My grandpa died today

I share a LOT of my life through my art and through social media (which – whether art-related or not) I consider to be for the purposes of promoting my art. There’s one part of my life that I rarely, if ever, touch upon and it’s a pretty big part of my life. It’s the reason I’m still in Sarasota.

My grandparents moved to Sarasota to be closer to their eldest child, my dad. And then, shortly thereafter, my dad suddenly died. That left me as their only relative in the area. I’d never been particularly close with my grandparents (I’ve not even been particularly close with my parents) but when my dad died, I decided that I should try to be closer with my grandparents. So I started seeing them every week. Then twice a week. And – in times when something was wrong – everyday. 

Maybe I haven’t shared that because it conflicts with the ORPHAN IMAGE / ABANDONED BY WOLVES narrative that I’ve clung to my whole life. Maybe it just felt uncomfortable to include them in my story and my work when they aren’t of an age where they’d even be aware of it or know how to feel about/comprehend it, even if I tried to explain it to them. To this day, I’m still not sure they really understand my life. 

You guys remember when I made a series of vague posts about being overwhelmed and “the world beating the shit out of me” last month? (The first video was the one where I noted that a HAMMER had even hit me in the head?) Well those were really about shit going in with my grandparents. I had to continually postpone my outta state trip, cutting down 5 weeks to just 17 days by the time I actually left – at which point things seemed mostly okay.

When I got back last week, things were less okay. And today, my grandpa died. I was prepared for it. I knew it was coming. But not now. Not today. I thought he still had a couple weeks in him. And, honestly, I thought he’d likely hang on even past that – past the point when it made any sense. That did not happen.

I think I’m dealing with it pretty well. Not well enough to make a video without crying but – Y’KNOW – I’m not in PERPETUAL anguish. I am only INTERMITTENTLY crying.

I wanna say a few things about my grandpa in recognition and appreciation of the life he lived.

He spent his life as a criminal defense attorney and he FUCKING LOVED IT. His idea of fun was to go sit in courtrooms and just watch the mundane/daily courtroom shit that happened.

I didn’t go to law school to make him proud. I didn’t give my family a single thought when I made that decision. But he WAS proud. And when I graduated by the skin of my teeth, strung out on heroin – taking my exams at the absolute last minute long after everyone else (thanks to special arrangements made by the school registrar who was sympathetic to my addiction) I didn’t find out I’d passed my exams until about 36 hours before the ceremony. He was on a plane as soon as he found out. I didn’t walk high school or college graduations but I did that one for him.

I don’t remember if he even knew yet that I was a drug addict. My dad might have given him some other reason why we didn’t know about my grades or whether I’d be graduating until the last minute. But he knew by the end of that same year. And he paid to put me in one of the best inpatient dual diagnosis/rehab facilities in the country. 

The painting I’m working on right now is called POOR FOREVER. And it’s not about being poor forever, it’s about the attitude I have about money and how frugal I am because I don’t want to be POOR FOREVER. I don’t often spend money lightly. That comes from him by way of my dad. My dad kinda was poor forever. But my grandpa made a good living but still chose to live as if he didn’t. But when it came to getting treatment for his shitty drug addict grandson who hardly ever called, that all went out the window. He SPENT THE MONEY.

And then five weeks later I got kicked out of treatment. And two days later, he paid ANOTHER (expensive) facility to take me. And then five weeks later, that one kicked me out too. And then I ran the streets for a few months, being a drug-addled, dishonest fuck up until I broke down crying, on a bench, on the side of the road, in the rain. And then he paid a THIRD rehab to take me. 

Seven weeks later, can you guess what happened? I GOT KICKED OUT. But this time, something in me was a little different. And I worked to convince them to take me back. And when they agreed to it two weeks later, my grandpa dropped thousands of dollars AGAIN to get me readmitted. He spent thousands of dollars to get me checked in FOR THE FOURTH TIME. I stayed for 8 months. And while I can’t say that I’ve stayed clean ever since, it was what I learned in that last stint of treatment that’s the reason for the clean time that I got upon leaving and any/all of the clean stints I’ve had since, including these last 17 months.

As WE ALL KNOW – I am IMPERVIOUS TO DEATH/CANNOT BE KILLED, but (dropping my shtick for a minute) it’s super unlikely that I’d still be breathing if not for him.

These last few years, his Parkinson’s has fucked up his brain and dementia has taken over. A lot of my time with him has not been of a super high quality. I didn’t really get to know him and he didn’t really get to know me as much as I’d have liked. But – if nothing else – I know he appreciated the way I’ve shown up for him and my grandma (to whom he was married for SEVENTY FIVE YEARS). And I know he loved me.

