What Makes Life Feel Worth Living

“What Makes Life Feel Worth Living.” 6/16/24. Acrylic paint. 24×24″.

This painting was essentially the product of my second month clean and single. To be fully honest, I was still pretty hung up on codependency issues and  the fact that, for once, I didn’t have a girlfriend. I found myself experiencing kind a low-grade depression a lot of days, not really wanting to get out of bed. In my head, I kept thinking that finding a new girlfriend was the answer to all my problems but I knew that, really, that would just be a way to distract myself from my problems. In any case, I was too embarrassed to make a painting about that immediately following one about my ex. I pushed myself to really try to get at something deeper in my journal writing. It took a couple weeks and quite a few attempts before I felt like I got at anything remotely meaningful. That’s what’s written across this canvas (in the upper left and just to the left of the very bottom center).

I struggle a lot with meaning and purpose. “Does anything matter?” “What’s the point of doing anything?” “The world’s a mess,” “I’m a mess,” “is anybody really happy?” I don’t know the answers to those questions but – as long as I’m gonna not-kill-myself and keep living – I’ve gotta try. It’s really hard sometimes. I’m not alone but I feel like I am a lot of the time. One person can really make a difference in that. Whether it’s A GIRL PAYING ATTENTION TO ME or someone deciding to GIVE ME MONEY (for my artwork).

When I tell people about my first month clean and making art again, it’s a success story, mostly on account of the commissions I got from Rick, a stranger walking down the sidewalk. But because I was painting outside and because he stopped to talk to me and took an interest, it’s given me concrete reasons to keep painting and writing. Pretty random, very easily could have NOT happened.

It’s genuinely INCREDIBLE when someone tells me how much my art means to them (and I don’t wanna discount that) but when they PUT THEIR MONEY WHERE THEIR MOUTH IS, it’s crazy validating in a way that’s rivaled only by A HOT GIRL WANTING TO FUCK (or date) ME. (Which is totally unrelated and indicates just how broken I am but that’s an issue for other days). It says that what I’m doing has actual value worthy of supporting human life – MY life. That hard validation can bolster my spirit against any/all of the negative feelings I have that could otherwise overtake me.

Even when everything else is wrong, one well-timed “yes” can make all the difference. A thousand rejections are nothing against a few key “yeses.”

These things are small and inconsequential in a world that’s so random and meaningless but when nothing matters, we choose what matters and I choose what makes my life feel worth living.

Taking a chance is worthwhile. Saying “yes” to someone is meaningful. Helping another person, offering encouragement, supporting an artist (ESPECIALLY WHEN IT’S ME). These are things that count. We never know what small act might be HUGELY CONSEQUENTIAL for someone else.

I still don’t know if I’m going to be able to revive my art career and make a living like I was, but it’s working out so far thanks to just a few people and a few key moments and decisions. It reminds me of the last lyric from one of my favorite songs: “just one good thing, that’s all – sometimes that’s all it takes.”

I lined up a handful of commissions right out of the gate upon getting clean: paintings that I had no idea what they’d be but that were pre-paid-for before I even started them. Knowing that a painting is already sold while I’m working on it is really motivating. It gives me a push to get to work. That’s over (at least as of this moment; no one has pre-purchased my next painting). That makes me a little nervous but it’s also how most artists operate – not to mention the only way I’ll ever be able to amass enough paintings to ever have another exhibit. I’m on my own for the first time in a while and need to start hustling again – whether that’s going out on the street to paint in public while slinging prints or putting more effort and thought into my social media. Probably both. It used to come so easily to me but now it seems almost impossible – though much less so than it did even a month ago. One of the main reasons I stayed on drugs so long was because it was an excuse not to do anything else. I’m so afraid of trying and failing. But I’ve got to try. I’ve gotta put myself out there. And hopefully I’ll get the “yeses” I need to keep going.

I’m in danger of rambling now. I wanna say something about how those “yeses” are less-than-ideal external validation in the same way that female attention is, but that’s a subject for another time. The spirit of this painting was about the positive feelings that come making something meaningful that resonates with another person and the positive consequences of that other person’s response. Not everything needs to be overanalyzed. Nothing is perfect but sometimes little things spark joy and pride and feel an awful lot like fulfillment – even if only for a moment. And sometimes that’s enough.

The song quoted in my painting (on the little blue guy’s black t-shirt): “Precious on the Edge” by Drunken Boat

This painting has already been sold but limited edition 12×12″ signed, hand-numbered prints are available for purchase WHILE SUPPLIES LAST.


Punk Rock Today is Better Than It’s Ever Been

"Punk Rock Today is Better Than It's Ever Been." 5/28/14. Pen. 4½x5¼".
“Punk Rock Today is Better Than It’s Ever Been.” 5/28/14. Pen. 4½x5¼”.

