Perfect Love / Exit Bag

September 12, 2013

"Perfect Love / Exit Bag." 10/31/12. Tempera, colored pencil, oil pastel. 12x18".
“Perfect Love / Exit Bag.” 10/31/12. Tempera, colored pencil, oil pastel. 12×18″.

“Perfect love” (to me) isn’t just unconditional love; it’s bigger than that and it’s greater (or wider) than any kind of romantic love. It’s a total respect for the entirety of another human being. It doesn’t have any room for jealousy or anything like that.

I really like the word “cupidity.” Technically, it’s an excessive desire to possess something (like money or materials things). Given the connotations of “cupid” though, I like to think of it as more of an excessive desire to possess someone. It’s sort of the opposite of perfect love. When I meet a girl, I have a tendency to go from one extreme to the other. One minute, I might be totally enamored or infatuated with her and then – the second I fear that she might not reciprocate (if she’s paying more attention to someone else, for example) – I’ll totally shut off absolutely all feeling and cease to care about her in any way at all. And then – the moment my fear is somehow allayed – a switch flips and I’m one-hundred percent invested in her again.

I’ve never been what you’d call a jealous or possessive boyfriend. I’m not bothered by my girlfriend going out without me, having male friends, or anything like that, but I think that’s because – once she’s “officially” my girlfriend – my cupidity is sated. That’s all the “possession” I need to feel okay, but that’s still a problem. It’s still not okay with me that I (feel like I) need that at all.

Last October, I was in treatment and I liked a girl but I knew it was a bad idea for me to get involved. So I was trying to have a genuine friendship with her. I was trying to practice this concept of “perfect love” that I had in my head. I was trying to be real and authentic and honest, and to value and respect her as an independent human being. It was a totally different dynamic (and experience) than my usual approach of (still trying to be honest but primarily) trying to get her to like me (or want to be my girlfriend or want to sleep with me). I wanted my behavior to reflect perfect love, which meant acting without any expectation, desire, or even hope of receiving anything in return.

On Halloween, she was having a problem and – after coming to me for help – she went to someone else. “What – I’m not enough? My help wasn’t good enough? What’s happening!?”–I thought. I didn’t show any of this outwardly, but the switch flipped and I immediately ceased to have any interest in this girl. My feelings were hurt so I was going to stop caring. …Because I wasn’t the only person that she shared her problem with…

And it’s worse than that even. In these situations, I don’t usually stop caring about the girl alone – more often than not, I also stop caring about myself. Suddenly, I’m a worthless unlovable piece of shit and there’s no reason for me to be alive. (My attempt at perfect love was an abysmal failure).

This all happened just before expressive art therapy group. An “exit bag” is a homemade suicide device. To make one, you need a helium tank, an oven bag, a piece of string, some tape, and a tube. I felt like I wanted to die, but I knew that I didn’t really and I wasn’t ready to talk about my feelings because I probably wasn’t ready to feel better. I needed to punish myself by stewing in misery for a little bit longer. Writing “helium, bag, string, tape, and tube” here was my way of saying “I WANT TO DIE” without having to deal with anyone’s response to a statement like that.

Because so much of what I was experiencing as I made this piece so perfectly exemplifies (/is symptomatic of) borderline personality disorder, I came to see the ghost that I drew here as sort of a stand-in for BPD. He’s in at least five of my pieces (including a tattoo). Once I have more of those online, I’ll probably do a special post just to feature him in all his different forms. (That sounds like fun to me). : )

Everything Works Out Exactly As It Should

August 25, 2013

My first reaction to twelve-step programs was: “Required belief in a higher power? This isn’t going to work for me.” I read “We Agnostics” and heard about the proverbial higher powers of atheists (light bulbs, door knobs, etc.) and it was all bullshit. Besides, from what I could tell, these programs weren’t talking about “a higher power of your own understanding,” they were talking about GOD. Narcotics Anonymous goes so far as to refer to God as “Him” (with a capital fucking H)! The Alcoholics Anonymous text is even worse; with exclamations like “May you find Him now!” they might as well have a crucifix on the cover. I was equally unimpressed and unswayed by the guy who told me his higher power was Spiderman. And the people who said that NA or AA was their higher power just seemed to be reaching.

