Beyond the Pink Cloud

"Beyond the Pink Cloud." 12/8/13. Acrylic paint, oil pastels, ink. 18x24".
“Beyond the Pink Cloud.” 12/8/13. Acrylic paint, oil pastels, resin sand, ink. 18×24″.

From my journal yesterday, immediately after finishing this painting:

I’ve got some cute little one-liners. I’ve got some snappy phrases that sound cool but don’t really mean anything. I don’t want to bullshit and I don’t wanna tag this with something that doesn’t represent it.

It took FOREVER to paint. So many layers, so much starting from scratch.

The truth is I’m sick, on the couch, and nothing is in my head. The truth is I’m not always SUPER BRILLIANT. And I don’t wanna not create just ’cause [whatever]. But I don’t really know what’s driving me right now. Maybe it’s just ’cause it’s what I feel like I’m supposed to do at this point. Which is lame but maybe that’s okay. I don’t know. Do I take a break or do I just keep going? Having a cold sucks. Feeling crummy physically is fucking with my ability to DO, which is fucking with my emotional well-being. Tomorrow I’m gonna get dressed and pretend I’m fine. Maybe I am. I guess?

I HATE giving the impression that I’m not doing well, especially when I’m not not doing well. I just have a cold! But if “success” is doing well (being happy) maybe it’s also being okay with acknowledging little hang-ups and demonstrating a progression beyond the pink cloud.

Maybe I’m too caught up in impressions in the first place. Living under a spotlight (even a little one) has its drawbacks. I hate feeling like (or realizing) that it’s influencing me in what I do or how I do it but – honestly – I wouldn’t be pushing myself like this if I didn’t feel like there was some expectation that I “produce.” Is that good or bad? I wanna call it ambition but it makes me feel small (I’m not a famous/important artist); it makes me feel like a joke. But I’m not. I’m okay. I just need to chill out.

It’s a fine line between humility and insecurity – between arrogance and self-esteem. I get carried away in both directions. I don’t need to “tenth step” my every thought / impulse. Hey, Sam: relax – everything’s cool. I know.

—–

I saw this article today about creativity.  There were two statements I really identified with.

  1. “The study shows that if you have the sneaking suspicion you might not belong, the act of being rejected confirms your interpretation. The effect can liberate creative people from the need to fit in and allow them to pursue their interests.”
  2. “To live creatively is a choice. You must make a commitment to your own mind and the possibility that you will not be accepted. You have to let go of satisfying people, often even yourself.

That last part seemed especially relevant right now, given this new painting and last night’s journal entry. As I wrote about it, on the canvas [near top-center], “I can’t get to a place where I feel okay with what I’ve done.”

It made me think about what it means to be “beyond the pink cloud.” I think it means accepting that life isn’t always going to be 100% awesome all the time. I used to think that the most a person could hope for was “to be happy 50% of the time.” I don’t think that’s true anymore, but I still think it gets to something that might be true. I think a good aspiration might be “to be 50% happy all of the time” – by which I mean: even when things aren’t going so great, to be able to pause and recognize that I’m at least 50% okay… that some thing might be wrong – but not every thing is wrong; most things are okay.

—–

“Fragile is the hell we make for ourselves when we acknowledge that the spotlight’s on.” – from Fuck You, Ms. Rochelle by Dillinger Four

—–

  • Last time I was sick, I made this.
  • The range of textures (and the shadows they project) make this a difficult piece to photograph. I’ll be getting a better photo when I go to the print shop so I’ll replace it then.
  • Signed 12×16″ prints of “Beyond the Pink Cloud” are available in my webstore. Hit me up if you’re interested in purchasing the original 18×24″ painting.

I’m Publishing a Socialist Newspaper in Tampa, Florida

"I'm Publishing a Socialist Newspaper in Tampa, Florida." 4/6/13. Watercolor and pen. 9x12".
4/6/13. Watercolor and pen. 9×12″.

This image was an accident. It was just a piece of paper, on my desk, beneath something that I was actually working on. I brought it with me to work on while I tabled at Indie Market [the day I painted “Roller Skating Sideways Through Blood” and “Getting Greedy“]. Ultimately, I didn’t do anything to it; instead, opting to use it as a statement about THE VALUE OF ART. (Wow! I sure am thoughtful and interesting!)

Set up on the sidewalk across from me were some kids selling a socialist newspaper they had written and published. When I was younger, I might have thought that was kind of cool and impressive but – at this point – I couldn’t help but marvel at how incredibly fucking fruitless of an endeavor that must be. To publish a socialist newspaper in Tampa, Florida. I mean – what kind of a person thinks that they’re going to make the slightest fucking bit of a difference with something like that? I mean – ARE YOU FUCKING KIDDING ME? Not to mention: how incredibly fucking boring.

