Hurricane Milton < Hurricane Juliana

After packing my entire life into my car, stashing it on the fifth floor of a parking garage, and preparing to go to my grandparents’ ALF to wait out the hurricane (‘cause the building is “hurricane-proof” and has generators), my ex got around my many blocks (phone, email, social media) and begged me to give her ONE MORE CHANCE. And I brilliantly allowed her to come with me. It was fine (even GREAT) for that first night and then – the day of the hurricane – it became clear that nothing had changed and I was trapped in there with her.

It was torturous. To love someone so much, know it won’t work out, and then be stuck someplace together. And she just doesn’t get it. She still thought we were going to sleep together that second night, cuddled up, spooning on the couch. (There was no bed in the room we stayed in). I don’t know if she’s a sociopath or just has the emotional intelligence of a five year-old but I also know it DOESN’T REFLECT ESPECIALLY WELL ON ME that I was ever in love with this person or thought I wanted a life with her. I know I say this all the time but “we are attracted (and attractive) to people with similar levels of emotional health/maturity.” I would like to believe that my reluctance/refusal to engage with this anymore means that I’m getting better.

Anyway, it turned out that even though the hurricane made its initial landfall RIGHT HERE IN SARASOTA (less than a mile from my place), everything was alright. And nothing happened to my car. So I spent all day putting my life/home back together (just finished this minute) and I can LICK MY EMOTIONAL WOUNDS from the comfort of my home.

Things could have been worse. I need to remember to be grateful for what I’ve got. Friends (that helped me unload my car and then FED ME PIZZA), a home that I like, people all over that care about me, I’m clean, back to making art, and I don’t need to rebuild my life from scratch simply because of a natural disaster/GOD HATES ME. (Or maybe he doesn’t, seeing as how it worked out). But he PROBABLY does.


This was originally written simply as the caption for a TIKTOK VIDEO (I wonder if those words will ever not sound ridiculous to me?) because I’m currently operating under the belief that TikTok is my best shot at marketing myself/rebuilding my career, especially as long as I’m still just living in Sarasota. Here are the photos from the post for anyone that doesn’t wanna use that app.


She’s Cut with Xylazine

“She’s Cut with Xylazine” 9/29/2024. Acrylic paint. 24×20″.

My next painting was “pre-purchased” before it was started. The only request was “could it please be one of the journal heavy paintings?” That was a bit of a problem. My journals from August are so boring. I was really happy and complacent. They are not interesting. Really just a collection of “here’s what I did today” entries. Because “she” and I were spending every day together. She’d signed a lease on a studio apartment just one block from mine. I’d held to the idea that we shouldn’t move in together right away. That we should take it a little more slowly and cautiously. But we were having such a great time together. Even when my grandpa was in the hospital, she came with me every single day and was so good and kind and supportive. Two days before she was set to move in, I asked, “how often are we gonna do overnights together?” “Every night,” she said. I still thought it was important that we have our own apartments, but why wouldn’t I want to go to sleep every night and wake up every morning next to her? That she wanted the same made me very happy.

She’d always been the partner in the relationship who loved more. She was more in love with me than I with her. But she was so insecure when we met that she never really let me fall all the way in love with her. And then I was on drugs. Our relationship dynamic was a natural consequence of those two things. But now, totally clean, I was excited to be equally in love with her and not take her for granted at all. It made me very happy to show someone that kind of love.

The day before her move she said she was scared. I’ll cut to the chase. She didn’t move. And then she changed her mind. And then she changed her mind about changing her mind. And that cycle went on until the apartment was gone and she’d burned through all the money that’d been set aside for her move. She was stuck and I was tired of being dicked around. I blocked her number. (This is the very short version. What she actually put me through after the first failure-to-move was both agonizing and agonizingly drawn out).

My painting would get PLENTY of journals now.

I know it makes me sound like a FUCKING PSYCHOPATH but it makes me ANGRY that we’re not together.

SO MANY lost experiences that should have been shared. [Every time I see something that makes me smile, I want her to be there with me – or I at least want to tell her about it. I want those to be her smiles too. But she’s out of the picture now. We don’t share anything].

A friend of mine died this week.

Her circumstances were remarkably similar to this person I’m writing about. Trapped in a bad situation. Paralyzed by fear. Using substances incredibly recklessly to cope. When she could have just walked away. But she didn’t want to admit defeat. She’d tried a new kind of relationship – if she broke up and moved out, it would be another failure. (SO WORRIED about how other people see us, ready to literally die first; talk about tragic and pointless).

I was talking to another friend after we learned of the death. She was having a hard time but said it was made easier by the fact that people in her life depend on her. “Gotta keep going for them. Simple as that.” It reminded me very much of where this next journal (written a couple weeks ago) goes.

