call). But if I get dragged back to Jacksonville, I’ll be homeless – crashing on couches of people who really don’t want me there. I’ll feel WORTHLESS and UNWANTED and HELPLESS and USELESS and HOPELESS and I WILL START SHOOTING HEROIN AGAIN.

Here’s what I would much rather do: complete the outstanding terms of my original probation and then contact the judge and make my appeal directly. I sat in her courtroom a lot. She seemed pretty reasonable; she did not want to lock people up for the fuck of it. When people were fucking up the terms of their probations – not doing shit – she would try to drag any reason out of them to justify giving them another chance. If I can satisfy my terms (taking that second class and completing fifty hours of community service – that’s all I had left) I think she’ll close my case. After all, before it was terminated, I was A MODEL PROBATIONER.

I’m scared to go somewhere to do my community service though. They’ll probably run a background check, possibly discover my active warrant, maybe have me come in only to have the cops come get me [in hindsight, this was pretty unlikely/paranoid] and – before I know it – I’m in jail awaiting extradition to Jacksonville, where – AS NOTED – I do not want to be for (what I feel are) pretty legitimate reasons.

But I know Carmen… We’ve gotten to be friends… Because (BEFORE I RELAPSED) she liked my art and (presumably) the fact that it’s all about my mental illness/borderline personality disorder and my histories with heroin and codependency and girls and BAD BEHAVIOR. And my constant fucking struggle to do right. And feel okay. And she has a fucking non-profit that’s all about art programs and mental health. That’s MY FUCKING JAM. (I only started making art because I was forced at knifepoint while in inpatient rehab for sixteen years). (Okay – it was only two years but whatever).

So, non-profits can dole out community service hours… Abridged conversation: “Yo, Carmen – what could I do for ‘I Still Matter’ to get community service hours?” “Paint something we can auction off at our next event and write a statement about why you support I Still Matter.”

In rehab, when they first told me I had to participate in “expressive art therapy,” I thought it was a contemptible joke. “I can’t keep a needle out of my arm and you want me to fucking COLOR? Go fuck yourselves.” But as I was worn down by failure and frustration and misery and just wanting a life other than the one I had, I stopped fighting and I started just trying to do whatever I was told. I started to make art. I was really bad at it. But something interesting happened. At the end of each art therapy sessions, we’d go around the room and talk about what we’d made – and when it’d be my turn to share, I’d talk about my piece and how I was feeling, and how those feelings were reflected and represented in whatever I’d drawn/painted/written. And people laughed. Or they cried. Or they smiled and wanted to hug me. Or they just told me how much they related to and/or how much they appreciated what I was saying. They liked the things I was making. And then something really interesting happened: I started to feel good about what I was doing. I started to develop SELF-ESTEEM. And for the first time in longer than I could remember, I didn’t wanna die anymore. And I was actually excited about living. I was finally able to envision a life for myself that I could enjoy (and that wouldn’t require heroin just to get me through each day). 

When I finally got out of rehab, they told me I needed to get a job. I had a law degree from Georgetown but I didn’t want any of that. I just wanted to PAINT FUNNY FACES AND SCRIBBLE ABOUT MY FEELINGS. So that’s what I did. And, before long, I was making enough [money] from art alone to support myself and build a new life. Now, OBVIOUSLY, SOMETHING WENT WRONG ALONG THE WAY (three years later). But that’s another (really fucked up) story; I don’t think anyone could’ve gone through what I did before I relapsed and NOT kill themselves or otherwise self-destruct. It’s okay that I relapsed. And now I’m rebuilding. I’m getting back to what made my life the kind of life I want to live. I’m getting back to art. Art is what saved me the first time and it’s what’s saving me this second time. ‘I Still Matter’ is important because it can do for people what Tranquil Shores [my third treatment center] and expressive art therapy did for me. It can turn broken people into something better. It can turn cautionary tales into inspirational stories. It can uncover talents and aptitudes that people never knew they had. It can radically change lives. Or – at the very least – it gives people like me something nice to do for a little while. A safe, welcoming place to go and something to do (not drugs) that can silence the anxiety, even if only for a short while. It offers a respite from the monsters that live in our heads. AND – in this particular instance – it can get me some community service hours to help sway the court’s opinion in my favor.

So, please, if it’s not asking too much…: BUY THIS PAINTING OR THEY’LL PUT ME IN JAIL WHERE I BELONG.

I haven’t spoken to Carmen in some time but – while I did eventually/successfully use this painting to satisfy the terms of my probation – I don’t think it was ever actually auctioned off. If you’d like to purchase it (and support a non-profit art/mental health organization in doing so) I’d imagine that can be arranged. I also have 12×16″ signed, hand-numbered prints for sale. Get in touch if you’re interested in either.


