Sorry for Overdosing in Your Bathroom

“Sorry For Overdosing in Your Bathroom” 3/8/19. Acrylic paint. 20×20″.

Wallis and I both wanted to get clean. To get myself through the worst of the withdrawals, I took a fair bit [okay, a SHIT TON] of Xanax to keep myself as close to unconscious as possible. The next morning I woke up and Wallis was gone. She’d decided to go for inpatient detox but I was too out of it for her to communicate that to me. Being the loving and thoughtful person that she is, she’d arranged for a friend of ours (Whitney) to be there when I finally came to, to explain everything to me. But when I first regained consciousness, I was so out of it that I thought Whitney was Wallis. For a while. It really had to be explained to me. Several times. 

When Whitney did finally manage to get through to my drug-addled brain, I flipped out. I felt totally abandoned and upset and hopeless and – honestly, it doesn’t really matter. I was so fucked up on Xanax that I wasn’t myself anyway.

For those that don’t have experience overdosing on Xanax, it’s not the kind of drug that will kill you on its own. So you can take dozens of pills but – unless you introduce alcohol or another drug into the mix – you’re not going to die. At insanely high doses though, you will begin to behave like a RAGING lunatic. (Particular emphasis on “raging”).

What I did next is unlike anything I’d ever before done in my life. I took a knife and slashed through all of my paintings. And my biggest painting – the mammoth 12×8-foot piece hanging across the entirety of the living room wall – well, I set that one on fire. And then for good measure, I took our 50-inch TV and threw it through the closed living room window into the front yard. So Whitney now had glass and fire and a lunatic to contend with. Well, glass and fire; I jumped on my motorcycle and sped off.

Darting all over town in my drug-addled haze, it’s a miracle I didn’t crash that bike and lose a limb (or worse). I had a SHOPPING LIST to quietly, painlessly end my life. An overdose quantity of heroin should get the job done on its own; added to all the Xanax in my system would make it a sure thing. And just for good measure, I’d also chug as much alcohol as I could stomach (just before shooting up – and in the time before I lost consciousness). Having thrown all my syringes away in preparation for the detox/getting clean, I’d also need to find one of those.

Once I had all of my supplies, I needed someplace that I could actually do this. My house likely had a police presence following the fire and chaos. Or – at the very least – a Whitney. I needed somewhere that no one would try to stop me or find me soon enough afterward that my life could be saved. Where does that leave? You can’t go to a friends’ house. They’re not going to let you overdose and die. You can’t go really anyplace public; someone’s liable to see you and call 911.

Sun-Ray Cinema. Any other business, I’d be found, but Sun-Ray had a screening room with an entrance right by their front door. I could slip in without anyone even realizing I’d entered the building. And – in the back of that screening room – a bathroom that had only recently been renovated. This meant none of the customers even knew it was there. The only way anyone would find me in time is if an employee just happened to decide to use it in the short window that it would take me to do my shot and stop breathing. How many people were even on staff that day? Two? Three? And they’d almost certainly use the bathrooms in the main lobby or theater.

As recently as a few months prior, I’d considered Sun-Ray’s owner and proprietor one of my best friends. We’d had a falling out but – even still – I felt guilty pulling him, his wife/Sun-Ray partner, and their staff (some of whom I also considered friends) into my death. But it was the only viable option I could think of.

I got to the theater and snuck inside without issue. Once in the bathroom, I realized that my plan wasn’t quite as solid as I’d thought. The bathroom, of course, had a light. But unlike the lights in the main bathrooms, this one was kept off unless someone was using it. Even with the door shut, in the dark hall, it was clear when the light in the bathroom was on. Still, it was rare for anyone to come back there at all. It was in a hallway behind a curtain in the back of the screening room. The only other thing off the hall was a small office that only needed to be accessed briefly when a movie was set to begin. I hoped that the next showing was still a ways off or that – even if it weren’t – that no one would think anything of the bathroom light being left on.

I gulped down as much alcohol as I could stand. (Turns out it was a Sunday and the liquor stores were closed, so I’d had to settle for the highest ABV thing I could find: a bottle of wine). Even still, with the amount of Xanax in my system, I figured even wine should be enough to kill me. (Alcohol and Xanax are a surprisingly lethal combination). Next, I prepped my shot with enough heroin (actually, fentanyl) to kill god-knows-how-many regular people (and still ten times even my regular dose). I found a vein and pushed the plunger down the barrel. I picked the bottle back up and started chugging as the dope made its way through my bloodstream.

