Evil

"Evil." 11/1/12. Pen. 8½x11".“Evil.” 11/1/12. Pen. 8½x11″.

I didn’t like Spirituality Group because I didn’t have any spirituality. But it was Thursday afternoon at Tranquil Shores so that’s what was happening. I was especially miserable on this particular day and it got worse as group went on. Toward the end, we were given an assignment: Write a letter of forgiveness (to yourself) and share it with the group. I wouldn’t share but I kind of wrote the letter.

Dear Sam,
You are a total fucking shithead. You gave up on everything a long time ago. Though you sometimes have brief moments of optimism, they’re few, far between, and extremely short-lived. Everything you say is calculated and contrived. You may be the most dishonest asshole to ever walk the earth.
I’d like to forgive you on the grounds that you’re doing the best you can – that you can’t help but be a miserable little prick – but even that’s not true. If you wanted to be a better person, you would be.
And you’re not even nice to look at! How have you not been choked out yet? People can’t stand the fucking sight of you. Even your voice is outrageously obnoxious. Every day that you continue to live is either a slight against God or proof that he doesn’t exist – or at least doesn’t care about anything anymore. Or maybe you’re the new plague for the twenty-first century! Sent down to punish this wretched world gone awry. Only YOU are deluded enough to (even jokingly) attribute that kind of significance to your stupid presence.
All I know is that people, and the planet, would be better off without you around. Please kill yourself now.
Unfortunately, time has shown that you’re too weak to even bust that move. Seeing as you’re too pathetic to even express in words (given the limitations of human languages) I’ll forgive you. It’s a pity thing. It must be hard to be so worthless and rotten. Besides, I’m not one to hold grudges. I just hope that you’re somehow miraculously transformed or that – somewhere out there – there is some kind of hell for you to burn in one day.
Love, Sam

As a kid, I’d always said that I didn’t believe in God. Sometime in my early twenties, my position went even further. I wasn’t willing to identify with atheism because I didn’t want to stake any claim — and because I didn’t want to identify with atheists (who often seemed as righteous and fanatical as the worst evangelicals). And agnosticism was just dopey (or agnostics were anyway). They were to spirituality what undecided voters are to politics. I wasn’t undecided – I didn’t give a shit. I was a non-voter, a total non-participant. If anyone asked if I believed in God, I’d tell them it wasn’t a relevant question – that it meant nothing to me.

In trying to not be a heroin addict anymore it had become necessary to let some of that antipathy slip away. I had taken to talking about God as if I believed.

But this was Spirituality Group and I hated it. I looked at the letter I had just written and I hated that too. It was like I was trying to be clever with my self-loathing. It made me hate myself even more. I flipped over the letter and started scratching an upside-down cross onto the page, around which I wrote I FUCKING HATE GOD for making me this fucking stupid.

This was on November 1, 2012 – before I learned to use art for emotional regulation. If this is art though, then this is the first time I did it (even if by accident). After scratching down the last of my authentic expression [the words I HATE EVERYTHING] I wasn’t done but I didn’t know what to do. “What else do people consider evil?” I thought.

From that point on, each thing I wrote was sillier than the next. I wasn’t miserable anymore, I was actually having fun.

My favorite part / the coup de grace came when I snuck the least evil thing that I could think of onto the page.

HAKUNA MATATA

—–


You Make Me a Worse Person (I’ll Feed My Negativity and Roast in My Fucking Hate)

"You Make Me a Worse Person (I'll Feed My Negativity and Roast in My Fucking Hate)." 6/21/13. Colored pencil. 9x12".
“You Make Me a Worse Person (I’ll Feed My Negativity and Roast in My Fucking Hate).” 6/21/13. Colored pencil. 9×12″.

I had to bring my scooter with me because I was going to be in south Florida for the next month. When I loaded it into the back of her car, I accidentally scraped the bumper. She was angry.

The document verifying that I had completed my community service was due with my probation officer that afternoon. I asked if we could stop somewhere to print it out before we left town. That was also a problem.

We were in no hurry and my probation was on the line. This was important to me. Why was it an issue? I didn’t understand. I was hurt so I didn’t insist upon it; I just got in the car, dejected.

We had a four-hour drive and in that time we didn’t speak at all. Eleven days after moving in together and just two days after the explosion of sunshine and fucking rainbows that was “Out All Day,” this is what came out of me… In bits and pieces, it says:

FUCK EVERYTHING. I’m ready to be dead now. This is a drain. I failed today. Can I say “everyday?” Fuck community service. Fuck being a responsible human being. Fuck the scratches on your stupid fucking car. Fuck our apartment. You make me a worse person. I’ll feed my negativity and roast in my fucking hate.