Toxic grey dope and spraying morphine up the butts of loved ones

I’m not even getting high. Either my tolerance is too high or the dope in this town is too shitty. For a while there, I was getting shit ten times better than anything else I’ve found in Jacksonville but that shit hit me less and less as my tolerance went up and, once the package ran out, the dealers behind it re-upped with this dark grey garbage. Not only do I have to do a shit ton to feel anything but it doesn’t even feel like a heroin high. It’s closer to a Dilaudid high but not as pleasant. There’s absolutely no euphoria, just a strange tight sensation in my skull and my jaw, coupled with light-headedness and – yeah – its one positive attribute is that I can fall asleep after I shoot enough of it. But that’s leaving out the worst part. Anytime I’ve done a shot that was strong enough to feel – before those slightly positive effects kick in – there’s another set of sensations that storms across my body. As the blood flows up my arm back to my heart and is pumped out to the rest of my body, I start to itch. Not an acceptable heroin itch but what morphs into an intense burning sensation. It hurts. Badly. It starts in my head and my chest and spreads to my hands and sometimes my feet. It is, to say the least, unpleasant. The only thing I can compare it to is liquid non-injectable morphine, intended for oral consumption. Like many drugs that are NOT formulated for injection, it fucking hurts if you inject it. (And – to those of you that found this page because you’re Googling, “Can I inject liquid morphine?” The answer is “Yes, but it will hurt and there’s no fucking way you’re going to find a syringe big enough to inject enough in a single hit to stand any chance of actually getting high. So don’t do it. Drink it or have a loved one fill their mouth and spray it up your butthole with a straw; it’s not strong stuff and the bioavailability is highest when absorbed – um – you know… through the butt).

And here I was thinking that I’m of no use to anyone ever since I fell off, started using again, stopped producing anything of any value, and went from aspirational figure to cautionary tale. But here I am, educating the masses on anal morphine.

So where was I? The grey dope. It was awful. It hurt to inject it. And no one seemed to be able to find anything that was any better.

Fuck this. I can’t fucking take it anymore. I quit. I’m not playing this game. I’m not going to struggle to scrape up hundreds of dollars everyday just to feel sort of okay and keep myself from going into withdrawal.

Hey, withdrawal! Come on, let’s go. Bring it on. I’m ready for you.

I didn’t shoot any more dope that day. I felt fine. The dope was still in my system. It’s not unusual for me to be able to go 24 hours before the withdrawal symptoms start.

I didn’t shoot any more dope the next day. I still felt… mostly fine. It was strange that I hadn’t started withdrawal but…

I didn’t shoot any dope the next day. And still I was fine! If you’ve got a dope habit, you’re going to start experiencing withdrawal within 48 hours of quitting. It’s the same with virtually ever opiate and opioid. Three days off dope without consequences didn’t make any sense.

Day Four: STILL NO WITHDRAWAL. Alright, so it’s clear what’s happening, I said to myself. I thought I wasn’t getting high because my tolerance was through the roof. In reality, I must have been getting dope of gradually decreasing strength/quality. Wow. I had weened myself off of heroin already without even realizing it. I had been shooting fucking dust for who knows how long. After all, if there was any dope in the shit I had been shooting up, I’d have quite a tolerance and dependence and be SICK AS FUCK right now.

On the fifth day, I finally got out of bed, fully confident that I could face the day without getting sick. I showered, dressed, and walked outside. It was hot and it was miserable but I was really doing it. I was facing the world again. It had been quite a fucking while. I felt good about myself. As I walked to nowhere in particular, I thought about the things I needed to do to get my life straight. I’d need to hire a lawyer to get my current legal situation sorted out (did you guys know I’m currently wanted by the police? Hooray!), I’d need to start making art again or else find a real fucking job…. two prospects that were equally disheartening given my fears about my sparkling internet reputation these days. No one is ever gonna hire me, I thought. No one is ever gonna wanna host an exhibition of my art at their gallery. I’m fucked no matter what I do. I’m fucking hopeless. I suddenly remembered why I’ve spent the last year and a half in a dark room with a needle, and I was defeated. I broke down into tears. Getting clean was the easy part (especially this time). But what the fuck am I gonna do even if I am clean? What’s the point of getting clean? I have nothing to live for. Half of the world wants me dead because they think I’m a fucking rapist and while they’re wrong about why I should kill myself, I still agree that their final conclusion is ultimately correct.

I went back home to Wallis who suggested that I take a Suboxone. It’s primarily used to treat the physical symptoms of opioid withdrawal but it certainly helps with the mental/emotional symptoms as well.