One last thing about my grandpa. It’s a story I only heard recently. One year, he had a client who was sitting in jail simply because he couldn’t afford the bail. It wasn’t a major crime or an expensive bail but it was still more than this guy could swing. This was right before Christmas and – though my grandpa was Jewish – that still didn’t sit right with him. It’s illegal for lawyers to pay for their clients’ bail (for a number of reasons I won’t get into) so there was nothing he could do about it himself. So he went into every synagogue in the area and told them, “Hey – please post bail for this guy and I will make a donation to your synagogue for the amount of the bail and then some. And then when he shows up to his court date, you’ll even get that money back.” None of the synagogues would do it. So he went around to all of the churches in the area until he finally found one that took him up on his offer. All so this random low-paying (possibly never-paying) client wouldn’t be locked up over the holidays. That’s the kind of person he was.

The world is worse off for having lost him, but it’s much better for having him. The positive impact he had will carry on in more ways than I will ever even know. He was 96 years old.

Herbert North (1929-2025)

news, gratitude, coupon, ETCETERA

‘Tis a sad, sad day for Sammy thrashLife collectors. The original “I’m a Fucking Artist, Guys” drawing is officially OFF THE MARKET. 

I’ll confess that I did come down from the $1,000 asking price but I assure you it still sold for enough to enrage anyone upset by outlandish prices for scribbles on scrap paper. 😝

THAT SAID, this is the drawing featured on all my cards and fliers (arguably my TRADEMARK DOODLE), it was one of the very first things I ever made on my own (as opposed to – at gunpoint – in expressive art therapy group), and I think it’s as close to a HISTORICAL ARTIFACT as anything I’ve ever made so… I’m both happy that it’s found a home and a little sad to see it go.

Also sold this weekend: another piece that means a whole, whole lot to me (and had actually been sold once before but came back to me through A SERIES OF WACKY CIRCUMSTANCES): “Have Sex with and/or Buy Art from Me” – arguably the best/most accurate piece I ever made about my self-esteem and the subject of VALIDATION.

Prints of both (plus much more) still available in my webstore.

The last couple months have been especially great and I just wanna, again, thank everyone that’s been so supportive. It was exactly one year and one week ago that I tried to kill myself because I couldn’t imagine my life ever getting back to (essentially) where I am today. I’ve still not proved myself wrong on my 2016/2017 theory that my life peaked in 2013-15 and I’d never again be that happy or successful, but I certainly seem to be ON THE PATH and, for the first time in years, I think it might be possible.

my current work-in-progress – not done yet but getting CLOSE

Small aside: I recently got pro panels/pop-up walls so that I could show at art festivals (and use them at my little weekend/pop-up events) but I’ve already put them in storage because I only currently have three unsold originals that aren’t currently up on display somewhere (I’ve got nothing to hang on my walls!) It’s not a bad problem to have.

And if you’d like to exacerbate that problem by purchasing one of them, you know how to reach me.

And just ’cause, let’s say $20 off in the webstore this week when you spend $50 or more. Use promo code STLapril.

Thanks as always for your time and attention. You guys are the best.


Hurricane Milton < Hurricane Juliana

After packing my entire life into my car, stashing it on the fifth floor of a parking garage, and preparing to go to my grandparents’ ALF to wait out the hurricane (‘cause the building is “hurricane-proof” and has generators), my ex got around my many blocks (phone, email, social media) and begged me to give her ONE MORE CHANCE. And I brilliantly allowed her to come with me. It was fine (even GREAT) for that first night and then – the day of the hurricane – it became clear that nothing had changed and I was trapped in there with her.

It was torturous. To love someone so much, know it won’t work out, and then be stuck someplace together. And she just doesn’t get it. She still thought we were going to sleep together that second night, cuddled up, spooning on the couch. (There was no bed in the room we stayed in). I don’t know if she’s a sociopath or just has the emotional intelligence of a five year-old but I also know it DOESN’T REFLECT ESPECIALLY WELL ON ME that I was ever in love with this person or thought I wanted a life with her. I know I say this all the time but “we are attracted (and attractive) to people with similar levels of emotional health/maturity.” I would like to believe that my reluctance/refusal to engage with this anymore means that I’m getting better.

Anyway, it turned out that even though the hurricane made its initial landfall RIGHT HERE IN SARASOTA (less than a mile from my place), everything was alright. And nothing happened to my car. So I spent all day putting my life/home back together (just finished this minute) and I can LICK MY EMOTIONAL WOUNDS from the comfort of my home.

