“”Christian Love (The Grace of a Mountain Goat)” 10/22/24. Pigment and alcohol inks. 8½x11″.
I stumbled across Proverbs 5:19 on the internet today. From the New American Standard Bible:
Like a loving doe and a graceful mountain goat, let her breasts satisfy you at all times; be exhilarated always with her love.
Some of the other translations aren’t quite as ridiculous but where’s the fun in that? My first reaction was only (ASSUMING MY READING OF THIS IS CORRECT): the Bible is much hornier than I realized! (Or at least remembered). I haven’t bothered to read the passages surrounding this for additional context, but it would seem to be about nothing more than ENJOYING BREASTS. If that’s not jarring enough, the fact that a line is somehow drawn to that from the grace of (of all things) a MOUNTAIN GOAT. …I can’t be the only one that finds this absurd, curious, and remarkably amusing.
My first draft didn’t have a girl’s head and the boobs were just slapped on the side of the goat’s body but, I figured, if THE BIBLE is gonna get horny with it, I might as well too. It’s much creepier this way!
And speaking of horny and creepy, I initially wanted to title this “Christian Girls” but… that felt a little too horny even for me. Or rather, it felt too creepy for me at my age.
When I use the word “girls,” I’m talking about women approximately my own age. Maybe because I’m stuck in perpetual adolescence as a consequence of losing so many years to addiction, but the word “women” just feels strange to me. I feel awkward saying it. I’m not as uncomfortable with it as I am with the word “men,” which I really hate but – I’m at an age now where I’m gonna have to get used to it. Referring to my peers as “kids” worked a decade ago. Referring to my dates as “girls” worked a decade ago. But, today, someone might get the wrong idea, especially about “girls.”
Hey – what do you know? Seeing as all I’m presenting in this entry is a drawing that’s AS DUMB AS THEY GET, I was afraid I was gonna disappoint anyone who came here hoping for another overwrought story of mental illness and poor decisions but – CHECK ME OUT – I managed to get there all the same!
One last note (in case it doesn’t go without saying) “like, really cool tits” is not the way I talk (unless I’m trying to be funny). That’s me poking fun at the way God talks. (He wrote the Old Testament/Torah/Tawrat, right?)
“Let her breasts satisfy you at all times” – HILARIOUS!
Having said all of that, it’d be dishonest to not acknowledge that “there’s at least a grain of truth in every joke.” I mean, who wouldn’t go for a girl with the grace of a mountain goat and REALLY COOL TITS?
I’m only human. I’m just as God made me.
If you’d like to support me (even half as much as I’d like you to support me!) prints of “Christian Love (The Grace of a Mountain Goat)” are on sale now in the webstore. I mean, really you should probably buy one of my other prints but – hey – THE HEART WANTS WHAT IT WANTS and I won’t judge you. Thank you (as always) for your time and attention. Even for nonsense like this.
Revisiting “Adventures Per Minute,” I felt compelled to write an addendum because I don’t love the way that it ends. After writing much of it though, I realized that these were words I’ve had in my head for years, as I continually postponed writing my statement for “Things You Can’t Come Back From.” Rather than simply tack on to a ten year-old blog entry though, I decided to give this its own space. Here it is.
APM addendum
I’m very tempted to remove (or at least change) these last two paragraphs [which are about a sexual experience involving some very aggressive role-playing]. That feels dishonest though. It would be disingenuous. Because I don’t actually think there’s anything wrong with them; I’m just afraid of how they might influence strangers’ perception of me. And I shouldn’t let that corrupt or influence my art.
I would never actually sexually assault or hurt someone, nor would I get off on it. It would make me physically sick. There’s a difference between playing pretend and reality.
I’ve always felt confident that my willingness to share all the darkest, most private parts of my self (through my art and writing) would be all the evidence anyone would need to know exactly what kind of person I am. Sometimes emotionally erratic, occasionally petty or spiteful but – above all – deeply sensitive, empathetic, and caring. Vulnerable to depression and hopelessness, but – just as often – filled with joy and light, ridiculously silly, generally optimistic, and too trusting for my own good.
If there are people in the world who want to believe otherwise about me, that’s their business – not mine – and I can’t let my fear paralyze me. Not anymore. I already lost nearly eight years of my life to that. It’s time to be brave and that means living (as I did back when I made “Adeventures Per Minute”) with my whole truth. Sharing everything, hiding nothing. That’s what made my work powerful (and popular) in the first place – even if it did eventually hurt me.