Now, here’s the thing: When taken orally as intended, the only active ingredient in Suboxone is buprenorphine – a “partial opioid agonist.” The “agonist” part means is that it interacts with the same receptors in your brain as heroin and other opiates. “Partial” means that it’s not going to interact to the same extent as heroin (a “full agonist”) so it’ll keep you from going into withdrawal if you’re heroin-dependent, but it won’t get you high. Here’s the problem with Suboxone: the buprenorphine doesn’t just crowd around the receptors of your brain alongside the other opiates that are already hanging out there; it kicks the rest of them out of the fucking party. For this reason, an addict needs to wait 24-48 hours after their last hit of heroin, when the withdrawal is already starting, before Suboxone can be safely taken. If taken before the heroin has begun to abandon your body’s opiate receptors, rather than gently transitioning your body off of heroin and onto buprenorphine (and thus relieving most symptoms of opiate withdrawal) the Suboxone kicks the other opiates to the curb and – by itself, at this early stage in the game – is insufficient to keep withdrawal symptoms at bay. Worse still, it doesn’t just fail to alleviate withdrawal, it actually kicks your body into a state known as “precipitated withdrawal,” which for all intents and purposes, could more accurately be described as “SUPER KICK YOUR ASS MAKE YOU WANT TO FUCKING DIE THIS IS THE WORST PAIN I’VE EVER FELT WITHDRAWAL.”

But this wasn’t an issue for me, you see. I was already five days clean off dope. 24-48 hours? I scoff at your 48 hours, I’ve got over a HUNDRED. At this point, not only is it safe to take Suboxone but I might even be able to catch just the slightest buzz off of it. If nothing else, it’s going to trigger the same chemicals in my brain (most notably dopamine) as the heroin was and it’s going to help me to stop fucking crying. It’s gonna make me feel better.

I put the strip of Suboxone under my tongue and crawled back into bed to let it dissolve and comfort me. Only… I wasn’t starting to feel any better. Shit, I actually feel a little worse. And wait… what’s that familiar creeping sensation… that mentholated feeling coming over my body that I’ve only felt twice before in my life….

Oh fuck… my body is falling into precipitated withdrawal. FUCK.

Buckets of sweat began flowing from my body. I was freezing cold and simultaneously burning up. My stomach is in knots. I can’t fucking move. Everything hurts.

Now, I’m not gonna play this shit up worse than it was. Of my three episodes of precipitated withdrawal, this one was the least severe. The worst of the symptoms – when your body evacuates every last particle of waste from your dilated asshole – only to then continue with buckets of water until you’re absolutely emergency-room-level dehydrated – and for the coup de grace, some kind of bilious liquid that burns as it squirts and drops incessantly from your asshole over the course of the next two hours – I didn’t experience that this time. I felt like it was coming all along but I clenched as tight as I could and was able to keep it at bay. The same went for vomiting. I had an almost uncontrollable urge to throw up but I kept my throat clenched, knowing that if I started throwing up, I’d likely be unable to stop for some time. Even still, I was not well and it wasn’t long before I had Wallis dial up a familiar number for me so that I could politely request that someone bring me some of that awful dark grey garbage that I had so recently decided was as benign and impotent as sand.

After enough time had passed and I had injected enough of that dark grey poison, I started to feel better and began considering just exactly what the fuck had just happened to me.

And here’s the conclusion I’ve reached, boys and girls: There are all kinds of opiates, both natural and synthetic (opioids), under the sun. Virtually all of them share one thing in common though: the speed at which they depart they body. It’s true that some may take a little longer than heroin (and some take a little less time) but they’re all pretty close, with one exception: methadone. Methadone doesn’t begin to take off until 5 to 7 days after an addict’s last dose. However, in this glorious digital age, we’re no longer limited to the opioids of our parents’ generation. On the other side of the Pacific Ocean, kids are playing with chemicals and – essentially – inventing new opioids, to sell on the streets as a cheaper alternative to heroin. Some of these could theoretically be more analogous to methadone than they are to heroin. So, it seems that my dark grey garbage powder either contains methadone or else some other new toxic fucking opioid. I’ve taken methadone plenty of times but never had it in a concentrated powder formulation so I’m not sure if that’s absolutely what it is that I’ve been using. If anyone out there can tell me, does methadone BURN LIKE A MOTHERFUCKER when injected in high doses? If so, then it seems I’ve been injecting methadone. If it doesn’t, then I’m shooting up something else with a super long half-life. Something with some toxic non-injectable ingredient or cutting agent that makes my fucking blood hurt.

You know, from a capitalist point-of-view, this really is quite brilliant. A withdrawal that takes longer to start is also going to take longer to end. If you were a drug dealer, would you rather sell someone something that – if they stop taking it – it’s going to cause them pain for a week before they feel relatively okay? Or something that ensures it’ll be closer to two weeks (or possibly longer) before they’re in the clear? After all, the fact that one can go longer between shots on this stuff is of little consequence. Anyone that’s actively addicted and shooting up is always going to struggle to shoot up any less than “as often as possible.” It’s only when an addict tries to quit that the long half-life is of any benefit or consequence – but even then, it’s just delaying the inevitable and then stretching it out over a longer period of time.

So that’s where I’m at now. I’m back on my shitty dark grey dope, working up the courage to quit again, knowing that it’s going to be the most protracted detox of my life. I’ve got my reasons for holding off for now and not getting started just yet (and they’re nothing fucking positive) but I’m also starting to get ideas for how I might actually be able to have a life that I can stand one day (soon, I hope). I’ve got just a little bit of hope for the first time in a long time. And I’m writing honestly on my blog again, which is never a bad thing. It’s a good sign that I’m at least starting to feel a little bit like me again.

