She’s Cut with Xylazine

“She’s Cut with Xylazine” 9/29/2024. Acrylic paint. 24×20″.

My next painting was “pre-purchased” before it was started. The only request was “could it please be one of the journal heavy paintings?” That was a bit of a problem. My journals from August are so boring. I was really happy and complacent. They are not interesting. Really just a collection of “here’s what I did today” entries. Because “she” and I were spending every day together. She’d signed a lease on a studio apartment just one block from mine. I’d held to the idea that we shouldn’t move in together right away. That we should take it a little more slowly and cautiously. But we were having such a great time together. Even when my grandpa was in the hospital, she came with me every single day and was so good and kind and supportive. Two days before she was set to move in, I asked, “how often are we gonna do overnights together?” “Every night,” she said. I still thought it was important that we have our own apartments, but why wouldn’t I want to go to sleep every night and wake up every morning next to her? That she wanted the same made me very happy.

She’d always been the partner in the relationship who loved more. She was more in love with me than I with her. But she was so insecure when we met that she never really let me fall all the way in love with her. And then I was on drugs. Our relationship dynamic was a natural consequence of those two things. But now, totally clean, I was excited to be equally in love with her and not take her for granted at all. It made me very happy to show someone that kind of love.

The day before her move she said she was scared. I’ll cut to the chase. She didn’t move. And then she changed her mind. And then she changed her mind about changing her mind. And that cycle went on until the apartment was gone and she’d burned through all the money that’d been set aside for her move. She was stuck and I was tired of being dicked around. I blocked her number. (This is the very short version. What she actually put me through after the first failure-to-move was both agonizing and agonizingly drawn out).

My painting would get PLENTY of journals now.

I know it makes me sound like a FUCKING PSYCHOPATH but it makes me ANGRY that we’re not together.

SO MANY lost experiences that should have been shared. [Every time I see something that makes me smile, I want her to be there with me – or I at least want to tell her about it. I want those to be her smiles too. But she’s out of the picture now. We don’t share anything].

A friend of mine died this week.

Her circumstances were remarkably similar to this person I’m writing about. Trapped in a bad situation. Paralyzed by fear. Using substances incredibly recklessly to cope. When she could have just walked away. But she didn’t want to admit defeat. She’d tried a new kind of relationship – if she broke up and moved out, it would be another failure. (SO WORRIED about how other people see us, ready to literally die first; talk about tragic and pointless).

I was talking to another friend after we learned of the death. She was having a hard time but said it was made easier by the fact that people in her life depend on her. “Gotta keep going for them. Simple as that.” It reminded me very much of where this next journal (written a couple weeks ago) goes.

I’m not trying to be all melo-fucking-dramatic but what’s the point? What good reason is there to not kill myself? [It’s so hard to even get my thoughts in the right order].

I know she loves me and yet we’re not together. I know I make her happy in a way no one else ever has or maybe ever could. And she makes me happy.

The thought of even trying to find someone else seems so fucking stupid. How could I ever love anyone else as much as I love her?

She will come back to me eventually but can I even take her back then? If I let her take me for granted, she will take me for granted. And it won’t 

work out. She’ll never be happy in a relationship where she feels like she has all the power, or where her actions don’t have consequences. Is she too broken for it to even work out anyway?

I’m not sure there’s anything in the world that I love doing enough purely for its own sake that it’s enough to make me happy without her. Making art makes me happy but not enough that… 

FUCK! I’m so lost.

If I’m with her, I have the drive to be more successful. If I’m not with her, I need the drive to be more successful or else I’ll never be happy.

If I have her, I’m willing to do what I need to do to make money off my art more aggressively. Because then it’s for something. But if it’s me alone, who cares about making any more than I need to live?

It hurts to love someone so much and not be able to have them. I made it too easy for her. Maybe disconnecting is what I needed to do to get through to her. That feels like a “game” but maybe that’s what it takes with her.

What I need to do is just be patient, let whatever happens happen, not stress about her or about not being in a relationship, and just do my best whether it’s for her, someone I don’t know yet, or [duh] myself. It’s just so hard to be totally self-motivated AND – let’s face it – I’m just always starved for love, attention, and validation.

