“Happy Martin Luther King or Valentine’s Day.” 12/11/2013. Colored pencil and ink. 4×5¾”.
When I sent cards to the people I care about for the holidays in 2012, I didn’t end up getting most of them mailed out until early in 2013. With that in mind, I figured I’d play it safe this time around and draw something that’d play off my anticipated tardiness. So (of course) the cards ended up being totally ready to go with more than enough time to spare before Christmas. But that’d mean my joke wouldn’t work! So I held off on asking for addresses ’til I figured it was late enough that people wouldn’t suspect I was asking for the sake of Christmas cards and then waited even longer (January 1st) to actually drop them in the mail.
I held off on sharing this cartoon ’til now because I wanted my friends to see it for the first time when it showed up in their mailbox. And then a couple months went by and I just forgot about it.
So here it is, “Happy Martin Luther King or Valentine’s Day! (punctuality’s not really my strong suit).”
If we’re pals and you didn’t get one, it’s ’cause (1) I asked for your address and you didn’t give it to me; (2) I didn’t ask for your address ’cause I thought I already had it but you’ve moved and I don’t know it; (3) you were just one of those unfortunates that was probably on my list but got lost in the shuffle. Better luck next year! (And in the meantime, send me your god damn address). I love all of you.
“Another Painting By My Favorite Artist.” 3/9/14. Acrylic paint and ink. 3×4′.
My second painting in my new phase as a thoroughly mobile/transient/itinerant artist, this 3×4’ painting was completed over the course of eight days and in five different cities. The highlight of those days was definitely getting to paint at (and sell prints) alongside three of my favorite bands (Iron Chic, The Slow Death, and Off With Their Heads) as they came through Florida on tour.
I captioned and titled this piece relatively early in the process but days later, when I felt compelled to journal on the canvas, I looked at what I had written and realized that my chosen title couldn’t have been more perfect. The text on the canvas reads:
I’ve resisted picking up the pen because my feelings keep changing and it’s too early to find any meaning in my circumstances. Shit – it’s not even over yet. Just one person with the right reaction could turn it all around. But – right now – I feel totally defeated. It doesn’t take much. For all my success this last week, even the last month or the last year, it only takes one bad night to leave me feeling like a complete and utter failure.
It’s art walk night, it’s rainy, but I’m not in the plaza; I’m at Burrito Gallery, in the room with all my art on the wall. I’m set up with a table of prints and nobody gives a shit. The walls are covered with my art! I – the artist(!) – am identifiably sitting right here! (My exclamations are half-jokes. I know it’s not a big deal but this sort of thing always generated at least a modicum of attention. People are filtering around me without so much as a glance. And yet I sold thirty-something prints over the weekend, with last minute table set-ups at punk shows, to kids that don’t have money and don’t buy art.
The artist in the other room told me he’s been painting for twelve years but only got brave enough to show in the last five or six. “Brave?” What’s there to be brave for? The constant stream of attention and praise?! Others have told me that they admire my courage in putting myself out there as I do. It doesn’t usually feel like courage to me though. Most days, it’s easy as fuck. But that’s only ‘cause I’ve been so successful, or lucky, or good at framing–my-bad-experiences-in-such-a-way-that-I-don’t-put-too-much-stock-in-them. I need to think back to April to remember that total sense of dejection. I’ve felt it since then but not to that degree. Bad nights usually turn to good ones before I pack it in. If this one doesn’t, I just need to remember how spoiled I am. This level of rejection is not so extreme that it ought to leave me contemplating crybaby suicide. I’m already more successful than most artists will ever be and it’s not because I’m better, or smarter, or anything like that. It is because I’m braver. I square off against the threat of rejection and failure every day. I’M BUILDING MY FUCKING LIFE ON IT. And – sure – I’ve been blessed (or what-the-fuck-ever) to have gotten the overwhelmingly positive reception that I have thus far, but I know the hurt of being ignored, the sting of being turned down. AND I FUCKING HATE IT. It KILLS me. But day after day, I get up and I fucking face it. And I feel better now.
That – right there – is me, in action, using art/journaling to balance myself out – to save me from myself. It’s exactly what I tell people I’m all about and there it is in perfect practice. It’s also why I deserve to be my own favorite artist. I fucking love it. I love this wonderful outlet I’ve found. I love so much. Life is beautiful (and sometimes tragic, fucked up) and funny. Colors, shapes, mental illness – I wouldn’t have it any other way.
