Jail (This Time I Turned Myself In!)

"Jail." 3/5/13. Pen on property inventory sheet. 4x6".
“Jail.” 3/5/13. Pen on property inventory sheet. 4×6″.

August 1, 2012. I landed in Miami and rented a car. The cops in Overtown had been seriously on my case. I couldn’t go into the neighborhood without getting hassled (or worse). On one occasion, after putting a gun to my head, pulling me out of the car, and throwing me onto the pavement, they had actually made me pull down my pants (right there, on the street) and hold my butt open so that they could look inside my asshole for drugs. Again – this wasn’t back at the station – this was on a public street. That was before my car had been stolen. Having to enter the neighborhood on foot had made matters worse. I don’t “blend in” in Overtown. But I had a rental car now, so I was willing to take my chances.

I copped successfully and once I was sure that I wasn’t being followed (which had been the case several times prior) I pulled into a Wendy’s parking lot to shoot up. Normally, I’d insist that we wait until we were safely back in our shitbox apartment, but I was alone now and I wasn’t putting this shot off any longer. It had already been far too long.

The plan was to collect my things from the apartment (assuming they were still there – and that my key still worked), drive to Sarasota, collect some more of my things, and drive to New York, where I would live. I didn’t have any idea where specifically in the city I’d even go once I pulled into town, but I guess I thought I’d figure it out at some point in my eighteen hour drive up the east coast. I was going to get a job in a law firm as a paralegal, take the bar exam, and get a job in a law firm as a lawyer. And I was going to stop shooting heroin. This shit in Florida – this was just a “last round” sort of thing. I believed this. Sincerely.

The next 17 days were a blur. I could probably piece a lot of it together if I sat down and “timelined” it all out, but it’s not all incredibly relevant to this particular part of the story. What is relevant is that at some point in those 17 days, I got into a car accident.

I was driving to my drug dealer’s house, but I was already high on heroin and xanax. I made one stop on the way, at Liggett, to buy more needles. When I came out, two guys were standing by my car (the car I had borrowed from the Owens). “What do you have in the bag?” they asked me. What the fuck is this… I wondered… “It’s my prescription,” I lied, “my antidepressants.” “You’re fucked up,” they told me. “You ran up onto the sidewalk three times and almost hit us twice. What’re you on?” I had no idea that I had driven up on the sidewalk (or almost hit another car). I told them that I had been texting and that I was sorry. They said they couldn’t let me drive. They offered me a drive to wherever I needed to go. I put on my best sober and in control act and somehow, eventually, convinced them that everything was cool.

About five minutes later, I crashed into another car. Luckily, nobody was in it. That’s probably because it was parked – not on the street, but a good deal off of the street in a driveway. The people came out of their house. I apologized profusely and recycled my lie – saying that I had been texting. They wanted to call the police, which I assured them wasn’t necessary. “I’m really sorry, but I can’t wait around that long. I have a doctor’s appointment to go to and I’m moving out of state tomorrow. If I miss it, I won’t be able to get my prescriptions filled before I leave.” (I was planning on leaving, but not the following day – and there was no doctor’s appointment). I gave them my information. Well, not so much the information, but the actual documents. To convince them that I could be trusted, I gave them my driver’s license and the vehicle registration and insurance card from the glovebox (it wasn’t my car, it had been loaned to me after I returned the rental). And I had them call my phone right then so they could see it ring in my hand, verifying that it was legitimate. I assured them they didn’t need to call police and hit the road. I said I’d come back for my license and other papers later.

The calls started coming in. They called the police, who wanted me to come back. I pretended I couldn’t because I was at my appointment, but when the vehicle’s owner called me (having also been contacted by the police) he told me that if I didn’t go back, there’d be a warrant issued for my arrest. But that if I did go back, I’d just get a citation. By this point, I had already injected even more heroin, but I convinced myself that I could pass for straight, stashed my lockbox full of drugs and paraphernalia, and drove the smashed up car back to the house where I had hit the car.

I pulled off the act successfully. No one suspected (or at least accused) me of being under the influence of anything) and I just got some tickets… and a summons to appear in court. For “leaving the scene of an accident without giving information.” Which was obviously a totally bullshit charge considering the tremendous extent to which I had given my information BUT it was a fuck of a lot better than being arrested for DUI and possession of heroin.

I cut a deal wherein I had to pay some fines, take a driver improvement course, and do some community service hours. By the time I went to my courtdate, I was already in rehab again, but they didn’t need to know about that. But here’s the one bit of information that I’m actually trying to get at: I (unknowingly) failed to satisfy one of the criterion in some way, so when I got out of Tranquil Shores (seven months after all of this even happened) I found out that there was a warrant for my arrest. Unless I wanted this shit hanging over my head, I’d have to go down to the jail and turn myself in.

