Journal: September 25, 2013

September 25, 2013

I feel sick to my stomach but the problem is all in my head. Funny how that works, huh?

I remember when I used to directly address with total transparency whatever was crushing my fucking soul. These days, I don’t have the guts. I can’t handle the consequences.

This strikes me as the kind of shit someone writes or says when they’re relapsing. I’m not, but this is probably also the kind of shit someone writes *just before* they relapse.

Luckily, I know myself well enough to know two things. 1) If there were drugs right here, I’d be fucked; but immediate and effortless accessibility is a prerequisite for me to fuck up in that way. 2) I’m a fucking basketcase, overly invested in the present moment. So while I might feel like I’m in crisis right now – realistically – I’ll paint a fucking picture, go to bed, and tomorrow I’ll be manically happy about some stupid pop punk song and be okay until the next time something brings my regularly simmering gloom, shit, and misery to its boiling point.

I’m gonna go play with some fucking watercolors.

I don’t like this version of me. I don’t like that I allow things to affect me in this way. There have been moments when I’ve shown more strength than I am right now. I hate that I’m talking like this again. And so shortly after acknowledging and writing about the last time I found myself here.

Countdown to the feelings of shame, embarrassment, and regret consequent to writing this entry… 5, 4…

I have friends that call me when they’re in a rough spot. I have a lot of friends that turn to me when they’re struggling. But I don’t turn to anyone. I turn to the fucking internet. I don’t have the courage they have. Why am I better at being a comfort to others than I am to myself?

This song just came up on shuffle.

An F.Y.P cover by Off With Their Heads.

Journal: September 22, 2013

September 22, 2013

I was updating Storenvy listings when I found the original statement that I had written for “Out All Day” back in June but hadn’t included when I wrote my blog entry around it in early August. So I went back just now and worked it in.

In doing so, of course, I also read what I did write at that point: something about how I had sold a bunch of records and books that day but no artwork. And how I had some ideas as to why that might be, but that the reasons didn’t matter. That’d be true if it weren’t for the fact that I was afraid to acknowledge them. But I can now.

In early August, I was doing my best to be positive and upbeat but I think it was coming across in my art and my writing that all was not well. I had just wrapped with the shooting of “No Real Than You Are,” one of my first entries on this website was a painting detailing a relapse from earlier that day, and I think I looked a lot like a disaster waiting to happen.

I was used to a regular flow of feedback from posting my artwork on Facebook. When I got home to Jacksonville and launched this website in the last week of July, I half-suspected that I’d start to get more than ever (especially in light of the text content I was posting to accompany the art). That didn’t happen. Instead, my stream of feedback ceased almost entirely. After a week or so, I asked my friend David if he had any guesses as to why that might be. “I don’t think people know what to say,” he told me.

At the time, I thought that meant that the things I was putting up here were so earnest and vulnerable that they made people uncomfortable. There might be a little truth to that but, in hindsight, I think it’s mostly because I looked like I was about to fall – back into heroin, misery, and shit – and like I had no idea it was coming. If nothing else though, I know that my soul felt rotten and my strained optimism wasn’t hiding it. I had fallen apart to some extent – more than I was willing to let on (and I still haven’t talked about everything that happened with anyone other than my counselors and a few close friends). I’m sure I’ll eventually get to the point where I’m able to be as open about that period of time as I am about most of my life but – for now – I’m just happy that I pulled through it.

While Heather certainly deserves a lot of credit for my well-being overall, I think that – had it not been for Rational Anthem and the trip they took me on – things could have turned out much differently and much worse. I can say without any reservations that I’m really happy to be exactly where I am right now. – I’m really happy that I don’t have to remind myself to be grateful right now.

Granted, I was in a rough spot last night but those things happen. In fact, in that respect, tonight’s a lot like the night when I actually made “Out All Day” – just twenty four hours after the emotional turmoil that created “Blueprint for a Successful Evening.” I just hope that from here my next piece doesn’t turn out to be along the lines of the one that came next.

Still Sick (The Illest)

September 14, 2013

"Still Sick (The Illest)." 9/13/13. Marker and pen. 24x26".
“Still Sick (The Illest).” 9/13/13. Marker and pen. 24×36″.

Heroin is my drug of choice. While I’ve got a couple secondary DOCs, I’ve definitely never considered myself a “garbage can” addict (someone who will take anything at all to get any kind of fucked up). While I have a weird sort of pride about being a heroin addict, it’s only with some hesitancy that I’ll admit to ever having had any kinds of issues with alcohol or cocaine. I used to tease my friend Robin that – “while I’m glad to see you’re doing well, you probably need to go back out, hit bottom, and then come back if you actually wanna get better.” Because Robin’s DOC was crack – “not a real drug” (according to half-joking Sam).

So it’s really sort of embarrassing that I was as excited as I was yesterday when I bought OTC medicine for my cold symptoms. If there’s ever been any doubt in my mind about whether or not I’m really a drug addict, my excitement as I bought generic Nyquil yesterday ought to be all the indication I need to know that I am not like most people.

