“All I Really Need to Know, I Learned From a Drunk 14 Year-Old at the Mall.” 10/25/13. Acrylic and spray paints, resin sand, and food coloring. 18×24″ stretched canvas.
Revision (10/30/13): This entry, as published, had no real statement or details. I wasn’t ready to share what was really happening at the time. I am now.
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It’s one thing to spill my own guts publicly – it’d be another to spill my girlfriend’s…
I guess the reasons aren’t so important – what’s relevant is that it’s been a rough week. As it goes at times like this, she pretty much shut down all lines of communication. She doesn’t say anything to me and responds to anything I say with as few syllables as possible. I (as usual) have plenty of work to distract myself with (and I did just that) but I did it while feeling shitty and unloved. We exist under the same roof, but totally apart from one another. Life goes on for the most part as if nothing’s wrong but everything is very clearly wrong. The first couple days, I took it with understanding and compassion. And – to her credit – in moments, she catches herself; on Tuesday, she apologized for “being weird” and told me she loved me. But it didn’t end there. By Thursday, I felt emotionally drained and physically exhausted.
Yesterday, I went to Sun-Ray and found out that I was about to have my first art show. I haven’t told her about it. I’m too excited, and too afraid of how she might respond. Totally devoid of enthusiasm or support… I don’t wanna be in a position where I’ll have to figure out how to process something like that.
Maybe I should tell her and give her the opportunity to prove me wrong. But I just feel so detached.
After I got the news about Sun-Ray, I decided to budget in some canvases; I wanted to have a couple new pieces. I started painting this late last night and just finished. It took me about ten hours in all. The smaller caption says, “I don’t need anything, I don’t need anyone, I don’t even care.” This is the kind of sentiment voiced by wounded little kids, shouting through their walls of affected apathy – and by twenty-somethings soaking in grimy, self-loathing punk rock. (I ought to know, having been both).
It’s really easy to not care. It’s about the safest thing a person can commit to. It’s a middle road of low highs and high lows. Eventually though, it all goes grey; it’s not sustainable (or isn’t for me anyway). And the rewards that come from caring (from giving a shit)… I like to think they’re worth it – hard as it may be to recognize that while I’m actually down.
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Note: I feel obligated to remind anyone reading that this shit isn’t fair. My girlfriend is wonderful and human but – in any case – I’m pretty sure that, from her vantage point, things look a little different. And I’m almost equally certain that she could tell this same story – just as truthfully – but with me as the villain. It just so happens that I have a website and she doesn’t. But my intent isn’t to cast anyone in a negative light, only to share my process. I hope that comes across and that no one takes this for anything more than a reflection of my feelings in a moment.
“Normal Fuck b/w Who Do You Work For?” 10/21/13. Acrylic painting. 16×20″ stretched canvas.
Though it had become fairly regular with my expressive art therapy pieces, it’s been three months since I last felt compelled to cover my canvas with a sprawling journal entry. My newest painting though…
I take Adderall. If I don’t, I’m unproductive. But sometimes I can’t take my Adderall. Because I haven’t yet taken my Adderall. As much as I’d like to be clever – that’s not a joke. And when I admit that, it feels kind of pathetic.
I still don’t have a job, but I work at least eight hours a day. Many days, it’s much more than that. The work that I do is probably the only work that I’m capable of doing at this point in my life. It’s good for me and (it seems to be) good for a lot of other people too. It certainly seems to have more of a positive impact on the world than my work in [let’s say] a gas station would. It’s too bad that it doesn’t pay as well.
I’m not sure what my “job” is… Do I just do what I do, or do I need to dedicate the same kind of energy to marketing myself? I don’t wanna do that any more than I wanna work in a gas station.
I think a lot about “success” lately. I don’t think it’s just freedom (from rules, bosses, schedules, orders), I think it’s also… – I want to say freedom from anxiety – comfort (internally / spiritually). Excepting my EDD freak-outs, I stress about not having enough money to 1) pay bills and 2) keep Heather in love with me.
Look at that! I finally fucking admitted it!
You know… for a second, I thought this was big. But, really, it only means that I’m just like every other normal fuck on the planet.
Oh – shit. That is big.