I’m not trying to be all melo-fucking-dramatic but what’s the point? What good reason is there to not kill myself? [It’s so hard to even get my thoughts in the right order].

I know she loves me and yet we’re not together. I know I make her happy in a way no one else ever has or maybe ever could. And she makes me happy.

The thought of even trying to find someone else seems so fucking stupid. How could I ever love anyone else as much as I love her?

She will come back to me eventually but can I even take her back then? If I let her take me for granted, she will take me for granted. And it won’t 

work out. She’ll never be happy in a relationship where she feels like she has all the power, or where her actions don’t have consequences. Is she too broken for it to even work out anyway?

I’m not sure there’s anything in the world that I love doing enough purely for its own sake that it’s enough to make me happy without her. Making art makes me happy but not enough that… 

FUCK! I’m so lost.

If I’m with her, I have the drive to be more successful. If I’m not with her, I need the drive to be more successful or else I’ll never be happy.

If I have her, I’m willing to do what I need to do to make money off my art more aggressively. Because then it’s for something. But if it’s me alone, who cares about making any more than I need to live?

It hurts to love someone so much and not be able to have them. I made it too easy for her. Maybe disconnecting is what I needed to do to get through to her. That feels like a “game” but maybe that’s what it takes with her.

What I need to do is just be patient, let whatever happens happen, not stress about her or about not being in a relationship, and just do my best whether it’s for her, someone I don’t know yet, or [duh] myself. It’s just so hard to be totally self-motivated AND – let’s face it – I’m just always starved for love, attention, and validation.

The next section of text in the painting is the “untitled prose poem” that I shared last month. It’s heavy on the kind of SALACIOUS stuff that generates clicks. It’s also really honest because it wasn’t written with a mind of it ever having an audience. It was maybe a letter that I was going to send, maybe just for myself. Click this link and it’ll open in a new window. Then you can come back here.

My dreamgirl versus THE LIE SPIDER…

“My dreamgirl” is a phrase I used in a letter I wrote to her. I’m not going to share it here (because it was private and) because I don’t want to romanticize this relationship right now. And – at the risk of TOOTING MY OWN HORN – the letter is VERY romantic) “I read it everyday,” she once told me.


BUT… (next journal from the painting):


Maybe I’m not in love with you. Maybe I’m just in love with the idealized version I have of you in  my head. Maybe I shouldn’t have to make so many excuses for you. Maybe the fact that all of this is so “complicated” and requires so many explanations to make sense – maybe that tells me everything I need to know. Maybe I should believe you when you show me who you are. Maybe actions speak louder than words. I like to pride myself on my ability to see through your lies and get the truth out of you, but maybe I’m still not getting the whole truth. Maybe you’re just as dishonest with me as you are with him and I’m a bigger sucker than I realize. I don’t really think that’s true but it’s probably more true than I want to believe. You didn’t earn your nickname for nothing. You are the LIE SPIDER.

And she really is. The nickname goes way back. It wasn’t even really derogatory, just matter-of-fact. Because she will lie about anything. She will lie when the truth is fine. And then she has to tell another lie to cover the first lie. And then another. And eventually there’s a whole complicated web of lies to keep track of. “You are a lie SPIDER,” I’d once told her in a moment of (good-natured but nevertheless) exasperation. The name stuck because it would earn its relevance again and again with every new web of lies.

I was thinking about how much clean time I have now,

how little I’m tempted by drugs (not at all), and how this situation with her (everything before, plus now having her blocked from contacting me) was so much like a withdrawal. And how I was having such a hard time with it. How “relapse” was so tempting to me. I could easily have her back in the same way I’d had her before. She still wanted me. She just wasn’t willing to do what I needed her to do for her own sake – for her own well-being and happiness. But if I was okay with a sick girl, that was still on the table. But I don’t want a sick girl. I want a healthy, happy life with a healthy, happy partner. I started to journal about it when I hit on something. 

She’s the drug I can’t stay away from.

I need to think of her like I’d think of heroin. I can’t afford to relapse. Just one time runs the risk of pulling me back in and starting the cycle all over again.

It’s easier staying clean now that heroin doesn’t exist anymore and all the fentanyl is cut with xylazine. Shooting up isn’t comforting in the way it used to be. It’s not the easy, stressless escape that she still is. I still love the way she makes me feel. Ooooo – shit. But that’s the thing. I love the way she used to make me feel – or could make me feel IN THEORY. But the reality of the situation is that she’s so broken right now that she just makes a mess of everything and leaves me feeling worse. Just like the drugs would. It’s like SHE’S CUT WITH XYLAZINE. She’s THE GIRL CUT WITH XYLAZINE. She’s necrotic.