I picked my “Value of Art” piece back up to add the words: “AND SOCIALISM!”

Though I saw the similarity between this piece and their newspaper even then, it’s only in hindsight that I see the similarity between their newspaper and everything that I do. After all, if their paper is even slightly worth a shit, I’m sure they turn someone on to a new idea every once in a while and set them on a path to… something or other… I’m sure they’ve made some kind of a positive difference in someone’s life. And I’m sure it gives a sense of purpose to theirs.

So while – on some level – I might think that publishing a socialist newspaper is a total waste of fucking time… I’ve got to admit that it’s roughly equivalent to everything  I’ve ever made and everything I ever will make. So – you know – power to the proletariat or what-the-fuck-ever.

  • 5×6″ prints of “I’m Publishing a Socialist Newspaper in Tampa, Florida” are available in my webstore. The original sold earlier this year.
  • I’m still sick and it’s bumming me out. I think one of those two new paintings I’ve been talking about is done though. If so, it’ll be online tomorrow… So… that’s kinda cool, I guess.

Status Update: December 7, 2013

I’m sick again. Started Thursday morning. Lacking ability to form coherent thoughts or energy/will to try and put together a real update. In the midst of this snotty haze, I have started two new paintings though so – hopefully – I’ll have some wacky fever-fueled nonsense to share by the time I come out of it.

In the meantime, I could post more updates like Thursday’s but I’m not sure I’ve even got the capacity to discern quality from garbage right now so…

We’ll see…

—–

Here’s a note that I dropped in with a package in October. It was written on the back of a small print that was on the wrong kind of paper stock.

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Little Red Boy

"Little Red Kid." 11/6/12. Crayon. 11x8½".
“Little Red Boy.” 11/6/12. Crayon. 11×8½”.

This was a treatment assignment, one morning in group. To draw a portrait of my “inner-child.” Or – more accurately – to let my inner child draw his own self-portrait (using just a few crayons (of my choice) and my non-dominant hand). So… this is me at age four.

There’s not much I feel like writing about it beyond that explanation, so here’s an excerpt from my “life story.” Since I’m pairing it with a drawing of me as a kid, I chose a part about my childhood but not that particular age.

—–

Sometime during third grade, it was decided that I’d test for Pine View, the “gifted” public school in south county. IQ of 140 or higher required for admission. My parents wouldn’t tell me what I scored because they didn’t want Racey and I comparing.

I started fourth grade at my new school and was relatively okay with the change. I got along with the other kids better than I had at other schools and some of my friends from the last one had made the switch as well. There was one important difference. I had always been the destroyer of other students without even having to try; I constantly got the best grades on everything with very little effort.  Some of the kids here though were smart. Maybe even as smart as me. That would’ve been okay had they not also been extremely motivated. Like me, they enjoyed being the best. Unlike me, they were willing to work for it. In hindsight I can also see that they had something with which I was almost totally unfamiliar: an alien concept called “self-esteem.” They wanted to get the highest grades they could, but seemed less concerned with how well their peers did. I, on the other hand, would be thrilled with any grade – no matter how low – so long as nobody else got a higher grade. They wanted As; I wanted to win the contest in my head. I needed to win the contest in my head. I may have been an uncontrollable, argumentative, morally-challenged basket case of a nine year-old, but so long as I was smarter than the other kids, that made it all okay, right?

It was time to buckle down, put in the necessary time and energy and learn to be proud of my achievements independent of the performance of my peers.

Yeah. Right.

I’m not sure if I was aware of it at all at the time, but I called an audible and went with a brilliant alternate strategy. “If victory’s not guaranteed, just don’t play.” I may not even know how to play chess, but if I never sit down at the board, all you can do is guess. I could be terrible but I could be Bobby fucking Fisher. Prove me wrong. You can’t.

From that point on, I did a half-assed job on everything. I was still well-spoken enough for everyone to know that I was intelligent; I had just opted out of the contest that might have given someone evidence that I wasn’t the most intelligent. The kids at Pine View loved to accuse each other of having parents that bribed the psychiatrists who administered their IQ tests for admission. I had the lowest grades in class, yet no one ever pointed at me. “Sam’s smart, he just doesn’t care.” Nothing could be further from the truth. I cared a lot. But what else could I do? Try, and risk failure? No way. These kids can’t think they’re better than me. I can’t think these kids are better than me.

—–

When fourth grade started, there was still only one band that I really gave a shit about. A couple months into the school year, they put out a new album. I had a bunch of favorites but, on the day I got it, the best song was “Brat.”