Growing up, my dad taught me (or at least tried to teach me) a few things. One of those is at the crux of this piece. “If you don’t make enough money, (sooner or later) she’ll leave. It doesn’t matter how much she loves you. If you can’t afford to do things like go on vacation, then – eventually – she’ll find someone that can.”
My biggest regret (or possibly just the one I think of most) is something I said to Heather when we first started seeing each other. I was still living in Tranquil Shores then, so I was very much a blank slate; no one really had any idea what the fuck my life would look like even 30 days into the future. I had recently decided that I wanted to live, essentially, as I was at Tranquil Shores: I wanted to dedicate myself to art and other creative projects, and have a little time left to do standard mental health / recovery sorta stuff. When I told Heather, she asked how that could possibly be tenable in the long-term. I assured her that I was really clever – that I’d make it work somehow. And that “shit – if all else fails, I’ve got a fucking law degree from Georgetown – I can always go get a regular job. Work seasonally (or something like that). In any case, if I ever needed money, I’d be able to come up with it.” And why not? I always had in the past.
But “why not” is that I’m not a fucking drug addict anymore. Sure, I was always able to come up with money before but that’s because I was okay with heading over to the nearest college and stealing laptops (or anything else valuable I might come across). And – in case it doesn’t go without saying – I don’t do shit like that anymore. All that aside, what I emphasized was simply that I’mreally clever and that things are going to work out for me. I think I was more lacking in thoughtfulness than I was being dishonest.
When she told me she liked to go on vacations – and asked if I’d be able to afford something like that – the word probably rang that old bell in my head and sent me into panic mode. Without a second of pause, I just said “yes.”
Because of all that, I feel like I started this relationship under false pretenses – and now that I’ve already suckered her into liking me, it’s not the kind of thing I can just take back. In the end, I know it won’t make any difference (whether or not I promised to benot brokeone day); if I don’t ever make money (and it is an issue for her) it’s not like she’ll be obligated to stick around just because “she knew what she was getting into.” Then again, I was a heroin addict and a mental patient so… it might be fair to say that she knew (or at least should have known) what she was getting into either way.
I selected the “most outrageous” text from this piece for the title because I want to distract from how uncomfortable I am with the real subject. ”Who Do You Work For?” would make for a far more genuine title. I like it because it implies Heather and myself, as well as (potentially) a third-party audience (with – or instead of – Heather). After all, so much of the journal reads like I’m defending myself / trying to justify my life to someone. And just mentioning anything about financial anxiety within a piece of art makes the whole thing feel like a commercial solicitation (which also makes me uncomfortable).
Although, as Heather pointed out, I’m well aware that my pieces with journal entries on them as way less salable than the others and that by using her name in the piece (rather than a generic equivalent like “my girlfriend”) I made it even less salable. Which makes me happy – to spot concrete evidence that, though I might stress out about money in relation to my art, that tension isn’t influencing me in such a way as to detract from my (or my art’s) authenticity. I don’t ever make something with salability in mind; I just fucking make it. So while I may prove to be a commercial failure – so long as I honor myself and my expression – I can still be a personal success. And maybe that’s enough…
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In the journal written on the actual painting, I mention “EDD freakouts.” Emotional dysregulation disorder and borderline personality disorder are one in the same. I usually use the latter since it’s the more well-known but, in this case, I felt that EDD was a better descriptive term.
“Gift Horse” was the best birthday present I’ve ever given to anyone. I don’t mean for the recipient – but for me. Because there’s nothing better in the world than going into the bedroom at night or waking up in the morning to find Heather fast asleep cuddled up with it in her arms. When I see that, I feel so loved. I mean – I’m not the horse but (maybe because I made it[?]) it feels like I’m getting to look at her cuddled up to me…. [or something like that…] – that’s the best explanation I can come up with anyway. But she’s so beautiful and she hugs it (even in her sleep) with such conviction that… – it’s just really nice. It makes me really happy.
I love her a lot.
And I don’t wanna disturb her by turning on the lights just to take a picture but, luckily, I have this one from a few weeks ago.
9/22/13.