It was only a matter of seconds before I’d lose consciousness and it seemed no one had noticed the light being on yet. Certainly no one had knocked. I was set. Even if someone came along now, it was doubtful they’d act with any sense of urgency. By the time they realized the door was locked from the inside, found the key, and come back, I’d be dead.


It was three or four days later when I woke up in the hospital with no memory of what had happened after I’d injected in the Sun-Ray bathroom. (To this day, I don’t know). In any case, it must be that I didn’t write a suicide note, because there was no psychiatric hold on me. I was treated like just another accidental overdose patient. As soon as I was able to stand, they were processing my discharge. I made some phone calls from the hospital phone. Wallis, Whitney – and I think Tim and Shana at Sun-Ray. I don’t really remember. Within the hour though, I was back out on the street, borrowing a stranger’s phone, and calling my dealer.


This painting was started after I got clean, interrupted by my second relapse, and then finished in Round 3 (2019). The overdose which inspired its title, however, happened all the way back in 2016. I’ve not been excited to tell the story – hence the delay.

Several small-print journals in the painting don’t strike me as terribly important or interesting at this point in time. In the bottom left though, it says: “Sometimes I bumout about being such a fuck-up, but – if I weren’t – I wouldn’t be able to make (authentic) rad shit like this painting.”

I’m not sure that that quite balances out but – I am who I am. My history is just that – it’s happened. Nothing will change what I’ve put myself, or anyone else, through.

Though in case it doesn’t go without saying – intentionally ridiculous title aside – I really am, genuinely, very SORRY FOR OVERDOSING IN YOUR BATHROOM. I imagine, at the time, it came across as an act of spite, but it really was merely an act of desperation. It had nothing to do with you; yours was just the place where I felt I had the best chance. And probably, in some twisted sense, where I felt safest. I’m sorry that I, very selfishly, let that outweigh what should have been my consideration for your welfare.

And the same goes to anyone else I’ve ever put in a similar position, only to then mine that trauma for humor or insight, for the sake of art. I work with a LIMITED PALETTE, trying to make the most of what I’ve got and spin it into something better.

It’s kind of all I know how to do.

I hope you (still) like it.


This painting was sold years ago but there are 12×12-inch prints on sale in the webstore while supplies last. Buy one and you’ll be funding my continued existence, artwork, and writing for at least two more days!


Buy This Painting or They’ll Put Me in Jail Where I Belong

“Buy This Painting or They’ll Put Me in Jail Where I Belong.” 2/7/18. Acrylic paint. 24×30″.

I’ve got a new organizational system in my head…

The period of time when I was at Tranquil Shores (beginning in 2012), all the way through to my relapse at the very end of 2015: that’s what I’m calling “ROUND ONE.”

In the fall of 2017, I left Jacksonville and got clean. I think it lasted about eight months before I relapsed. That period is ROUND TWO.

In October of 2018, Wallis and I broke up for good and I got clean again. This stretch also lasted about eight months and is ROUND THREE.

In March of 2024, Juliana and I broke up, I started sublocade for the first time, and I began making art in earnest again for the first time in five years. This is Round 4. We’re IN IT NOW.

I imagine this’ll come up fairly often in my writing from here on, so I want readers to have some idea what I’m talking about.

“Buy This Painting or They’ll Put Me in Jail WHERE I BELONG” is a Round 2 painting. It’s been on the website for a while but I’d never published the statement until now. I thought about giving some extra background but I’ll just let it speak for itself. The statement is exactly what appears in the big white “STORY TIME” block on the painting.

Okay –  STORY TIME: about three years after I started making art and quit shooting heroin, 2015 was turning into 2016 and I stopped fucking with paintbrushes and went back to needles. It wasn’t long before I regretted the trade-off but that didn’t help me undo it any. By October 16th though, I was trying pretty desperately to get clean. I made a plan with my friend, Jen, who lived outside Jacksonville in Nocatee. I would go to her house to detox so that – in a weaker moment – I couldn’t just call one of my dealers to get more dope to ease the pain of withdrawal. Since I could always just get in my car and drive [to Jacksonville] though, we’d also block my car into her driveway with one of hers. (She had THREE).

I think it was my second day of detox. I was NOT FEELING WELL. Jen gave me some xanax to help sleep it off. I took one (2mg) but didn’t really feel any better. Some time later,  I took another and fell asleep. When I woke up though, I still felt pretty terrible. I decided to take two more [for a total now of 8 mg]. I got in bed and fell asleep again.

When I woke up, I was NAKED IN A JAIL CELL. So… what happened? Apparently my car wasn’t blocked in when I woke up blacked-out and (presumably) got in my car and drove off.