God damn – that’s a PERFECT metaphor. “Until they get the xylazine out” (of her), she’s too overloaded with poison to serve any purpose. She should be avoided at all costs. No good can come from her.

[Very quickly, xylazine is an inexpensive veterinary tranquilizer mixed (or cut) into opiates to increase volume and, consequently, profit. It doesn’t provide a euphoric high; it simply knocks the user out. The real issue though is that it rots the skin off your fucking body. Xylazine has completely infected America’s illicit opiate supply].

That really crystallized it for me.

For the next week, I was able to focus entirely on my work, get a ton done, and just generally be in a better mood. The drugs I was addicted to don’t exist in the same way anymore. And the girl I was in love with doesn’t exist in the same way anymore.

That said, I’m not gonna pretend that I’ve totally gotten her off my mind (in the way I have with drugs) or that I don’t still secretly hope that something will change and she’ll become “xylazine-free,” but – at least until that happens – it’s made it much easier to not be consumed by her or to get pulled back in to her shitty cycles of destruction.

Part of me still feels like I need to be there for her. I really do worry that she may die. But I did everything I could to try to help her. And she wasted my efforts and then I did it again. And again. And again. If something happens, I’ll be fucking furious (and devastated) but not at myself. For me to continue trying right now would be insane. She’s got to want to get better herself. She’s got to take at least one step on her own. And I’m not saying what would or wouldn’t happen at that point or what I would or wouldn’t do, but that doesn’t matter anyway. I. can’t waste my energy trying to predict or plan for something that’s totally out of my control (and may never happen). I can’t help someone who refuses to be helped. It’s not selfish to worry about, to prioritize me. To take care of me. (SOMEONE HAS TO). And the other people in my life that I care about. I’ve got enough on my plate without taking on XYLAZINE PROBLEMS.


Hey! I finally set up a webstore to sell prints! You can buy your very own 14×11-inch “She’s Cut with Xylazine” print today! Not only will you get a beautiful, provocative piece of art for your home, but I’ll get to continue sleeping indoors!

Thanks so much to everyone who supports my work. Whether you buy, share on social media, drop a comment, or even just take the time to read this stuff, I can’t express how much it means to me. I couldn’t do this in a vacuum. You all are what keep me going.

And speaking of “keep me going,” I now have FIVE MONTHS CLEAN off any/everything again! Time flies when you’re an emotional basket case!



The Boy Nobody Wanted Wins the Super Bowl

“The Boy Nobody Wanted Wins the Super Bowl” 7/26/24. acrylic paint. 36×36″.

“Stick with me and I’ll pay off someday.”

That’s a lyric from The Copyrights’ “Keep Me in the Dark.” It’s one that’s resonated with me since it was released fifteen years ago. 

I have a lot of core beliefs about myself and all but one of them are negative. The one, good one is that I’m smart. I’ve been told and I’ve seen objective proof of it all throughout my life, going back as far as I can remember. Because of that, I always believed growing up that I’d be successful no matter what. Even when I was in high school and totally fucking off and getting terrible grades. Even when I got fucked up the night before SATs and blew them off by not showing and never rescheduling. I still believed on some level that I’d wind up at a prestigious college. And sure enough – despite a total lack of financial support or connections of any kind – I finished my education with a Juris Doctor at Georgetown Law. Granted, I did eventually start working hard to earn that when I was at a community college, but still.

That kind of positive reinforcement – that I’m always going to succeed (eventually) – might not have been the best thing for me. It hurts to admit it but I’ve been through quite a few relationships since “stick with me and I’ll pay off someday” and – quite arguably – I have not. Not in a financial sense anyway. Not for good. Maybe here and there. Certainly not now.

I am “the boy nobody wanted” (as far as I’m concerned). Whether or not I’m going to “win the super bowl” (in the sense alluded to by the preceding paragraphs) remains to be seen. And it’s the subject of some controversy in my life at the moment. (That is to say, the question of whether or not I can support a family or even myself). But in another, more immediate sense, I have won the super bowl.

I don’t generally like to borrow from other people’s art, but I made an exception in the case of this painting.

Bart Simpson is trying to be a part of his family’s Thanksgiving. He’s also arguably trying to be the center of attention but the key fact is that he wants to participate. And in doing so, he accidentally destroys an elaborate centerpiece that Lisa had made for the family’s Thanksgiving table. His parents scold him. His mom says he’s “ruined Thanksgiving.” He’s sent to his room. Feeling that he’s the victim of a great injustice, he declares that he doesn’t care about or need his family and he sneaks out his bedroom window.