As mentioned up top, it occurs to me that much of what I just wrote is part of what I’ve been putting off as I continue delaying the writing of my statement for “Things You Can’t Come Back From.” It’s been six months now since I’ve been clean and making art again, and I’m starting to feel a little steadier. I recently wrote the statement for “Sorry for Overdosing in Your Bathroom” (another one I’d been putting off for similar reasons). But “Things You Can’t” is on a whole other level. That painting is about the single most traumatic episode of my life. I’m committed to finally writing its statement soon. Absolutely before the year’s end. (I will tell the whole story). In any case, I really only mention this (1) as explanation for why this addendum kind of dances around something without fully addressing it; and (2) for the very trivial reason of: Please don’t be annoyed with me if some of what you’ve just read gets repeated, whenever I do write/publish the blog entry for “Things You Can’t.”
In closing, a quick acknowledgment: I want to thank everyone who’s stuck with me. Not only through the years of relapse and inactivity, but through that life-shattering event in 2015. I won’t even try to describe the nightmare of that experience; just know that your trust in me and your continued support means more than I could ever put into words. I did not get it from everyone. Without you, there’s not the slightest chance that I would still be breathing today.
I wrote a stream-of-consciousness prose poem. It doesn’t have a title. It may or may not find its way into the painting I’m working on right now. It’s about the girl who says she can’t live without me – and the guy that she rebounded with when we broke up – who she’s still living with because she’s too piss-scared of change to crawl out of her rut.
If you’re going to cling to a safety net Could you at least choose one that’s less pathetic? A chronic masturbator, jerking off in his car Into socks that he lets pile up in the back seat…
I know you like having someone you know will never leave you Or hold you accountable for anything But how about a chronic masturbator who jerks off into tissues that he throws away?
‘Cause it’s embarrassing having to try to explain Why we’re not together Even though you’re in love with me That this is a tough choice for you DOES NOT REFLECT WELL ON ME
I think you’re afraid to be in a healthy relationship Which is why you never leave the bad ones I know you’ll try to come back to me (Because you’re still trying) But I know you’ll try harder You will eventually make a real effort But even if I took you back for real And we made a real go of it I don’t think you’d stick around Because you wouldn’t be comfortable With someone who makes you happy With someone you like fucking With someone who loves you And dotes on you You’re too used to neglect And alienation And watching TV on separate couches And sleeping in the same bed Without ever making physical contact
It breaks my fucking heart How scared you are How broken you are How much fun we have How much love we have Until you self-sabotage So I pull back And you go back To living alone In a house with someone else Where you drink And cry And are always sick And never happy Until we reconnect again And you start to heal And start to love And start to smile And laugh And everyone can see how happy you are And how in love we are Until you fuck it up all over again And the cycle goes on
I’m too old now To be wasting time repeating the same mistakes I’m ready to be happy It breaks my heart That it won’t be with you
Because you’re everything I want You’re my dream girl I can’t imagine Being more attracted to Having more fun with Having better sex with Sharing more love with Anyone else You’re perfect Except for that one little thing Inside of your brain That nullifies everything else That makes it all worthless Because it’ll never work Because you’re too afraid to just let yourself be happy
And you hate yourself so much You can’t believe anyone could really love you Unless there’s something wrong with them So you stay stuck in your rut With someone that you know you at least have control over Because he’s the personification of a wet paper bag Except that wet paper bags Don’t get drunk and watch Andrew Tate videos Or have a dozen jizz-crusted socks in the backseat of their car You can cheat on him (And show him videos of you cheating on him) Show him what it looks like when you’re with someone else Who you actually love And actually fuck And enjoy it You can scream at him You can say awful things to cut him down To make him feel totally worthless You can be cruel Because you resent him Because he doesn’t make you happy And he’ll just take it And resent you But never leave Just sulk And get drunk And text you Andrew Tate videos
That’s the life you’re choosing That’s what you’re afraid to let go It’s a tragedy A genuine fucking tragedy Because unlike the movies This won’t have a happy ending Unless you make it happen And I don’t think you can
Update from two days later (Tue, Sep 10): The same day that I wrote this (but before I’d posted it) I got a phone call from someone on this girl’s behalf. I was told that she’d been looking at keepsakes of her father (who died a little over a year ago) and had come to the realization that she didn’t want to waste one more single day of her life living without me. I was asked to please call her and hear her out. I was skeptical when she gave me all the usual lines. She was going to officially break it off with that guy and let him know that she was moving out at the end of the month. She also told me she’d already found a couple of prospective apartments. She begged me to believe her and give her another shot. I told that, frankly, I didn’t believe her but that she could come over. So that night, she asked me to pick her up. When I told her I was outside, she told her sockboy (actually, we usually call him “Lumpy” but his real name is Brett) that she was going to the kitchen for a glass of water, but instead came out and got in the car. She stayed the night and – when I dropped her back off the next day – she said she was gonna tell Lumpy the truth about everything when he got home from work and that she’d call me the next morning to come pick her up so we could spend the day together.
