Hurricane Milton < Hurricane Juliana

After packing my entire life into my car, stashing it on the fifth floor of a parking garage, and preparing to go to my grandparents’ ALF to wait out the hurricane (‘cause the building is “hurricane-proof” and has generators), my ex got around my many blocks (phone, email, social media) and begged me to give her ONE MORE CHANCE. And I brilliantly allowed her to come with me. It was fine (even GREAT) for that first night and then – the day of the hurricane – it became clear that nothing had changed and I was trapped in there with her.

It was torturous. To love someone so much, know it won’t work out, and then be stuck someplace together. And she just doesn’t get it. She still thought we were going to sleep together that second night, cuddled up, spooning on the couch. (There was no bed in the room we stayed in). I don’t know if she’s a sociopath or just has the emotional intelligence of a five year-old but I also know it DOESN’T REFLECT ESPECIALLY WELL ON ME that I was ever in love with this person or thought I wanted a life with her. I know I say this all the time but “we are attracted (and attractive) to people with similar levels of emotional health/maturity.” I would like to believe that my reluctance/refusal to engage with this anymore means that I’m getting better.

Anyway, it turned out that even though the hurricane made its initial landfall RIGHT HERE IN SARASOTA (less than a mile from my place), everything was alright. And nothing happened to my car. So I spent all day putting my life/home back together (just finished this minute) and I can LICK MY EMOTIONAL WOUNDS from the comfort of my home.

Things could have been worse. I need to remember to be grateful for what I’ve got. Friends (that helped me unload my car and then FED ME PIZZA), a home that I like, people all over that care about me, I’m clean, back to making art, and I don’t need to rebuild my life from scratch simply because of a natural disaster/GOD HATES ME. (Or maybe he doesn’t, seeing as how it worked out). But he PROBABLY does.


This was originally written simply as the caption for a TIKTOK VIDEO (I wonder if those words will ever not sound ridiculous to me?) because I’m currently operating under the belief that TikTok is my best shot at marketing myself/rebuilding my career, especially as long as I’m still just living in Sarasota. Here are the photos from the post for anyone that doesn’t wanna use that app.


Run Free, Spit Fire, Yell at Clouds

“Run Free, Spit Fire, Yell at Clouds.” 1/11/18. Acrylic paint. 40×30″.

This painting was commissioned by a wonderfully supportive patron named Maura, as a tribute to her friend, Tommy, after his passing.

I knew Maura a little through emails but didn’t know Tommy at all. Honoring someone I didn’t know was a little intimidating. It felt like a big responsibility and I wanted to do a good job. 

After looking over his social media, I was able to paint little allusions to his interests, but I knew the text was gonna have to carry most of the weight. I needed something that would pay tribute to Tommy and – hopefully – bring some comfort to Maura and anyone else Tommy left behind that would see my work.

A week or so in, I saw a feature column about suicides and empathy that triggered something. I started journaling about it in the silver quadrant of the painting, but it didn’t really go anywhere. If it weren’t for the bit where I name a few friends, cut myself off, and instead say “WHOEVER READS THIS AND WANTS ME TO BE SAD WHEN THEY DIE” – and the fact that that gave me a shitty little smile – I probably would’ve painted over it. I’d mildly succeeded in amusing myself but certainly wasn’t meeting the bar I’d set to honor Tommy. I took another shot at it in the green quadrant:

This painting was commissioned for Tommy, who’s not with us anymore. Maura told me about this poem he liked. Asked if I could incorporate it somehow. The last part was his favorite. “I was a dog on a short chain and now there’s no chain.” I (think) I get it. It’s about being free. Which I can appreciate. I mean, I am a STRAY DOG. (Even if I sometimes consider trading that freedom for  the warmth of a home). Now - thinking of Tommy and the way his chain’s really been cut… Death is the ultimate freedom. It’s freedom from everything that fucks us up in life. AND it’s a home (of sorts) and…

That train of thought hit a wall. I was rambling again, lost, trying stumble into meaning.

What the fuck am I even talking about? I don’t know anything about anything. I wanna believe that Tommy and all the people we care about but aren’t here anymore - that they’re all free and okay and “singing loud” and safe and “warm” and… I don’t know. Maybe they are. Maybe it’s a nice thought at least. 
Fuck it. You know what? (You know where my fucking name comes from?) “Thrash life! No death!” And I think that’s the same sentiment that Tommy appreciated in that poem. Forget all that shit that comes with “the ultimate chain” or the freedom that comes in death. Tommy wanted to break the chains here on earth and LIVE FREE. So that’s what we ought to do and that’s what I wanna focus on. I wanna RUN FREE, SPIT FIRE, YELL AT CLOUDS, sing dumb songs, and thrash life. This one’s for you, Tommy. I hope you’re out there, fucking shit up in the ether.

It’s been six years since I painted “Run Free” and wrote those passages. Looking back at it today as I finally write a statement to accompany the painting, I can’t help but think of my friend, Steph, who just died. I didn’t cry right when I found out she was gone, but I did cry when I woke up the next morning, thinking about how trapped and hopeless she must have felt. We’d not been in regular contact for a while but she was important enough to me that – had I known how close to the edge she was – I’d have told her, “If you don’t want to go back to Jacksonville – fuck it – come here. You can stay with me. Or just try something – anything – different from what you’re doing now.