The next section of text in the painting is the “untitled prose poem” that I shared last month. It’s heavy on the kind of SALACIOUS stuff that generates clicks. It’s also really honest because it wasn’t written with a mind of it ever having an audience. It was maybe a letter that I was going to send, maybe just for myself. Click this link and it’ll open in a new window. Then you can come back here.

My dreamgirl versus THE LIE SPIDER…

“My dreamgirl” is a phrase I used in a letter I wrote to her. I’m not going to share it here (because it was private and) because I don’t want to romanticize this relationship right now. And – at the risk of TOOTING MY OWN HORN – the letter is VERY romantic) “I read it everyday,” she once told me.


BUT… (next journal from the painting):


Maybe I’m not in love with you. Maybe I’m just in love with the idealized version I have of you in  my head. Maybe I shouldn’t have to make so many excuses for you. Maybe the fact that all of this is so “complicated” and requires so many explanations to make sense – maybe that tells me everything I need to know. Maybe I should believe you when you show me who you are. Maybe actions speak louder than words. I like to pride myself on my ability to see through your lies and get the truth out of you, but maybe I’m still not getting the whole truth. Maybe you’re just as dishonest with me as you are with him and I’m a bigger sucker than I realize. I don’t really think that’s true but it’s probably more true than I want to believe. You didn’t earn your nickname for nothing. You are the LIE SPIDER.

And she really is. The nickname goes way back. It wasn’t even really derogatory, just matter-of-fact. Because she will lie about anything. She will lie when the truth is fine. And then she has to tell another lie to cover the first lie. And then another. And eventually there’s a whole complicated web of lies to keep track of. “You are a lie SPIDER,” I’d once told her in a moment of (good-natured but nevertheless) exasperation. The name stuck because it would earn its relevance again and again with every new web of lies.

I was thinking about how much clean time I have now,

how little I’m tempted by drugs (not at all), and how this situation with her (everything before, plus now having her blocked from contacting me) was so much like a withdrawal. And how I was having such a hard time with it. How “relapse” was so tempting to me. I could easily have her back in the same way I’d had her before. She still wanted me. She just wasn’t willing to do what I needed her to do for her own sake – for her own well-being and happiness. But if I was okay with a sick girl, that was still on the table. But I don’t want a sick girl. I want a healthy, happy life with a healthy, happy partner. I started to journal about it when I hit on something. 

She’s the drug I can’t stay away from.

I need to think of her like I’d think of heroin. I can’t afford to relapse. Just one time runs the risk of pulling me back in and starting the cycle all over again.

It’s easier staying clean now that heroin doesn’t exist anymore and all the fentanyl is cut with xylazine. Shooting up isn’t comforting in the way it used to be. It’s not the easy, stressless escape that she still is. I still love the way she makes me feel. Ooooo – shit. But that’s the thing. I love the way she used to make me feel – or could make me feel IN THEORY. But the reality of the situation is that she’s so broken right now that she just makes a mess of everything and leaves me feeling worse. Just like the drugs would. It’s like SHE’S CUT WITH XYLAZINE. She’s THE GIRL CUT WITH XYLAZINE. She’s necrotic.

God damn – that’s a PERFECT metaphor. “Until they get the xylazine out” (of her), she’s too overloaded with poison to serve any purpose. She should be avoided at all costs. No good can come from her.

[Very quickly, xylazine is an inexpensive veterinary tranquilizer mixed (or cut) into opiates to increase volume and, consequently, profit. It doesn’t provide a euphoric high; it simply knocks the user out. The real issue though is that it rots the skin off your fucking body. Xylazine has completely infected America’s illicit opiate supply].

That really crystallized it for me.

For the next week, I was able to focus entirely on my work, get a ton done, and just generally be in a better mood. The drugs I was addicted to don’t exist in the same way anymore. And the girl I was in love with doesn’t exist in the same way anymore.