Instead, she texted me just to say, “I’m an idiot.” I called to ask what that meant (as if I didn’t already know) and she said that she’d only gotten as far into the conversation with Lumpy to say that things weren’t working out, but hadn’t been able to muster the courage to tell him the full truth about her and I, or that she was planning on moving out. I asked if she was still planning on moving out and – oh so predictably – she said she didn’t know. Said she needed “time” to figure it out. Even though I had already been giving her all the time and space in the world and she reached out to me (as always) to once more say she was certain now.
So I’m cutting off communication again. And hoping that’s the last time I get dragged through that same cycle. I could make excuses for why I keep letting it happen or explain what I think needs to happen for me to stop but I’ll just leave it at that for now.
Oh, wait – one more thing. Remember the part where I mentioned that she sent Lumpy a video of me fucking her in order to hurt his feelings? While drunk, he told her that he had kept the video. Because he jerks off to it. Probably while sitting in his car. Into a sock. That’s probably still lying in his back seat. What a champ. Cheers, Brett Riddick. Or Reddick. Or whatever the fuck your name is. If anyone ever has cause to Google your name one day, I hope they find this page.
SECOND UPDATE!: This poem is now also a TikTok video because 🤪.
“What Makes Life Feel Worth Living.” 6/16/24. Acrylic paint. 24×24″.
This painting was essentially the product of my second month clean and single. To be fully honest, I was still pretty hung up on codependency issues and the fact that, for once, I didn’t have a girlfriend. I found myself experiencing kind a low-grade depression a lot of days, not really wanting to get out of bed. In my head, I kept thinking that finding a new girlfriend was the answer to all my problems but I knew that, really, that would just be a way to distract myself from my problems. In any case, I was too embarrassed to make a painting about that immediately following one about my ex. I pushed myself to really try to get at something deeper in my journal writing. It took a couple weeks and quite a few attempts before I felt like I got at anything remotely meaningful. That’s what’s written across this canvas (in the upper left and just to the left of the very bottom center).
I struggle a lot with meaning and purpose. “Does anything matter?” “What’s the point of doing anything?” “The world’s a mess,” “I’m a mess,” “is anybody really happy?” I don’t know the answers to those questions but – as long as I’m gonna not-kill-myself and keep living – I’ve gotta try. It’s really hard sometimes. I’m not alone but I feel like I am a lot of the time. One person can really make a difference in that. Whether it’s A GIRL PAYING ATTENTION TO ME or someone deciding to GIVE ME MONEY (for my artwork).
When I tell people about my first month clean and making art again, it’s a success story, mostly on account of the commissions I got from Rick, a stranger walking down the sidewalk. But because I was painting outside and because he stopped to talk to me and took an interest, it’s given me concrete reasons to keep painting and writing. Pretty random, very easily could have NOT happened.
It’s genuinely INCREDIBLE when someone tells me how much my art means to them (and I don’t wanna discount that) but when they PUT THEIR MONEY WHERE THEIR MOUTH IS, it’s crazy validating in a way that’s rivaled only by A HOT GIRL WANTING TO FUCK (or date) ME. (Which is totally unrelated and indicates just how broken I am but that’s an issue for other days). It says that what I’m doing has actual value worthy of supporting human life – MY life. That hard validation can bolster my spirit against any/all of the negative feelings I have that could otherwise overtake me.
Even when everything else is wrong, one well-timed “yes” can make all the difference. A thousand rejections are nothing against a few key “yeses.”
These things are small and inconsequential in a world that’s so random and meaningless but when nothing matters, we choose what matters and I choose what makes my life feel worth living.
Taking a chance is worthwhile. Saying “yes” to someone is meaningful. Helping another person, offering encouragement, supporting an artist (ESPECIALLY WHEN IT’S ME). These are things that count. We never know what small act might be HUGELY CONSEQUENTIAL for someone else.
