No Accident

 

"No Accident." 12/12/12. Oil pastel and pencil. 12x18".
“No Accident.” 12/12/12. Oil pastel and pencil. 12×18″.

On October 2, 2012, I was kicked out of Tranquil Shores. It was my third time being kicked out of rehab that year. This time was different though. I knew what I needed to do and, on October 19th, I was welcomed back.

When I had been kicked out of Hazelden and the Wellness Resource Center, a lot of what was going wrong with me had to do with girls. At both facilities, I got “involved” with another patient. That hadn’t been the case this time but, when I was readmitted, I started doing it again. This time, I was determined enough to succeed that I didn’t let it control me the way it had before. We had more than a few conversations about how we were just friends (even once in the presence of the treatment staff when they began to worry about what might be developing). But I held on, I didn’t give in and do anything that would have been automatic grounds for my being kicked out again. Still, it eventually got to a point where we had resolved to be together after we got out of treatment and that’s the kind of emotional attachment that’s not good for anyone early in recovery, let alone a basket case like myself.

I don’t mean it as an excuse because I don’t see it that way but my thoughts, emotional responses, and consequent behaviors are not like most people’s. I “have” borderline personality disorder.

Something happened. It doesn’t matter what. She and I weren’t getting along and it was fucking ruining me. And because I wasn’t supposed to be involved with anyone (let alone a girl I was in treatment with) I couldn’t be honest with my counselor or anyone else about what was eating at me. It occurred to me that – if I wasn’t willing to talk about my issues – there was no longer any reason to be in treatment. Things got worse until one night, alone in my room, I lost it. [Since that’s a whole story of its own though, I won’t go into the details here].

The next morning I woke up feeling thoroughly empty, thoroughly hopeless. In my head, I had convinced myself that I wasn’t really doing anything wrong because I hadn’t actually slept with the girl. But I was fucking destroying any shot I had at ever getting better. I was already contemplating leaving and I knew, if I went down that path, I’d be shooting heroin again in no time. I was keeping my mouth shut for the sake of my relationship with this girl, but if I didn’t start talking and sort this shit out [if I left Tranquil Shores] the relationship was over anyway; I’d lose everything. I talked to a friend and realized that I had no choice. So I told the truth about everything that had gone on between us.

And she denied everything. She told them that it was all in my head – that I was even sicker and more confused than I seemed. I couldn’t believe it. I thought this was going to be the best thing for us. We weren’t supposed to get mixed up with each other in the first place but… it happened (nothing could change that) and now we’d be able to deal with it. And get better. It was going to be awesome. The greatest relief ever. But she wasn’t interested. She stuck to her story: that I was out of my fucking mind. I had an encyclopedia’s worth of Facebook and text messages to prove otherwise, but when my counselor said I could show them to her if I wanted to it felt petty. I realized that the truth didn’t matter. It was a big epistemological lesson for me. Emotions are stronger than facts. If I held that this relationship had happened, my treatment was going to progress as if that were the truth. If she held that it hadn’t, her treatment would address the issue as if that were the truth. [Weeks later, she did come clean and acknowledge that everything I said was true, but that’s not relevant to this piece].

After the dust settled from the shit storm that had been that afternoon, I went back to my room and wrote.

Pretty bummed out right now. Sad about the person I’ve let myself become. Not feeling totally lost though. I’m grateful for the lesson I was able to learn today and for the opportunity to use that knowledge to make my future better than my past. It hurts now, but this will be a good thing so long as I’m willing to utilize it, grow, and change.

I needed to get out of my self for a little while so I started to draw. Three hours later, I was flooded with feelings that I didn’t know what to do with. I stopped drawing. I scrambled around my room looking for something to write on. I found a piece of paper that I had traced my arms onto three weeks prior [for a project I hadn’t finished; I still needed to draw a knife into my right hand, for starters]. A few days prior I had that intention, but couldn’t bring myself to do it. Now, I didn’t care about that. I just needed something to write on. What spilled onto the paper was very stream-of-conscious. Just before I touched my pencil to the page, I decided to put it in my left hand since (it’s said that) writing with your non-dominant hand helps with honesty and hinders pretension.

i didn’t know who i was or what i was doing
i’m not whole yet but I’m closer than ever
remember october?
i realized I could choose to not be an obnoxious, negative problem
november ended, i forgot
today is 12-12-12 and i just remembered
and i learned something new today
i can choose more
i don’t have to be confused
i don’t have to send mixed messages or be inauthentic
i can be whoever i want to be
I KNOW WHO I AM TODAY
i am honest sincere loving compassionate kind intelligent fun dedicated loyal creative talented doing my best sorry for the harm and hurt i’ve caused proud of my achievements and sam NICE TO MEET YOU

I’m embarrassed of this piece sometimes. The old, guarded me would call this the dumbest shit ever. But – as I commented when I first made it – it’s the most positive, productive thing I’ve ever produced. In recovery, there’s lot of talk about a “spiritual awakening.” This is the unintentional document of mine. I’m so grateful that I have it to remind me of exactly how I felt in that moment. I only wish that I could feel that way all the time. My resolve to be the kind of person that I described had (and has) never been stronger.