After I got into some clothes and in front of a judge, they said I was charged with three DUIs (for allegedly hitting three cars) AND assault on a law enforcement officer. 

But… but… but… I was trying to do good!! I was trying to get OFF drugs! I didn’t have any intention of driving anywhere! I even took steps to ensure that I couldn’t drive even if I wanted to! (Not because of anything like this; I never even imagined such a possibility. I’m a JUNKIE! Not a xanax addict. I don’t know how this shit works!) However, yeah – I get it. Knowingly or not, whatever the circumstances, I was guilty of driving under the influence and people could have been hurt as a consequence of my actions. (Unless – y’know – I was abducted from the bed and framed (WHICH IS ALSO SUPER POSSIBLE). 

I pled the charges down to one count of DUI and got six months of probation. In the first two months, I took one of the two classes they said I had to take and paid all $2,000+ of my court costs and fines or whatever. And then – with three months left on my sentence – my probation officer told me a new rule had been implemented requiring all terms of probation to be completed 45 days before the termination date. And that the other class [that I still needed to take] had no open seats until after that 45 day date. Which meant that violating my probation was now an inevitability over which I had no control. So she filed my violation right then and there and told me to watch the mailbox for “what’s next.”

A letter came. It said to come to the courthouse within 48 hours so the judge could decide what to do with me. I called a lawyer to make sure they weren’t going to arrest me on the spot. (I didn’t wanna detox in jail again). (Because – OBVIOUSLY – I’d gone back to heroin right after the initial arrest and ultra fun jail cell withdrawal). “Seems they issued the warrant yesterday,” he said. “But I just got this today!” “Sorry.”

I DON’T LIKE JAIL; I DON’T WANT TO GO TO JAIL. So for the last nine months, I’ve been “on the run.” When the cops started coming to my house looking for me too often, I left Jacksonville. Which I needed to do anyway if I was ever gonna kick heroin again. It worked. I’m four months clean now. I’ve started making art again. This will be my fifth post-relapse painting. I don’t want to turn myself in. I don’t want to go back to Jacksonville. I know myself: if I go back to Jacksonville, where all my dealers are just a phone call/stone’s throw away, I will wind up back on heroin. Could I get drugs in the city where I’ve been hiding out? Yes – OF COURSE. (I’m a PROFESSIONAL). But I have just enough willpower/self-discipline and enough good things going here that – in my weaker moments – I can be strong (enough to hold fast so long as scoring dope will require more than a single phone call). But if I get dragged back to Jacksonville, I’ll be homeless – crashing on couches of people who really don’t want me there. I’ll feel WORTHLESS and UNWANTED and HELPLESS and USELESS and HOPELESS and I WILL START SHOOTING HEROIN AGAIN.

Here’s what I would much rather do: complete the outstanding terms of my original probation and then contact the judge and make my appeal directly. I sat in her courtroom a lot. She seemed pretty reasonable; she did not want to lock people up for the fuck of it. When people were fucking up the terms of their probations – not doing shit – she would try to drag any reason out of them to justify giving them another chance. If I can satisfy my terms (taking that second class and completing fifty hours of community service – that’s all I had left) I think she’ll close my case. After all, before it was terminated, I was A MODEL PROBATIONER.

I’m scared to go somewhere to do my community service though. They’ll probably run a background check, possibly discover my active warrant, maybe have me come in only to have the cops come get me [in hindsight, this was pretty unlikely/paranoid] and – before I know it – I’m in jail awaiting extradition to Jacksonville, where – AS NOTED – I do not want to be for (what I feel are) pretty legitimate reasons.

But I know Carmen… We’ve gotten to be friends… Because (BEFORE I RELAPSED) she liked my art and (presumably) the fact that it’s all about my mental illness/borderline personality disorder and my histories with heroin and codependency and girls and BAD BEHAVIOR. And my constant fucking struggle to do right. And feel okay. And she has a fucking non-profit that’s all about art programs and mental health. That’s MY FUCKING JAM. (I only started making art because I was forced at knifepoint while in inpatient rehab for sixteen years). (Okay – it was only two years but whatever).

So, non-profits can dole out community service hours… Abridged conversation: “Yo, Carmen – what could I do for ‘I Still Matter’ to get community service hours?” “Paint something we can auction off at our next event and write a statement about why you support I Still Matter.”