That said, I’m not gonna pretend that I’ve totally gotten her off my mind (in the way I have with drugs) or that I don’t still secretly hope that something will change and she’ll become “xylazine-free,” but – at least until that happens – it’s made it much easier to not be consumed by her or to get pulled back in to her shitty cycles of destruction.

Part of me still feels like I need to be there for her. I really do worry that she may die. But I did everything I could to try to help her. And she wasted my efforts and then I did it again. And again. And again. If something happens, I’ll be fucking furious (and devastated) but not at myself. For me to continue trying right now would be insane. She’s got to want to get better herself. She’s got to take at least one step on her own. And I’m not saying what would or wouldn’t happen at that point or what I would or wouldn’t do, but that doesn’t matter anyway. I. can’t waste my energy trying to predict or plan for something that’s totally out of my control (and may never happen). I can’t help someone who refuses to be helped. It’s not selfish to worry about, to prioritize me. To take care of me. (SOMEONE HAS TO). And the other people in my life that I care about. I’ve got enough on my plate without taking on XYLAZINE PROBLEMS.


Hey! I finally set up a webstore to sell prints! You can buy your very own 14×11-inch “She’s Cut with Xylazine” print today! Not only will you get a beautiful, provocative piece of art for your home, but I’ll get to continue sleeping indoors!

Thanks so much to everyone who supports my work. Whether you buy, share on social media, drop a comment, or even just take the time to read this stuff, I can’t express how much it means to me. I couldn’t do this in a vacuum. You all are what keep me going.

And speaking of “keep me going,” I now have FIVE MONTHS CLEAN off any/everything again! Time flies when you’re an emotional basket case!



I’d Kill Your Family If I Thought You’d Notice, But You Wouldn’t, So Fuck It, I’ll Just Smoke Cigarettes and Light My T-Shirts On Fire

"I'd Kill Your Family If I Thought You'd Notice, But You Wouldn't, So Fuck It, I'll Just Smoke Cigarettes and Light My T-Shirts On Fire." 2/1/13. Tempera. 2/1/13.
2/1/13. Tempera. 12×18″.

It’s such an unbelievable coincidence that – if I were someone else, reading this – I’d probably call me a liar but… this is a painting inspired by Donnie (my roommate for five of my months at Tranquil Shores) and I was all set to feature it in my blog entry for last night when – at the last minute – I decided the image was too blurry and that I should write-up a different piece instead. As I found out within seconds of opening my eyes this morning, Donnie is dead.

It’s against the rules but I (very sneakily) recorded my coin-out [the ceremony to honor completion of a treatment plan]. And I’m really glad I did it because it’s nice to listen to every once in a while. I just listened to Donnie’s segment and it made me smile pretty big. The first words out of his mouth were “You know how to push my buttons better than anyone I’ve ever known in my life.” And the reverse was true too. I don’t know that I’ve ever been angrier with anyone than I was with him just one week prior (the day that I painted this). But as he went on to say, “We have some things in common. We’re both drug addicts, we both hate each other, and we both love each other.” Which kind of hits the nail right on the head. Back when he said it, I was a little disappointed ’cause – as much as I had an equal part in our conflicts – I always just wanted us to be friends. I was a little sad that he chose to acknowledge the darker part of our relationship in that moment. But – looking back – he was doing exactly what I always say is so important: he painted the full, honest picture. And I’m really grateful for that.

The title of this painting is mean as fuck. Donnie had a family up north that, in his addiction, he had almost completely lost touch with. It hurt him so much that – before I had met him – he did a six month stint of inpatient treatment in which he kept his kids a secret. The day that I made this, I said a lot of fucked up shit to him but I didn’t ever say anything about that. As mad as I was, I didn’t want to take it that far so I used the painting to get my meanest thoughts out of my head. The first sentence of the caption, “the world’s not black and white,” is an allusion to a conversation I had earlier in the day, when I asked Tracy under what circumstances it would be okay to burn a person alive. When she told me it’s not ever okay to set another human being on fire, I said “that sounds like the kind of black-and-white-thinking characteristic of mental illness, Tracy. In this world, there exist shades of grey.”