After a day out in the city on his own, he returns home and imagines the reception he’ll get. Even though his family has been worried sick about him and just want him safely back home, Bart imagines walking in the front door only to be chastised and shamed further. Again, he responds to (what he perceives as) his family’s rejection of him by declaring that he doesn’t need his family but – having nowhere else to go – he climbs up onto the house’s roof. Once up there, he finds a trove of forgotten toys. Balls, frisbees, water rockets, and more that were lost when they went too high and got stuck on the roof. He’s thrilled and begins playing by himself. Tossing a football into the air and running to the other side of the roof to catch it, he shouts (as the balls lands in his hands), “The boy nobody wanted JUST, WON, THE SUPER BOWL!!!” Bart is achingly self-conscious, feels unloved – tolerated at best – and alone. But in this moment, despite all that, he’s found a little bit of joy.

That’s how I felt as I painted this. I can’t even express in words how I felt many times in the last few weeks as I worked on this piece. Taking a step back and examining my work, I was filled with such joy. Pride. Really, a kind of awe. I love the way this painting looks and that was the case for much of the process. Often enough, it’s quite some time before I start to really like the way one of my pieces looks. But so many little, inconsequential details that (I’m sure) very few people will ever even notice in this painting, made me so happy. The contrast between two neighboring swaths of color. The expression on one of my little “creatures’” faces. The pattern in some area. The texture of a background. These things delighted me.

It’s always great when someone else appreciates my art but I’m so grateful that I’m my own biggest fan. That I’ve found something that can make me so happy. And that it’s something that I make myself. It doesn’t exist without me. That’s a pretty great feeling.

Rejection – even just perceived rejection – hurts, for sure. And on some level, I always have and always will feel like “the boy nobody wanted.” And so far as the rest of the world’s concerned – yeah – I’ve not won anything close to a super bowl. But I also know that all the financial or material success in the world won’t fix that feeling in me that I’m “the boy nobody wanted.” Money’s not gonna make that go away. But so long as I can get a few wins – even alone, up on my roof – hey, things could be worse.

“Keep Me in the Dark” by The Copyrights – referenced at the beginning of this blog entry.



Check it out! 👆 The webstore is up and running, which means it’s now easier than ever to support YOUR FAVORITE ARTIST 😜 and get your very own, limited-edition print. Check the product page for more info or just browse through the whole shop.

In a RARE TWIST(!) though, the original painting hasn’t yet sold. (At least not as of the time of this writing). Contact me if you’re interested. 😎


What Makes Life Feel Worth Living

“What Makes Life Feel Worth Living.” 6/16/24. Acrylic paint. 24×24″.

This painting was essentially the product of my second month clean and single. To be fully honest, I was still pretty hung up on codependency issues and  the fact that, for once, I didn’t have a girlfriend. I found myself experiencing kind a low-grade depression a lot of days, not really wanting to get out of bed. In my head, I kept thinking that finding a new girlfriend was the answer to all my problems but I knew that, really, that would just be a way to distract myself from my problems. In any case, I was too embarrassed to make a painting about that immediately following one about my ex. I pushed myself to really try to get at something deeper in my journal writing. It took a couple weeks and quite a few attempts before I felt like I got at anything remotely meaningful. That’s what’s written across this canvas (in the upper left and just to the left of the very bottom center).

I struggle a lot with meaning and purpose. “Does anything matter?” “What’s the point of doing anything?” “The world’s a mess,” “I’m a mess,” “is anybody really happy?” I don’t know the answers to those questions but – as long as I’m gonna not-kill-myself and keep living – I’ve gotta try. It’s really hard sometimes. I’m not alone but I feel like I am a lot of the time. One person can really make a difference in that. Whether it’s A GIRL PAYING ATTENTION TO ME or someone deciding to GIVE ME MONEY (for my artwork).

When I tell people about my first month clean and making art again, it’s a success story, mostly on account of the commissions I got from Rick, a stranger walking down the sidewalk. But because I was painting outside and because he stopped to talk to me and took an interest, it’s given me concrete reasons to keep painting and writing. Pretty random, very easily could have NOT happened.

It’s genuinely INCREDIBLE when someone tells me how much my art means to them (and I don’t wanna discount that) but when they PUT THEIR MONEY WHERE THEIR MOUTH IS, it’s crazy validating in a way that’s rivaled only by A HOT GIRL WANTING TO FUCK (or date) ME. (Which is totally unrelated and indicates just how broken I am but that’s an issue for other days). It says that what I’m doing has actual value worthy of supporting human life – MY life. That hard validation can bolster my spirit against any/all of the negative feelings I have that could otherwise overtake me.