Things could have been worse. I need to remember to be grateful for what I’ve got. Friends (that helped me unload my car and then FED ME PIZZA), a home that I like, people all over that care about me, I’m clean, back to making art, and I don’t need to rebuild my life from scratch simply because of a natural disaster/GOD HATES ME. (Or maybe he doesn’t, seeing as how it worked out). But he PROBABLY does.


This was originally written simply as the caption for a TIKTOK VIDEO (I wonder if those words will ever not sound ridiculous to me?) because I’m currently operating under the belief that TikTok is my best shot at marketing myself/rebuilding my career, especially as long as I’m still just living in Sarasota. Here are the photos from the post for anyone that doesn’t wanna use that app.


Every Song Sounds Like the Last One

When I was first forced to participate in “expressive art therapy group” while in inpatient treatment, I thought it was a joke. “I can’t keep a needle out of my arm and I’m fucking dying and you want me to color?? You’ve gotta be kidding me.” But once I started to actually put a little bit of effort into it – and sharing with the group what I had made and the reasons I made the choices that I had – I got my first little taste of self-esteem. People liked my art and they thought my explanations were funny and insightful. It made me feel good about myself. Eventually, art became something I really enjoyed and – later – my primary occupation. Not only did it save my life but it’s my primary tool in maintaining emotional balance and it pays my bills and enables me to spend most of my time doing what I love most: making more art.

A lot of my work looks like a lot of my other work. I have a distinct style and I don’t really stray outside of the box too often. I’ve tried to experiment here and there but – when I do – I’m usually not too happy with the results. It’s only when I get back to doing what I love (drawing/painting funny faces with bright colors) that I start to feel better.

In September of 2014, my friend Paul paid me to draw something for him. He didn’t give me any instructions but I decided to visit a record he’d released when he first started his label, Radius Records, for a bit of inspiration. The lyric that popped out at me was from The Smoking Popes’ “Theme From ‘Cheerleader’”: “Every song sounds like the last one.” It made me think about how my art is all pretty much the same but how I’m okay with that. Just like how almost all of the songs I like (in the fairly rigid genre of pop punk) are all essentially the same. It reminded me of something I’ve often said when talking about music: “I don’t care about innovation or breaking new ground. A band can do the same thing over and over again; what’s important is that they do it well.”

It’s the same with my art. It doesn’t matter if I do the same trick again and again; so long as I do it well.

That’s what was on my mind when I did this. That and the fact that I had come to like my own art enough to stand behind it in spite of any criticism – but that I was still grateful to have fans and friends, like Paul, that liked and supported what I do. I wrote just a little bit about it on the left side of the drawing.

Every time I pick up a pen, a brush, [whatever], I risk failure, risk repeating myself. I’m not afraid. I like what I like, do what I do, and every time I pick up, I’m saying so. I believe in myself. But I didn’t always. Other people had to believe in me first. And if they didn’t continue to… I don’t know that I’d be able to either.

It’s taken me more than a year to write out the statement for this piece. Thanks for your patience, Paul!

"Every Song Sounds Like the Last One." 9/28/14. Ink. 14x11".
“Every Song Sounds Like the Last One.” 9/28/14. Ink. 14×11″.

 

On an unrelated note, my second NPR story of 2015 aired a few days ago, this time courtesy of Ryan Benk and the Jacksonville affiliate, WJCT. You can read or listen to it on their website.


Later, Florida

Riding around in the back of Mikey twoHands' truck yesterday, trying to find a new tire for the van, having the time of my life, and listening to Sundials' "Derek Shelton Birthday Party" on endless repeat.
Riding around in the back of Mikey twoHands’ truck yesterday, trying to find a new tire for the van, having the time of my life, and listening to Sundials’ “Derek Shelton Birthday Party” on endless repeat.

Today is the day I finally bust across the state line to start meeting with galleries and setting up exhibits outside of Florida. I’m not allowed to drive in Georgia but – now that I’ve got Spillane with me – I’m able to make Atlanta the first stop. Cities are cities to me at this point though so priority #1 is to get out of the heat. To that end, we’re gonna try to get everything we wanna get done within the span of a couple days – maybe stick it out through the weekend just on account of gallery hours – and then get heading further north.

Right now, we’re en route to get the transmission on the van serviced but we should be on the road by 6. This stop in Jacksonville was only supposed to be a day or two and turned into ten. I’m happy to be moving on but that’s nothing against this city. I’ve been in and outta Jacksonville for the last few months now but, in that time, it’s started to feel more like home than any other city out there. There are a lot of people that made it that way: Tim, Shanna, and everyone else at Sun-Ray Cinema; Christina and Ian at Rain Dogs; Mandie, Rosaly, and Richard of Wunderground; the whole crew at Burrito Gallery (with a special nod to Julie for getting me in the door); Janet Harper and Folio Weekly; Regina and The Silver Cow; Pugsley and Ian at Dark Side Tattoo Gallery; (most recently) everyone at On Point Ink and Ryan Rummel at Club TSI; Heather Pierce; Alex Zalo; and all the friends I’ve made and supporters I’ve found here, who are so many in number that (as much as I wanna) I won’t call out by name ’cause I’d hate to leave somebody out. You’ve all been so excellent to me and I’m not gonna forget it anytime soon.