In rehab, when they first told me I had to participate in “expressive art therapy,” I thought it was a contemptible joke. “I can’t keep a needle out of my arm and you want me to fucking COLOR? Go fuck yourselves.” But as I was worn down by failure and frustration and misery and just wanting a life other than the one I had, I stopped fighting and I started just trying to do whatever I was told. I started to make art. I was really bad at it. But something interesting happened. At the end of each art therapy sessions, we’d go around the room and talk about what we’d made – and when it’d be my turn to share, I’d talk about my piece and how I was feeling, and how those feelings were reflected and represented in whatever I’d drawn/painted/written. And people laughed. Or they cried. Or they smiled and wanted to hug me. Or they just told me how much they related to and/or how much they appreciated what I was saying. They liked the things I was making. And then something really interesting happened: I started to feel good about what I was doing. I started to develop SELF-ESTEEM. And for the first time in longer than I could remember, I didn’t wanna die anymore. And I was actually excited about living. I was finally able to envision a life for myself that I could enjoy (and that wouldn’t require heroin just to get me through each day). 

When I finally got out of rehab, they told me I needed to get a job. I had a law degree from Georgetown but I didn’t want any of that. I just wanted to PAINT FUNNY FACES AND SCRIBBLE ABOUT MY FEELINGS. So that’s what I did. And, before long, I was making enough [money] from art alone to support myself and build a new life. Now, OBVIOUSLY, SOMETHING WENT WRONG ALONG THE WAY (three years later). But that’s another (really fucked up) story; I don’t think anyone could’ve gone through what I did before I relapsed and NOT kill themselves or otherwise self-destruct. It’s okay that I relapsed. And now I’m rebuilding. I’m getting back to what made my life the kind of life I want to live. I’m getting back to art. Art is what saved me the first time and it’s what’s saving me this second time. ‘I Still Matter’ is important because it can do for people what Tranquil Shores [my third treatment center] and expressive art therapy did for me. It can turn broken people into something better. It can turn cautionary tales into inspirational stories. It can uncover talents and aptitudes that people never knew they had. It can radically change lives. Or – at the very least – it gives people like me something nice to do for a little while. A safe, welcoming place to go and something to do (not drugs) that can silence the anxiety, even if only for a short while. It offers a respite from the monsters that live in our heads. AND – in this particular instance – it can get me some community service hours to help sway the court’s opinion in my favor.

So, please, if it’s not asking too much…: BUY THIS PAINTING OR THEY’LL PUT ME IN JAIL WHERE I BELONG.

I haven’t spoken to Carmen in some time but – while I did eventually/successfully use this painting to satisfy the terms of my probation – I don’t think it was ever actually auctioned off. If you’d like to purchase it (and support a non-profit art/mental health organization in doing so) I’d imagine that can be arranged. I also have 12×16″ signed, hand-numbered prints for sale. Get in touch if you’re interested in either.


Suicide Stitches

If it’s been a while since you’ve checked in with me, I have some bad news. You know how I used to be that heroin addict who got (and stayed) clean by making art? Well, sometime last year that all fell apart. (And this year, I’ve really gone downhill).

Twice this year, I’ve made serious plans to detox from heroin, get my life back on track, and start painting and writing again. Both times, ended disastrously but – in this entry – I’ll be focusing on the first. (Details of the more recent incident are in two blog entries: the first was written more manically upon my release from jail; the second with greater reflection the following evening).

It’s not generally a great idea for two people in the depths of addiction to be in a relationship together. If one is feeling weak and wants to use, it’s easy for the other to be dragged down right along with them. Regarding, my girlfriend and I, our relationship worked for quite some time because I already had a couple years of clean time racked up when we met. I was able to help her get and stay clean for about a year. When we relapsed together though, things went downhill. Nevertheless, having been together and having been able to successfully stay clean for so long, we didn’t think that we needed to separate. We had used together but there was no reason we couldn’t once again be clean together. Detox is painful, however. Especially in those first few days. I might be able to handle my own symptoms but seeing Wallis in that much pain really hurts me. During previous attempts to detox, as soon as I’d get the slightest inkling that it might be more than she could stand, I couldn’t help myself from going out and getting more heroin to make her feel better. After all, it’s not as if one dose in the middle of a detox is a nail in the coffin. That’s what titration is all about. You can always reason with yourself that one last hit, halfway into a detox period, will cure the worst of your symptoms and help you coast the rest of the way to the finish line.

But that “one last hit” all too often does not, in fact, retain its status as the last hit. You convince yourself that “just one more” will be okay. And then another. And another. And then you’re back to where you started.

We decided that we should detox separately to make it easier on each other. Wallis made plans to detox in Gainesville. I was to stay home in Jacksonville.

As anyone who’s ever detoxed from opiates will tell you, the best medicines to help ease you through the process are benzodiazepines. Xanax. Klonopin. Ativan. Those ones. While these drugs have an immense potential for recreational abuse, they’re not something that we’d ever otherwise take. We did, however, procure some for our detox.