12×16-inch “Another Painting by My Favorite Artist” prints are now on sale in the webstore.
“Raygun Youth.” 8/3/13. Acrylic paint and ink on wood panel. 24×6″.
I painted this for the cover of Billy Raygun’s posthumous discographic cassette. Each of the three bits of text is a lyric from a song of theirs that means something to me.
I thought I heard you calling; it was just the emptiness ringing in my head. I still think about you a lot. I still think about you a lot. I still think about you a lot.
In April 2011, my six-year relationship with Taylor came to a close. She broke up with me. I didn’t take it well. I had been pretty strung out on heroin, in a pretty bad way, for a little while but had just gotten into my first “treatment program” a few days prior (it was just methadone maintenance – not exactly the best path to wellness but what did I know?) On top of that, final exams for my final semester at Georgetown Law were about to begin and I hadn’t been to any of my classes all year. I didn’t even own the textbooks. I had a lot of studying to do if I was gonna graduate on time and I knew god damn well that if I didn’t graduate now that it was never gonna happen. I needed to keep it together (get it together) real, real fast if I was gonna keep everything in my life from crumbling into absolute shit, misery, and failure. Between the methadone, the heroin, the Adderall, and the sleep deprivation that goes along with studying in 24-hour shifts, I was … not entirely well. For a while there, I started to experience regular auditory hallucinations. Mostly, it was people (strangers) screaming at each other. It was like channel surfing on a TV where every single show featured nothing but loud, angry people. Occasionally though, I’d get a break in that and hear something softer and sweeter: “Sam…” It was a voice I knew; it was Taylor’s voice. Every single time, I’d turn around without fail, hoping (and actually believing) that this time she’d actually be standing there. She never was (of course) but it still broke my heart a little bit every time. It was a miserable cycle of studying, drugs, and crying.
All of this care / not caring is killing me.
This lyric isn’t tied into any one specific memory as much as it serves as an all-encompassing description of my relationships (romantic and otherwise) throughout my life. Oscillating frantically back and forth between giving a shit and shutting down. Between feeling loved and feeling abandoned and rejected. Sometimes it seems like my emotions are wired to a light switch. It doesn’t take a lot to flip from “perfect” love to total apathy (or even hatred). And since “we’re attracted to those at our same level of sickness/health,” I’ve gotten mixed up with plenty of girls who are equally skilled at unintentional (often drug-fueled) emotional back-and-forth. There was one night in early 2012 when my then-girlfriend professed her deep, unending, profound love for me in one moment, and was swearing that I was a disgusting, ugly, unlovable piece of shit in the next. And before the hour was up, she was right back to telling me how wonderful I was. Experiences like that can fuck with a person…
I’ll just admit that it’s a different girl, the same old story.
When I half-heartedly tried to kill myself in December 2012, I didn’t write a suicide note, but I did scribble something down on the back of one of many scraps of paper that were laying around my room. All that it said: “different girl / same old story.”
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Ideally, I’d have held on to sharing this until this release was announced but – shit – it’s been more than six months since I painted it so… sorry, kids!
Here’s a stream of their self-titled full-length. The first song is the first song I quoted lyrics from.
“Maybe It’s Okay to Be Happy.” 2/27/14. Acrylic paint and ink. 16×20″.
I’m too fulfilled. Too many things are going my way. IT’S KILLING MY ART. Or… maybe it’s okay to be happy?
I painted this yesterday. I was tempted to kick around my head until I could find/invent a problem but – ultimately – decided to just let it be. Things are okay and I guess that’s okay.
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The exhibit at Burrito Gallery is all set up. I’ve got twenty-four pieces up on the wall and prints (of a little more than half) out for sale on the counter.
“Amazon Wishlist” was deemed too offensive for both BG and Chamblin’s. WHO WOULD’VE THOUGHT?
I still have some stuff at Chamblin’s Uptown as well. Five originals up on the walls and just under a dozen prints of different pieces out around the cafe area. Although – apparently – one of my paintings is too offensive for anyone to exhibit… You won’t find Amazon Wishlist hanging up anywhere around Jacksonville anymore. (Kinda crazy that of all my outrageous stuff, just the word “Christian” in an ambiguous/possibly negative context is the most offensive, right?)