Back in February, I was lucky enough to get to work on a painting and set up a print table at a couple shows some of my favorite bands were playing. On the second night, I asked my buddy Mike (who runs Dead Broke Rekerds) if I could scoop up some records in exchange for some artwork. He picked out a print and asked if I would draw something for a Dead Broke sticker. It took me a while ’cause I was stressing out, worrying about whether or not Mike would like whatever I came up with. As soon as I decided to drop the anxiety and just do what came naturally though, it was done in no time and I had this design. I’m really happy with it – in large part just because it’s so radically unlike the kind of art that a band or label would normally use for a sticker design.

I don’t think I met him just then but the first time Mike and I crossed paths was in late 2006. His band, Down in the Dumps, was in Florida to play The Fest and I caught their set in Tampa at Transitions Art Gallery (now Epic Problem). In my mind, this was right around the time when DIY pop punk was really blowing the fuck up (in an incredibly relative sense) and getting awesome/exciting again. Off With Their Heads released Hospitals, started their never-ending tour, and were in the midst of the flurry of 7-inches that they’d release leading up to their first full-length for No Idea. 1-2-3-4 Go!, Kiss of Death, and A.D.D. were all fucking killing it with bands like Ringers, Snuggle, Drunken Boat, Monikers, Witches With Dicks, Tiltwheel, Chinese Telephones, and Pretty Boy Thorson & The Falling Angels. Labels like No Breaks, It’s Alive, Dirt Cult, and Salinas were similarly picking up the pace, building incredible catalogs, and (soon enough) inspiring me to do the same. Banner Pilot self-released their first record. The Brokedowns put out “New Brains For Everyone.” Blotto was on the other side of the Pacific, churning out 7-inches at the same rate as Off With Their Heads, (mostly for Snuffy Smile, who were also tearing it up on the label side of things).  And shortly thereafter (or right around then), we got the first records out of Dear Landlord, The Measure, The Gateway District, Dead Mechanical, The Humanoids, and The Steinways.

But I’m getting carried away… the FIRST band to play at Transitions that aforementioned night in October 2006 was Down in the Dumps. They were the only band on the line-up I didn’t know anything about. And they were fucking awesome. It was everything punk rock’s supposed to be: grimy, coarse, fucked up but catchy and upbeat (sonically, if not in content)Mike played bass and sang. And as I’d later find out, he was also the guy responsible for Dead Broke Rekerds, whose catalog now boasts a whole slew of my favorite records.

After I moved to DC for law school and started my record label, Traffic Street, the first bands to come through Baltimore and stay at my place were Iron Chic and Jonesin’.  Mike played bass and sang in Jonesin’ and – though he wasn’t at the time – is now the bassist in Iron Chic as well. Both bands mean a lot to me. One of Traffic Street’s final releases was Jonesin’s EP, “The Dream is Dead.” And – going back to the beginning – #001 in the Traffic Street catalog was a 7-inch compilation called “Dangerous Intersections,” which was not only my first vinyl release but also Iron Chic’s first appearance on vinyl (and only their second release overall, following their five-song demo).

Before Traffic Street collapsed under the weight of my mental health issues and heroin addiction, Mike and I were in regular contact, states away, trading our releases for our distros, talking music, making fun of each other, and – every so often – crossing paths again when I’d book a show for Iron Chic or he’d book one for Rational Anthem (who, coincidentally, shared the A-side of “Dangerous Intersections” with Iron Chic). When it all went wrong for me, he continued to stay in touch, checking up on me periodically, wishing me well, and even sending me a slew of records in the mail while I was in rehab. He’s continued being a source of support since I’ve been back in the real world too. He’s a great friend and a veritable fucking pillar of DIY punk rock. I’m honored to have my art featured on one of his label’s stickers.

AND REGARDING “punk rock today” and the claim made by the title of this piece… Allow me to present some audible evidence! Here are songs from the records Mike traded me that night back in February, as well as some recent stuff by other bands I’ve mentioned (and some by bands that spawned from their ashes).


“Babyboo” by Unfun


“Snow Angels” by Murmurs


“Wolf Dix Rd.” by Iron Chic


“I Wish I Could Be Happy” by Rational Anthem


“Not Cool” by The Slow Death


“Old Man Yells at Cloud” by Skinny Genes


“This Future Sucks” by The Brokedowns


“Hey Caroline” by Dear Landlord


“Look” by Science Police


“How the Day Runs Down” by Dead Mechanical


“Start Walking” by Off With Their Heads


“Hold Fast” by Banner Pilot

And even though they’re not technically “punk rock today“…


“‘Lone” by Jonesin’


“City of the Living Dead” by Down in the Dumps

Oh! AND… I think I like the black-and-white version better but since I can’t resist coloring anything and everything, here’s what the finished, physical drawing looks like (though the stickers will still be black-and-white).