I still don’t know if I’m going to be able to revive my art career and make a living like I was, but it’s working out so far thanks to just a few people and a few key moments and decisions. It reminds me of the last lyric from one of my favorite songs: “just one good thing, that’s all – sometimes that’s all it takes.”
I lined up a handful of commissions right out of the gate upon getting clean: paintings that I had no idea what they’d be but that were pre-paid-for before I even started them. Knowing that a painting is already sold while I’m working on it is really motivating. It gives me a push to get to work. That’s over (at least as of this moment; no one has pre-purchased my next painting). That makes me a little nervous but it’s also how most artists operate – not to mention the only way I’ll ever be able to amass enough paintings to ever have another exhibit. I’m on my own for the first time in a while and need to start hustling again – whether that’s going out on the street to paint in public while slinging prints or putting more effort and thought into my social media. Probably both. It used to come so easily to me but now it seems almost impossible – though much less so than it did even a month ago. One of the main reasons I stayed on drugs so long was because it was an excuse not to do anything else. I’m so afraid of trying and failing. But I’ve got to try. I’ve gotta put myself out there. And hopefully I’ll get the “yeses” I need to keep going.
I’m in danger of rambling now. I wanna say something about how those “yeses” are less-than-ideal external validation in the same way that female attention is, but that’s a subject for another time. The spirit of this painting was about the positive feelings that come making something meaningful that resonates with another person and the positive consequences of that other person’s response. Not everything needs to be overanalyzed. Nothing is perfect but sometimes little things spark joy and pride and feel an awful lot like fulfillment – even if only for a moment. And sometimes that’s enough.
The song quoted in my painting (on the little blue guy’s black t-shirt): “Precious on the Edge” by Drunken Boat
This painting has already been sold but limited edition 12×12″ signed, hand-numbered prints are available for purchase WHILE SUPPLIES LAST.
“Baby Dick Virgin.” 5/1/24. acrylic paint. 16×20″.
In the past, the smaller text in my paintings tended to be raw journals, scrawled onto the canvas in the moment. For this, my first painting in five years, I sort of typed out the story of the piece as I was going and, then, transcribed it to the canvas a little later. For that reason, the smaller text featured in the painting, essentially, is my artist’s statement for the piece. It says:
I left my girlfriend again but this time we didn’t get back together because there was some baby dick virgin waiting to pounce the second she was vulnerable and she says she likes that he looks at her like a puppy dog and even though she says she’ll never love him as much as she loves me AND THAT I’M HER SOULMATE, that because I don’t believe in soulmates and because he’s “ordinary,” maybe that would be safer for her. That’s all obviously FINE AND FUCKING DANDY except for the part that’s DRIVING ME UP THE GOD DAMN WALLS trying to decide if I miss her because I’m in love with her or if I’m just a lonely little codependent fuck who can’t stand the idea of being alive while there’s not a beautiful girl who is ACTIVELY in love with me.
It’s been two weeks since I wrote [the [preceding paragraph]. I wanna write about how I’ve FUCKED HER since then, how she took pictures of it, how her fat uncle of a boyfriend saw the pictures, forgave her, and then I FUCKED HER AGAIN (and then some). But that’s just pettiness and spite and me feeling like I got a win that I need to advertise. I’m not trying to get back together with her. I would very much like to destroy their relationship. Not just as a fuck you. I do still genuinely care about her and she’s not going to get better while she’s hiding from her issues in that joke of a rebound. She knows now that she can literally do anything and he will never drop her because he’s too pathetic and broken to ever think he could do any better. I’m VERY tempted to name this painting after him.
I ultimately did. After committing it to the canvas in giant letters, I wrote:
Choosing this title is the pettiest thing I’ve done in my work. But it’s SUCH a ridiculous choice that I couldn’t help it that the thought made me smile as much as it did. (And I argued with myself and consulted with friends but kept coming back to it, so I clearly needed to EXPEL THE VENOM so/before I could move on). I know it’s shitty, toxic masculinity and probably only highlights my own lack of self-esteem that I enjoyed winning a DICK MEASURING CONTEST as much as I did but – you know what? I never did shit to that dweeb and HE called ME from her phone to SCREAM at me for no fucking reason, at a time when I was already fragile as fuck. So fuck him – he gets what he gets and he can live with the world knowing that [redacted] he wasn’t MEASURING UP (in any way).