Anybody that’s got anything shitty to say about any of that can fuck right off. I know who I am, I know what I’m not, and if I’m gonna hate myself, it’s gonna be for the right fucking reasons. But I feel okay today. (Right now anyway). Oh – and for what it’s worth, I do have a pocket full of dope and I’ve been awake since 7AM, but I haven’t shot up since last night. Whether you think so or not, that’s pretty fucking good. I had things I wanted to do before I shot up and I’ve been doing them all day. I don’t care how petty or little it is, I’m proud knowing that it’s 3PM and I haven’t put a needle in my arm.

(Yet).


Adventures Per Minute

"Adventures Per Minute." 5/5/14. Acrylic paint, spray paint, and ink. 36x48".
“Adventures Per Minute.” 5/5/14. Acrylic paint, spray paint, and ink. 36×48″.

“Adventures Per Minute” is how I felt in early April. From the moment I woke up until I crawled into bed each night, I was busy. Traveling back and forth between Jacksonville, Delray, and Sarasota; giving interviews and being photographed; attending the premiere of the movie I starred in; directing a music video; setting up exhibits; making and distributing fliers and meeting people; selling prints at One Spark and Spring Fest; fucking; designing album covers and merchandise for some of my favorite bands; making more money than I’ve ever made in my life; and (of course) painting – at parks, at friends’ houses, on the streets, at punk shows, on rooftops, and at galleries.

It was just outside one of those galleries that I started this painting. Passers-by would stop, compliment my work, and ask how I was doing. That sparked the first small caption: “HOW AM I? I’m standing on a stool, paintin’ funny faces outside the gallery that sells my paintings for all the moneys. So – yeah I’m okay.”

At the other end of the canvas, I elaborated: “I have everything.” And I really do. I’m not super rich just yet but all of my needs are met and then some.

I went back to Sarasota with the intention of trading in my van for a bigger one; it was my last stop before I finally took my show on the road outside of Florida. I changed my mind about the van but had quite a time back in that city where I (sort of) grew up. Things were messy – not only with friends in Sarasota but in my “adoptive” family’s house up the road in Bradenton. Drugs, lying, screaming, stealing… it was all around me and it was starting to fuck with my head. I don’t often feel “triggered” and – for the most part – think it’s sort of a bullshit concept. One afternoon in particular became an exception. I was on the back porch painting when the weather started acting up but there was no way I was walking back into the house. I took to the top corner of my canvas and started journaling:

It’s been ten days [since I last wrote on this painting]. I’m on the porch in Bradenton. There’s a tornado warning. I don’t care. That’d be cooler if I actually thought it might hit. I would totally shoot up right now if I had drugs in front of me. [and] I HAVE THE MONEY THESE DAYS.

My best friend (the one that used to shoot heroin) – he started shooting heroin again. And smoking [and shooting] crack. I had him Marchman Acted soon as I got back to Sarasota. Everyone’s pretty happy about that – and I’ve been buying into it too. But let’s get real. Nothing has changed. This is just getting started. And it’s gonna get a lot worse. I kind of think he’s gonna die soon. What should I do? Drag him around the country with me? That’s a lot of responsibility. And what would he do all day everyday?

And I love Abby too but her situation is even tougher, more hopeless.

I was talking to Heather about some of this and she asked me if I’ll “ever get to live for myself.” But I’m more independent, disconnected, and uninvolved than anyone. I “do me” constantly. But I grew up a fuck-up with other fuck-ups and what little I’m able to do these days when this shit goes on – I need to. Sometimes I’m the only one that can. I can’t live without people anyway. It’s all part of the package.

It’s all worth it, I think. Even when it hurts a lot. And makes me wanna put a needle back in my arm. I don’t think I will but, for the second time since I stopped, I really want to. This shit is dangerous.

And I haven’t even gotten into the other shit that’s eating me right now… My phone is ringing. What kinds of decisions am I gonna make today?

I feel safer in this house with drugs, screaming, CPS, threats, lies, theft, etc. than at Morgan’s (’cause she’s got roommates) and this [house] is the only place I don’t feel like an intruder.

I paused and thought about all the good things that had happened lately – and the specifics of some of the bad… I brought the pen back to the canvas.

Life is sad and tragic and funny and beautiful. I’m usually having a pretty good time. I laugh and smile a lot. I don’t want the people I care about to die. Or to live without knowing happiness.

Up to this point, I hadn’t given any thought to what I was writing or how it might be received. I just let it come out, even when it occurred to me that I might need or want to remove Abby’s name at some point. But after I finished that long journal down the left side of the canvas, I remembered that I was creating art and that I had intended for this to be a joyful painting – a celebration of the wonderful, exciting things happening in my life. “I need to balance out all this dark with some the light I experienced leading up to this.” But (in my soul, not my brain) I really only felt compelled to write the darker (more recent) stories. I decided to phrase everything in the present tense.