[If you’re not familiar with borderline personality disorder, that’s what it looks like]. Here’s what I wrote about this piece when I was done with it:

I don’t wanna share this ’cause I don’t wanna give people the impression that I’m unhappy. But fuck that. Real life isn’t a simple narrative on a straight trajectory in one direction. My art can say, “I couldn’t be happier,” one day, and “fuck everything, I’m ready to be dead now” on the next. That’s reality and I’m not into painting a picture of my life that’s any less honest than I’m capable of being.

This scribble isn’t exactly “art fully realized” but I held on to it like I would a photograph. It’s a document, an artifact, or a memory – and not a bad one. This was cathartic and it was an opportunity…

I didn’t have my website yet but I was already regularly sharing my artwork and (sometimes) related writings through my Facebook page. To that extent, my day-to-day and my emotional process had become a public spectacle of sorts. I always feel awkward acknowledging this but my art has come to mean something to people (friends, fans of my old record label, even total strangers). I’ve received more than a few emails and messages from people telling me how powerfully they’ve been affected by something I made or wrote. I’ve been regularly called “an inspiration.” [I feel especially awkward acknowledging that]. But it’s been amazing, encouraging, and – in turn – has truly inspired me. One consequence, however, is that I feel like I have a responsibility now. With this piece, I had a choice: Did I want to be some icon of hope or did I want to be honest about what my life, in recovery, is really like? In sharing it, I opted for the latter, and I’ve done my best to honor that decision every day since.

——

When I first added this piece to the website, there was a journal entry from that day (9/22/13) along with it.  I later decided to make that a separate entry.


Weird Kids With Bad Teeth

"Weird Kids With Bad Teeth." 2/27/13. Acrylic paint, pen, duct tape. 4x4".
“Weird Kids With Bad Teeth.” 2/27/13. Acrylic paint, pen, duct tape. 4×4″.

I alluded to this piece in “Titrating,” when I described myself as feeling scared, stuck, and trapped, but smiling. (See the red text in the background).

Like the pieces in “The Weak End” series of paintings, this (along with several others) started out as one large painting that I eventually cut up into a lot of smaller ones. Unlike that series though, all of the paintings in this series (“Your Higher Power is Literally Garbage”) were painted and repainted so much that they don’t really share much in common.

In the center of this piece is a strip of pink duct tape that I drew on, while riding in the car, because I had no paper. Yet another weird/poor drawing of a kid with fucked up teeth. It’s pretty representative of my belief that I’ve got a lot more willingness than I do talent (or even creativity).

As often as I feel “inspired,” I’ve got nothing. But that doesn’t mean that I don’t still have the need to create something. So I do. Because it’s good for me. It helps me, emotionally.

And if you read my last post, you know that right now is one of those occasions where I desperately need to create something. And I knew that I’d come to that conclusion if I wrote up the entry for this piece, which is why I chose to write an entry around “Pulp” first. I wasn’t ready to do what I needed to do to get better. But I am now.

UPDATE (9/23/13): Now listed for sale.
UPDATE (12/1/13): SOLD! Now listed for sale as a 4×4″ print. 


My Girlfriend Isn’t a Drug Addict, She Manages Her Own Life (and a Charlotte Russe), I Can’t Get Her to Pee On Me, and I’m Really Fucking In Love With Her

“My Girlfriend Isn’t a Drug Addict, She Manages Her Own Life (and a Charlotte Russe), I Can’t Get Her to Pee On Me, and I’m Really Fucking In Love With Her.” 2/24/13. Acrylic and pen on cardboard (on wood). 25×8″.

For a while, I was pretty convinced that the only girls who might ever possibly be interested in me were also drug addicts. I’m not sure whether it ever occurred to me that maybe it only seemed that way because the only girls I ever met were girls that I was in treatment with or girls at meetings.

In twelve-step programs, one is encouraged to surrender their will to [whatever]. It doesn’t really matter what it’s surrendered to, so long as you’re not the one calling the shots anymore. But regular people … you know… don’t have to do that. They get to manage their own lives. So, while I was buying cocaine by the ounce when I was seventeen, Heather has made it to twenty-eight (she’s old as shit!) without ever having tried anything beyond marijuana. That strikes as being totally insane, but my perception might be a little wacked. I have a hunch that a lot of people would find my history to be the one that’s a little unusual.

There’s all kinds of cool stuff I can’t talk Heather into, but peeing on me doesn’t fall into that category (because I don’t actually want her to pee on me; I just love to tease her and plead with her as if I do). I have fun.

Oh – and while she no longer works for Charlotte Russe, I’m still really fucking in love with her.

 

This piece was painted on a piece of cardboard from the same box as “The Weak End” series of paintings. It was one of my very first where I allowed myself to have absolutely zero concern with conveying a message with my images. For a time, I thought that the images in a painting needed to be directly related to any text that might appear in it. Eventually though, I realized that visual art is no different than music. No one ever asks “what does that A minor have to do with the lyrics to this song?” The music establishes a certain energy – a mood, a tone – that works in conjunction with the lyrics. While the nature of visual art allows me to sometimes make “music” that’s more obviously/directly linked to my “lyrics,” I no longer think it’s necessary.