I promise this will be my last painting for a minute that’s secretly about HOW GREAT my own dick is. Though I’m sure it’s the first of many more that’s ACTUALLY about how fucking insecure I am, in spite of everything. BUT I’M GETTING BETTER (I swear). Today is day 23 [since I got clean again].
This next, final part is definitely less of a journal and more a defense. I anticipated some strong reactions as soon as I put the painting up on my social media and I guess I wanted to kind of preempt some of the criticism.
I’m pretty embarrassed by the sentiment of this painting but that feeling often indicates when I’m onto something that’s significant for me and/or will somehow be meaningful to other people. It also makes me feel like a little bit of a BULLY but it’s not as if I have some huge platform these days. The dink at hand might never even learn this painting exists. I feel a little guilty – even having her approval – that the previews I posted online already caused some discord in her family and anxiety for her but… I can’t control or really even concern myself with other people’s reactions. So long as I’m being honest and my work is authentic (even when partially powered by spite), I’m doing what I’m supposed to be doing.
The painting went online and, sure enough, even with my hedging, I still got some negative responses – even stronger than what I’d feared. One person told me they no longer wanted a painting of mine that they owned and asked for an address that they could ship it back to! And I’m sure there were plenty more who chose the “if you don’t have anything nice to say…” path. But I also got some really great, positive responses beyond what I even hoped. People who saw past the pettiness and the ego and really seemed to understand, relate to, appreciate, and admire what I’d made. As an artist (especially a snarky little shit-eater of an artist) what more can I ask for?
“Baby Dick Virgin” has already been sold, but limited edition 11×14″ signed, hand-numbered prints are available for purchase.
“I Could Never Love Anyone More Than i Hate Myself .” 4/30/15. Acrylic paint. 36×36″.
For as much as I talk and write about Wallis, I’ve never really shared the full story of how we first came together. I’ll save the cute elements of the story for later and just give you the important part that hasn’t seemed relevant until now.
When I met Wallis, she was actively addicted to heroin. She was trying to not be on heroin but (like most addicts) she was finding that to be a little tougher than she could handle. We hit it off really quickly but I told her on our very first night together that I couldn’t be around that sort of thing. I told her that if she wanted to continue spending time with me, she couldn’t be using drugs. (I’m way too fucking fragile to not relapse if a pretty girl has a needle and a bag of dope to share with me). She told me she didn’t wanna use. I invited her to go with me on a road trip for a week – up to Illinois and back.
In the course of that trip, we fell in love. Which was a problem because it meant we needed to figure out what we were gonna do to keep her from going back to heroin once we got back to Jacksonville. We decided that she’d need to quit the strip club and get another job (nobody can stay off drugs in that environment – no addict anyway). I told her I’d cover her (financially) ’til she got a new job and then – when it was time for me to leave Jacksonville – she’d quit her new job and come with me. Sound familiar? I did for Wallis the same thing I had done for my best friend, Chris, a year prior. I brought her out on the road with me to keep her off drugs. To show her another kind of life. Like Chris had done, in exchange for “all expenses paid” she’d just help me with my set-up, selling art, whatever. (And like Chris, it pretty much worked. She never used once; not while traveling with me anyway).
When we left Jacksonville, it was for Minneapolis, where I was to be featured in a gallery exhibit. Halfway through the exhibition’s run, we returned to Jacksonville for a week, so I could make CRAZY MONEY at One Spark. On the drive down, Wallis started talking about going to see old friends – friends that she had, historically, used drugs with. I told her that this was a terrible idea. She argued that I needed to have faith in her. I responded that I’d heard that same exact sentence and had this same exact conversation many, many times in the past (with another girl) and that I knew perfectly well how this was gonna end. I told her that if she wasn’t willing to forego the reunion (and the inevitable relapse that’d come with it) that I couldn’t be her boyfriend anymore. One Spark was going to be an incredibly important week for me financially and I didn’t wanna fuck it up by spending the whole time worried about whether Wallis was safe.
She said okay (as in “okay, then you don’t need to be my boyfriend anymore“). There was no hostility or drama beyond that but when we got to Jacksonville, we went our separate ways. Wallis relapsed that very first night (though she wouldn’t tell me until later), but called me the next morning and spent the rest of the week by my side like a lost puppy. On the night before I was to return to Minneapolis, she broke down crying, told me she had fucked up, and that she still wanted to be with me.