It wasn’t for me. “We Agnostics?” More like you agnostics. I wasn’t an agnostic or an atheist because I’m not even acknowledging it.  If someone asked me if I believed in God, I’d look at them like they were retarded. “It’s not something that concerns me. It’s not a relevant question. Who fucking cares?”

In December of 2011, worn by desperation, my mind opened just a little bit. In my room alone, my second night in (my first) rehab, I accepted my first higher power. It was something. Literally. My first higher power was something. “Whatever it is that those addicts who recover share in common – that’s my higher power.” My thought was that I may not be able to identify or articulate exactly what that was specifically, but that only made the concept seem more in line with what I thought conceptions of God or a higher power are really all about.

As I became more well-versed in recovery speak, I would playfully throw the slogans and principles around – mock-chastising staff and peers when they’d do or say something that could be interpreted as out of step with recovery. This, of course, included statements invoking God. As it so often happens in rehabs (or kindergarten classes – or any place populated by those with the emotional maturity of children) someone made a joke that sparked a whole series of related jokes, perpetually retold, refined, and expanded. In this case, the joke was Sam’s punk god. I loved it and, somewhere along the way, actually adopted it. Accepting a higher power in spite of my awareness that it was the product of our imaginations – in a way – showed willingness. It required more than ordinary faith; it required total nonsense. And while completely irrational, it was still (as I’d love to point out) every bit as valid a conception of God as the ones presented in religious texts. Its absurdity was part of the appeal. “Punk God isn’t really concerned with sin,” I’d preach. “Except for voting. Punk God fucking hates voting. If you vote, you’re definitely going to hell.” In more earnest moments, I’d confess: “I don’t actually believe in Punk God, but as a concept – as a tool – sure.” Eventually, I’d need something that could offer me more guidance than a parodical exaggeration of myself. But for a time, the idea that Punk God was looking out for me was enough.

Something in me changed. I was building up to it over the course of more than a year but there was a moment when it really crystallized and I became a different person. [See: “No Accident”]. I’m still somewhat embarrassed to talk about it isometimes, but I got to a place (emotionally) where I could accept a real higher power.

Love.

I’m not perfect when it comes to practice but, in a tough situation, sometimes I have the peace of mind to pause and ask myself: What’s the loving thing to do? What action can I take in this moment to demonstrate love for myself as well as love for others?  If I answer it honestly – and have the discipline and willingness to honor the answer in that moment – life seems to… everything seems to work out pretty okay (better than okay: extremely well).

This might not always be the case though, were it not for the second of my (let’s call them) “spiritual principles.” When something bad happens, I don’t accept that it’s bad. It might seem bad, but it isn’t. I might feel some kind of pain in response to it (whether physical, emotional, or [whatever]) but it’s a good thing. When I struggle with something, that’s a good thing. It’s an opportunity for growth. It’s a chance to become a better, stronger person. I believe that everything happens exactly it’s supposed to or, alternately, everything happens for the best. This is not a belief that I get consequent to some other belief (for example, that there’s a god up above that’s playing chess with all of our lives). This is a choice. I choose to believe that this is true. And – on a very basic philosophical level – it is very much, absolutely true – so long as I want it to be.  Reality is reality. I can’t change it. What I can change is my perspective / attitude.

It’d be easy to conclude that terrible things happen on this planet and that we live in an awful world. Even in examining my own situation, I could conclude that I live in my ex-girlfriend’s parents’ house because I’m fresh out rehab; I went to Georgetown Law and I don’t even have a job; I sit in a dark garage all day and generate my only income by selling weird antique dolls on eBay; I’m 27 years old, spent most of the last 16 months in rehabs and mental health institutions, and can’t even get a bank account; the record label that I poured myself into for years has crumbled and my band doesn’t even really exist; I’m a fuck-up, a loser, and I have no prospects for the future.

