Tag Archives: DC

Artist Statements, Expressive, Post-Treatment

Blueprint For a Successful Evening

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"Blueprint For a Successful Evening." 6/17/13 and 5/12/14. Acrylic paint, spray paint, and ink. 24x18".
“Blueprint For a Successful Evening.” 6/17/13 and 5/12/14. Acrylic paint, spray paint, and ink. 24×18″.

I’m always busy. I always have “really important” stuff that I “have” to do. When I was living in DC, it was Traffic Street Records year-round and law school around final exam time. Back then (before heroin became the main problem), I feel like the biggest point of tension in my relationship was my emotional unavailability. Every night, Taylor would ask me to come to bed, I’d tell her I was almost done, and then six hours would pass before I actually made it to the bedroom. So every night she went to sleep alone, woke up while I was still asleep, and then came home from work to find me busy packing up records or laying out a record insert or [whatever]. Eventually, I started doing whatever Traffic Street stuff that I could at school instead of the apartment, so that she’d already be asleep when I got home and I wouldn’t have to feel guilty about not coming to bed and not paying attention to her.

Heather and I moved to Jacksonville this June. She didn’t have a job lined up before we got here so, for the first two weeks, we were both home all the time. Since I’m always busy, I’m never bored and I’m always content in that regard. But Heather has been working [forever] and likes having a job to go to every day. Consequently, she was bored out of her mind. And – maybe because of my own insecurities and my experiences with Taylor – I felt guilty anytime I was working instead of paying attention to her. It was stressing me out. And the fact that she was visibly bored and unhappy made even harder. Especially when I tried to talk to her about it and she just tuned out. Eventually, I decided that there was nothing I could do and just went about doing my own thing. But when it got to the point where we were barely talking at all, it was too much.

I’m feeling disconnected. I’m trying to push through it, assume the best, not stress out. If someone’s not talking to me, it doesn’t necessarily have anything to do with me. They could just not feel like talking. Or it could have everything to do with me. But if every attempt at conversation – every question asked – is met with a one-word response, what am I supposed to do? [Moving to a new city together] is supposed to be exciting. And it is for me. But I feel like only for me. And that tempers the excitement a bit. I opened up, put everything out there. Explained with sincerity how I’m feeling. And I got nothing back. Literally, no response.
[ -written June 17th]

I was at a loss. Now I couldn’t work. I sat alone in the living room dumbfounded. And scatterbrained; I had my probation deadline hanging over my head and hadn’t finished my community service hours yet. That was also weighing on me and fucking me up. Especially since I was getting my hours from home; that meant that I could have been doing it in that moment, but wasn’t. Instead, I decided that I needed to paint. It had been too long.

There’s a small block of text in the center of the canvas:

My first impulse is to lie in bed, face down, and cry forever. My second is to beat off. I need to write and paint. I spill my guts and… I’m struggling. Sharing life isn’t easy. I might not be built for it. It’s tough to know what’s right for me. I like being me but it isn’t easy. I guess nothing is. That doesn’t feel true.

The next day – as has so often been the case this summer – I did a total one-eighty. Within twenty-four hours of painting “Blueprint,” I was working on a drawing that says: “I couldn’t be happier” – something I genuinely felt.

REVISION (5/31/14):

Nearly a year had passed since I painted this piece and it remained unsold. That’s mostly due to the fact that I hadn’t been displaying it because I didn’t really like it anymore. I don’t usually go back and work on old pieces because I tend to think of them as “artifacts” from another time in my career. But if I was keeping it locked up in a trunk, in a garage somewhere, it wasn’t really doing much good as an artifact or anything else for that matter. Better to go back, work on it some more – until it was something that I could be proud of and sell with confidence. It took another ten hours or so and I finished it on May 12, 2014. Sixteen days later, it was sold. Here’s what it used to look like…

"Blueprint For a Successful Evening." 6/17/13. Acrylic and pen. 18x24".
“Blueprint For a Successful Evening,” as it was upon its initial completion on 6/17/13..

 

Stories

I’m breakin’ it bad over here! / Orange Is The New Black taught me nothing!

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Re: “4-Hydroxybutanoic Acid Talent Show”

I’m in the financial aid office at Georgetown waiting for someone to come up front and answer a question. Another kid comes in and I find out he also grew up in Sarasota; we even went to the same school at one point. I didn’t make any “friends” while I was in law school, but now I’ve got someone to exchange nods with when we pass each other on campus. His name is Joseph.

Flash forward five months. My part-time job is still “assistant to the Law Center’s Director of Wellness Promotion” – and I’m running the school’s Healthy Recipe Exchange. As I manage this wholesome event, I’m more than a little strung out on heroin. Really – I’m not managing shit. I’m nodding out and sweating at a table while people swirl around me and ask questions that I answer with a shrug and a funny face.

Here comes Joseph. He tells me I don’t look well, asks exactly what the hell I’m doing – and finds it thoroughly amusing. Then he asks me how I’m doing. For some reason, he becomes one of the only people whom I tell that I’ve recently been arrested for possession of heroin. And then he tells me about some serious drug charges he had faced at one point for dealing meth. Of course we exchange phone numbers. Clearly, this is a good person for me to know!

It’s been a month since I talked to Joseph at the Healthy Recipe Exchange when I get a text message from him. “Do you have a stove?”

“Hmmmm,” I think to myself. “What are the implications of this text message? He knows I live in an apartment building, so he can’t possibly think he can get away with cooking meth here. What then might he be up to…?”

I write him back, “Yes. I do. And I don’t want to know why you’re asking. Just let me know when you want to come over.”

Because this sounds like an adventure! Right???

As it turns out, Joseph has learned a new trade. GHB! Which – as he tells me – doesn’t stink up a place the way meth does. Well – what’re we waiting for?!

[insert Act II here]

There is nothing worse than the pain of opiate withdrawals. Except for the pain of opiate withdrawals, experienced in a cloud of disgusting, noxious, chemical shit.

I wish I were dead. The end.