I first had the thought years and years ago – upon hearing Rivethead’s “In My Heart a Warehouse Burns For You.” The last lyric in the song is “I love you just as much as I hate the man.” I’m not exactly the biggest fan of cops or authority figures of any kind but when I’m really fired up and full of hate, there’s only one target it’s ever directed at: me. I still listen to that record (The Cheap Wine of Youth) all the time so the idea of captioning a painting with “I love you just as much as I hate myself” had occurred to me on a couple occasions but I didn’t wanna be derivative.
Then, when I bought Pretty Boy Thorson’s An Uneasy Peace (the final song of which is called “I Love You Even More Than I Hate Myself”) I had a bit of a god dammit moment. That should’ve been mine! The song’s awesome and it doesn’t matter that the lyric is similar to another.
I started thinking about it though – that line – and whether or not it was actually true (for me). I was dating Wallis and I absolutely loved her but did I love her more than I hated myself? I wasn’t really sure. I decided that sometimes I’m afraid that I could never love anyone more than I hate myself. After all, we had weathered the storm of her relapse but I was sabotaging our relationship bit by bit with my low self-esteem [and cheating]. I wrote about some of that anxiety in the bottom-right corner of the painting:
It’s so much harder to travel with a second person. Staying with friends feels like a much bigger imposition and I can’t stay with girls I meet. That’s probably the hardest part. But I love Wallis. (And I really like fucking her). And I think she needs me. I tried to leave her in Jacksonville but it didn’t work out. I hope she’s with me because she really loves me and not just ‘cause she’s scared to go back to “real life.” It if doesn’t work out, it’s probably gonna be because I can’t stop thinking about fucking other girls, which I know hurts her (and is really so selfish and dumb - and even mean - on my part) but really has nothing to do with her. (She’s so fucking hot and sexy and cute and beautiful). It’s just my insecurity and my compulsion to fuck every pretty girl, to prove to the world (and myself) just how fucking wonderful and desirable I am. It’s not helping that girls are throwing themselves at me these days. But I know (or think) that shit won’t make me happy. And in the end, I’m just gonna want someone to love me and I love Wallis.
There’s another, shorter string of text higher up in the painting, similarly inspired by punk rock: “I was listening to that Gateway District song where they sing, ‘I’m always falling way behind and you go on and on and on.’ If only I knew someone like that. Maybe I’d have someone to look to. Everybody I know is struggling. Everyone I know is as hopeless as I am. (Or worse).”
There’s a brighter, happier pair of sentences in the top-left corner – the product of a moment when everything was right in the world. Amazing sex with Wallis and I’m driving to the gallery showcasing my art while listening to “Another Way Out of Here” by The Murderburgers. The thought occurred to me that “nothing in this world makes me happier than an energetic, upbeat song about suicide.” I gave it a second thought. Is that true?I concluded, “Except (maybe) hitting girls in the face during sex.” I smiled. That’s pretty funny. I’m pretty fucked up. The things that I enjoy are – well – a little odd. This was all well and good at the time. I posted a close-up of that part of the painting online and it was met with positive feedback and just a little bit of “Oh, Sam…” But before I even got the chance to write the statement for this painting (as I am now), that photograph – that caption – would make the rounds on the internet elsewhere and garner a very different kind of response.
You see, when I wrote that, it was about sex with Wallis. Sex which includes light, consensual, fake-violence (or whatever the fuck you wanna call it). Wallis likes getting slapped in the face during sex. And I like doing it. Win-win, right? Well, yeah – until you get accused of a violent rape and the media picks up on the story and uses your art to support the idea that you’re the kind of person capable of violently raping a nineteen year-old girl you just met.
Sitting in jail, I wondered how I was going to break the news to my friends and fans that I had been accused of this horrible fucking crime. I bailed out, Chris Spillane picked me up, and after ten minutes of discussion he tells me, “There’s one more thing we’ve gotta talk about, Sam. The publicity on this story is not good right now.” Publicity? This story? “What the fuck are you talking about?” I googled my name and discovered that I didn’t need to worry about breaking this news to anyone. Some reporter knew or figured out who I was, wrote an article about me complete with images of my art (like the “hitting girls in the face” one) and everyone else picked it up and ran with it. Suddenly, strangers on the internet were talking about how I was the kind of person who PUNCHES girls in the face. I was a scumbag and I was definitely guilty. What the fuck? I’ve never punched a girl in the face! I slap! Playfully! And only with girls that WANT me to!