Even when everything else is wrong, one well-timed “yes” can make all the difference. A thousand rejections are nothing against a few key “yeses.”

These things are small and inconsequential in a world that’s so random and meaningless but when nothing matters, we choose what matters and I choose what makes my life feel worth living.

Taking a chance is worthwhile. Saying “yes” to someone is meaningful. Helping another person, offering encouragement, supporting an artist (ESPECIALLY WHEN IT’S ME). These are things that count. We never know what small act might be HUGELY CONSEQUENTIAL for someone else.

I still don’t know if I’m going to be able to revive my art career and make a living like I was, but it’s working out so far thanks to just a few people and a few key moments and decisions. It reminds me of the last lyric from one of my favorite songs: “just one good thing, that’s all – sometimes that’s all it takes.”

I lined up a handful of commissions right out of the gate upon getting clean: paintings that I had no idea what they’d be but that were pre-paid-for before I even started them. Knowing that a painting is already sold while I’m working on it is really motivating. It gives me a push to get to work. That’s over (at least as of this moment; no one has pre-purchased my next painting). That makes me a little nervous but it’s also how most artists operate – not to mention the only way I’ll ever be able to amass enough paintings to ever have another exhibit. I’m on my own for the first time in a while and need to start hustling again – whether that’s going out on the street to paint in public while slinging prints or putting more effort and thought into my social media. Probably both. It used to come so easily to me but now it seems almost impossible – though much less so than it did even a month ago. One of the main reasons I stayed on drugs so long was because it was an excuse not to do anything else. I’m so afraid of trying and failing. But I’ve got to try. I’ve gotta put myself out there. And hopefully I’ll get the “yeses” I need to keep going.

I’m in danger of rambling now. I wanna say something about how those “yeses” are less-than-ideal external validation in the same way that female attention is, but that’s a subject for another time. The spirit of this painting was about the positive feelings that come making something meaningful that resonates with another person and the positive consequences of that other person’s response. Not everything needs to be overanalyzed. Nothing is perfect but sometimes little things spark joy and pride and feel an awful lot like fulfillment – even if only for a moment. And sometimes that’s enough.

The song quoted in my painting (on the little blue guy’s black t-shirt): “Precious on the Edge” by Drunken Boat

This painting has already been sold but limited edition 12×12″ signed, hand-numbered prints are available for purchase WHILE SUPPLIES LAST.


Mental Health Services Available to Strippers, Junkies, Cutters, and Other SICK GIRLS

“Mental Health Services Available to Strippers, Junkies, Cutters, and Other SICK GIRLS.” 12/6/17. Acrylic paint. 3×4′.

GOD DAMN. Where do I start? As 2015 and my third year as an artist drew to a close, I relapsed. By February 2016, I was back to shooting up all day everyday and had completely stopped painting. My three years of art and clean time were over and I was back to where I started before I went to rehab for two years, discovered art, and gave up heroin. It wouldn’t be until September of 2017 that I got clean again and another couple months before I got back to painting. This was the first painting I made at that time. Unfortunately, after seven months off heroin, I relapsed again in April 2018 (and stayed fucked up through October) so I’m just now (April 2019) getting back on top of my game and doing the things I should have been doing all along, like updating my website and writing the statements for the batch of paintings I made in those 7 months of clean time that ended a year ago.

I did a fair amount of journaling on this canvas so I’m going to let it mostly speak for itself and just interject as I wanna supplement or comment on what I remember was going on in my head. For a little context though, I was living with the same family that “adopted” me when I was a teenager and that have been in my life ever since, I had broken up with Wallis, and I was trying to regain my footing but feeling pretty broken and lonely a fair amount of the time. Things were better than they’d been in a long time but, overall, I was just generally shaky. Regarding the title/main caption though (“Mental health services available to strippers, junkies, cutters, and other SICK GIRLS”), it was like a calling card. A casting call. I was putting it out to the world that I was looking for a girlfriend and making a joke about the kinds of girls that I attract and a joke about what I have to offer those girls. Anyway, here’s what else is written on the canvas (in chronological order, to the best of my recollection).

Yo – I am super fucking codependent. It’s been maybe two weeks that I’ve been “single” and I’m already fiending like a lonely little sad sack. Painting helps but it’s weird on a back porch instead of on the street with an audience and a stream of validation AND GIRLS.

I’m happy to report that, today (as I write this blog a year and a half later), after getting back together with Wallis, relapsing again, and breaking up again, I got over that overwhelming need to be with someone. I do have a girlfriend again at this point [Juliana] but – before I met her – I wasn’t sadding
around
and obsessing about finding someone. I was back to painting, spending time with friends, and – for the most part – I was pretty happy, even without a girlfriend for once.