And – just this moment – I’ve realized that this is the perfect opportunity to share a piece that I haven’t yet… [yes – the one with the title]. “Took a Picture” was the product of one of my Friday afternoon expressive art therapy groups, back when I was in outpatient mode. Earlier that day…
I opened my eyes and looked over at Heather. “Do you know how much you laugh in your sleep?” she asked. I smiled. “Is it a sinister, maniacal laugh? Do I sound like I’m plotting evil?” She laughed. “Not at all. It’s really happy. You sound really happy.” “Hmmm, well – don’t tell anyone that… or tell them, but say that my eyes are open at the time – my cold,dead eyes.” She rolled hers at me.
Heather didn’t have to work early that day but – when she did have an early morning shift – she’d only come sleep over the night before if I agreed to “no funny business.” Of course, I would promise. And though I don’t think I ever once actually honored that promise, she’d take my word for it every time (like a total sucker). And even once I did go to sleep, she said I’d sometimes contort and throw my body across the mattress like a maniac. What a joy it must have been to share a bed with me!
It hadn’t even been three weeks since I moved out of Tranquil Shores and back into the real world. How was my life this wonderful already? How could I possibly deserve to be waking up next to this girl each day?
This piece existed in a strange limbo for a long time because I titled it as soon as I finished it and immediately wished that I had used the title for the caption as well. Because the original caption – though based in authenticity – felt contrived. I wrote it without forethought in a “stream of consciousness” sorta way, but I had essentially quoted myself… which I didn’t like at all. I had this “rule” though – against altering anything once I had deemed it finished. Eventually, I got over that and – now – the title and caption are one in the same and the piece finally feelsright.
That original caption was: “She stays over even though I keep her up. (I’m a sexual terrorist). And when I sleep, I thrash. And I laugh. A lot. Not with cold, dead eyes. It’s joyful. Don’t fucking repeat that.”
This piece is available as a 14×6″ print.
The original drawing is also for sale but given its strange dimensions, the frame isn’t quite right. Then again, it looks kinda cool like this…
Check out “Gift Horse,” the catalyst for this entry.
“Case For Pillow.” 10/18/13. Needle, thread, fabric, and marker. 26×26″ (length x girth).I just finished my most impressive work to date. (Our futon pillows don’t fit in regular pillow cases so… needle + thread + two pieces of fabric leftover from when I made “Gift Horse” + fabric marker = “Case For Pillow”).
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“Landfill.” 10/17/13. Marker on envelope. 9×10″.
In between addressing it and sticking it in the mailbox, I scribbled some shit on the back of an envelope while smoking a cigarette. Seven months ago, I wrote a note in my phone that said, “I’ll get to that landfill one day.” I don’t remember what the fuck that means, but I remember that it was really funny at the time! Now… not so much. Eh.
“Friday Afternoons Spent in Mental Health Treatment Facilities.” 2/16/13. Acrylics, resin sand, crow quill with gold ink, marker, and peptol-bismol on cardboard. 15½x4¼”.
The sixth piece from “The Weak End” series. Says: “What you call success looks like success. It isn’t. It’s a lowering of the bar. And that’s my fucking chair.”
I’m going to try something different today. Normally, I force myself to keep the focus on myself. I force myself to not write about other people. I also force myself to look at what’s really going on when I’m upset. I think that (a lot of the time) this makes for good mental health and boring fucking reading. So, today, let’s try something different: here’s a rant’s worth of petty bullshit about total nonsense! (Followed by just a little bit of reflection).
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“Graduation” from Tranquil Shores (and plenty of other places like it) involves a ceremony called a “coining.” To coin out, you’ve gotta complete every item on your treatment plan. The coining is in recognition that you’ve done everything that’s been asked of you and proven your commitment to your emotional well-being and continued success. It’s a big deal.
Or so they fucking say.