Instead, I choose to see it more along the lines of… I was a trainwreck of a human being and behaved abominably; in spite of that, I have people in my life who not only trust me to live in their home, but allow me to do so rent-free; I got to take more than a year out of my life to study myself with the help of incredibly gifted counselors, therapists, and doctors and finally figure out why I’ve spent most of my life unhappy, and discover a new kind of happiness that I never knew existed; I also discovered visual art, something that I was once too fearful to even attempt seriously, but that I now enjoy as thoroughly as anything else in this world (even pop punk!) and that has allowed me to connect with other people (people still struggling with addiction, people in recovery, and just regular people) in a way that those people tell me has enriched their lives and, in turn, enriches my own; I have dreams and aspirations that I work toward everyday and I enjoy that work regardless of any external success that might or might never come from it; I have beautiful friendships with inspiring people whom I admire and a girlfriend with whom I am thoroughly in love; life could not possibly be better.

Only one of those two statements is true but I get to choose which one it is. This is where the old, abandoned concept of Punk God comes in – it’s all about choice. No one can prove me wrong. Things may look one way – it doesn’t matter. Everything is exactly as we believe that it is. Right and wrong don’t really exist. Not in any practical sense anyway. I choose to believe that everything works out for the best for the same reason I chose to “believe” in Punk God. Because it helps me. It makes life easier. And just as no one could prove that Punk God wasn’t real, I can’t prove that everything doesn’t work out for the best. So I believe that it does. And I’m right!

"Everything Works Out Exactly As It Should." 3/14/13. Marker on foam board scrap. 8x10".
“Everything Works Out Exactly As It Should.” 3/14/13. Marker on foam board scrap. 8×10″.

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  • Prints of this piece are now for sale in my webstore.

Beachtown Graffiti

August 8, 2013

"Beachtown Graffiti." Mixed media. 33x13".

“Beachtown Graffiti.” February 14th, 2013. Mixed media. 33×13”.

On Sundays, we have a twelve-step meeting here on rehab property that’s only open to current patients and alumni. When I walked in, two of the kids told me they had a great money making scheme that I was gonna want to get in on and that they’d tell me about after the meeting.
“Sam, I have a friend who makes two thousand dollars a week, beating off in front of a webcam.”
“I thought you were gonna pitch some kind of business plan that you wanted my help with. But – what – you guys are gonna do this and figured you’d just give me a heads up in case I wanted to do it too?”
“Oh – no. WE’RE not gonna do it, but we figured you’d be into it.”
So – obviously – nobody’s making two thousand dollars a week just to masturbate. But they had a point. I could probably make SOME money by jerking off or putting things in my butt or – you know – doing whatever somebody asked me to do. I think. I mean – these sites still exist so far as I know. I did some research and found a company that seemed legit. I filled out the paperwork, sent in some pictures, and got approved.
But my counselor says that I’m not allowed to be a prostitute – even if it is just on the internet. Not while I’m a patient here anyway.
She wants me to get a real “job.”
So if I understand correctly… if I give someone an hour of my time for three hundred dollars or one hundred dollars or – you know – whatever… If I’m touching my genitals during that hour, I’m a prostitute. But if I give someone an hour of my time for EIGHT DOLLARS an hour… I’m not a prostitute? So long as I don’t have to show anyone my penis?
This doesn’t make sense to me. If I were to do the webcam thing, I could make a decent amount of money and still have lots of time to do the things that are important to me.
If, on the other hand, I wanted to make the same amount of money by – let’s say – washing dishes or bagging groceries, I’d have to sacrifice virtually ALL of my free time. Leaving myself with no opportunity to do the things that make my life worth living. Now THAT sounds a lot more like “selling myself.”
Right now, I feel more free than I’ve felt in my entire life. Six months ago, I was enslaved by heroin. Everything I did… none of it was by choice. It was all directed at shooting heroin, getting heroin, getting money for heroin, or getting shit that I could sell to get money for heroin. I’ve struggled and I’ve cried and I’ve done a ton of work to get to a point where I don’t have to live like that anymore. To get my freedom back. And to use that freedom to discover those things in this world that are meaningful for me.
And now I’m supposed to just give it up and go get some shit job?
What was all of this for? If I’m gonna be a slave, does it matter whether it’s to a drug or to some assistant manager at Publix?
And – so far as taking the bar and becoming a lawyer is concerned – all that shit, it’s all the same to me. Work I don’t enjoy is work I don’t enjoy. It’s all just washing dishes.
Why am I suddenly concerned about money anyway? Because I want to be financially independent outside of a treatment center. Why do I want that?
Basically? A girl.
(Not that any girl has ASKED me to do any of this).
And REALLY, it’s for me. But a girl factors into it.
And it’s not a bad thing. In fact, it’s kind of THE BEST thing. But – you know – it’s suddenly a salient issue, where it very recently was not. Whatever.
SO…. do I wanna pull it together and be a grown-up… or do I wanna move to a real city and sleep on the street with a backpack full of paints?
These are just thoughts that I have. They’re not beliefs. They’re fleeting thoughts. They’re a reflection of where I was at in different moments as I painted this. No one needs to read into this, get any ideas, or “point anything out” to me.
I’m striving to be honest, but I’m probably mostly still full of shit.
It’s not a big deal.