It was a bummer but I kept an incredibly positive, upbeat attitude throughout. Even when I found myself handcuffed to a wall in a hallway, for hours, waiting for them to even begin the process of booking me. (Translation: I could have been sitting in the lobby, I could have just been outside – but I guess that’s not how that shit works).

I even stayed positive when – having asked for permission to draw (and been granted it) – another officer came and took my pen away. (And this was at the phase of the game where incoming arrestees are all filling out paperwork so we’re not talking about a “no pens allowed” policy). Which isn’t to say that any of this is a tremendously huge deal or “totally unfair.” But it is the sort of thing that “the old me” would have found to be a TERRIBLE INJUSTICE and lost his shit over. I didn’t do that though. I smiled and thought about how I was grateful to be in a position where I wasn’t caught off-guard – where I was able to arrange for my bail to be paid ahead of time – and grateful that, so long as I stayed on the path I was now on, this would be the last time I’d have to deal with this kind of shit. This would be the last time I’d have to sit handcuffed to a wall.

So this is my self-portrait from the last day I was arrested.

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Post-script: Obviously, I never made it to New York. I checked into rehab on August 17th. Also – fun epilogue: From the scene of the accident, I went to trade in the (now totaled) car for a motorcycle… which I also managed to crash (just thirty minutes after being issued the tickets and the summons!) – impressed??

 

 

 

 

 

The original drawing is no longer available, but if you ask Bill Pinkel (one of my favorite artists) really nicely, maybe he’ll let you take it out of the frame and see what I had with me / got marked down on my property inventory sheet. Either way, it is available as a 4×6″ print – numbered, signed, and sealed.


Footage from the movie I’m in!

I just saw a teaser trailer for No Real Than You Are! I’m not allowed to share it with anyone yet, but it’s pretty awesome.

It’s silly, but I think my favorite part is just that I’m wearing a Jonesin’ hoodie as I fall apart in a graveyard and a Rational Anthem shirt as I make out with a girl in a treehouse.

I have a post that I’m really excited about (that’s half-written) but I can’t get to it and finish it for another hour or so.

I spent today doing yard work. I cleared an area overgrown with six foot weeds. It took me four hours (which equates to two large pizzas). I have a funny life.

I like it.

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Iowa

Things got a little hectic yesterday morning. I’m going to try to tell this story, which involves other people, while keeping the focus mostly on myself. I’ve never stated so explicitly but there’s a reason I do that and it’s not because I think I’m such a fascinating character. Letting my focus shift to other people would make for better storytelling but less effective mental health exercise. When it comes to my well-being, the things that other people think, say, and do are irrelevant. Really, they have nothing to do with me and are none of my business (or at least none of my concern).

The Lipstick Homicide and Bloated Kat houses are about a block apart, so our crew was split between them for the night. It was about time for us to get on the road from Iowa City to Carbondale when Noelle called me and said she needed my help. “It’s nothing bad or serious, is it?”

“Andrea broke up with me and is driving back to Florida without Jessica.”

Since 2008, Rational Anthem has had an incredibly sensible rule: no girlfriends on tour. Relationship problems are bad enough on their own, but when they come up on tour, they become the whole band’s problem. This trip though wasn’t quite a tour and an exception was made. Noelle’s girlfriend rented a car to drive up to Dave Strait Fest, but also to stop along the way up and back for two of the shows Rational was playing between Florida and Minneapolis. In the car with her was a friend of Noelle’s (and – at one point – possibly of Andrea’s as well).

What happened isn’t important. There was now bad blood and Andrea didn’t want to drive back to Florida with the other girl.

Rational Anthem has three members. Their van has four seats. I was along for the whole trip and Zack’s summer in Minneapolis was over, so he was hitching a ride with us back home to Florida.

I walked over to the house and sat down with Andrea. I offered a couple different ideas/options that might make her more receptive to driving back with Jessica in tow, as planned. She wasn’t having it.

There was a point in my life where I was so desperate to be perceived as a “winner” – as someone capable of pulling any trick or fixing any problem – that I would have pulled whatever emotionally manipulative bullshit was necessary to get those two girls in the car together and back on the road to Florida. But that’s not me anymore. Andrea was hurting and I felt for her. Whatever happened to spark the conflict didn’t really matter to me. Two (or three) people can have radically different versions of a story and neither’s is wrong. Perception *is* reality. If Noelle or Jessica were mean to Andrea, if it was all in Andrea’s head – it didn’t make any difference. Emotions are more powerful than facts. I didn’t care about the problem, only the solution.