I coined out last week. The number of people that came out to it and the things that they had to say [everyone in attendance at a coining speaks] left me humbled and speechless. And in all honesty, I didn’t think that I’d ever actually get there. I had been in treatment before but I had never not been kicked out. But even still – getting to coin out implies that there’s been a fundamental change from the person that you were when you checked in. It required a lot more than just not being so unbearable of an asshole that you’re actually forced to leave. Was I even capable of fundamental change? I had been a piece of shit for a long time and I had serious doubts. But something was different this time. I did change. I trudged through shit and hell long before I got here and I brought a lot of it with me so I could continue to step in shit even while I was here. It’s supposed to be a three month program but it took me seven – but that’s exactly how much time I needed; I couldn’t have gone any faster. What matters is that I did the work I was terrified to do and I got better. Actually getting to coin out meant a lot to me. It was the biggest fucking day of my life.
But this girl… They say that to coin-out you have to prove that you’re “willing to go to any lengths.” Less than a week after arriving, she decided that she wasn’t willing to do inpatient treatment. She’d stay but only if she could be an outpatient. That doesn’t sound like “any lengths” to me. And what was she here for? Her primary issue wasn’t with alcohol or drugs but with codependency. She was dating some guy that was also secretly dating other girls, telling each that she was the only one. And she had a stalking problem. So he’d lie about what he was doing, she’d spend hours following him around all day and night, find him going out with other girls and/or over to their homes, confront him, they’d have a huge blowout argument, make up, and then the same god damn thing would happen the very next day. Again and again. Even while she was in treatment! She continued to do this shit. That’s why she wanted to be outpatient, I’m sure.Throughout her time at Tranquil Shores, she was told consistently that this guy wasn’t healthy and that she couldn’t be healthy either so long as she stayed with him. Every now and again, she’d break it off but she’d always start stalking or dating him again (usually both). And now she’s getting to coin out – and today we found out that they’re a fucking couple again. Because sheinvited him to the fucking ceremony. That’s absolutelyequivalent to if I had pulled out a needle and shot heroin at my coining. It was a giant “fuck you” to all of the counselors that have worked with her on this and even to all of us, who have sat in group after group with her, listening to her talk about how it’s destroyed her life.
So why the fuck was this girl coining out? Because she put in three months? Big fucking deal. That’s how it works at a lot of other treatment centers but that’s not how it’s supposed to happen here. This cheapens the whole thing; it makes all the other coinings suddenly mean less. It’s like the time I spent studied like crazy for an exam that I knew we hadn’t really been prepared for. I got a 98% only to find out that since the second highest grade in the class was a 54%, everyone’s grade was getting bumped up by 46 points…. Except for mine of course – there’s no such thing as a 144%. So why the fuck did I bother to put all of that work in when these lazy dipshits that just show up and hope for the best get the same result?
And what the fuck, Matt? YOU KNOW THAT’S WHERE I ALWAYS SIT FOR ART GROUP.
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Okay… So I’ve struggled with how I wanted to present this piece for a long time because it is petty and it is childish and it is (in a sense) bullshit. Did I really feel that way about this situation? Yeah. Do I still have a hard time understanding why Tranquil Shores allows some people to coin out but not others? Totally. But does any of this have anything to do with me (or take away at all from my coining or my recovery)? Absolutely not.
Why did I put the work in? Because I fucking needed to to save my own life. Did we all get the same result? Of fucking course not! The coining is a ceremony to acknowledge the progress you’ve made – just like a grade is an acknowledgement of the things you’ve learned. But the coining itself isn’t progress just as a grade isn’t itself knowledge. We may both get 100% on the test and we might both coin out; that shit (on its own) means nothing. What matters is what’s in my head, in my heart, and in my fucking guts.
As for what’s in your head, heart, and guts… well, that’s none of my fucking business. And I’m not really in a position to make any kind of estimation on the subject (tempting as it (clearly) is) anyway.
And I forgive you for sitting in my chair, Matt. I found another one.
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In the unlikely event that the girl who coined out after me reads this, please don’t get bummed out about it. I actually think you’re alright. This is just some eight month old shit about me being crazy.
“Everything Sucks When I’m Out of Adderall.” 3/23/13. Watercolor, pen, marker, and acrylic on 140 lb cold pressed paper. 9×12″.
I don’t believe that drugs are always bad. Even drugs like heroin. I think drug use is a problem when it starts to cause problems. If you’re able to use heroin recreationally, sporadically: congratulations! Have at it! If it’s not draining your bank account, if you don’t ever develop a physical dependence, if your use isn’t destroying your personal relationships – well, I say, shoot up to your little heart’s content.