donnie's shirtThe night before, I had taken a shirt that Donnie had given me and went out to a parking lot at the end of the block. [I was allowed by this point to go on short walks if I signed in and out]. I set it on fire, let it burn for a minute, stomped it out, and then took it back to my room to paint some text on the back: “WHAT I LACK IN EMOTIONAL MATURITY, INTELLIGENCE, AND LIFE SKILLS, I MAKE UP FOR IN PUSH-UPS!!!” That, I figured I could get away with – especially since I had been working out a lot too around that time so (while it was definitely my “Donnie shirt”) the statement could have easily been applied to me as well. After things cooled off and we weren’t mad at each other anymore, I showed it to him and he agreed that it was pretty funny.

Someone once told me that real friends fight. That if you’ve never gotten into an argument with a friend, you must be bullshitting each other an awful lot. And that’s what it was always like with Donnie. We didn’t argue about nonsense. It was always about real, serious shit. We’d call each other out when one of us was fucking up. And (naturally) – since we were both smarter than everyone – I’d constantly have to tell him when he was wrong about me and he’d constantly have to tell me when I was wrong about him. But we always seemed to work it out and get back to a good spot. Probably because each of us was always right about the other (and wrong about ourselves), even if it took us a minute or two to realize it. We were pretty good at keeping each other in line.

Which isn’t to say that we were constantly at each other’s throats. After we both moved into the real world and weren’t roommates anymore, we didn’t get into it like we used to. I even stayed with him in his new apartment when I came down to visit once. But even before that, as roommates, we got along more often than we actually fought. I can’t even count how many nights we sat up in our apartment talking out everything going on in our lives. There were days when I felt like I’d accomplished nothing or had no meaningful interpersonal connection with anyone – until just before bed when Donnie and I would have one of those conversations. And I know I helped him too ’cause he’d tell me so. Shit – for his first two months, I talked him down from his constant “I’m leaving THIS Friday” every week! We got our sponsors together. Did our fourth steps together. We were never “best friends,” hanging out all day; we didn’t like any of the same shit. I liked drawing and punk rock; he liked football and Hoobastank. But we were close. There was one week when I was overwhelmed with thoughts of self-harm. “Is there someone you can reach out to before you do anything to hurt yourself?” Tracy asked me. “Yeah,” I told her. “Donnie.”

Last year, when I wrote all those Christmas cards, I had the foresight to snap photos of some of them before I handed or mailed them off (for posterity or [whatever]). I just checked and – sure enough – I have a picture of Donnie’s. I’m struggling to admit it, but the tears are welling up. I wrote something in his card about faith, which reminds me of something I used to say back then: that I had more faith in Donnie than anyone. I really thought he was gonna “make it.” The last words in the card reflect that too…

I’d say “do good” but I know you will anyway.
Love you, buddy.
– Sam

It feels like a goofy thing to say but … all things considered, he did do good. He did a lot of good. And I’ll miss him. I already do.


Bright Side Nihilism: (Syria +/= Video Music Awards) < The Dog Peed on the Futon

I don’t have the slightest idea what’s happening in Syria. Something about weapons or genocide or… [who the fuck knows?] (Not me!). I am intentionally ignorant of it. I don’t give a shit. Not because I have some sort of bigoted animosity toward people in that part of the world, but because it’s not good for my mental health to be concerned with it. I don’t stress about it for the same reason I don’t stress about whether my friends in other parts of the country are consumed by drugs and at risk of dying. Because I can’t control it, I can’t change it, and worrying about it isn’t going to bring about anything positive for anyone.

I have a memory from when I was twenty years old. I was reading constantly and the things I was reading were consuming my thoughts. I remember walking through a grocery store and I started to cry (just a little bit) because I was thinking about water privatization in South America. I’m not interested in living that way anymore.

I saw some stuff on Facebook this week, criticizing our culture at large for being so consumed by the spectacle of MTV’s video music awards. I don’t give a shit about that either, but I actually saw some of it. (I went over to Angie and Alex’s house last night with Heather because Andrew and Claire came into town. They wanted to see some parts of the VMAs so Alex pulled it up on their magical internet television). I didn’t think it was awesome and I didn’t think it was the worst thing to ever happen. But it was really fucking boring. But [whatever]. It’s not important because – like Syria – things like that don’t need to be a part of my life at all.