Today, I’m headed out to Gainesville to participate in an artwalk at the Civic Media Center. I’ll be back in Jacksonville at some point this weekend, at which time I’ll start putting up new fliers all over Riverside and downtown Jacksonville. And this Wednesday, I’ll be at Burrito Gallery for Jacksonville’s Downtown Artwalk.
“Modern Art is Stupid; Everything Is.” 1/12/14. Acrylic, spray, and watercolor paints, ink, oil pastels, food coloring, and charcoal. 60×40″.
Artist’s statement (revised 4/2/14):
This piece was started in the last week of December and finished in mid-January, during the final days of my relationship with Heather. There’s a lot of emotional back-and-forth in it. On New Year’s Eve, I wrote:
If you’ve never walked the train tracks alone on New Year’s Eve, singing along (badly) to a song only you can hear and maybe – just once, in the course of that walk – thrown a fist in the air… Well – I don’t envy you.
I DON’T EVEN LOOK OVER MY SHOULDER ANYMORE.
Hit the pavement, light another cigarette. Life is beautiful.
I just jumped in the air and laughed. I’ve never even heard this song before.
The joy I felt in that moment soon gave way to dejection. I was walking to meet Heather to go out for the night. Our outing only lasted fifteen minutes or so, before she got mad at me, and I walked home alone in a very different state of mind. Hembrough called me around 2 AM. He was walking home along the tracks back in Sarasota. I laughed. “What am I doing?” he asked me, “Why is this happening? Because punk rock told me so, I guess.”
The next morning, I was feeling drained of any and all spirit. I wrote out two lists:
THINGS THAT MADE ME CRY TODAY:
(1) A Facebook post about the rain
(2) A pop punk song about resilience
THINGS THAT MADE YOU CRY TODAY:
(1) Me
A few days later, I added more text: “It gets better, it gets worse, it gets better, it gets worse. As soon as it’s good enough, it isn’t. Why am I so sad?”
Another day or two passed and Rational Anthem sent me the demos of their new eight-song EP that they were gearing up to record. One song in particular fucking wrecked me. The chorus begins: “I can’t convince myself that I’m happy.“
Fuck. They nailed it.
The last lyric in the song repeats through the end. “Does it matter anyway?” I heard it differently though: “It doesn’t matter anyway.” If I had heard that song on New Year’s Day, I wouldn’t have just been crying, I’d probably have been bawling.
The song had a goofy working-title. ”No,” I told Chris. “There’s nothing fucking silly about this song. It needs a real, honest title.” I told him to call it, “I Wish I Could Be Happy.” He, Noelle, and Pete took me up on it so that’ll be the title when the record comes out. Since then, it’s also been decided that my watercolor painting/cartoon, “Autobiography,” will be used as the front cover for the record (recaptioned with the album’s title, “Emotionally Unavailable”). (Before I move past punk rock, I wanna note that the album I was listening to as I walked on NYE was “The Constant One” by Iron Chic, and the song referenced in my list is “The Shades of Grey” by The Murderburgers.
The text about it getting better and getting worse was originally the largest caption on the canvas, but I decided to relegate it to semi-obscurity by rewriting it in pen in the shadows. I blocked out that original caption with a series of primary-colored rectangles. I liked them but they reminded me of what I guess I’d call the proverbial “modern art.” I don’t like to be so negative or critical as to suggest that any art is stupid (after all, I have no idea what goes into it or why the artist is making it) but – if I’m being honest – when I look at most artwork, I have the same response that I think most people have to art:“Um… okay.” Basically, I don’t get it. I’m not sure why I should care. I mean, if the artist is getting something out of it, then I think that’s spectacular (genuinely!) but I don’t think that that necessarily makes it worth my time or attention. “Modern Art is Stupid; Everything Is” is reflective of that attitude as well as the bad / hurt feelings swirling around my relationship and my general state of being as I painted this. It’s also part self-deprecation. After all (IN CASE YOU CAN’T TELL), this piece is itself a work of modern art. (And – depending on who you ask – thoroughly stupid!)