I did that for a while… Five and a half years. I can’t seem to pull that trick anymore though so – for me – the party’s over. I don’t take any drugs these days. Except for Adderall. Every day. Do I have attention deficit disorder? Um… yeah – sure, probably. [Whatever that means]. What’s important though is that it helps me; I do well with it.
Until I run out. In March, there was a hiccup in getting my prescription. [Adderall is controlled to the extent that a doctor needs to write a new prescription every single month]. I had been getting it from the doctor at Tranquil Shores, but I wasn’t in Tranquil Shores anymore. And once I actually run out, it gets even harder to get my prescription. I’m pretty debilitated by its absence in my system. (I’ve been on it for almost ten years). So I had been out for at least a few days and I was struggling to get out of bed or even move. If I’m being honest, part of this is probably psychological but – if that is the case – it’s a tough fucking psychological hurdle to overcome. I feel thoroughly drained.
I dragged myself to the edge of the mattress so I could reach at my backpack on the floor. And I stayed in that position (hanging off the side of the bed) painting or – more accurately -just swiping at the paper. Raising my arm and letting it fall. I wanted to be productive, I wanted to create, but I just didn’t have it in me. Eventually I found the strength to lift myself back onto the mattress and finish the piece with my pen.
You know – having written this all out – I come across as way more pathetic than I’d intended.
The caption says, “I remember when I had ideas. I remember when I had Adderall.”
“The Island in Pinocchio Where Bad Kids Go to Be Bad.” 10/5/13. Acrylic and watercolor paint, food coloring, resin sand, and pen. 16×20″ stretched canvas.
Delray Beach has more rehabs, halfway houses, and treatment institutions (of all kinds) than any other city. It’s the so-called “recovery capital of the world,” which – by default – also makes it the relapse capital of the world. While plenty go to Delray and get better, just as many go and get much, much worse. The streets of Delray are swarmed with young, drug-addled fuck-ups from all parts of the country, which is why I love to joke that it’s the real world correlate of the island in Pinocchio where bad kids go to be bad. I got to town the night of January 20, 2012 and met her the very next day.
But fast forward to the last time I ever saw her: August 1, 2012, when we left the St. Louis airport on separate planes. She flew to Minneapolis to check into her fifth rehab and I flew back to Miami to collect some things. When I wound up in rehab myself (just sixteen days later) I didn’t know if we’d ever see each other again. As was evident in the journal entries I wrote during my first weekend at Tranquil Shores, I was confused. I thought about her a lot but did I love her? I argued the point both ways with myself. Tranquil Shores allowed me limited use of my cell phone after a time and (while her facility didn’t) she managed to get a prepaid phone smuggled in. I was making big strides in my treatment and trying to play by the rules and I encouraged her to do the same. I told her our relationship was distracting both of us from our treatment. She disagreed and took offense. Our phone calls got to be less frequent, shorter, and more argumentative. When I found myself getting wrapped up in other girls and starting to recognize the full extent of my codependency, I decided that my relationship with her had been more of the same. We had been close enough that I – of course – cared about and loved her, but I decided that it wasn’t a romantic love and that we had only been drawn together by shared emotional defects.
On April 21, 2013, I had eight months clean and she was checking into rehab for the seventh time. I wrote her a letter and shared all the things I had done differently in my last round of treatment that I thought had finally made it count. I also explained our relationship to her: how we hadn’t really been in love but just had a kind of survivor’s bond from running the streets of south Florida for five months after being kicked out of treatment. She didn’t get the letter but saw it on her way out the door. (Her counselor tried to use it as a bargaining chip to get her to stay but to no avail). She left and called me. I was frustrated that she had walked out and I was tired of trying to help when she didn’t seem willing to help herself. Why the fuck would she leave treatment again? By even taking her phone calls and trying to be supportive whenever she’d put herself in situations like this, I was enabling her continued decline. My counselor advised that I set a boundary and I did. “Until you have three months clean, we can’t talk.”