Is it sad that bad things happen every day, whether or not we know about them? Absolutely. Is it frustrating that people obsess over (what I think is) vapid garbage “entertainment?” Sometimes, I guess. But none of it matters. Nothing matters. Not inherently. Things only have the significance that I assign to them. I don’t know if you’d call it a sort of nihilism or a “personal relativism” or what, but I get to choose my own truths and I get to create my own world.

As the only text on this painting (that isn’t in the title) says, “I like colors and contrast, bad teeth, crooked smiles, and nonsense. Things are better than they’ve ever been.”

"Bright Side Nihilism: (Syria +/= Video Music Awards) < The Dog Peed on the Futon." 9/1/13. Mixed media. 30x40".
“Bright Side Nihilism: (Syria +/= Video Music Awards) < The Dog Peed on the Futon.” 9/1/13. Mixed media. 30×40″.

This was the biggest fresh canvas I’ve ever worked with. I started on Thursday (8/29) and finished last night. It is acrylic, watercolor, pen, marker, carbon, and oil pastel.

Aside from “colors and contrast,” here’s something else that matters to me. Last night, when I was trying to figure out how to get a high-resolution photograph of something this big (and getting a little bit annoyed with how poorly my efforts were going) I realized that I was sitting alone in my kitchen, bouncing around in my seat, and singing along to this song. It made it a little tougher to feel at all annoyed or frustrated.

Edit(!): I can’t get the song to embed! Just go here and absorb everything: thebrokedowns.com


The original painting is sold. Prints are available in the webstore. Buy one and help me sleep indoors another night!


Little Vomit-Colored Hearts

"Little Vomit-Colored Hearts." 2/12/13. Acrylics, pen, and collage (cardboard, resin sand, and crushed up Peptol-Bismol) on a strange wooden frame. 12" (diameter) round.
“Little Vomit-Colored Hearts.” 2/12/13. Acrylics, pen, and collage (cardboard, resin sand, and crushed up Peptol-Bismol) on a strange wooden frame. 12″ (diameter) round.

The text in the center says: “It’s my hope that someday I’ll be able to draw a cartoon Heather that’s maybe 5% as adorable as the real thing.” The large (vomit-colored) text says, “Lovesick.” The rest:

If I had to guess, I’d say you might not be the biggest Valentine’s day celebrant to walk the earth. Which is cool. But any excuse I can grab hold of to tell you I think you’re great with some extra-effort-little gesture… I’m into. Can I be unabashedly romantic/sappy for a minute? You make me wanna puke up little vomit-colored hearts. (What’d I tell you? Romantic). I’m a heroin addict – you see past it. I’m weird as shit – you’re into it. You think you’re (relatively) boring – you’re not. You’re just (relatively) sane (maybe).  Which is awesome. You make me wanna be as good as I can be. You make me wanna live the best life possible. (I already wanted those things, but you make me want ‘em even more). And still have plenty of ridiculous adventures. But with you by my side. I wanna get in all kindsa trouble (and fuck up all kindsa shit) with you. (I mean that in the best way possible). I wanna get in good kindsa trouble. I don’t know about all these words. When I think about you and when I’m with you, sometimes I feel insecure. Until you speak. And then I feel the opposite. I feel safe and okay. (Still pretty new for me). You’re the warmest, most supportive, encouraging, loving, inspiring, high-school-mean-girl-Christian-bully that I’ve ever met. You’re so fucking sharp and beautiful and honest and [fuck!] You’re stylish and funny and perfectly imperfect and strong and independent. and everything good on this wacky fucking planet. You’re a dream I don’t want to wake up from. Happy (two day’s early) Valentine’s day, Heather.

So reads the text at the top of this piece. Following that are some “nervous afterthoughts,
which I wrote over the course of the next hour or so, and then bracketed and labeled as such.