All of this sort of adds up to one big jumbled mess of emotion and incident. That’s what happens when my work on some piece spans two or even three weeks. Struggling with whether or not I should break up with my girlfriend, trying to figure out if I’m happy, walking along train tracks, pop punk, modern art, being an artist. I don’t know what’s what. I summed it up with one last caption along the bottom of the canvas: “This is one of them MAGIC EYE paintings. Look close, at just the right angle, and you can see… how full of shit I am.”
Status update (2/22/14): Here are two photos of the painting, hanging in Ettra (the gallery in which it was sold).
I also got set up at Burrito Gallery in Jacksonville this week. I have twenty-one pieces on their wall right now, though I may add more. The exhibit will run through the first week of April.
I’m posting this from Chamblin’s Uptown. A few of my pieces are still up on the walls here, though I’ll be rearranging and adding more later in the week.
And I still have plenty of new pieces that I’ve yet to share online. I’ve been incredibly busy though so I’m going to hold off until I have time to write up proper statements to accompany them.
Anyway, things are going really well so far as all my art nonsense is concerned. Breaking my lease and moving into a van might not have seemed like the most sound game plan, but I couldn’t be happier with how things have been developing. Life’s been going a mile a minute and I’m just doing my best to keep up. I’ll be in Jacksonville until the show at Burrito Gallery ends and then I’ll head north to try and line up a show in a new city. The uncertainty and instability of my life can get scary at times but it’s also really exciting and – more than anything – I feel grateful. And I feel free. I don’t have to convince myself that I’m happy today; I just am.
My first beard got long enough that I was starting to feel like the grimy “homeless” kid that I sort of am. Here I am after trimming it last night, working on some graphic stuff at the laundromat.
“Poetry By Girls I’ve Brutally Fucked.” 2/7/14. Acrylic paint and ink. 12×24″.
I painted this as the front and back covers for a split 7-inch by Apocalypse Meow and Todd Congelliere, coming soon from Rad Girlfriend Records. It’s the first time I’ve done a commissioned piece in my regular/preferred expressive style instead of taking the more labored cartoon/comic approach.
The caption says: “I was talking to this girl I fucked pretty brutally. She said she wrote a poem about it. A poem about my fucking. That made me smile.”
I figured that might be a little much for a pop punk record so I replaced it with the band names for the actual record layout.
I hadn’t actually seen the poem yet when I made this, but I’ve read it since. Turns out it’s only partially about “my fucking.” It’s actually about way more than that and way more beautiful and affectionate and insightful than I feel like I deserve. It’s really great and – in that way – makes me feel kind of shitty, even though I didn’t do anything wrong. We had sex, it was fun; we hung out, it was fun; and then we repeated that cycle a few times. I guess friendship and fucking don’t really go together without feelings developing.
I’ve been sleeping around lately, getting involved with different girls to different degrees; I’m probably asking for trouble. I’m probably about to fuck myself – one way or another. There’s a lot more I could write about all that but I don’t wanna push myself to be too honest / transparent right now. That feels okay.
There’s this one girl – I wrote (what I guess I’d call) a long prose poem about her and about my experience with her in the week after we met. I’d developed feelings of my own for her [how novel!] But I was conscious of the fact that – this sort of thing – it does happen fairly often with me. I wrote a little bit about that as well:
I’ve got these fucking warm, fuzzy feelings for a lot of people. My male friends – I love them, I hug them, all that. But when I have these feelings for girls (it doesn’t matter how many) I love them and I also want to kiss them, sleep with them. I don’t think that’s wrong or weird but you’re not supposed to do that. You’re supposed to have feelings for one person that are strong enough that you don’t even want to connect with another person in that way. That seems like bullshit.
I don’t know… maybe I’m just selfish. Love and sex are all twisted up and make for difficultly-navigable terrain. I just wanna love and fuck without being confused.
Life is scary. I’m sticking around ’cause I have an appointment to sell a painting on Wednesday. In the meantime, I feel static. How am I supposed to be spending my time? Why is this suddenly a question?
I had a meeting at a gallery today. I got some cards printed. I painted for four hours. I sold a print. I got paid for merch design I did over the weekend. But I feel unproductive because I’m not “moving forward.” What does that even mean?
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I finished this drawing last month; it’s on a page torn out of my Narcotics Anonymous text.