A few weeks ago, I got a text message. Five months after I had set the boundary, she had her three months. Or so she said. I had my doubts but I decided to take her word for it and I’d like to believe that it’s the truth. I told her she could call and she did. She was initially combative (there were some resentments a full year in the making) but the conversation lightened as time passed and, ninety minutes in, she said she had something she needed to tell me. She thanked me and said she couldn’t imagine what might have happened to her had I not stuck with her when we were put out on the street. She said that I was exactly the person she needed at that point in her life and that – being just a little bit older, wiser, and more experienced – I had saved her from who-knows-what terrible fate. And she said that she wouldn’t be the person she is today had it not been for my presence and influence, which had proven to be both tremendous and positive.
My kneejerk (internal) reaction was that I was a piece of shit and that we had been nothing but bad for each other – that we had kept each other sick. I put that aside for the moment as she continued to speak. I was sort of dumbstruck by what I was hearing. These were not the kinds of words I’d expect from her. She had always been boastful, independent, and above everything. Nothing could touch her; nothing could shake her. Nobody could teachher anything because she already knew everything. That was the girl as I remembered her. Her words forced me to remember another girl though: a side of her that I hadn’t seen or thought of in a long time. In an instant, I realized that I was wrong to assume that I knew her mind better than she did; I was wrong to tell her that she hadn’t really been in love with me. I had impacted her life in ways that I had never really considered (or had at least forgotten about). She always played so tough and, even though I knew it was just a wall she used to protect herself, I had forgotten that the wall wasn’t so thick as to actually keep anything from ever making it through.
After we hung up, I thought about the reaction I had stowed after being floored and humbled by the impact of her words. I remembered something that I had told myself over and over in those days: that I had to stay with her because – as bad as things might have been with me – I knew that they’d be far worse without me. At the time, I thought I could actually save her (save both of us) and that we could get well together. While I was absolutely wrong on that point, I really did look out for her and things really would have been far worse for her had I not been there. That part was true. For everything that I had done wrong, I couldn’t (or shouldn’t) discount the good that I had done as well.
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Before we hung up that night, she also commissioned me to paint something for her. I’ve been working on it, off and on, ever since but I finally finished it last night. In making it, I reflected on our relationship, which now spans twenty months. Three incidents came to mind that struck me as being particularly significant. I journaled about them directly on the canvas but it’s so layered that most of my words were washed away by watercolors or obscured by acrylics or food coloring.
The first incident was a night I had forgotten about – a time when the question of our love’s authenticity was nowhere near my mind. It was late at night, storming, and we were parked in the lot at the treatment facility that had kicked us out a month prior. [The treatment center and patient residence were separate properties, so the building was empty; it was a place to park that we knew cops wouldn’t come around]. We were in the backseat, fooling around, and had stripped down to nothing. Then – at some point, for whatever reason – we got out of the car, totally naked and in spite of the sheets of rain that were slamming down on top of us. Standing upright, in that parking lot, in the middle of that storm, we had sex. If that sounds dirty or cheap or vulgar, it wasn’t. We may have been living like homeless, scummy, junkie street urchins – and maybe wewere – but in that moment we were young, in love, and free – invincible.I felt like I had an amazing secret that the rest of the world would never know or understand. It was beautiful. I thought so then and – in that way – I still do.
The second was the day we ripped off a drug dealer and almost got ourselves killed. In anticipation of this entry’s length, I went ahead and wrote out that story two days ago in a separate entry. It’s a very different anecdote and has nothing to do with love or freedom; it’s just sad and desperate.
The third incident (and the only one of which my journals of are still somewhat visible on the canvas) was the recent phone call itself. It forced me, for the first time, to really look at and question the narrative I had constructed to explain (and discount) our relationship. Not only did she remind me that night that I don’t have things quite as figured out as I sometimes like to think, but also that truth is relative to the individual. I hate it when people try to tell me what I’m feeling and I was doing exactly that to her. I thought I was so reflective and enlightened when, in reality, I was being thoughtless, arrogant, and invalidating. Who was I to say that she wasn’t/had never been truly in love with me? Besides, what the fuck does that even mean? To be in love with someone. I think I know but does anyone ever really?
Maybe I was in love (and maybe I wasn’t). Whatever it was, I’m grateful for it – the good memories and the bad.