The rental car was in Andrea’s name. On paper, the call was hers. Could she have been coaxed into taking Jessica and making life easier for the other people involved? Probably. But I consider Andrea a friend and – it’s a little strange but – my empathy was stronger than my need to be the clever problem-solver. It’s strange because I’m not sure that’s ever happened before. I wasn’t willing to do anything to keep her from doing what she felt she needed to in order to feel okay.

I gave Andrea a hug and told Jessica she’d have to take a bus from Iowa to Florida. Not because she did something wrong (I don’t know or care whether or not she did) but because that was simply the situation we were in. Unfortunate but… things are as they are.

Jessica said she didn’t know what she had done wrong. I said that I didn’t either, but that it didn’t matter. She was upset (and reasonably enough so). Not being the type of itinerant punk rock fuck-up that so many of us are, a bus trip from Iowa to Florida was going to be a new kind of experience for her. I did my best to remain calm, compassionate, and supportive, and to alleviate any fears, but it didn’t go over much better than my initial proposals to Andrea. Jessica asked if she could go in the van with Rational Anthem and someone else could take a bus or ride back with Andrea.

Chris, Noelle, and I walked back to the other house. Chris wanted to keep the group intact as it was. Noelle said she felt bad about the situation Jessica was in so she was okay with Zack or I heading back with Andrea – so long as we were. I didn’t like that option, but was willing to do whatever seemed to make the most sense. Zack was too. I saw Andrea’s hurt, but there was hurt all over the place and I’d do just about anything for Noelle at this point. She’s my friend and – besides – I owe it to her. For all the times when I haven’t been a good friend to her. For all the times when the only thing she could really count on me doing was making trouble myself.

As it turned out, Andrea returned
the car in Iowa and made other plans. The five of us decided to hit the road as initially planned.

"Iowa." 8/19/13. Watercolor, marker, and pen. 9x12".
“Iowa.” 8/19/13. Watercolor, marker, and pen. 9×12″.

This was finished later that afternoon but drawn mostly the night before, on the way to (and at) the show in Des Moines (which was The Copyrights, Lipstick Homicide, Rational Anthem, Tight Bros, and a few others). The text is basically journaling about the situation and some other stuff that was on my mind at one point or another.

The text that stands out most to me says, “What’s to come is what matters. We roll with the punches. We’ll do whatever it is that we have to do.” It’s kind of about what is as well as what should be. Or maybe just what is when we’re at our best. Human beings, I mean.

I’m really grateful for the fact that – even when I thought it might mean that I’d have to go home early – the thought never occurred to me that I should go back and try to talk Andrea into taking Jessica after all.

And I’m grateful that I’m still here with four of my friends. And grateful that I’m finally able to treat my friends the way a friend should.


Out All Day

I sold a lot of my stuff online today. Some leftover distro stock, but a lot of personal stuff too. Tonight, I borrowed Heather’s car to scrounge up cardboard boxes to ship these things in. At the gas station where I found most of my cardboard, I also found a couple. Homeless, fucked up. Not totally unlike me a year or so ago. They wanted money and I told them I had none. I gave them a couple cigarettes and used my food stamps to get them something to drink. They wanted a ride and I told them that it wasn’t my car. They had a pretty great sob story about why they couldn’t walk. I told them I’ve fucked up too many things in my life. That I was sorry, but I can’t give strangers a ride in a car that I’ve been trusted to borrow.  I can’t take any risks.

It was sad and it sucks but it’s also [whatever]. It just is. And it’s not a big deal. But I’m proud of myself for saying “no” and for being honest about the reason why.

“Out All Day.” 6/18/13. Marker and pen on canvas board. 8x10".
“Out All Day.” 6/18/13. Marker and pen on canvas board. 8×10″.

Says, “I was out all day. No one told me I had paint in my hair ’til 11 pm. I had a shirt with me in case I went to the library. I couldn’t be happier.”

This was only my second piece done entirely with markers. My first was “Powerless Over Flexeril,” but since then I’ve done more. While on tour, I made “Lost in St. Louis” and “Fear is Killing Me” and more recently I made “Still Sick,” one of my largest pieces to date.

A couple hours before I made this, someone told me they liked my outfit and I thought they were making fun of me ’cause I barely wear any clothes. She was serious though. It made me think about how I really like the fact that I have the sort of life that rarely requires a shirt (and even more rarely requires a shirt with sleeves or a collar). I like the fact that I have the sort of life where I can have paint on my hands, on my arms, my face, and my hair, and – not only is it not an issue or a problem but – it’s not even something that anybody comments on.

