If You Watch Sports, You’re Not Punk

Heather and I started dating in February. She’s not at all into punk rock, but she does like to do normal human activities like go to baseball games with other normal humans. In May, I went along with them to see the Rays play some other team that I forget. While I was sitting there, I drew a silly comic about my experience on the back of two tickets.

"If You Watch Sports, You're Not Punk." 5/8/13. Marker, pen, duct tape. 8x10".
“If You Watch Sports, You’re Not Punk.” 5/8/13. Marker, pen, duct tape. 8×10″.

While this was really well-received by my friends and others that follow me online, I was surprised that half of the people to see it through Reddit got really pissed off and defensive.

I like to think I’m open-minded though so I’m going to take this opportunity to change my position on the matter. Watching sports is totally punk (but having a sense of humor is absolutely not).

Should I discover otherwise, I’ll definitely keep you posted.

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On an unrelated note, someone online bought my copy of Henry Rollins’ “Get in the Van” today. It’s been at least seven years since I read it, so I took a look before packing it up to ship it out. The thing that stood out most to me… the guy’s talking about some people that let him and his band stay with them (not for a night, but for a while) and he’s talking about how much he hated them. He says he keeps to himself and never really interacts with them – yet he hates them. Because they’re “stoner-hippie-punks” and he thinks they’re “full of shit.” My kneejerk response is, “how terribly unhappy do you have to be to hate someone that you barely know?” I’ve never really understood why anyone has held Rollins up as any kind of an idol or hero, but – reading this stuff – I’m really reminded of the huge ideological differences that exist between different “sects” of punk rock. This book’s all about fighting and violence and self-righteousness. It’s all “I know what’s right, you’re wrong, and I’m gonna kick the shit out of you for having ideas that aren’t exactly like my own.” Basically – it’s got a lot in common with everything to come out of hardcore (which has pretty much nothing in common with what punk means to me).


Hard Feelings

"Hard Feelings." 2/16/13. Acrylic, fabric dye, pen, marker, on cardboard. 9x20".

“Hard Feelings.” 2/16/13. Acrylic, fabric dye, pen, marker, on cardboard. 9×20″.

The tenth and final painting in my series, “The Weak End,” says: “When I think about hurting you, I get really excited.” People always think thatt’s an expression of anger, directed at someone I don’t like. Which couldn’t be more wrong. The title, “Hard Feelings,” is an allusion to a Radon lyric: “The only hard feelings that I’ve got are in my front pocket.”

Some of us are sicker than others. I’m cool with it.

If I can be sincere for just one second though, I used to think there was something wrong with me. Punk rock taught me that traditional gender roles and power dynamics are totally fucked and I let that influence my attitudes and behavior, even in the bedroom, for a long time. When it comes to sex though, I don’t feel guilty anymore about what I’m into and what I want to do. I’m still figuring it out and I might find a “line” at some point but (thus far) the more freely I feel able to express myself sexually, the better the outcome seems to be.

And no one’s even been seriously injured yet! So… you know… that seems like a good thing too.

I’m still a little uncomfortable talking about sex – well, when I’m talking to the fucking internet anyway. But I’m getting better. I mean, wrote this much, right?

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Status update: Tour’s been a lot of fun so far. En route to Minneapolis right now, running late of course, but I’m not stressed about it.

Got to hang out last night with the St. Louis crew. Saw The Humanoids play for the first time and got a copy of their LP, which was – at one point – slated to be on Traffic Street. After the show, Noelle and company drove to Iowa. Pete, Chris, and I stuck around. Hung out at Darren’s bar then stayed over at Shaun’s house, where he and I explained to Chris that Blink 182 and Fleetwood Mac aren’t punk bands.

I could go on, but this stuff’s not of any tremendous significance. What matters is that it’s good and that I’m happy and grateful to be where I’m at, with the people I’m with. Old friends and new friends. Looking forward to a lot more of that tonight and in the days to come.

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“The Weak End” is a series of ten paintings:


Sam Explains Avi’s Life to Him

Was flipping through pictures, looking for a piece that I don’t see all the time and settled on this one. It’s a cartoon I drew for my friend Avi. It’s about what a judgmental butthole I used to be. The text below it is from the same time as the cartoon.

"Sam Explains Avi's Life to Him." 5/28/13. Colored pencil and pen collage. 3.5x5".
“Sam Explains Avi’s Life to Him.” May 28th, 2013. Colored pencil and pen, collage. 3½x5”.

My first reaction to the Silver Sprocket Bicycle Club was something along the lines of “Fuck this hippy dippy, peace punk, Plan-It-X, fake community bullshit. This is one kid running a record label and trying to make it seem like more than that as a marketing tactic aimed at dorks who want to believe that their ill-attended costume parties and stupid fucking dance parties are somehow important.”

That might say a little something more about me than it does about anything relating to Silver Sprocket or Avi.

When I met Avi (2009) at the Basement House in Tampa, he was a nice enough sort, but I also found out that he was making these custom jackets (that he was selling for – I don’t know – eighty dollars? One hundred dollars?) I scoffed when I found out – if not out loud, then in my head. (Expensive clothing = not punk). I also remember hearing about his “business model” and about “presentations” he’d given to bands before putting out their records. This only confirmed my suspicions: not punk, not cool.

In spite of all this, I liked him. He was a geek and he had it all wrong, but I liked him. In the nicest way I could manage, I tried to tell him why the way he ran his label was wrong and the way I ran my label was right. My memory isn’t too clear, but I’m sure I sounded like a tremendous asshole.

Silver Sprocket may not be a bicycle club, but – as I’ve come to realize – it is more than a record label. Or – at the very least – it’s more than your typical DIY record label. Avi does things. He does things that other people are afraid to do. He has ideas and he follows through on them. He believes in fun. He’s not jaded and cynical. From what I can tell, he doesn’t worry about how other people are going to react to the things he does. I have a sneaking suspicion that Silver Sprocket is more profitable than your typical DIY label, but I no longer think that there’s anything wrong with that. The more well-adjusted I’ve become, the more I realize that my contempt was nothing but jealousy. He had something that I didn’t: self-esteem. And, from that, the courage to be innovative, different, and (most of all) really, really punk.

Punk.

 

And here’s an incredibly appropriate song (by a band with releases on both Silver Sprocket and Traffic Street)!

http://www.youtube.com/watch?v=I1a8UcGuf5M