I keep thinking if I could just find the right record to listen to or the right colors to energize me or the right title to plaster across this thing, I might get excited to paint and not just want to go lay down. I’m smoking way too many cigarettes, sitting out here, NOT painting.

I don’t know what I’m doing anymore.

People say shit like, “You don’t know how good you had it ’til you lost it.” I don’t know if I knew back then. I honestly might have. (Certainly at times; in moments, I knew how lucky I was). One thing I know absolutely: I DON’T HAVE IT THAT GOOD ANYMORE. But I still got something. I still got SOME THINGS (people, a bed, whatever) to be grateful for. I’m thinking maybe this is one of those times to realize how good I got it before I don’t anymore…

HOW ‘BOUT THAT? A couple months after penning that shit, I got my girlfriend back. A couple months after that, I got a motorcycle. And then my own home/apartment. And then I fucking
lost it all again
and was worse off than when I was painting this.

Here’s the longest “journal entry” on this painting:

I’m not sure what’s motivating my behavior. I mean, I know I’m codependent. I miss her [Wallis]. But I’m not doing everything I could to get her back to me. Is that what I should be doing? I’ve been chasing other girls… “Chasing” is a strong word. I’m barely even casting my line out. But is it even fair to do that? Am I even looking for anyone as more than a temporary substitute until I can have [Wallis] again? (I don’t like that I’m writing this, knowing it’ll soon be public record; no girl wants to be a placeholder; I’m not doing myself any favors putting this out there). Whatever. I’m lonely but I miss her. I’m lonely because I miss her. I miss her because I’m lonely. At least one of those is true. (Or more true than the others). I don’t know which one. I absolutely love her. But do I need her back because I love her or just because I’m codependent? I’m having plenty of fun without her but maybe that’s just because it’s easier to have fun when you’re broke and only one person – not responsible for a second person. Or maybe just because I’m going out more. Even if I had money right now, I probably wouldn’t go out as much if she were here. But part of that is because I’d be more content just being at home with her. Content. With her. That sounds like not a bad thing either. But if we’re apart for long enough for her to get over me, which I’m piss-scared of, I need to be (ready to be) over her. That’s probably not gonna happen unless I meet someone else. A right someone else. That doesn’t seem like the worst thing in the world but, in my current state, doesn’t seem super likely. Then again, the sale of a painting or two could drastically change my “current state.” …GIRLS AND MONEY. [That’s what it always comes down to.] I’m no more substantial than mainstream hip hop. AWESOME.

And last but perhaps most significantly, a regurgitation of something I was taught in rehab.

WE ARE ATTRACTED (AND ATTRACTIVE) TO THOSE WITH EQUIVALENT LEVELS OF MENTAL HEALTH. (All my girlfriends have scars).

That final parenthetical is a reference to the fact that a few of the girls that I’ve dated (casually or seriously) have been cutters. I definitely don’t ever look for or target girls that have self-harm scars, but it’s something I’ve found out about or noticed shortly after getting involved (to whatever degree) with more than a couple of my “partners” (or whatever you wanna call ’em).

On a related note, I’ve been struggling a little bit lately with something. In the past, I’ve publicized my partners’ personal issues in the same way that I do my own. I wouldn’t say I feel like it’s been exploitative but – even with consent – I just feel a little more uneasy about it than I used to. With that being said…

My new girlfriend, Juliana, has a history with self-harm. As time passes, I’m hoping it proves to be just that: history. But, in any case, it’s no coincidence that she (LIKE ME) “suffers” from some mental health issues. Honestly, if she didn’t – if she were completely well-adjusted – I have a hard time believing that she’d have any interest in me. She’s just too wonderful. Really, her only issue is insecurity. Especially when it comes to my past with other girls. THIS ARTIST’S STATEMENT IS CERTAINLY EXACERBATING THAT. For real, she cannot handle anything involving my past with other girls. It’s the only thing we “argue” about at all. (PLEASE DON’T BE UPSET WHEN YOU READ THIS, JULIANA; I LOVE YOU A LOT, YOU LITTLE TWERP; I’m just wrapping up loose ends/finishing old projects so I can put this shit 100% behind me). Anyway, I don’t know exactly why it’s such a sensitive area for her but I know that her previous relationships (to put it mildly) have been abusive. She has not had the loving partners she deserves. I’m very proud though of the fact that she is already repeatedly telling me that no one has ever treated her as well as I do and that I make her very happy. It’s my hope that – just in loving her and treating her well – I’ll be able to help her feel as secure, safe, and loved as she deserves. Which isn’t to say that she’s a “project” or that I’m trying to “fix” her. But I can’t deny that the title of this painting, which I made over a year ago, still has some application to my life presently.