As anyone that saw my painting from last night (“Blueprint For a Successful Evening“) can probably guess, things were a little off when I got up this morning. But I went about my day, did my own thing, didn’t stress about it, and everything worked out perfectly.
I’ve said it before, but it’s still true – so long as I’m cool, so is everything else.

By the way, it’s not easy leaving white space on the canvas. So – you know – be REALLY impressed by that AMAZING feat.

(This next part – don’t get me wrong: I’m not majorly bumming out or anything like that but) I am feeling just a little bit sorry for myself tonight. Or I was earlier today anyway. With all the traffic to my webstore today (people buying records and books) I’d have thought that I’d have sold at least a little bit of my artwork. But I didn’t. I can think of a lot of reasons for that (some are a little more disconcerting than others) but like the couple I met tonight at the gas station, the reasons don’t really matter. It just is how it is. And my life is still pretty excellent. And I need to remember to be grateful for that. I need to focus on all of the good things. Lucky for me, there are a lot of them so it’s not all that difficult.

And if there’s something in my life that I’d like to be different, then I need to be bold. And brave. I need to take healthy risks and I need to take responsibility for actually making change happen. I don’t just get to have the life I want. I have to be the person I want to be and do the things that… that I need to do. I have to work at it. Whatever [it] might be.

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Signed and numbered 9×11¼” prints of “Out All Day” are available in my webstore. The original sold in November 2013.


Stand Up and Say No

It wasn’t gradual and it wasn’t an accident. I was eighteen years old and I remember saying to a friend, “Where can we get heroin and where can we get needles?” I was angry and I was miserable. The world was not fair and it wasn’t fun. Everything that everyone had told me was important was not. Shooting heroin seemed like a pretty good way to prove either that nothing mattered or – at the very least – that everything everyone else believed to be true was actually bullshit.

Six years later I was even angrier and even more miserable. I got reckless with heroin. I didn’t care anymore about whether or not I developed a physical dependence. I started shooting up every day. This would really prove a point, right? Eh, probably not. But it didn’t matter anymore. I didn’t care. It made me hurt less. That was enough.

When I started a record label in 2008, I named it “Traffic Street,” after the last song on “The Cheap Wine of Youth,” the second EP by Rivethead. It’s been my favorite record for a long time and it means even more to me today than it did back then.

The songs on that record describe life more accurately and poetically than anything I’ve ever read. There are the feelings of desperation and exhaustion, but there are also all the little moments that make life worth living. And there’s hope. When I’m feeling awful, I listen to “The Cheap Wine of Youth.” When everything’s going my way, I listen to “The Cheap Wine of Youth.” I’ve been asked for advice in the past and found myself quoting these lyrics. They come into my head every day, whether or not I’ve listened to it. It’s the most important piece of art I’ve ever been exposed to and its influenced the way that I’ve lived my life and the way that I live it today.

From “48 Doublestack”: I know it’s nothing short of terrible – the way this place seems sometimes. Still, it’s not impossible to laugh at the bullshit, drink up with the worst. Kid, I know it’s hard but try not to let the world make you the sucker all the time. These things that we’ve done, somewhat desperate and drunk, built the basis for this restless way that we live. We’ve rejected what you’ve got to show for the trade-off.

From “Traffic Street”: And now today I think I found a way to make myself go outside and laugh in the faces of the winning team, while they chase boring dreams and still live paycheck to paycheck. Do what you really wanna do. Don’t fucking “yes, sir” through your whole life like a fool, kid. I hope you don’t really need the lies. Don’t fucking waste your time with the world always dragging you down.

I don’t shoot heroin anymore and I’m not miserable anymore. People tell me I should take the bar exam and be a lawyer. I don’t want to be a lawyer. A lot of people think that’s crazy and think that they know better than I do how I ought to be living. I don’t need to shoot heroin anymore to show them just how little their ideas and opinions mean to me. Now, I’ve got a new way to laugh in the faces of the winning team. I wipe my ass with my law degree and I paint pictures of weird kids with bad teeth. Money is cool, but it’s not that cool. I’m not interested in the trade-off. I like my life the way that it is and I’m way happier living this dream than I would be chasing that other kind.

When life seems tough, I draw inspiration and encouragement from these lyrics (and a lot of others in the Rivethead / Dear Landlord catalog).  If it sounds silly to say stuff like this about a pop punk record… I don’t care. This is the kind of stuff that I think is important.

standupandsayno
“Stand Up and Say No.”July 31st, 2013. Acrylics and ink. 16×20″ stretched canvas.