Could I have fixed her? No. But we could’ve spent time together. We could’ve laughed. And maybe she’d have seen that things weren’t so bad outside of the shitty little world she’d constructed around herself back in New Orleans. Maybe she’d have found it in her to build something new.

Life is hard enough for anyone, but when you don’t believe in anything and you’re miserable, it’s pretty tough to justify not killing yourself via overdose (intentional or not) – or even arguing to a suicidal friend that they wouldn’t be better off dead. But life can also be pretty great every now and then. Being in love. Genuine, caught-off-guard laughter. Even just seeing something that reminds you of someone you care about. Mischief. PUNK ROCK. Setting a goal and meeting or exceeding it. Making something that’s meaningful to you and then OTHER PEOPLE TELLING YOU IT’S ALSO MEANINGFUL TO THEM. Shit – last night I posted my first TikTok video that actually seemed to get some attention from strangers who are now following me. 

Some of these things (okay – mostly that last one) are pretty trivial. But they’re also ENERGIZING. They FEEL GOOD. Even with friends dying, and some girl breaking my stupid fucking heart, and feeling lonely (and like a 38 year-old fuck-up who’s starting from scratch again, barely able to support himself, AND (so far) NOT SELLING ANYWHERE NEAR AS MANY PRINTS FROM MY FRESHLY LAUNCHED WEBSTORE AS I’D HOPED). 

If we don’t know what the alternative is – and if it may well be simply ceasing to exist, why not try to make the most of the time we do have? What do we have to lose? 

And what can we do to honor the people we’ve lost?

Not much. But we can live in ways that would make them smile if they could only see us. And maybe they can. (Probably they can’t). But LET’S JUST SAY THEY CAN and do it anyway. If nothing else, it’ll make it easier for us to keep going. And we might as well. Those little moments and good feelings are worth living for.


Being a commission, this painting is already sold, but 16×12-inch prints are available (and BEAUTIFUL) in my new webstore. And if you’d like to commission your very own original painting, I would (of course) love to hear from you.

Your support (sharing/reposting, buying, whatever) means everything to me. Thanks for reading.


Happy Martin Luther King or Valentine’s Day

"Happy Martin Luther King or Valentine's Day." 12/11/2013. Colored pencil and ink. 4x5¾".
“Happy Martin Luther King or Valentine’s Day.” 12/11/2013. Colored pencil and ink. 4×5¾”.

When I sent cards to the people I care about for the holidays in 2012, I didn’t end up getting most of them mailed out until early in 2013. With that in mind, I figured I’d play it safe this time around and draw something that’d play off my anticipated tardiness. So (of course) the cards ended up being totally ready to go with more than enough time to spare before Christmas. But that’d mean my joke wouldn’t work! So I held off on asking for addresses ’til I figured it was late enough that people wouldn’t suspect I was asking for the sake of Christmas cards and then waited even longer (January 1st) to actually drop them in the mail.

I held off on sharing this cartoon ’til now because I wanted my friends to see it for the first time when it showed up in their mailbox. And then a couple months went by and I just forgot about it.

So here it is, “Happy Martin Luther King or Valentine’s Day! (punctuality’s not really my strong suit).”

If we’re pals and you didn’t get one, it’s ’cause (1) I asked for your address and you didn’t give it to me; (2) I didn’t ask for your address ’cause I thought I already had it but you’ve moved and I don’t know it; (3) you were just one of those unfortunates that was probably on my list but got lost in the shuffle. Better luck next year! (And in the meantime, send me your god damn address). I love all of you.


Annual Check-Up

"Annual Check-Up." 3/1/13. Oil pastels. 5½x18".
“Annual Check-Up.” 3/1/13. Oil pastels. 5½x18″.

“I get a physical at least once a year. Not by design. It’s part of most places’ intake process.”

I don’t remember if I had this idea or if I just drew something that developed into a kid in a straight jacket and then added the caption after the fact. Either way, it’s silly but it’s not really a joke. The only check-ups I’ve had in years were all in treatment centers, mental wards, and methadone clinics.

—–

I’m still outta town, visiting a friend. Today, I met James; he’s seven years old and really great at Mad Libs. For example:

Yesterday my friend Poop and I walked across town to see Santa at our local poop store. But there was a long line of kids waiting to poop with Santa. As expected, he was a big, round poop who wore a bright red poop. Whenever a little kid came up to him, Santa would sit the child on his poop and ask, “Have you been a good little poop this year?”

James has been lucky to find his niche early in life and I admire his confidence in ignoring his detractors and refusing to deviate or stray from his vision. He knows what works and he delivers.


Sharps Attack

"Sharps Attack." 2/13/13. Watercolor. 9x12½".
“Sharps Attack.” 2/13/13. Watercolor. 9×12½”.