So we’re both sick but I think we’re good for each other. WE’LL SEE HOW IT GOES…


At the time of this writing, this original painting is still available for purchase, as are 12×16-inch signed, sealed, hand-numbered archival prints. Get in touch if you’d like to ask about the original 3×4-foot painting. Hit the webstore to buy a print.


I Have Borderline Personality Disorder and I Accept Credit and Debit

“I Have Borderline Personality Disorder and I Accept Credit and Debit.” 9/26/14. Ink. 40×32″.

You could call this piece the second in a series of three, detailing my second “romantic entanglement” in Chicago last year. The caption/title of the piece is (obviously) an acknowledgment of the way I’ve commercialized my “disease.” The text scattered throughout this piece is a pretty good document of that disease. It was all written as the piece was created (between August 15th and September 26th, 2014) and is as follows:

AAAANNNNNDDD – emotional attachment severed in 5… 4… 3… 2… gone.
And I don’t give a fuck about anyone.
Good thing I told Spillane earlier how much this girl likes me – and how (obviously) that means I need to be cutting it off soon. By nonchalantly bailing on our (admittedly) tentative (but – as of an hour ago – confirmed) plans for tonight, she’s given me all the cause I need.
Except I know she’s gonna materialize by my side tomorrow when I’m downtown working on this piece and selling prints.
So we’ll see how the fuck THAT pans out. Or – fuck it – maybe she won’t and maybe we won’t.
Did I mention that I don’t give a fuck? ‘Cause I really wanna stress that point. Does it sound like I’m trying really hard to prove it. If not to you, then to me?
Whatever. (Forever).
If I were feeling mean (and I am), I’d say: “That ‘love letter’ I wrote you is nothing but another product for my inventory. You’re just a couple pages in a chapter in my story. A subplot, a side story, a tangent.”
ON/OFF. ON/OFF. I still keep my feelings wired to a light switch. And I don’t care anymore.

Oh – wait – new day. Don’t care about any of that nonsense yesterday. Switch back on! I’m “in love” again!

Ink requires so much more precision than paint. I’m having a hard time finishing this drawing without my Adderall, which the police took, as evidence, the other night. A little over a year ago, I got out of Tranquil Shores and turned myself in for an outstanding warrant. As I sat in jail, I remember thinking, “This is the last time I’ll ever have to do this.” And now I’m facing charges again. FELONY charges. Felony DRUG charges. For my fucking Adderall. I need to get my shit together for my case. Letters from doctors, counselors, Tranquil Shores – to prove that I’m not some kid abusing this stuff – I just happened to let my prescription lapse (irresponsibly, I know). But that’s hard to do [manage my prescriptions in new cities] without my Adderall. Everything is. Everything is more difficult. And I’m overwhelmed. I can do it. Call a lawyer, call the doctors, get my suit shipped up here from Florida.
It doesn’t sound like much but the anxiety of it all has me almost to panic mode. I want to shut down, block it all out, and just leave the state [of Illinois]. If this had happened in Kansas or Oklahoma, I’d just never go back. But it was on this side of the Illinois line. I hate it. This court doesn’t care about me. The judge, the prosecutors, the system. None of them care. I hate it so much. It’s cold and mean and awful and it makes me wanna give up.
Two Saturdays ago, I got invited to two parties. I invited Nicole to go with me to both. I went to pick her up, anxiety set in, I told her to forget it, and I went out to my car to… I wasn’t sure. She sent a text: “Are you okay? What are you doing?” I was online, researching dope spots in Chicago so I could go cop. I told her ‘cause she’s twenty, might not understand how serious that is, might be naive enough and like me enough to just want to do it with me. But she knew better. She stopped me. Saved me from myself. Not that I didn’t put up a fight. She cried. I felt terrible. It was a mess. But she stuck it out. She really cares. That’s scary. We’re still seeing each other. That’s scary. I’m [this] close to referring to her as my girlfriend. If I were a better person, I’d probably break it off with her and stop getting involved with girls. IT ALWAYS ENDS THE SAME. Or maybe I should quit playing fortune teller, just live life, and let what happens happen.

OUT OF ADDERALL PROBLEMS: Meanwhile, I won’t shower or even get dressed until I have clean socks to put on. But I won’t have that until I go to the laundromat and I can’t go to the laundromat unless I get dressed and I can’t do that until I have clean socks to put on.