Wanna be my girlfriend? Like – for realsies?
Actually, scratch that.
You already are.
Like it or not!
{You make me feel like a kid again. Not much of a stretch, but – you know…).
Thanks for taking a chance on a kid in rehab.
I adore you.

New relationships in early recovery are not recommended. And if you’re inpatient in rehab (I think it goes without saying that) they’re not allowed at all. For me especially – they’re a bad idea. Keeping the proper distance between girls and me had been a task my various rehab counselors and I had been dealing with for more than a year. This last January, I was still living at Tranquil Shores, but I was no longer technically an inpatient. I operated according to a different set of rules. I could leave property for up to two hours at a time, provided I got approval from my counselor first and got all the paperwork signed and into the hands of the residential property staff.

There was this girl (Heather!) that I had added on Facebook at some point, thinking that she was someone else. Sometime later, after her name popped up a few times, I actually checked her page and realized she wasn’t who I thought. She was pretty and we had mutual friends in Sarasota; I thought it was strange that I didn’t know her (or at least have some idea of who she was), but [whatever]. Now – in January – I saw a post of hers: “When I do good at work, I like to reward myself by breaking out with ‘THIS GIRL IS ONE FIREEE.’ Customers love me.” I had no idea what that lyric was from, but I thought that was pretty fucking cute. I responded with “In theory, if I had an internet crush on you – how would you feel about that?” The next day, she commented on something I posted, I responded, and we started emailing back and forth. Within a couple days, we were spending hours exchanging messages. I liked her a lot and I realized really quickly that there was something different this time. The last few girls that I had dated, I was constantly asking myself whether or  not I really liked them… I was always having to convince myself that it was genuine for [this reason] or [that reason]. I didn’t have to convince myself of anything this time. I was unqualifiedly into this girl. I somehow coaxed her into agreeing to come up to visit me (in rehab). And I got her phone number and started calling her instead of writing her because that seemed like the healthy, brave thing to do.

Funny aside: The three Rational Anthem kids were amongst our mutual friends. After Heather and I had been writing each other for all of a day or so, I called each of them and said something like: “I’m going to ask you about someone but – before I give you the name – I need to warn you to speak carefully because this is the girl I’m going to marry. What can you tell me about Heather Pierce?” Admittedly, those calls were partially motivated by something authentic and partially by my own enjoyment of how perpetually lovesick I seemed to make myself. As miserable as it made me at times, I thought there was something cute or funny about it.

So she was interested in coming to see me but that didn’t mean that my counselor was actually going to approve it. And I was fairly certain that even if she allowed this girl to come see me, there was no way she’d actually let me leave the courtyard/property with her. But she did. She and the rest of the treatment staff decided that in light of everything, the best approach was to allow it and monitor it through my sessions. Talk to me about it, counsel me, and just make sure that I didn’t somehow lose my shit as a consequence. It was one thing to keep me off heroin, but to keep me off girls was pretty much impossible. Better to let me get involved now, while they could help me along the way, then wait until I was out on my own and not under their care and guidance twenty-two to twenty-four hours a day.

There’s so much more that I could say, but I’ve got another piece that I can use to tell more of this story. Her first visit was January 29th. I made and gave this to her on February 12th, the night of our fourth “date.”


Girls Are Not Pokemon

"Girls Are Not Pokemon." 3/26/13. Colored pencil and pen. 8x10".
“Girls Are Not Pokemon.” 3/26/13. Colored pencil and pen. 6×8″.

I’ve been to three different rehabs and – at each – I got involved with a girl. Though it only (directly) got me kicked out of treatment once, it was never not a serious problem. If I include life outside of rehab, in times when I was trying to stay clean, I’ve relapsed with six different girls (and, each time, while upset about something that happened with me and the girl). That number doesn’t include times I’ve relapsed without [the] girl but while upset about something with her. Heroin is dangerous for me, but girls are probably more dangerous. I first started trying to get clean in November 2010 and – in all the time since – there have been plenty of occasions when I’ve been in dangerous situations where drugs were available through someone I was with (and/or someone was actually using around me). When that person’s been male, I’ve never once caved and gotten high, but when it’s been a girl that I’m even slightly interested in (i.e. most girls), I’ve found myself with a needle in my arm just about every time.