 

In so many ways, I feel like I’m just starting out – just starting to figure everything out. Myself, my life, what I want to do, how I want to do it. I feel like I’ve just recently started being me. This is my first large drawing (it’s two feet by three feet). Creating it was an interesting process and at so many different points, I felt myself being pulled in two different directions as to how I should proceed. Sometimes I want to push myself to try something new, sometimes I think I ought to stick with what makes my art look like my art.

The last thing I did was write in a sentence from the NA text that’s been in my head recently. “Although all addicts are basically the same in kind, we do, as individuals, differ in degree of sickness and rate of recovery.” I crossed it out. I wrote the word, “sick.” I crossed that out. I thought about what I wanted to do with the black bars where the words had been. I decided not to do anything with them.

 

Writing a statement about a piece, right when it’s done, is tricky sometimes. There are some other little things going on here, but I don’t know quite what to make of them yet. Thoughts about friendships, school, identity, and where I fit in.

The piece sold but limited edition hand-numbered and signed 12×18″ prints are still available. Hit me up if you’d like to purchase one.

Pizza Hates Me

September 8, 2013

I tried to get my prescription refilled, but the pharmacy was all out of Adderall. I’d link to the piece I have about what happens when this happens, but it’s not online yet. I’d put it online but I’m out of Adderall.

Here is a piece in which my loss of… [whatever]… is probably apparent. I just finished it. It is all that I have done today.

"Pizza Hates Me." 9/8/13. Crayon, colored pencil, marker, pen, collage. 5x7".
“Pizza Hates Me.” 9/8/13. Crayon, colored pencil, marker, pen, oil pastel, collage. 5×7″.

There’s a pizza place down the street from my house that displays and sells art. I went in to see the owner, but he wasn’t around so I just dropped off a full-color flier with a bunch of my pieces on there and a little bit of info as to what I’m about. I went back the next day to eat, but it was busy so I didn’t want to bother him. I noticed though that there was a spot by the register for people leave business cards, so I left a little stack of my 2×3″ fliers with “My Favorite Cartoon” and my url on them.

A few days later, on our way to Alligator Farm, Alex told me, “I’m sorry about Moon River.” I didn’t know what he meant, but he said the owner threw out my little cartoon fliers because they weren’t “family-friendly.”

I knew my feelings shouldn’t be hurt, but they were anyway. Not to the extent that I let them fuck up my day, but I was a little sad. I don’t know – I don’t think those cartoons are all that offensive or controversial and – in any case – I have plenty of stuff that isn’t, but… It doesn’t really matter. It’s just one person’s opinion. I can’t win ’em all.

I started drawing this in the car that day, worked on it a little bit last night, and finished it this afternoon.

I was poking around on Reddit and – in the Art subreddit – there’s a rule: no “crayon art” allowed. I thought that was a little strange. I’m not wild about crayons ’cause I like bolder, brighter colors and sharper lines than crayon’s are really capable of producing, but I don’t see why crayons should be the one medium absolutely prohibited. (Why should any medium be absolutely prohibited?) So I used crayons in this piece. Not because I want to post it in the Art subreddit (’cause I’m not) but – I don’t know – maybe just as a reminder to myself that I don’t do this stuff for anyone else. Obviously, I’m attention-seeking and I still feel validated by positive feedback, but that stuff’s after the fact. It’s not what gets me started and it doesn’t influence my process. It’s not what drives me.

I’m gonna go try to get my Adderall again now. Well… I’m gonna try to try to get my Adderall. Let’s see if I make it out the door…

Blow Bubbles! For Fun! (Not Strangers For Drug Money)

September 4, 2013

"Blow Bubbles!" 3//13/13. Crayon and digital. 8x10".
“Blow Bubbles!” 3//13/13. Crayon and digital. 8×10″.

In the last year, I learned to use art as a tool for emotional health. Since I’ve been out of treatment, I’ve been doing very well in that area. One area in which my counselor insists I need improvement is my social health.

One day, I accidentally went out to lunch with a group of people. I crept around until I found the restaurant’s stock of crayons and paper. I didn’t have anything in mind when I started (other than removing myself from the world around me so I wouldn’t have to interact awkwardly with other human beings) so I just chose a color that appealed to me and drew some shapes that I liked. At some point, I decided what the shapes were, added to them to form the image of a kid blowing a bubble, and then captioned it with the first thing that came to mind.

This little cartoon has no unique significance to me, but – like a lot of what I do – it’s evidence of how far I’ve come. Granted, one could suggest that – ideally – I wouldn’t feel the need to escape reality at all, but I think that drawing is a big step up from shooting heroin. And – while I can see some validity to the opposing point of view – I don’t think that social interaction is all that much more important than doing something that helps me feel productive and (in a very real sense) valuable.