We’ve been seeing each other for six weeks. Became “boyfriend/girlfriend-official” last week. I haven’t put it on Facebook because I guess I just figure it won’t last. We got into an argument this morning. I started repeating “idon’tcareidon’tcareidon’tcare,” she goes “and you don’t care about me so FUCK OFF,” and then she hung up. (I think – I did anyway). I think that’s it. I think we’re done now. I talked to my south Florida girl last night. It was great except she sounded high but assured me she wasn’t. She invited me to come stay with her when I go back down there. If she’s clean, that’d be great! She called again this morning, moments after hanging up with my girlfriend. It turns out she is getting high and everything’s a mess.
I’m stuck in Illinois on bail. Mike and I butt heads. I don’t feel secure here. I’m always walking on eggshells. My relationship with Nicole is dicey if not over. I’m ready to get the fuck out and go somewhere new. Sometimes I feel like I’m floating – for what? Is it about art? A career? Or do I do it all for girls, sex, love? Is it for myself – ego, fulfillment, ACTUALIZATION? What am I looking for? What am I after?
UGH – WHO THE FUCK CARES???
Oh – WAIT – SHE JUST TEXTED ME. We’re still cool. (Or cool again). Game on. I feel better, I guess.

Don’t let the fact that I usually sleep indoors fool you. I might be charming but no place feels safe. This is what it means to be really homeless. I’m reinventing homelessness. And I do technically live in a minivan. If you did, your art would have unintentional creases and pressure spots too.

Depression, isolation, giving up…
I started this piece over a month ago. My life was different then. It’s gotten worse. My faith’s been shaken. I’m so sad. It’s cold outside. I don’t wanna kill myself…

The first piece in this series was “Love Letter;” the third is “The Last Unfinished Work.”

This gigantic drawing was BEAUTIFUL when it was framed and behind glass. Alas, it sold years ago. But I now HAVE PRINTS for sale in my webstore!


What I Do When I’m Not on Tinder

"What I Do When I'm Not on Tinder." 6/21/14. Ink. 11x14".
“What I Do When I’m Not on Tinder.” 6/21/14. Ink. 11×14″.

Check me out! I’m being an angry crybaby ’cause I heard second-hand that someone (that I don’t even know!) implied that I can’t really be trusted because I’m a drug addict.

You know how long it’s been since I injected drugs? You know how long it’s been since my compulsion to inject drugs inspired me to do something dishonest? Not to mention: I’m itinerant as fuck! Nobody knows me. I’m in a new city every day. I can be whoever I want each time I roll into a new city. The only reason anyone I encounter these days knows that I am/was a drug addict is ’cause I fuckin’ tell them. I wear everything on my sleeve ’cause I’m okay with who I am. I’m fuckin’ proud of who I am. Good and bad.

So fuck off with that shit.

What’s this have to do with my new piece, “What I Do When I’m Not on Tinder?” Very little! I’m just trying to kill two birds with one stone by venting and simultaneously writing a statement for a new piece. But if I wanted to contrive a connection, here it is: Even my Tinder profile introduces me to “potential matches” with an opening salvo of, “I don’t shoot heroin anymore but I still have a personality disorder. It’s nothing you’d notice most of the time.”

“What’s Tinder?” you ask. Well, you poor unfortunate soul, it’s a dating app for smartphones that matches people based on geographic proximity (“[this user] is two miles away”) and whether or not you swiped left (“nope”) or right (“like”) on their profile – which is comprised of no more than six photos and 500 characters of text. It’s superficial, shallow, and lots of fun! Once two people have swiped right on each others’ profiles, the lines of communication are open for messaging and (potentially) making plans to meet in real life. And now that Tinder’s introduced their newest feature (the hilariously-named “Tinder Moments,” a Snapchat-like feature which allows you to upload an additional photo, revealed only to your “matches” for 24 hours (who are then prompted to “like” or dismiss it by way of swipe)) it’s also become one more social-networking-avenue for a sad little boy like me to collect the validation-via-clicks for which I’m so desperate.

My mood right now is definitely corrupting my usually joyful description of Tinder. It’s shallow, superficial, and a lot of fun. It’s super speed dating. Say the wrong thing to some girl? Who cares! Just scroll down to your next match and start again! It’s totally meaningless (just like everything else in the known universe)!

I finished this drawing three weeks ago but have held off on sharing it on my website, Instagram, and Facebook until now because I only just got a proper high-res photograph of it. There was one venue through which I shared it immediately upon completion though – and it proved to be my most popular TINDER MOMENT to date!

I’m ridiculous. (And pretty okay with it).

Full disclosure: As revealed in the statement accompanying my commissioned “Bleed Blue Tatoo” piece, I’ve “started getting laid again,” am getting all the female attention I need, and have consequently been inactive on Tinder for a week or so. I’m also taking bets on how long ‘til I fall apart again and rediscover its utility. Hit me up for the current odds! Who knows? Maybe this very entry will be the spark that burns it all to the ground!