"Punk Rock Today is Better Than It's Ever Been" (with color). 6/1/14. Ink. 4½x5¼".
“Punk Rock Today is Better Than It’s Ever Been” (with color). 6/1/14. Ink. 4½x5¼”.


Little pop punk things that warm my little heart

I remember in 2008, somebody asked me, “Are you really still gonna care about bands like Drunken Boat and Ringers five years from now?” I stated confidently that I would. And I do! In his review of the Frozen Teens LP, Todd Taylor compares the band to The Replacements, Bent Outta Shape, and Drunken Boat. Obviously, The Replacements get their due every day and Bent Outta Shape still get nods pretty often too. But it’s nice to see that someone else out there picked up on the little something-specials going on in the music of Drunken Boat, remembers them, and still cares as much as I do.

I don’t know Bianca, but in her review of the Peeple Watchin’ cassette, she writes, “If I were in a pit of despair, this would be the soundtrack to my triumphant escape from it.” And that is exactly how I felt about Peeple Watchin’s “I’m Still Here, Asshole” in the darkest moments of this last July.

Marty Ploy’s top five list concludes with “Having Rational Anthem in southern California for a week.” I love those kids too, Marty!

Another reviewer I don’t know (Rick Ecker) writes of The Turkletons (in his review of their split with Lipstick Homicide) that they’re “every bit the equal on this split single.” Like my first little note, I think Lipstick Homicide are a band that have been getting the recognition they deserve but it makes me happy to see that The Turkletons are too. If Lipstick Homicide’s “Not That Easy” is my favorite song on the record, then The Turkletons’ “Geography” is only the slightest scratch behind it. And the lead in that song is definitely the highlight of the record.

A few weeks back, Jesse (Slow Death) wrote something online about all of the records he had in the works and Chris (Turkletons) said something like, “You’re boring everyone.” His response: “What if I told you they were all based around puns and clever wordplay?” Chris: “Sold!” I think I laughed out loud reading that.

Ten thousand years ago, I was supposed to release The Humanoids’ debut full-length on Traffic Street. Those plans took a backseat to my heroin problem but the LP has finally seen the light of day thanks to Darren’s new(ish) label, Throwing Things Records. He gave me a copy when Rational played with The Haddonfields in St. Louis last month, it just happens to be spinning on my turntable as I type all of this, and – like everything else that I just mentioned – it’s one more little thing that makes me happy, one more little thing that puts a smile on my face.

 

Did you know that there are people in the world who care about shit other than pop punk?

It’s sad, really.
Listen to The Turkletons.
Contact Derron at Throwing Things and tell him to add The Humanoids LP to his webstore already!
Buy the issue of Razorcake that sparked this blog entry.


Bug Problem

"Bug Problem." 8/11/13. Colored pencil and ink on newsprint paper. 3¼x9¾”.
“Bug Problem.” 8/11/13. Colored pencil and ink on newsprint paper. 3¼x9¾”.

There have been a bunch of big, mean-looking ants, trolling around my front porch like they own the place. And they’re biters. Yesterday, I sprayed some poison around. I went outside this morning: not a bug in sight! I don’t have to be hyper-vigilant when I got outside anymore; I can sit outside and relax.

I thought about how nice that is. And how simple. I’m all fucked up right now. I’m supposed to be celebrating one year clean this week and I’m not. Money makes no sense to me. The future scares the shit out of me sometimes. Life without heroin… it sometimes reminds me of why for so long I chose life with heroin. I needed a little victory today. A problem I could act on and resolve without years of uncertainty. Like I said: simple.

But then I started thinking about how the poison might effect the lizards that hang out on my porch. Are they gonna be poisoned by it too? Am I destroying their food supply? What other environmental consequences does this spray have? Is this really all that simple?

But ultimately, I’ve got too many real problems to let myself get caught up in shit like that. Sure, it’d be nice if I could save all the trees and the lizards and we could all live happily ever after, but – first – I think I’ll just work on saving myself. Not from bugs. That’s not what I mean. From the stress and anxiety that comes with taking on problems that I don’t need to. (“Precious on the Edge” by Drunken Boat is one of my favorite songs: He knows he’s gotta save the world somehow, but first he’s gotta save himself and that’s the hardest trick of all).

I’m also reminded of a Riverboat Gamblers lyric: It seems we’ve been conditioned to think it’s unreasonable not to be miserable. That was definitely one of my core beliefs for a long time and something I had to work on a lot in treatment. If I felt good, I felt like an idiot. Like, “Hey, dumbass! Look around you! What the fuck is there to be happy about??” I try not to think that way anymore. It hasn’t been easy to shed a lot of those old ideas. I held on to them for at least two decades.

I’m glad that I have the capacity to be thoughtful—reflective. But sometimes I need to tell my inner-critic to just shut the fuck up already.

Here are both songs (and the full lyrics to “Precious on the Edge”).

Precious on the Edge lyrics

 

This cartoon is available as an 8×10″ print.