But none of that mattered. What mattered was that it was incredibly easy to paint me as some kind of violent sexual deviant who had finally gone off the rails and just started violently raping people. Freedom of expression has its fucking consequences apparently. The charges against me have since been dismissed by a judge who (after hearing all of the prosecution’s evidence and the girl’s testimony) ruled that there was no probable cause to believe that any crime had been committed but the evidence in the case isn’t all public yet and I’m still having to deal with (well-meaning) assholes who think I deserve to be castrated for something I never did. At the time of this writing, this is all still incredibly recent so I’m still working out exactly how a person does deal with something like that. (I’ll let you know when I figure it out).
Flashback to five months before that nightmare though – back to when I was still working on this painting (that’d later incriminate me in the court of public opinion). I wrote that I was feeling:
“stuck in a rut. This spot [on the street] isn’t super profitable [for selling prints]. I don’t even wanna write about what else is going on. I don’t want to muddle up this painting that I’m not even happy with. My little sister is killing herself and today I blocked her phone number because I’m tired of her asking for help, not taking my advice, and then texting me updates on her self-destruction that she knows will just upset me.
I really need the validation of some sales to cheer me up today. If I make less than $100 today, I’m gonna feel super depressed.”
And then – to remind myself what a dipshit I am for worrying about how much I make in one particular day, I added: “I’ve made $7,000 this month.” True as it was, it didn’t really help me feel any better in that moment. I continued writing – about an interaction I had with a guy who stopped to watch me paint:
“Someone asked me yesterday if I really hate myself and why. I had a hard time articulating it [the way that I feel sometimes]. He said he thinks I’m not as unhappy as I let on. I’d do a much better job explaining it to him today: I’M UGLY, PALE, OUTTA SHAPE, MEAN, SHITTY, POOR, FEARFUL, AND IN A CONSTANT STATE OF STARVATION FOR VALIDATION.”
Reading that now, remembering that day – it’s kinda scary. Everything in my life was going so well and I still had this monster inside me, gnawing at my insides, telling me that everything was awful. That I was awful. I’m really grateful that I don’t feel that way about myself all the time. Arguably, my life is way more fucked up now (on account of the VIOLENT RAPE ACCUSATION) but – I don’t know – I feel better today. Maybe it’s because I’ve had to fight this awful thing. Maybe it’s because I’ve had to become stronger. Maybe it’s because enough other people hate me now that I can take a break on the self-loathing. I don’t know. I’m not sure. But after separating in late-June and spending two months mostly apart, Wallis and I are back together full-time. We’re living together in an apartment in Chicago and it’s been really great. And you know what? I love her WAY more than I hate myself. Not just ‘cause I’m not hating myself so much right now but… This girl… After all we’ve been through. After all I’ve done for her and all she’s done for me… Words are insufficient to express my gratitude, affection, and love for her. I’m probably gonna marry her.
And you know what? When it comes to “falling way behind” versus “going on and on and on,” maybe I do a little more of the latter than I allow myself to recognize sometimes. Maybe I do a lot more of it.
HAPPY ENDING.
“I Love You Even More” by Pretty Boy Thorson & The Falling Angels
“Another Way Out of Here” by The Murderburgers
“Waves and Cars” by The Gateway District
“In My Heart a Warehouse Burns For You” by Rivethead
“I Could Never Love Anyone More Than I Hate Myself” is now up in the webstore.
“Joy” is a fake name. Sometimes I have to use fake names.
Incoming Facebook message (May 27th) from Joy: I haven’t spoken to you since high school. I used to think you were just the coolest. Sam: I don’t recognize you but you’re pretty cute so I sure wish I did! Joy: I remember you from some parties… AND MYSPACE.
And so it began. She told me she was a model and an acrobat. Asked for my phone number so she could text me some photos. I happily obliged because I’m an incorrigible flirt. We started texting back and forth pretty frequently. She told me she liked my blog, complimented it as “raw,” “honest,” and “brave.” We talked about potentially meeting in person one day, we talked about having sex, she sent me a lot of really suggestive texts, I responded in kind to a degree but not like I would with a lot of other girls because she had already told me that she wasn’t into the kind of rough sex stuff that I am. After about a week though, I started texting less. I wasn’t going to be seeing this girl in real life anytime soon and I had – you know – a life to live in the meantime. I can’t be wrapped up in all day text message conversations all the time.
After a couple days of not much interaction (about two weeks after we first started talking) I hit her up. “Does it even matter?” she said, “You hate me.” That was my first red flag. I wasn’t texting her as often and her interpretation of that was that I hated her?? The next day, she apologized and started texting me more often. My responses were far less frequent and far less detailed than before but I kept the conversation going.