The plans were made and my flight was booked just a few hours before I made my way to the airport; I left Florida this morning to visit a friend for the week. She picked me up at the airport and we went back to her place, where I found this watercolor painting that I had given her after painting it back in February. It was my first time using non-Crayola watercolor paints, which were a gift from a friend. The special (watercolor specific) paper I used was also a gift from a(nother) friend. I’m very lucky in that sense. The words are still a little uncomfortable but… I’m very blessed.

I’ll be fairly preoccupied until I get back to Jacksonville on Friday night, so don’t take it personally if I don’t respond right away to comments, texts, emails, etc.

And if you ordered the Like Bats cassette and/or any art/prints last night or today, my apologies for the delay. I had no idea (or even any reason to suspect) that I’d be taking this trip until earlier this morning. I’ll ship everything out just as soon as I get home.


Matt

"Matt." 2/1/13. Colored pencil. 8x10".
“Matt.” 2/1/13. Colored pencil. 8×10″.

Rather than pay attention in group one morning, I decided to try and sketch my friend sitting across from me.

I’m pretty sure that this was my first (and only) attempt at an honest portrait. My technical ability as an artist is so limited that I rarely ever risk even trying to draw caricatures. I can think of seven exceptions but the only ones online so far are Rational AnthemHeather, and Servo & Megan.

Matt and I were sitting outside smoking cigarettes one day and he had some paperwork to fill out. We both thought it was pretty silly that the form asked for his race and ethnicity and, while he was initially hesitant, I was eventually able to convince him to have a little fun with it.

Matt's Paperwork


Ten Dollars an Hour

"Ten Dollars an Hour." 3/3/13. Acrylic paint and ink. 11x14".
“Ten Dollars an Hour.” 3/3/13. Acrylic paint and ink. 11×14″.

You know that feeling when you’re hanging out with people in your favorite bands and you’re pretending that you’re as cool as they are (or – put another way – that you don’t secretly think they’re, like, THE COOLEST EVER [just ’cause they happen to be in a band you really like])? And you pull it off successfully?
 
If you don’t know what I’m talking about, you’re a liar. (Because we bothknow YOU’RE NOT COOL). You are exactly as much of a faker as I am.
—–
I wrote that a few minutes ago (for nothing in particular) but then decided to use it in my entry tonight. It’s not totally on point for this painting (and what it means to me today) but it’s related. You could call that little blurb a prequel of sorts to what follows…
—–

One of my best friends has written a ton of my favorite songs. Since we first became friends years ago, he’s known how much I liked his bands but – now that I have a website where I write about a lot of this stuff all the time – I guess the full extent of it sort of dawned on him. He called me recently to ask about our friendship. “Like, is it pretty much the same as if Dr. Frank or Ben Weasel were calling me to tell me about their problems?” My answer: “Yeah, pretty much.” He asked what that was like and I told him it had been good for me. That I had learned a lot from the experience.

Believe it or not, there are people who think that I’m cool (and/or accomplished). And the experience of becoming so close with one of my “heroes” has given me some insight into that. We’re all nerds, none of us have a handle on our lives, and we all feel like we’re faking it to some degree. And the things that we’ve each achieved: they don’t always seem like much because they’re all we know. My “measure for success” changes constantly. At one point, if I posted a picture of something I made on Facebook and it got a dozen or so “likes,” I wanted to throw a fucking parade. That kind of stuff can still mean a lot to me (especially when I’m down) but it’s not quite the big deal that it used to be.
One afternoon in January, I was sitting on the side of the road trying not to lose my mind… I found a few crayons and some scrap paper in my backpack and scribbled out some nonsense. Today, somebody gave me sixty-five dollars for that piece of scrap paper. When I take the time to stop and think about that, it’s pretty incredible (and I’m very grateful). But that’s sort of where the bar is at now. When that sort of thing doesn’t happen, I feel like a failure. Recently though, I’ve been able to examine that along with my experiences with friends in more “successful” bands (who do the kinds of shit that a lot of us have only dreamt about (and write the kinds of songs most of us will never even get close to)) and I get it; I can understand why they don’t feel like the “success stories” that others might see them as. And I can see why I am the success story that I don’t always think I am.
That’s not all either. At times, the experience has given me self-esteem. Not because “somebody cool is my friend,” but because of the tough spots that it’s put me in. It’s hard to tell anyone that you care about something you think they might not wanna hear (or that they might be insulted by). And it’s even harder when that person is a “hero” of sorts. I found myself in that position recently and it wasn’t easy. I reallywanted to keep my mouth shut, but I also didn’t wanna be a coward. I swallowed the lump in my throat, said everything I wanted to say (with as much sincerity as I could), and… it couldn’t have gone better. Not only that but – when I asked, “What’ve your other friends said?” – the response I got was, “You’re the only one that’s said anything to me about this.” I think that’s a testament to just how easy it is to keep one’s mouth shut and not say the hard thing to a friend. Which (of course) isn’t being a friend at all. I was pretty shocked when I heard that but I also felt good about it – about overcoming my fear and finding the courage to say these things. No one else had.
—–
This stuff’s all super awkward. Who wants to talk about friendship or admit to having “heroes” in the first place? (Not me!) So – seein’ as I’ve been brave enough to do that – I’m gonna cut myself a little slack and allow myself to “cut it short” right here. Cool? Cool.