Unfortunately, I have a track record of strange behavior while under the influence of these drugs. Well, I do now. Up until this point, there had only been one previous incident. When I took too many and became erratic and suicidal.  And that’s exactly what happened this time around.

We began our detox the night of August 16th together. Wallis was to leave sometime the following afternoon but when I woke up, she was gone and I was confused. Already under the influence of the drug from the night before, I couldn’t understand what was happening. She had invited one of our friends to come over to be there for me when I woke up, but it didn’t make any difference.

I’m not the sort of person that breaks things when I lose my temper. I’ve never thrown a phone at a wall or anything like that. But under the influence of too many benzodiazepines, this did not hold true. I broke virtually every one of my possessions. Both of my televisions. My MacBook Air. My iPhone. And then I went around the house, from painting to painting, slashing at my canvases and smashing or shattering all of my frames.

Then I left the house, procured a large amount of heroin, went somewhere that I presumed I wouldn’t be found for at least several hours, and – after swallowing the rest of my benzos – injected what I presumed would be enough heroin to kill me.

When I woke up in a haze in the hospital three or four days later, I discovered that I had not been discovered hours after my intendedly-lethal injection. I was discovered almost immediately and thus my life was able to be saved.

Upon release from the hospital approximately one week after the overdose, I was no longer under the agitating effects of any drugs but I was in no better shape mentally. I began racing around town, trying to procure the money I’d need to buy enough heroin to once again attempt to kill myself. It wasn’t long before a suspicious and concerned Wallis (who I had spoken to on the phone at some point) alerted the police. They found me and took me into custody before I could try anything. I’ve been hospitalized often enough for suicidal behavior that I know what to say to doctors to procure my own early release though. I was back out on the street again the very next day but, fortunately, had calmed my mind and was no longer suicidal. I recommitted to getting clean, picking back up with my art and writing, and getting my life back on track.

As time has shown, it turns out that I wasn’t quite ready. I was not able to stay clean successfully for much more than a week or so. Even still, I was able to get my head clear for long enough to do something. I began sewing and repairing my damaged paintings. These would become what I’m now referring to as my “Suicide Stitches” series.

When I make art, I don’t plan very much ahead. I kind of just let the images take shape on their own. If I make a mistake – some mark that’s somehow other than I intended it to appear – I don’t correct it. I embrace it. “That’s how it’s supposed to be,” I tell myself. I find a way to rearrange my ideas about how the painting should look. The same is the case with my Suicide Stitches paintings. These pieces are not “damaged”; they don’t have rips or holes in them. This is how these paintings were always meant to be. Each one of my paintings and drawings tells a story and those stories are usually all about my emotional and mental state at the time I’m working on each one. My Suicide Stitches paintings tell those stories, plus one more: the story of August 17, 2016. The story of the day I lost my mind and almost ended my life.

The first of these paintings that I stitched up has already sold. In fact, it was stitched up because it was sold. It was the first good news I had gotten in quite a while. Through Instagram, I got a message from reality TV star, Scott Disick. He wanted one of my pieces and, more than that, he wanted to help promote my art. That opportunity was the first spark I’d had in a great while to actually do something productive. And the publicity and consequent sales I’m expecting are what’s motivating me to get back to work right now. (Although I do have other similarly exciting opportunities also in the works at this point). That first painting has been shipped to Scott but the other Suicide Stitches paintings are still available for purchase. For pricing (on both the originals as well as limited edition hand-numbered/signed prints), contact my new agent, Jennifer Levin of newly formed agency, Blow the Dust. (Jen’s last enterprise is currently on Forbes’ list of America’s Most Promising Companies, so I’m pretty amped on this new partnership). Blow the Dust’s website is still very much a work in progress but it’s already been launched with a webstore featuring some of my prints and one of my original paintings. It should actually be operational by sometime this week. Check it out.

While the pieces have not yet been rephotographed since their Suicide Stitches updates, you can get the general idea from a couple photos I snapped quickly with my iPhone in my blog entry from October 8th. Six of the seven paintings in the series are as follows:

The final (seventh) painting in the series (and only one not pictured here) also happens to be the largest, newest, (most expensive) and my favorite of the whole lot. It’s called “The World Revolves Around Me.” For more information on (and images of) that piece, like the others, just get in touch.

For what it’s worth, I’d like to note that (at the time of this posting) I currently have 13 days clean (a record for me so far in 2016) and I plan on that number continuing to climb through the year’s end. I’d also like to note that money from the sales of my work no longer goes directly to me – a safety measure taken in case of a potential relapse.