At Tranquil Shores, this was one of the issues that we spent the most time on. In my fifth month as an inpatient, Alexis, the girl with whom I was the most mixed up, moved out. She was signed up to come in three times a week for outpatient treatment but, two weeks later, stopped showing up. We were talking regularly by phone even after she left, but it wasn’t long before I lost touch with her too. She fell off – back into drugs – and lives behind bars now. I could have easily been right there with her when it all went down.

So now there were exactly zero girls in my age range at Tranquil Shores but I had others in the area that I had met at AA or NA meetings that I was constantly texting and meeting up with. (And I was doing that long before I lost touch with Alexis). Nothing serious happened between (any of) us, but I came pretty close to making some bad decisions on more than a few occasions. And that I even came close is insane. How many times did I need to put my life at risk just ‘cause I liked the way some girl smiled at me? But I couldn’t help it. It was the definition of compulsive behavior. I felt like I needed it.

A year prior, at the Wellness Resource Center, after getting caught with a girl (somewhere that we shouldn’t have been, doing something we shouldn’t have been doing), I was sitting in my room, contemplating the trouble I was about to be in. I didn’t want to get kicked out because I knew that I wasn’t “better” yet. I knew I’d get fucked up again and fuck everything up. I remember sitting there and thinking, “I don’t care if they never let me anywhere near her again. I don’t care if they basically lock me in my room. So long as I know that she’s also locked up in her room, sitting there pining for me, still in love with me, that’s all I need. I don’t ever need to see her again.

I think that’s all it’s really about for me. I just want someone to love me or – more specifically – to be in love with me. I needed for someone to think that I was the most important person in their world. The best person. Their favorite. Once I’d get that, it never really changed anything. I never actually felt any better or less insecure. It seemed so at times, in short little moments, but if that had really been the case, then I wouldn’t have been constantly pursuing multiple girls, even when I already had one “on the hook.” [That term sounds shitty but it conveys the idea I’m trying to get across. Also, it is shitty].

Sitting in group in December 2012, I did some math. I had six girls that I was trying to juggle to varying degrees. While I’d like to write it all of as inauthentic codependent bullshit – to be honest – with half of them I wasn’t even sure [and I’m still not]. I thought there might be (at least some spark of) authentic love. Yet I was still leading on the three girls with whom I knew it was just bullshit.

What was I really after? What was the point? A thought occurred to me; it was really silly but it was also totally dead on, which just made it that much funnier…

Girls are not pokemon – I do not “gotta catch ’em all…”

—–

If you know me personally you might be looking at the date on this cartoon and thinking, “What the fuck? You were already dating Heather by then – that’s fucked up.” [I decided to turn the idea into a cartoon back when I thought of it, but it wasn’t ’til two or three months later that I actually drew it].

Originally, I set out to write this entry about a different piece but I kind of had to throw all of this stuff about my codependent traits and behaviors out there as background info first. I’ll get to the other one tomorrow. [Update: That one’s online now too].

Anyway, I really love this cartoon. I love how superficially cute / innocuous it is but how the truth to it is kind of dark, sad, and pathetic. So often, I’ve let myself to sink to the greatest depths of hell because of something a girl said (or didn’t say) to me. I’ve dwelled in shit and misery for days, on account of facial expressions that I’d later discover I had completely misread. I’ve let my emotions, as triggered by girls, run and ruin my life.

But I’m getting better, you guys! For serious this time!

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  • The original drawing already sold but hit me up to buy a 6×8″ print.
  • For more on my relationships at this point in my life, check out “Autobiography.”

Chrissy Fit

"Chrissy Fit." 12/11/12. Pen on scrap. 8½x4”.
“Chrissy Fit.” 12/11/12. Pen on scrap. 8½x4”.

I’ve struggled with whether or not I should post this image. I drew this the day after “Clarity” and the day before “No Accident.” If you haven’t read the entries that I wrote to go along with those pieces, you should. This week in December may have been the most significant of my life. I’m very glad that it played out as it did.