—–

That’s all for my “artist’s statement.” Here’s what’s going on today (August 8th):

There was a point in time not so long ago (June) when I’d go back and forth between joy and misery. But it felt right and it felt okay. There were reasons. I was grateful that I was capable of experiencing those highs and those lows. Things are different today. Heather was right that I’m more critical of myself lately, but I think that’s because there’s more to criticize. I just feel off.

But I’m still hopeful. I think I can get back to where I was. I’m missing the confidence I had December through June though and feel like I could crumble under the wrong set of circumstances.

The morning was great. I went and did yardwork for three hours. It’s tedious, I always seem to hurt myself, and (when I stop to think about it) – really – I’m getting paid less than minimum wage. But – I don’t know – on the ride home, I always feel pretty great. Especially when the right song comes into my headphones. And today – as noted this morning – it was definitely Dead North and it definitely made life seem perfect.

But thirty minutes later, I felt overwhelmed, inadequate, and destined to fail. It took me almost all night to work through it – but I was still productive so I’m grateful for that. Mental health really is a chore. And a choice – though not always one that’s easy to make. [Whatever]. It’s a struggle. That much, I know.

Here’s a piece from February, shortly before I left treatment. The statement was written on the same day the piece was finished. While I still think the general idea/sentiment is right on, I can say now that I don’t think I would have ever gone through with this “employment” lead. What makes me think that, you say? Oh, have I got a story for you…

But it’s late, so I’m off to bed with a prayer that I find the courage to tell that story here tomorrow. Thanks for reading. Drop me a line if you give a shit.

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Update (11/17/13): Three months have passed but I finally told part of that story.

Maybe I Don’t Believe in God

August 4, 2013

Originally, I was going to spend tonight working on some art for Billy Raygun, but (as excited as I am about that) I think I need to do some expressive art therapy. I’ve got a lot on my mind and a lot that I’m stressing out about, so I’m gonna try to be present, here and now, and just paint whatever comes.

maybeidontbelieveingod
“Maybe I Don’t Believe in God.” April 19th, 2013. Tempera and oil pastels on cardboard. 14×17″.

If you take the time to read this, I think you’ll appreciate it.

Statement. June 1st, 2013.

On “the inside,” my ability to express myself authentically reached incredible new heights. Out here, in the real world, sometimes I’m inclined to put my walls back up just a little bit. I had taken to talking about God for a while. When I’d talk about God, I was just referring to my ideas about love, acceptance, and [well] reality, I guess. The word “god” was part convenient shorthand and part… it just felt right. I didn’t feel the need to explain my personal brand of faith every time I used it. I speak coherently and my words have meaning that doesn’t require an exposition of my own understanding of (what I might call) God.

But back in the aforementioned real world… (outside of the contexts of twelve-step meetings and mental health treatment facilities) “God” has certain connotations that I might not want to be associated with. I don’t want people to judge me – to misunderstand me – and see me as something that I’m not, just because I feel okay terming my beliefs as “belief in God.” “Besides,” I thought to myself, “if I know that I’m only choosing to believe in the things I do – that I don’t think there’s any absolute truth to it (or to anything else for that matter) – is that even really belief?” I wasn’t really sure and I wasn’t certain that I was willing to take the risk of espousing something that could result in my being labeled as a Christian or even as some kind of new age spirituality dweeb.