I am standing in an alley while my friend smokes the last of her crack before I take her to the police station, from which she’ll be transported to detox, under court order. I picked her up in an empty parking lot.

I am dropping my “sister” off (with everything she owns) at a drug dealer’s house. An hour ago, she attempted to transfer custody of her daughter to me. I still live in / operate primarily out of A VAN. We hugged and I told her to not be a fuck-up.

I am back on Adderall [after a month without] and I think the dose is too high now and I’m too in my head and having thoughts like these: [An arrow points at the long, sad, I-wanna-shoot-heroin / my-friends-are-dying journal].

I needed my positive adventures to balance the painting and convey what “adventures per minute” had meant to me initially. But I had already told those nice stories on my blog. Repeating them here felt contrived. I did it anyway but in just four short sentences – covering One Spark, the music video, the film festival, and painting on rooftops. A few days later though, I had another adventure. But one that I didn’t want to be the first thing to pop out at someone. I hid it against a dark blue backdrop. It says: “I just PRETEND (consensually) ‘raped’ a girl that identifies as ‘gay.’ It was pretty awesome. I like her.”

So THAT sort of raises some questions and probably warrants a whole exposition of its own but this statement’s already long enough, I’m writing this in Atlanta, and – you know – I got some more adventures I really ought to be getting up to right about now so…


This blog entry was originally published in 2014. In 2024, however, I published a supplementary entry which addresses the content of the last two paragraphs.


“Adventures Per Minute” prints are available for purchase in my webstore (and are one of my MOST FAVORITE prints). Every purchase subsidizes the creation of more paintings, more writing, and ANOTHER DAY OF LIFE FOR SAM. Your support means everything to me.


When God Gives You Lemonbrains

"When God Gives You Lemonbrains." 1/15/14. Oil pastel. 9x12"
“When God Gives You Lemonbrains.” 1/15/14. Oil pastel. 9×12″

It was early January. I was sitting on the couch at Sun-Ray Cinema, organizing the prints that I had left there for sale. I looked up and saw Tim walking toward me. He stopped, took a step back and looked at the placard for a piece of mine on the wall. “Yeah, I’m gonna take that one,” he told me.

Tim and Shanna (co-owners of Sun-Ray) had given me the opportunity to have my first art show, there in the lobby of their theater. And Shanna had already bought one of my pieces when my exhibit first opened. They’ve been unspeakably supportive of me.  And now Tim wanted to buy another one. Things had been going very well the last few months and as I made my way home that night, I couldn’t help but reflect on how cool it all was. I was actually making my living with my artwork. I was paying my bills and supporting myself with the little therapeutic exercise/activity that I had discovered in the midst of my third (and seven month) inpatient stay of treatment for heroin addiction and borderline personality disorder. I was spinning my mental illness into a career. It seemed totally insane and I couldn’t have been happier about it.

A few days later, I was in southwest Florida so I went in to visit at Tranquil Shores – the facility where all of this started. And I was lucky enough to be there on a Wednesday, which is the night of their outpatient “Art of Recovery” group. These days, I rarely spend less than fifteen hours on a piece and they’re almost always acrylic paint on canvas. When I get back to “group” though, I like to play along, which means starting and finishing a piece within the session and using the materials provided. Besides, those bright yellow and pink oil pastels looked really appealing. (I love colors way more than makes any kind of logical sense).

I’ve been mobile/itinerant as fuck lately, so I’ve had this piece tucked away (in an envelope, in a steamer trunk, in the back of my minivan) for the last two months. I rediscovered it the other day and finally had prints made. It seems like just the right time. As I wrote last night:

As I go to bed on the last night in March, it is with the satisfaction that comes with having met my income goal for the month. And my income goal for next month. And the NEXT month. Things are going well. Here’s to keeping it moving, carrying it forward in April (which I already have fully blocked out in three cities).

I love making art. I love that I’m able to support myself doing it. I’m really, truly happy. I am fulfilled.

 The problems that come along with having a personality disorder (my brain not being the way it should be) used to fuck me up all kinds of ways. These days, it’s a blessing.

I feel like a broken record saying so but I’m so grateful. And I can’t help but think about how remarkably and wildly different a sentiment that is from the way I used to feel about myself.

 


Nothing Helps

In September 2012, I was working on my first major assignment at Tranquil Shores. About halfway through, one of the questions wasn’t really a question; it just said to draw an image of powerlessness. Fuck that. (This was around the time that I had just started to sort of sometimes enjoy art). I skipped the question for the time being and went to the next. “Powerlessness can creep into how you feel about yourself. If you were painting a portrait of yourself today, how would it look? Do you go to bed or wake up with feelings of shame or grief? What about the things you’ve  wanted to accomplish that remain undone? What feelings do you have when your actions go against what you know is right? Share the way you really feel about yourself today. Paint with words a self-portrait of your inner feelings.”