Clarity

“Success rates” for slit wrists and knives to the heart are surprisingly low. I didn’t want to go to a hospital…

Forty-eight hours before “No Accident” and the moment when I started to finally “get better,” I was in my room – researching suicide methods that didn’t require anything that couldn’t be found in my apartment at Tranquil Shores. I was going to kill myself because a girl was mad at me. A girl that I wasn’t even sure that I liked.

Earlier that afternoon, we did an exercise in group. We had to pull a couple items out of a basket and relate to them. I declined to say anything aloud, but when it was time for art therapy group, I started writing.

The fortune was absurd, the paper it was printed on was dirty and crumpled. Together, they were useless. This pencil is not useless. It has incredible potential. It is an instrument of a higher purpose. In the right hands. It is comforting. I like holding it in my hand. With paper, it can save me from almost anything. And it is forgiving. It has an eraser. If I make a mistake, it allows for correction. Or at least undoing. The mistakes I make with it are rarely entirely forgotten. I don’t know how to apply this to my life. Is it by chance that the trauma I addressed [in group] this morning, that I was supposed to see is not happening anymore (but which I claimed could and would (and sort of was) still taking place) – is it by chance that just hours later it pretty much is [happening again]? Or did I choose that memory because it had already begun? Yes, that’s it. It’s just more clear now. Because I realize I’m no longer willing to be honest which means I can’t get better. I can’t be helped. So there’s no reason for me to be here. Except that to hope that things will change once more. I no longer believe that I’m a drug addict. Sort of. I know I can’t use drugs (or that it’s not worth the risk in any case). But I’m not going to pick up. Fuck that. I’m over it. It’s not appealing anymore. But I’m miserable. Like I realized on my first weekend here, people are unhappy for countless reasons other than drugs. Me? I have no legitimate reason to be unhappy. It’s all in my head and it’s illogical. Is that recognition enough to get help in getting well without disclosing my irrational stressors? Celexa is an SSRI. Cymbalta is an SNRI. Which means that it does the same thing as Celexa, plus more. Adding Celexa to my prescription [regimen] adds little to nothing. And it will be another 3½ to 5½ weeks before we even know if it’s having any effect. I need something different and I need something faster. I am chemically imbalanced. I need chemical balance. Abilify might work. It’s too expensive. It’s less expensive than inpatient treatment. Maybe I’d be better off with Abilify and outpatient treatment. Here or elsewhere. At this point I’m not afraid to leave.

I don’t like art anymore. I don’t like treatment anymore. I don’t think I’m ready to get better anymore.

"Clarity." 12/10/12. Pencil. 12x18".
“Clarity.” 12/10/12. Pencil. 12×18″.

This piece is called “Clarity” because that’s how I actually felt in this moment. I thought I had nailed it. I was deluded enough to think that my primary issue was chemical, thoroughly confused as to whether or not I needed any kind of mental health therapy or substance abuse treatment, yet I was somehow lucid enough to know that those feelings (and my written rant) were totally insane. The title is “Clarity” because I thought it was hilarious. I wasn’t laughing, but I knew it was funny. Even then.

Sometimes, emotions are more powerful than facts.

Later that night, I made a half-hearted attempt to kill myself by asphyxiation. (Success rates are in the seventy to eighty percent range).

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When I handed over the Traffic Street inventory to Kiss of Death, Glenn gave me a few new KoD releases. One was The Slow Death’s first LP. I listened to that record a lot while I was at Tranquil Shores. My name is on the thanks list even though I didn’t have any hand in its release. (Though I had been a big fan and supporter of The Slow Death and helped them out in other ways, so it wasn’t totally shocking). Still, I wasn’t expecting it and it was a really nice surprise. I had become so far removed from the world that I had lived and breathed for so long… Little things like that helped me feel connected in those days. It meant a lot to me. It seems appropriate that my first experience back in that world was the little tour with Rational Anthem this month, up to the fest that Jesse (of The Slow Death) organized. Here’s a song from that first LP that came to mind while I was writing this entry. And here’s a second song from their brand new record.