Zack (who wrote the music (and sang) in Rivethead) has become one of my closest friends over the last few years.  Brad (who wrote the lyrics (and played drums) in Rivethead), on the other hand, I don’t really know outside of a couple shows and a couple fests. But he knows how much I like that band. One day last year, my counselor gave me a package that had come in the mail for me. It had Brad’s name on the return address. I opened it up to find a letter and a test pressing of “The Cheap Wine of Youth.” I’m pretty sure there are only four of these in the world. He could have easily sold it on eBay for … shit … at least a couple hundred bucks I’d guess. Probably more. But he sent it to me, as a surprise, while I was in rehab. I’m not exaggerating when I say that it’s pretty much the coolest thing anyone could have sent me. It’s on the same level as if Aaron Cometbus had sent me the original handwritten Double Duce. Or if Zack had given me the last Rivethead t-shirt and City Sound Number Five poster (which he did (because he’s awesome) (and I love him for it)).

But – yeah – this painting is my “thank you” to Brad ‘cause getting that record, from him, on that day, was… something for which I am incredibly grateful. I don’t really have the words to describe it.

The images are allusions to the lyrics of “48 Double Stack” and “Traffic Street.” If you don’t understand the caption, go pick up a copy of the record and start from the beginning.

Here it is on my wall. It’s the one record I’ve ever framed.
cheapwinetest

And here – for your listening pleasure – (by the flip of a coin) is “48 Doublestack.”

The painting featured in this entry is available as a 12×16″ print/poster. It comes signed, numbered (of 10), and framed.


I Am Not As Interesting As I Think I Am

Somehow, at the end of my ride home, the perfect song always seems to come up to remind me that life is spectacular. Tonight it was “Why’d You Walk Away?” by The Potential Johns.

Here’s the first real break in the chronology. I spent between four and five hours painting it earlier tonight.

"I Am Not As Interesting As I Think I Am." 7/27/13. Acrylics and ink. 16x20".
“I Am Not As Interesting As I Think I Am.” 7/27/13. Acrylics and ink. 16×20″.

As I mentioned earlier, I had been stressing out about this site. Heather asked me the other day what I was trying to get out of it. “Money and attention,” I told her. And then I backpedaled because I was really thrown by my answer. And then I was just sort of confused. Was that really what I was after? If so, what the fuck was wrong with me?

Tonight I realized that nothing’s wrong with me – well, not that anyway. That is the purpose of this site and I’m totally okay with that. Because that’s NOT the purpose of the content, just the site itself. My journals (both while in treatment and today) aren’t something that I write for money or attention. They’re usually the product of intense psychic trauma that I’m trying to get rid of – especially these days. In treatment, I tried to journal every day just for its own sake. Lately, I really only journal when I’m incredibly stressed out and need to get some shit out of my head and in front of my eyes. Similarly, my artwork is all about emotional balance. I make it because it’s what I have to do in order to stay sane. When I don’t make it, I start stressing out about stupid shit (like this website).

But I don’t need to share any of this stuff publicly, on the internet, in order to be well. I do it because I was encouraged by counselors and peers to dedicate as much of my time as possible to doing these creative things and to see if I could find a way to use the products of that time to support myself as well. I was told that the things I was making had value to other people and I decided to put myself out there and see what would happen. Thus far, the return I’ve gotten on that emotional risk has been incredible in just about every sense. It’s true that – since this site has launched – I haven’t gotten a ton of feedback, but we’re only talking about five days. I can’t even count how many people have reached out to me because of the things I’ve put out there prior to this week. I can hardly comprehend the amount of love and support people have shown me as a result of all of this.

The site is about marketing in a sense and so it’s disappointing when I’m not selling anything or getting as much attention as I’ve become accustomed to, but that’s some bullshit on my part. I need to remember to be grateful for all that I have received. I also need to remember to be humble. Posting old journal entries from when I first got into treatment… there may be some value to it, but it’s probably not quite as fascinating to read as I initially thought it might be. Which leads me to the most important point – that I need to remember to honor myself with honest self-expression. Yesterday has happened. What matters is today. What matters is how I’m feeling, how I’m doing, and what I’m doing today. And today, I’m back to focusing on the process of creating art, rather than what might come of it down the road.

 

Psst… If you notice any weird lines in the image, it’s ’cause I had to use a low-resolution camera and I pieced together a few close-up photographs. (I’ll replace it with a better photo once I’m able).

Bonus! Remember when I was talking about “Why’d You Walk Away” by The Potential Johns?

(And if you don’t already have it, go pick up their most recent 7-inch, which has maybe my favorite Potential Johns song ever).

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  • Signed 12×15″ prints of “I Am Not As Interesting As I Think I Am” are available in my webstore.
  • If you’re interested in purchasing the original painting, feel free to contact me.