This was on my mind when I showed up to expressive art therapy group back at Tranquil Shores one day in April. “Today, we’re going to make shields,” Julie told us.

And this is what came out of me. “Fucking perfect” – is how I’m compelled to describe it now. That afternoon though, as I was painting it, I was a little unsure. When I was asked to share a little bit about my piece with the others in the group (which – aside from me – is always comprised of the facility’s current inpatients) I spewed out a summary of my journey from the fiercely irreligious, non-agnostic, non-atheist to [whatever it is that I am today].

When someone finishes sharing about their artwork, the floor is open for feedback, if anyone has any. “That was better – that was more helpful than anything I’ve ever heard my counselor say”; “I want Sam to be my counselor”; “I want Sam to be my sponsor”; “that was amazing”; and “please don’t ever stop coming back for this group” were some of the things I heard. I felt incredible. I felt blessed.

This piece isn’t about my spirituality. It’s about fear. It’s about authenticity of expression. I’ve gotten pretty good at it, but I still get scared. The quotes at the end of the preceding paragraph: I’m afraid to include them lest they be perceived as indications of arrogance. But when I stand up to my fear – when I put down my shield – and express myself honestly and authentically, the rewards are beyond description.

That’s not always easy. I started this statement with the story and background that I shared that day (about my spirituality). But – as stated – this piece isn’t about spirituality. After ninety minutes spent on this, I realized that what drove me to begin this statement in that way was the same fear that I was addressing in painting the piece that I’m writing about: a fear of being judged or labeled as someone who “believes” in something. Despite the time and energy I poured into that writing tonight, to not remove it would have been antithetical to everything you’ve just read (which was, originally, the conclusion of this statement).

I’d prefer to keep this personal, but I feel a little bit of background information is necessary here. Krokodil is a synthetic opiate that, basically, has the effect of eating the flesh off of your fucking bones. It sort of turns you into a zombie… It’s bizarre and fucked up and awful. For a time though, I reveled in krokodil; I was thoroughly in love with the concept of this people-eating drug. There’s nothing to really love about something that destroys people the way that this particular drug does though. With one exception…

I don’t know how many times I’ve heard someone say to (or about) some drug addict in their life, “Why can’t [you/he/she] just stop? Just fucking stop.” Some people say addiction is a disease. I don’t know about that (and, really, I think that’s sort of a semantic argument anyway). I know this though: if addiction was a matter of control, of self-discipline, of restraint… no one would ever inject a drug that [ahem] eats the flesh off of your fucking bones. It’s only when a person is so hopelessly crippled by their misery, self-loathing, pain, addiction, and that endless cycle of the same that they would do something as devastatingly destructive as injecting krokodil. Which, I believe, makes krokodil proof positive that when we talk about addicts, we are not talking about willpower or resolve. Disease, mental disorder, a symptom of some other ill… classify it however you want, so long as you understand that we’re not talking about a simple character defect.

I used to say I loved krokodil because it was so wonderfully dark, evil, and fucked up. Now I claim to love it insofar as it’s the ultimate evidence that conquering addiction is not something that an addict can simply decide and will him or herself into. Which one is really the truth about why I love krokodil? In all honesty, I’m not sure. Certainly there’s truth to both of them, but to what degree I’m not sure. Krokodil is emblematic of my struggle to express myself authentically. And it’s something that I need to spend more time really examining.

The writing of this statement has been revelatory and – like many of my paintings – has been “painted and repainted” to the point where it bears no resemblance to what I first put on the “canvas.” At a certain point though, whether or not I feel like I’ve reached a point of denouement, I stop painting and let a piece exist for what it is – as a snapshot of myself at a certain moment in my life. I’m told (and I know) that I am not the person I once was. For longer than I can remember, I was thoroughly negative, but – today – I have a positive energy and am a welcome presence in the lives of the people whom I care about and who care about me. Nevertheless, I am still attracted to (what I can only think to describe as) darkness. Hate, pain, tragedy – these are things that I’m more than familiar with; I’m comfortable with them. I’m no longer interested in nurturing them or living in them, but… maybe they’re just part of who I am. And maybe – so long as I’m not contributing to them – maybe that’s okay.