This painting is currently for sale. sold on October 2, 2013.


Kill Your Parents

"Kill Your Parents." 4/5/13. Oil pastel. 12x18".
“Kill Your Parents.” 4/5/13. Oil pastel. 12×18″.

Here’s a piece from April and a statement from May.

I got out of rehab in February, but I’m still technically “in treatment.” Instead of twenty-five hours of group therapy each week, I’m down to three and a half. That’s one group – expressive art therapy – on Friday afternoons.

This piece is a little off for two reasons. At the start of art group, there’s a meditation, intended to lead us in what we’ll make. I was late and I missed it. More importantly, there had been an influx of new patients since I had been in group the previous Friday. And though it’s way more tempered than it once was, I still struggle with this strange impulse when confronted with new people (particularly in this kind of setting) – I feel like I have to let everyone know just how fucking outrageous I am… So I drew my drawing and then when it came time to title/caption it, I went with something not at all representative of how I was feeling, but something that would show the new crew how god damn wacky and edgy I am.

In that sense, this piece is kind of a failure. Because it’s not totally authentic or honest. In two other ways though, it’s a success. First, expressive art therapy isn’t about setting out to make something and then making it. It’s about making something – anything. It’s about making whatever comes out onto the page without premeditation or commitment to some vision in your head. When I first sat down, I started drawing an image that I had dreamed up for use as Rational Anthem’s summer tour poster. But I caught myself and stopped.

Second, it’s a success in that it’s got me writing this, right now. Acknowledging my neurotic compulsions and being honest about what an attention seeking, other-people’s-perceptions-of-me obsessed, insecure basketcase I can sometimes still be.


Still Sick (The Illest)

"Still Sick (The Illest)." 9/13/13. Marker and pen. 24x26".
“Still Sick (The Illest).” 9/13/13. Marker and pen. 24×36″.

Heroin is my drug of choice. While I’ve got a couple secondary DOCs, I’ve definitely never considered myself a “garbage can” addict (someone who will take anything at all to get any kind of fucked up). While I have a weird sort of pride about being a heroin addict, it’s only with some hesitancy that I’ll admit to ever having had any kinds of issues with alcohol or cocaine. I used to tease my friend Robin that – “while I’m glad to see you’re doing well, you probably need to go back out, hit bottom, and then come back if you actually wanna get better.” Because Robin’s DOC was crack – “not a real drug” (according to half-joking Sam).

So it’s really sort of embarrassing that I was as excited as I was yesterday when I bought OTC medicine for my cold symptoms. If there’s ever been any doubt in my mind about whether or not I’m really a drug addict, my excitement as I bought generic Nyquil yesterday ought to be all the indication I need to know that I am not like most people.

 

In so many ways, I feel like I’m just starting out – just starting to figure everything out. Myself, my life, what I want to do, how I want to do it. I feel like I’ve just recently started being me. This is my first large drawing (it’s two feet by three feet). Creating it was an interesting process and at so many different points, I felt myself being pulled in two different directions as to how I should proceed. Sometimes I want to push myself to try something new, sometimes I think I ought to stick with what makes my art look like my art.

The last thing I did was write in a sentence from the NA text that’s been in my head recently. “Although all addicts are basically the same in kind, we do, as individuals, differ in degree of sickness and rate of recovery.” I crossed it out. I wrote the word, “sick.” I crossed that out. I thought about what I wanted to do with the black bars where the words had been. I decided not to do anything with them.

 

Writing a statement about a piece, right when it’s done, is tricky sometimes. There are some other little things going on here, but I don’t know quite what to make of them yet. Thoughts about friendships, school, identity, and where I fit in.


The piece sold but limited edition hand-numbered and signed 12×18″ prints are still available. Hit me up if you’d like to purchase one.


I’m Also Available to Babysit

Just a few days after moving out of Tranquil Shores, I went to Artpool’s “Crafty Fest” to try and sell some of my paintings. I didn’t put my most “offensive” stuff out, but – early in – a kid came up to my table to look at everything with parents trailing behind. When mom and dad got closer I watched their faces change as the content of my stuff registered in their brains and they quickly hurried their kid along to the next table or booth. And then I watched this same exact sequence play out over and over throughout the day. So – right there at my table – I painted something new and laid it right out front.

"I'm Also Available to Babysit." 2/24/13. Acrylic on (what was) the front cover of a hardcover book. 9x12"
“I’m Also Available to Babysit.” 2/24/13. Acrylic on (what was) the front cover of a hardcover book. 9×12″.

A month or so after I made this, I got an email from Mike Duda asking if I still had it and how much I’d want for it. I think that was the first time someone had hit me up like that, so it was pretty great. That Mike is also responsible for writing and recording some of my favorite art (in his band, Like Bats) just made it that much cooler.

Here’s “The Last Catholic in America,” the last song on Like Bats’ debut full-length, Midwest Nothing.