Here’s how I answered (on 9/11/12):      

If I were painting a self-portrait of my inner feelings today, it wouldn’t look quite like my inner feelings. I feel a little too okay right now and – as we all know – only art born of anger, discontent, self-loathing, misery, pain, poverty, and/or shit is worth anything. So whatever I painted would be too contrived to be any good. Unless I successfully recalled some darker moments and managed to displace my current sort-of-pleasant state of mind.

I don’t usually wake up with shame. Well… sometimes. I always did when I was using (or a lot anyway). The things I want to accomplish will be fairly simple if I stay clean. Well, making another Troublemake record will be. Maybe not becoming at peace with myself and the world. Fuck, but I do sometimes act contrary to my intentions and then I feel really stupid, foolish, and inferior. Like when half of the things I say in a day (okay, less than that) can be heard escaping my mouth. That hurts. But generally, I feel enthused and intelligent. (I hate having to say good things about myself or about how I’m feeling though). It makes me feel self-conscious. And then less of whatever I was feeling before I said it (particularly when it comes to positive attributes). I’m definitely far more concerned with how others will perceive me than I have been at any other point in my life.     I can’t feel good about myself and say it without it disappearing or at least fading.

Sometimes I feel confident, appreciated, (relatively) important, or even powerful (in some sort of sense) but the moment I acknowledge it, I feel insecure, discouraged, hurt, and lonely – which I soak in until those feelings morph into hopelessness, anger, apathy, and recklessness – which I use to ruin everything and ruin myself. Eventually, I feel outright hateful (though I direct most of it inward, at myself).

Maybe I don’t have to fake it after all… Maybe I’m really not in great emotional shape and I can paint a really awful self-portrait. I guess I could say… “I’m a bit miserable – not coming apart at the seams; things aren’t as bad as they seem but they ain’t much better…”

If I’m not always totally aware of these things, I’m at least thoughtful, but I’m also prone to confusion, self-doubt, and depression. It can be a little volatile. I’m a little volatile. My strongest “inner feeling” is instability. I don’t feel stable.

—–

I finished answering all of the written questions within two weeks, but it wasn’t until October 2nd that I finally went back and drew the image of powerlessness that I needed to call the assignment complete.

"Nothing Helps." 10/2/12. Colored pencil and oil pastel. 6x9".
“Nothing Helps.” 10/2/12. Colored pencil and oil pastel. 6×9″.

I drew this on a Tuesday afternoon. On Wednesday morning, I was pulled aside and told that I was being discharged. I was getting kicked out of my third treatment facility that year. It was raining. I had no way to get anywhere and nowhere to go anyway. Someone gave me a little bit of money to help get me wherever I might decide to go. I spent the next couple hours arguing with myself: whether or not I should use it to go to a shooting range where, for twenty-five dollars, I could get my hands on a gun, put a bullet in my head, and just be done with it.

—–

In my answer to the “self-portrait” question, I quoted a song. As I drew my image of powerlessness, I had another song on my mind. Here are both.

“Sorry Sam” by The Slow Death
I wake up in the warm sun on a folded out futon. Get some water from the bathroom sink and try to figure out what happened to me. And when I say, “I’m doing okay,” – it’s mostly overstated. I spent my nights forgetting, my afternoons regretting, all the stupid things I said and everything I should have done instead. And when I say, “I’m doing okay,” – it’s mostly overstated. I’m a bit miserable, not coming apart at the seams. Things aren’t as bad as they seem, but they ain’t much better.

“Wrong” by Off With Their Heads
Sit back and let me tell you about the sadness, about the beast that’s been gnashing its teeth trying to destroy me. It rears its head every time I’m alone. In the middle of the night, if you don’t answer your phone, it snarls at me. It hides underneath my bed and it sinks its teeth in every corner of my head. Don’t try to stop it, don’t try to control it, don’t try to defeat it, don’t try to console it – it’s unstoppable and it’s a part of me. Your best bet is not to get too close to me. Stay the fuck away, stay out of its reach or it will poison you like it’s been poisoning me. It tells me what I’m supposed to say and it controls every move that I make. You’ve got me all wrong. It’s not “the real me” screaming you away – it’s that selfish sadness ruining every day. Everything is wrong.

—–

  • “Sorry Sam” comes from The Slow Death’s 2011 album, “Born Ugly, Got Worse,” on Kiss of Death Records.
  • “Wrong” comes from Off With Their Heads’ 2008 album, “From the Bottom,” on No Idea Records. (Though it was originally released as “I Hate My Stupid Ass and I Hope I Get in a Car Accident Tonight” on the band’s 2007 split 7-inch with Dukes of Hillsborough, on ADD Records).
  • 5¾x4″ prints of “Nothing Helps” are available in my webstore.
  • If you’re interested in purchasing the original drawing, send me an email.

Of Monsters and Giving a Shit

"Of Monsters and Giving a Shit." 12/13/12. Oil pastels. 12x18".
“Of Monsters and Giving a Shit.” 12/13/12. Oil pastels. 12×18″.