Or maybe not. I don’t know. I don’t know a lot of things. But I’m happy today and I like who I am today. I do good things. That’s enough.

Insecure and Overwhelmed

August 3, 2013

I’ve had (and still have) friends whose girlfriends are overweight. In years past, I remember meeting some of these girls and thinking things like, “Yeah, she seems nice enough, but I’m pretty sure [insert friend’s name here] can do better.”

It wasn’t until I started dating Heather that I ever had the thought, “Even if this girl were to gain weight, I’ll bet that I’d still be just as in love with her.” So it wasn’t until then that I actually had an understanding of how/why [whatever friend] was dating someone who didn’t have the “right” body type.

This morning, before she left for work, Heather was bumming out about her weight. Heather, however, is not overweight. She’s probably the most beautiful girl on the fucking planet. (Although – as I’ve just admitted – I may be somewhat biased when it comes to something like this). Still, I can relate. I feel for her.

It was January or February of 2012 and I was an inpatient at the Wellness Resource Center. Someone had accidentally smashed out the window next to my bed. Lying there, I thought about how anyone that were to walk past could see me. I remember contemplating going into the kitchen to get a knife. To slit my wrists or cut my throat or do whatever it might take to end my life. The reason: because I’d never be thin enough. I was thinking about killing myself because I was too fat.

At the time, (I’m pretty sure) I was about 150 pounds. Maybe 152 or 153. I don’t have a picture from that time, but to give you an idea of what we’re talking about, here’s a photo taken just now (at 147 pounds, which is close enough).

bddphoto

I’m way too familiar with the feeling of not liking myself – and when I add to that feelings of not even liking my body (my shell) – well, life starts to seem pretty unbearable. Everything starts to seem unbearable. And hopeless. And useless.

insecureandoverwhelmed
“Insecure and Overwhelmed.” March 26th, 2013. Acrylics, watercolor, marker, fabric dye, and knife. On a repurposed (framed) chalkboard. 16½x22”.

This painting was done one night when – though things were going well for me overall – I just couldn’t shake the negative thoughts in the moment. I didn’t really journal that night, but I did write one thing down. “I feel fat and I don’t wanna be me right now. No one will ever want to buy this.*** My art is good for my mental and emotional health, but rarely anything that anyone would enjoy.” Which is to say that I let my discomfort about my body/size slime through to my feelings about my art and the new path I was trying to embark on. I was letting my body image issues infect and destroy everything. They’re that powerful.

I’m pretty great at spilling my guts and clearly I just fucking love to talk about myself… But the one thing that I don’t like to talk about is anything related to my body. You see: if I think I’m fat, but I acknowledge that I have body dysmorphic disorder (because mental health professionals have told me that I do), then that’s an acknowledgement that I’m not really fat. And then I’m a fat idiot in denial about how fat I am.

I’m doing much better with this stuff these days than I ever have in the past. And talking (or writing) about it as I am now, (I think) is an important part of that.

***Despite this painting having the words “no one will ever want to buy this” on it, it did – in fact – sell pretty quickly. There’s also a series of 9×12″ prints but (like much of my super-early work) it’s not listed in the webstore. If you really want one though, just buy any other print and then put a note on your order letting me know that you actually want “Insecure and Overwhelmed” instead.

When I typed that last paragraph/footnote, I initially described this as my “super early, not-very-good work” (instead of just “super early”). I changed that ’cause I do still like it (and most of my other) really early work. I don’t think it’s bad. But it’s certainly not as good as the stuff I’d be making even just six months later. So while I’m not embarrassed of pieces like “Insecure and Overwhelmed,” they’ll probably never be in the webstore only ’cause I don’t want those pieces to be the first thing seen by someone who’s discovering my art for the first time.

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