And that goes double for Mikey “twoHands” Kelly, who’s been the best fast friend I could have ever asked for. Half the shit I’ve done here would have never happened had it not been for you, buddy. I’ll miss Jacksonville and I’ll miss you.

Until the heat goes away…  Later, Florida.


When God Gives You Lemonbrains

"When God Gives You Lemonbrains." 1/15/14. Oil pastel. 9x12"
“When God Gives You Lemonbrains.” 1/15/14. Oil pastel. 9×12″

It was early January. I was sitting on the couch at Sun-Ray Cinema, organizing the prints that I had left there for sale. I looked up and saw Tim walking toward me. He stopped, took a step back and looked at the placard for a piece of mine on the wall. “Yeah, I’m gonna take that one,” he told me.

Tim and Shanna (co-owners of Sun-Ray) had given me the opportunity to have my first art show, there in the lobby of their theater. And Shanna had already bought one of my pieces when my exhibit first opened. They’ve been unspeakably supportive of me.  And now Tim wanted to buy another one. Things had been going very well the last few months and as I made my way home that night, I couldn’t help but reflect on how cool it all was. I was actually making my living with my artwork. I was paying my bills and supporting myself with the little therapeutic exercise/activity that I had discovered in the midst of my third (and seven month) inpatient stay of treatment for heroin addiction and borderline personality disorder. I was spinning my mental illness into a career. It seemed totally insane and I couldn’t have been happier about it.

A few days later, I was in southwest Florida so I went in to visit at Tranquil Shores – the facility where all of this started. And I was lucky enough to be there on a Wednesday, which is the night of their outpatient “Art of Recovery” group. These days, I rarely spend less than fifteen hours on a piece and they’re almost always acrylic paint on canvas. When I get back to “group” though, I like to play along, which means starting and finishing a piece within the session and using the materials provided. Besides, those bright yellow and pink oil pastels looked really appealing. (I love colors way more than makes any kind of logical sense).

I’ve been mobile/itinerant as fuck lately, so I’ve had this piece tucked away (in an envelope, in a steamer trunk, in the back of my minivan) for the last two months. I rediscovered it the other day and finally had prints made. It seems like just the right time. As I wrote last night:

As I go to bed on the last night in March, it is with the satisfaction that comes with having met my income goal for the month. And my income goal for next month. And the NEXT month. Things are going well. Here’s to keeping it moving, carrying it forward in April (which I already have fully blocked out in three cities).

I love making art. I love that I’m able to support myself doing it. I’m really, truly happy. I am fulfilled.

 The problems that come along with having a personality disorder (my brain not being the way it should be) used to fuck me up all kinds of ways. These days, it’s a blessing.

I feel like a broken record saying so but I’m so grateful. And I can’t help but think about how remarkably and wildly different a sentiment that is from the way I used to feel about myself.

 


Happy Martin Luther King or Valentine’s Day

"Happy Martin Luther King or Valentine's Day." 12/11/2013. Colored pencil and ink. 4x5¾".
“Happy Martin Luther King or Valentine’s Day.” 12/11/2013. Colored pencil and ink. 4×5¾”.

When I sent cards to the people I care about for the holidays in 2012, I didn’t end up getting most of them mailed out until early in 2013. With that in mind, I figured I’d play it safe this time around and draw something that’d play off my anticipated tardiness. So (of course) the cards ended up being totally ready to go with more than enough time to spare before Christmas. But that’d mean my joke wouldn’t work! So I held off on asking for addresses ’til I figured it was late enough that people wouldn’t suspect I was asking for the sake of Christmas cards and then waited even longer (January 1st) to actually drop them in the mail.

I held off on sharing this cartoon ’til now because I wanted my friends to see it for the first time when it showed up in their mailbox. And then a couple months went by and I just forgot about it.

So here it is, “Happy Martin Luther King or Valentine’s Day! (punctuality’s not really my strong suit).”

If we’re pals and you didn’t get one, it’s ’cause (1) I asked for your address and you didn’t give it to me; (2) I didn’t ask for your address ’cause I thought I already had it but you’ve moved and I don’t know it; (3) you were just one of those unfortunates that was probably on my list but got lost in the shuffle. Better luck next year! (And in the meantime, send me your god damn address). I love all of you.