For years, I’d wake up with a sigh, as I contemplated another day of being alive and – even worse – being me. Sometimes I create things that have deep meaning to me. Other times, I just draw little cartoons that I think are cute or clever and are little more than they appear. Both of these kinds of art are important because both are pieces of what makes me happy to be living and breathing as Sam North. A lot of people could do what I do, but a lot of people don’t. For whatever reason, I do – and that’s something I’ve been rewarded for in innumerable ways every day. What I once considered a terrible fate, I’m now incredibly grateful for. I’m pretty excited about being me. [written 5/29/13]

 8×10″ prints of this cartoon are available in my webstore.

 

Today, I went to Art Walk, a monthly event in downtown Jacksonville. People set up tables and sell art and other stuff they’ve made. Within minutes of arriving, a kid asked if he could give me a flier for a record store. I told him I’d trade him and handed him one of mine. And then we realized who we were. It was Josh from Dead Tank, one of the two kids in the area that I (met ten million years ago and) decided to email last month to find out about DIY shows/spaces in the area. Pretty excellent chance encounter.

From there, I just kind of poked around, scoping things out. (I sent in an application to be a participant, but it wasn’t in time for this month’s Art Walk). I met and talked to a few people though, awkwardly handed some strangers cartoons/fliers, and… then I rode home.

Valuable Feedback

September 3, 2013

It’s Tuesday – my one day of routine. I got home from my session and my meeting and found a package waiting for me.

Rumspringer's "Staying Afloat" LP and split 7-inch with Sister Kisser. Low Culture's "Screens" cassette.
Rumspringer’s “Staying Afloat” LP and split 7-inch with Sister Kisser. Low Culture’s “Screens” cassette.

I’m pretty sure that the colored vinyl has been sold out for a good while now, which would mean that Chris (of Dirt Cult Records) sent me one of the copies he had set aside – unprompted… because he’s a sweet, wonderful human being and probably figured that it’d make me smile.

Also, I know this is silly but (even though I’m sure it has nothing to do with me) it makes me happy that Rumspringer still use my handwriting on their records, inserts, and other stuff.

Low Culture is the new(ish) band from Chris and Joe of Shang-a-Lang. “Screens” is their debut full-length (CD/LP on Dirtnap; cassette on Dead Broke) and it was produced by Mark Ryan of The Marked Men, which is a really excellent pairing for them.

Here’s a stream of the Sister Kisser / Rumspringer split as well.

And here’s the only other piece to slip through the cracks early on (like “Dear Diary.”) It’s the fourth painting in “The Weak End” series and the text says, “WHAT YOU DO IS.”

“Valuable Feedback.” 2/16/13. Acrylics, resin sand, and fabric dye on cardboard. 16½x18”.
“Valuable Feedback.” 2/16/13. Acrylics, resin sand, and fabric dye on cardboard. 16½x18”.

When I threw this online before, I just noted the title and the text in relation to lyrics from “48 Doublestack” by Rivethead (We’ve rejected what you’ve got to show for the trade-off: a life spent just waiting for orders and taking the shit from the parents, the bullies, and bosses. The fault’s no one’s but your own ’cause you couldn’t stand up and say no). Which makes me feel a little… um… redundant, in light of “Stand Up and Say No,” “Mowgli,” “Whatevermind,” and (probably) a few others that escape me at the moment.

Anyway, this was an expressive process. I played with colors and shapes, then looked to them to lead me forward. I saw this slug-type character, reclined, which brought to mind someone who (so far as I could tell) did little but recline. And criticize. And had been offering a lot of advice lately. Which has always struck me as funny: the way that thoroughly unhappy people tend to give advice.

I won’t say whom I had in mind when I made this. Only because I think the negativity that’d come with the disclosure outweighs the value of the honesty and release that I’d get from it. And I don’t want to hurt anyone’s feelings. This is, after all, a mean painting. And I was feeling mean when I made it. Because my feelings were hurt.

That’s the way it goes. Someone’s hurt. They respond with anger, to hurt the other person. Who then responds in the exact same way. It’s a sad, ridiculous cycle.

I can honestly say that I could make the disclosure (without ill will) at this point, but I can’t control whether this person would recognize that. And I’d rather not fan a flame / keep the cycle going.

—–

“The Weak End” series includes:

Turning in unusually early…

August 31, 2013

20130831-003030.jpg
What my current (30×40″) work-in-progress looked like yesterday…

I did some searches today with terms like “jacksonville art.” A lot of groups that want artists to apply, pay application fees, and then (if accepted) pay membership dues in exchange for better percentages on pieces sold in juried exhibitions (if selected). Also a lot of stuff about “acceptable” frames and wall mounts. A lot of other rules too.

I guess that’s how this sort of thing works?

Do I know anyone that’s ever attempted (and succeeded to any degree) to participate in any kind of “professional” arts world/scene?

Before that, I took some duct tape and fliers down to an area with foot traffic and put ’em on walls and streetlight posts. That’s a little more my speed. It feels a little more “right” but I’m trying not to be discouraged or turned off by that other stuff. And I’m not really. I mean – a little bit I guess. Really, I’m just not sure what to make of it. I’m still pretty new at this.

I’m usually up ’til 4 am and up by 9. It must be catching up with me today ’cause it’s only midnight and I’m exhausted.

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