On the left half of this piece, I can still see a few of the words I wrote but not enough to make any sense of it. Two weeks from today, this piece will be a year old; it’s one of the last I made before I got the courage to stop completely obscuring the more serious/honest/vulnerable text in my art. All I really remember is that it was related to the girl at the center of all my 12/13/14 pieces and that the original sentiment was that – of all the things in the world to be scared of – the one I feared most was the prospect of really caring about another human being. I wrote a little bit about that back when I drew this…

That feeling when you wake up from a really good dream where everything worked out and you still have everything that you’ve lost – only to realize moments later, “Oh yeah… that’s not my life anymore. I’m in rehab for the third or fourth time this year.”

But there’s comfort in having lost everything – in having nothing. What else can you lose at that point? What’s there to be afraid of?

Yet, as I get better, I’m starting to get some of those things back. I’m starting to develop meaningful relationships again. And it’s pretty fucking terrifying. Giving a shit about other people (about anything really) opens the door to serious heartache and frustration.

But it’s worth it.

—–

Status Update (12/1/13):

Yesterday was the last day of my exhibit at Sun-Ray but, when I went down there to check in, Tim and Shanna told me that I could keep half of the wall space I had been using. So – when I went down there today – I took everything apart and then put it back together within the confines of the space I’ve got now. In all, I have thirteen pieces up: five that were featured in the exhibit, plus eight new ones. I’m still a little shocked when I’m even tolerated somewhere so to actually have my welcome extended … it’s a pretty great feeling.

The last couple days have been a little hectic. I’ve been getting more emails than usual (from people reaching out) and I’m having a little trouble keeping up. It’s kinda strange ’cause (obviously) I’m not really qualified to help anyone but I think it’s a good thing that something about what I’m doing is hitting people in such a way that they’re comfortable sharing things with me that they don’t feel comfortable speaking about with anyone else. I think sometimes just the act of acknowledging something to another human being can have a powerful, healing effect. Still, it’s tough sometimes to figure out exactly how I should respond (especially via email which doesn’t really feel like the most compassionate means of communication).

On a sorta-related note, something kinda cool that’s been happening: the last three times I’ve left the house, I’ve been asked by a stranger if I’m … me … and then they’ve shared with me something about having seen my art and told me what they liked or how they related to it. That’s not totally new but it doesn’t usually happen this frequently and (again) it’s a pretty good feeling knowing that some of what I’m doing is getting through to people, even beyond my little punk rock bubble.

That’s all for tonight. I’m feeling grateful. For all this (and more).

—–

Almost forgot: if you didn’t see it already, check out this little write-up about me! There are a couple small errors (like “bipolar” instead of borderline) but it’s really cool all the same. I met this girl on the street in Riverside about a month ago when she asked me, “What’s there to do in this city?” I took her to my art show and we spent about an hour together. I’m really honored to see all the nice things she had to say about me/my art ’cause my admiration for her bravery and what she’s doing with her life right now is about on the same level.

—–

Signed/numbered 12×8⅙-inch “Of Monsters and Giving a Shit” prints are still available. The original piece sold in May.


Snowflakes Anonymous


“Snowflakes Anonymous.” 11/22/13. Acrylic, watercolor, and spray paints, food coloring, markers, pen, resin sand, cardboard and EBT card – on 24×30″ stretched canvas.

This piece took me over a week to finish. That left a lot of time for different issues to pop up, play off each other, and rearrange my ideas. I started it one nigh while I was thinking about missing Tranquil Shores. Then I thought about how I might like to work at a place like that except… For starters, I don’t have enough clean time. I’d have to pretend like I didn’t fuck up at any point. That made me sad. You know what I eventually realized though? Fuck that. Someone recently complimented my honesty / willingness to be vulnerable through my artwork – “especially for someone with so little clean time.” That threw me for a loop! There was nothing mean-spirited about the comment (it came from someone that’s been really positive and supportive) but still – the implication is that I’ve only recently started getting well. In reality, most of the pieces she had seen and read about were created before that – sometime after my previous clean date (the day I got to Tranquil Shores: August 17th, 2012). And I didn’t really start getting better ’til December 12th. The vast majority of honest text in my pieces was always scribbled out up until that point.

So – yeah – I may have fucked up over the summer, but that didn’t hit the reset button on my recovery; I didn’t fall down into a gutter with a needle in my arm, desperate and miserable as ever. I made a mistake, called myself on it, told the people I needed to tell, and carried the fuck on and moved forward with the things I know to be good for me and good for my mental health and emotional well-being. And you know what else? The dangerous position I allowed myself to be in (that led to my relapse): it was worth it. That month I spent working on that project – it had incredible highs, some (very obvious) lows, I learned a lot about myself, a lot about the world around me, and – overall – was a better stronger person when all was said and done.

And it still affects me today (both positively and negatively). I wouldn’t say I regret any of it. Life is for living and anyone that’s really living is gonna fuck up every now and then. That’s not a preemptive copout for future relapse, it’s just reality. You can count on my not repeating that mistake but I’m sure as shit gonna fuck up at one thing or another!