—–

Signed and numbered prints of “Little Red Boy” are listed for sale in my webstore.

Calvin Mather’s Refrigerator

"Calvin Mather's Refrigerator." 7/13/13. Acrylic paint on a broken mini-fridge.
“Calvin Mather’s Refrigerator.” 7/13/13. Acrylic paint on a broken mini-fridge.

Before “No Real Than You Are,” my only acting experience was being totally full of shit in real life. Word on the street is that I gave a pretty good audition, but that’s probably only because the character (Calvin Mather) is incredibly similar to a slightly younger Sam North. Calvin is an intravenous drug addict with serious abandonment issues, who built his life on dumb punk songs and doesn’t believe in anything.

Seeing as I have a pretty good understanding of such a character, Vincent [who wrote and directed the film] gave me almost free reign to do whatever I wanted so far as Calvin’s clothes and apartment were concerned. Shitty studio apartments have mini-fridges and microwaves, so I got those [thanks, Joe!] but found out shortly thereafter that the fridge didn’t work. That’s fine since… you know… Calvin’s not real, but it meant that nobody would be using it when we were done filming so… I painted it. The front (“Food is For People”) is about how I mainly consume Adderall, cigarettes, and candy. The side (“Works Less Than I Do”) is about how I pay my bills by painting pictures of funny faces and (at that point) playing pretend. Watch the trailer to the movie and you can probably spot it in one of the shots.

I didn’t paint the microwave but I did bring it back to Jacksonville with me. Sometimes I pop popcorn in it. It also totally heats up leftover pizza and old coffee. Other stuff too! Pretty cool, right?

This is All a Misunderstanding

"This is All a Misunderstanding." 12/3/12. Pen. 8x10".
“This is All a Misunderstanding.” 12/3/12. Pen. 8×10″.

I started the band Extra Day For Riots in 2003 when I was seventeen. In the summer of 2004, we went on a short tour. At our show in Jackson, Tennessee, we noticed some cop cars parked out by our van. As the hours passed, the cops didn’t. They just sat there. We were never up to any good but hadn’t done anything (on that day) that they’d have any way of knowing about, so we did our best to pretend they weren’t there. Finally, one of them came inside. “Is there a Samuel North here?”

Fuck.

I stepped forward. “We need you to come outside,” they told me. I had no idea what was going on, but I went.

“Are you the owner of this van?” Yeah. “Were you at the Old Hickory Mall earlier today?” Yeah. “A woman filed a report that the driver of this van, before entering the vehicle and leaving the mall, exposed his penis to her.”

What the fuck? I told him I had no idea what he was talking about. And then it hit me.

My belt had broken and, earlier that day, I was complaining about it to the other kids as we were getting in the van. “Check out how ridiculous this is,” I told them. “The waist of these pants is so worn out that I can make them drop just by clenching my butt.” I demonstrated, letting my pants fall off my waist without the use of my hands. Then I pulled them up and we left. At no point was my penis exposed (I was wearing underwear) but I guess my friends weren’t my only audience and – for whatever reason – this person reported an exaggerated version to the police.

I explained what actually happened, but the cops didn’t believe me. “Seriously!” I pleaded. “Here, look.” With my arms out at my sides, I let my pants drop. The one cop eyed me with contempt: “Pull your pants up and go inside,” he said, “we’re done here.”

—–

Right around the time I started drawing just for the fun/fuck of it, I thought of that night for the first time in years. I was sitting inside Tranquil Shores, waiting for group to start, and I picked Alexis‘ notebook up off her chair and scribbled out an even more exaggerated version of what happened.

—–

Wanna see me and little Hembrough playing a high school talent show TEN YEARS AGO? Well I just so happen to have a video of Extra Day For Riots’ performance at Sarasota High School during the ’03-’04 school year. (Hembrough plays bass in Rational Anthem now, but back then he played drums; I sang).

—–

This is All a Misunderstanding [print image]This cartoon is available for purchase as a signed and numbered 9½x8″ print.

I’d Kill Your Family If I Thought You’d Notice, But You Wouldn’t, So Fuck It, I’ll Just Smoke Cigarettes and Light My T-Shirts On Fire

"I'd Kill Your Family If I Thought You'd Notice, But You Wouldn't, So Fuck It, I'll Just Smoke Cigarettes and Light My T-Shirts On Fire." 2/1/13. Tempera. 2/1/13.
2/1/13. Tempera. 12×18″.

It’s such an unbelievable coincidence that – if I were someone else, reading this – I’d probably call me a liar but… this is a painting inspired by Donnie (my roommate for five of my months at Tranquil Shores) and I was all set to feature it in my blog entry for last night when – at the last minute – I decided the image was too blurry and that I should write-up a different piece instead. As I found out within seconds of opening my eyes this morning, Donnie is dead.