Whatevermind

Says: “I don’t accept what you consider fact, truth, or reality. But I do believe in freedom right now. And I’m gonna do my best to try to be happy. I’ll let you know how it works out.”

It was in response to being told that – what I’m doing / how I’m living – is okay for now but will have to end really soon. That I’ll need to get a real job or learn to draw boardwalk caricatures.

"Whatevermind." 5/12/13. Pen. 9x10¼".
“Whatevermind.” 5/12/13. Pen. 9×10¼”.

I drew this “for” the insert for (Rational Anthem’s) Whatevermind LP, but decided that it didn’t fit and – beyond that – almost seemed antithetical to it.

Actually, I just remembered: this didn’t start out as an expressive piece, I had something in mind, but I made a mistake (and since I was using ink, I couldn’t correct it) so I just worked around it and it turned into this.

We’re en route to Des Moines. Show tonight should be good. Rational, Copyrights, Tight Bros, and Lipstick Homicide. Kind of strange though: doors at 4, show at 5, and it’s 21+.

Found out The Heat Tape got added to the show tomorrow in Carbondale. Their album was my favorite thing on the planet that first week in Sarasota to make “No Real Than You Are.” It was actually when one of those songs came up in my headphones and I didn’t immediately feel great that I knew something was wrong. I wanted the feeling back – the one that I had gotten, riding around town listening to that album just a few days earlier. Raccoon Valley Recordings (and my response to it) were literally my mental health gauge.


Out All Day

I sold a lot of my stuff online today. Some leftover distro stock, but a lot of personal stuff too. Tonight, I borrowed Heather’s car to scrounge up cardboard boxes to ship these things in. At the gas station where I found most of my cardboard, I also found a couple. Homeless, fucked up. Not totally unlike me a year or so ago. They wanted money and I told them I had none. I gave them a couple cigarettes and used my food stamps to get them something to drink. They wanted a ride and I told them that it wasn’t my car. They had a pretty great sob story about why they couldn’t walk. I told them I’ve fucked up too many things in my life. That I was sorry, but I can’t give strangers a ride in a car that I’ve been trusted to borrow.  I can’t take any risks.

It was sad and it sucks but it’s also [whatever]. It just is. And it’s not a big deal. But I’m proud of myself for saying “no” and for being honest about the reason why.

“Out All Day.” 6/18/13. Marker and pen on canvas board. 8x10".
“Out All Day.” 6/18/13. Marker and pen on canvas board. 8×10″.

Says, “I was out all day. No one told me I had paint in my hair ’til 11 pm. I had a shirt with me in case I went to the library. I couldn’t be happier.”

This was only my second piece done entirely with markers. My first was “Powerless Over Flexeril,” but since then I’ve done more. While on tour, I made “Lost in St. Louis” and “Fear is Killing Me” and more recently I made “Still Sick,” one of my largest pieces to date.

A couple hours before I made this, someone told me they liked my outfit and I thought they were making fun of me ’cause I barely wear any clothes. She was serious though. It made me think about how I really like the fact that I have the sort of life that rarely requires a shirt (and even more rarely requires a shirt with sleeves or a collar). I like the fact that I have the sort of life where I can have paint on my hands, on my arms, my face, and my hair, and – not only is it not an issue or a problem but – it’s not even something that anybody comments on.

As anyone that saw my painting from last night (“Blueprint For a Successful Evening“) can probably guess, things were a little off when I got up this morning. But I went about my day, did my own thing, didn’t stress about it, and everything worked out perfectly.
I’ve said it before, but it’s still true – so long as I’m cool, so is everything else.

By the way, it’s not easy leaving white space on the canvas. So – you know – be REALLY impressed by that AMAZING feat.

(This next part – don’t get me wrong: I’m not majorly bumming out or anything like that but) I am feeling just a little bit sorry for myself tonight. Or I was earlier today anyway. With all the traffic to my webstore today (people buying records and books) I’d have thought that I’d have sold at least a little bit of my artwork. But I didn’t. I can think of a lot of reasons for that (some are a little more disconcerting than others) but like the couple I met tonight at the gas station, the reasons don’t really matter. It just is how it is. And my life is still pretty excellent. And I need to remember to be grateful for that. I need to focus on all of the good things. Lucky for me, there are a lot of them so it’s not all that difficult.

And if there’s something in my life that I’d like to be different, then I need to be bold. And brave. I need to take healthy risks and I need to take responsibility for actually making change happen. I don’t just get to have the life I want. I have to be the person I want to be and do the things that… that I need to do. I have to work at it. Whatever [it] might be.

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Signed and numbered 9×11¼” prints of “Out All Day” are available in my webstore. The original sold in November 2013.