Back on point: on Tuesday, I was reading the NA literature and I realized that so much of it really has nothing to do with me. It’s totally undescriptive of my thinking and my behavior. Not all of it, but enough of it. Does that mean I’m gonna quit going to meetings? No. But it explains why I stopped going more than once a week back in February – and why my
counselors at Tranquil Shores didn’t throw a monumental fit about it the way they’d always done with everyone else. I may not be some beautiful fucking snowflake, thoroughly unlike all to come before me, but – you know what? I am different than a lotta people and meetings, meetings, meetings isn’t the fucking cure-all for everyone.

And if you wanna get technical – it’s got nothing to do with the twelve steps as they were originally written (and are still written in the AA text). Same with sponsorship – there’s nothing in the original text about going to meetings or finding a sponsor. It’s just about working with / helping other alcoholics [or addicts]. And I do that shit constantly. I hate a lot of the attitudes that dominate the rooms of AA and NA: “Do this or die” (especially when “this” isn’t even part of the program). You know why they think that the only people who succeed in recovery are the ones that continue going to meetings for the rest of their lives? Because the people that come back are the one that fucked up and needed to come back; they never hear the stories of the people that leave their group and succeed because they don’t have any reason to come back around and tell their tale. It’s right for some people – not everyone. And fuck the notion that “clean time” is the only measure of success. I do pretty okay. I like myself. I like my life. And it’s been that way for a while now. It didn’t start ’til I got clean (and then some) but it didn’t go away just ’cause I had a lapse in judgment. I still have that time. There are documents of it – all over my walls and all over this website.

SECOND (reason I can’t get a job at a treatment facility), I don’t think I’m cut out to work anywhere. I’m not some wild, outta control basket case but that’s ’cause I know what I need to do to keep my grip. When things get rough, I’ve got tools I can use to get ’em back on the right track. But mental health is a chore and I can’t schedule my emotions. Being on the clock, being on someone else’s time… it doesn’t work for me. I have too much to do – sick or well, fucked or not. So while I might like to do some volunteer kinda stuff now and then, I don’t think that “getting a job” is anything that’s ever gonna work out for me.

From there I was thinking about something that’s occurred to me before: that I could almost certainly qualify to receive disability payments. Up ’til my “recovery” began, I’d have taken those without a second thought; I had (and still have) no moral objections to something like that (even if I were/am fully capable of working). But getting disability doesn’t really seem in line with what I’m about these days. My brain might be a little off but I’ve been creatively building a life out of that, through my artwork. I’m not sure I want a label like “disabled” on me.

But – also on Tuesday – I realized that I use food stamps and… is that really any different? It’s basically partial-disability with no questions asked. “Oh? You don’t make enough money? Okay, here you go. No – we don’t care why, just take it.” Strangely enough, the very next day, I met a girl who does receive disability payments (and for borderline personality disorder!) That had me actually considering it for the first time but it wasn’t ’til later that night I realized that – immediately after meeting her – I volunteered to pick up a shift at Sun-Ray over the weekend if they needed any extra help. AND THEN(!) I had to modify my offer to exclude Saturday because I’m going to some kind of seven hour “personal growth” / mental health thing tomorrow.

Just like that – I went from ruling out work because of my obligations to myself and my mental health but rejecting the prospect of disability payments on principle, meeting a girl on disability with the same issues I have and starting to reconsider,  to unthinkingly offering to work, and then realizing I couldn’t because of a (very concrete, specific) mental health obligation.

For now, I’m gonna keep on as I have been. I already have everything I need. Well, maybe not a sense of security but what fun would that be?


Hey – speaking of “clean time,” “clean dates,” and what a beautiful fucking snowflake I am… When someone completes their treatment plan at Tranquil Shores, they have their coin-out ceremony and they get a little keychain with their clean date on it. Here’s the one they gave me back in February.

Clean date key tag

Yes, that is an “X” in place of a clean date. No, I had no idea that mine was going to be different and – no – of all the people that have been through the program, no one else has ever gotten anything other than their actual clean date.


Something I wrote in this entry reminded me of a lyric from a song I haven’t heard in a few years. “She asked me if I want to die / I said of course I do sometimes / Anyone who never wants to die / must not really be alive.” And now that I’m listening to it, I’m realizing that it’s right for this entry in more ways than one.


I got the Like Bats cassettes in the mail today. They’ll be the first new Traffic Street release in more than two years and will go on sale tomorrow! (This is a one-off sorta thing though; I’m not picking back up with Traffic Street for real – not anytime soon anyway).

I've had that box of inserts and covers for three years now!
I’ve had that box of inserts and covers for three years now!

Fun fact: Did you notice my (expired) EBT/foodstamp card glued to the top-right corner of the canvas? Did you notice that it says “ASK FOR VD” on the signature line? Just below that, it says “ARTS SUBSIDY” which I added after the card was on the canvas). I wrote “ASK FOR VD” on it back when it was still valid though – back when I first got it in March. I am a ridiculous human being.

This piece is available for purchase as a 12×16-inch print. The original sold in December 2013.