It’s against the rules but I (very sneakily) recorded my coin-out [the ceremony to honor completion of a treatment plan]. And I’m really glad I did it because it’s nice to listen to every once in a while. I just listened to Donnie’s segment and it made me smile pretty big. The first words out of his mouth were “You know how to push my buttons better than anyone I’ve ever known in my life.” And the reverse was true too. I don’t know that I’ve ever been angrier with anyone than I was with him just one week prior (the day that I painted this). But as he went on to say, “We have some things in common. We’re both drug addicts, we both hate each other, and we both love each other.” Which kind of hits the nail right on the head. Back when he said it, I was a little disappointed ’cause – as much as I had an equal part in our conflicts – I always just wanted us to be friends. I was a little sad that he chose to acknowledge the darker part of our relationship in that moment. But – looking back – he was doing exactly what I always say is so important: he painted the full, honest picture. And I’m really grateful for that.

The title of this painting is mean as fuck. Donnie had a family up north that, in his addiction, he had almost completely lost touch with. It hurt him so much that – before I had met him – he did a six month stint of inpatient treatment in which he kept his kids a secret. The day that I made this, I said a lot of fucked up shit to him but I didn’t ever say anything about that. As mad as I was, I didn’t want to take it that far so I used the painting to get my meanest thoughts out of my head. The first sentence of the caption, “the world’s not black and white,” is an allusion to a conversation I had earlier in the day, when I asked Tracy under what circumstances it would be okay to burn a person alive. When she told me it’s not ever okay to set another human being on fire, I said “that sounds like the kind of black-and-white-thinking characteristic of mental illness, Tracy. In this world, there exist shades of grey.”

donnie's shirtThe night before, I had taken a shirt that Donnie had given me and went out to a parking lot at the end of the block. [I was allowed by this point to go on short walks if I signed in and out]. I set it on fire, let it burn for a minute, stomped it out, and then took it back to my room to paint some text on the back: “WHAT I LACK IN EMOTIONAL MATURITY, INTELLIGENCE, AND LIFE SKILLS, I MAKE UP FOR IN PUSH-UPS!!!” That, I figured I could get away with – especially since I had been working out a lot too around that time so (while it was definitely my “Donnie shirt”) the statement could have easily been applied to me as well. After things cooled off and we weren’t mad at each other anymore, I showed it to him and he agreed that it was pretty funny.

Someone once told me that real friends fight. That if you’ve never gotten into an argument with a friend, you must be bullshitting each other an awful lot. And that’s what it was always like with Donnie. We didn’t argue about nonsense. It was always about real, serious shit. We’d call each other out when one of us was fucking up. And (naturally) – since we were both smarter than everyone – I’d constantly have to tell him when he was wrong about me and he’d constantly have to tell me when I was wrong about him. But we always seemed to work it out and get back to a good spot. Probably because each of us was always right about the other (and wrong about ourselves), even if it took us a minute or two to realize it. We were pretty good at keeping each other in line.

Which isn’t to say that we were constantly at each other’s throats. After we both moved into the real world and weren’t roommates anymore, we didn’t get into it like we used to. I even stayed with him in his new apartment when I came down to visit once. But even before that, as roommates, we got along more often than we actually fought. I can’t even count how many nights we sat up in our apartment talking out everything going on in our lives. There were days when I felt like I’d accomplished nothing or had no meaningful interpersonal connection with anyone – until just before bed when Donnie and I would have one of those conversations. And I know I helped him too ’cause he’d tell me so. Shit – for his first two months, I talked him down from his constant “I’m leaving THIS Friday” every week! We got our sponsors together. Did our fourth steps together. We were never “best friends,” hanging out all day; we didn’t like any of the same shit. I liked drawing and punk rock; he liked football and Hoobastank. But we were close. There was one week when I was overwhelmed with thoughts of self-harm. “Is there someone you can reach out to before you do anything to hurt yourself?” Tracy asked me. “Yeah,” I told her. “Donnie.”

Last year, when I wrote all those Christmas cards, I had the foresight to snap photos of some of them before I handed or mailed them off (for posterity or [whatever]). I just checked and – sure enough – I have a picture of Donnie’s. I’m struggling to admit it, but the tears are welling up. I wrote something in his card about faith, which reminds me of something I used to say back then: that I had more faith in Donnie than anyone. I really thought he was gonna “make it.” The last words in the card reflect that too…

I’d say “do good” but I know you will anyway.
Love you, buddy.
– Sam

It feels like a goofy thing to say but … all things considered, he did do good. He did a lot of good. And I’ll miss him. I already do.