Toward the end of June, she told me that she might have an opportunity to stay for free in a really nice apartment in Manhattan – for two months – as a house/catsitter. A few days later, she sent me a long message:
I think you should come stay with me and sell your art here. No rent. No parking fees. A warm bed in a plush place. If it goes well, you can stay as long as I stay. Maybe you’ll make really good money. Hustle to get in some galleries. […] You help out so many people… And so many people have helped ME out… I wanna help someone. And you’ve been on my mind the last few days.
“That sounds amazing,” I told her. I had been wanting to get out to New York, to meet with galleries for a long time. But the city is so big and the art scene is so big that the prospect was a little overwhelming. Having a place to stay, a place where I could feel welcome and not like an imposition – that made it a lot easier. This was going to be an outstanding opportunity.
But I was just a little hesitant. I thought it was strange that – despite growing up in the same city – we didn’t seem to have any mutual friends. I asked some of my friends about her and their responses weren’t exactly comforting. She was – as I was told – not an easy person to get along with. (And that’s putting it lightly). Going to New York, to stay with her, would be a little bit of a risk. But when I got the go ahead from the court to leave the state of Illinois, I was too excited to not take her up on the offer. It’s not like I had any other city I needed to be in at the time; my next exhibit was in Seattle and I wouldn’t need to be out there until October.
I started driving to New York but along the way, I got a phone call. It was her and she was crying. “I’m having a panic attack,” she told me. I asked her what was wrong, what was happening. She said that she felt trapped in the apartment but felt like she couldn’t go outside either. She was anxious and uncomfortable and nothing was wrong but everything was wrong. I did my best to talk her down from the ledge. She regained her composure and said she was going to go out to the fruit stand across the street. We hung up. Fuck, I thought. This doesn’t exactly bode well.
The night that I got there, she said she wasn’t sure if she wanted to have sex yet. I said okay but that night in bed, while I was falling asleep, she started to fool around with me and we wound up having sex after all. I was really gentle, really vanilla, really boring. We had talked about what I was into, she had said she wasn’t sure she could handle it, and I had told her that that was fine. That we could do whatever she was comfortable with and maybe slowly try to incorporate some more dominant/submissive stuff and see how she liked it. That’s kind of how it always goes whenever I have sex with someone the first time. Unless they explicitly tell me “yeah – I want you to do this, I want you to do that,” I’m not gonna chance it. So I played it cool and just had regular-people-sex with her. When I was just about done though, I whispered in her ear, “I’m gonna cum on your face.” “Do you want to?” she asked. “Yeah.” She said okay. So I pulled out and I came on her face.
And she immediately started crying.
FUCK.
I gave it some time. I didn’t wanna upset her any more than she already was. I didn’t wanna make her feel bad. But, eventually, I had to tell her, “If you’re not comfortable with something, you’ve gotta tell me.” “Well, it’s just that no one’s ever done that to me before,” she said. “Okay, well, that doesn’t really change anything. I don’t wanna do anything that’s gonna upset you. You had even told me before I got here that I could cum on your face so long as I ‘was sweet afterward and cleaned you up with a warm cloth.’” “I know,” she said, “I’m just… I’m sorry. I don’t know.”
We had already broached the topic of “what if we’re not sexually compatible” before I even got to New York but it quickly became a regular topic of conversation once I was there. “It’s not a big deal,” I’d tell her. “We don’t have to have sex. We can just be friends that don’t have sex.” Her response: “I know but I wanna make you happy. If that’s what you’re into then I wanna do those things.”
This was awful, terrible news. I told her that I was already happy and that – even if I weren’t – she couldn’t make me happy. And what’s more: if she wasn’t into [whichever kind of sex act] then I wasn’t gonna wanna do that with her. I’m into violent shit and I’m not gonna do that kind of stuff with a girl who isn’t enjoying it just because she wants me to enjoy it. That might technically be consensual but it still sounds like abuse to me and it definitely doesn’t sound fun.
We tried to fuck a few more times over the course of the next week, sometimes with better results than others but it didn’t feel natural or right or good. And there was other stuff going on too. By my third night in town, she had told me that she loved me – and that she was in love with me. “You don’t know me well enough to be in love with me,” I told her. “You’re in love with some idea of me that you got from my art and my writing. You hardly know me as an actual person.”
But even that wasn’t the worst of it. The worst was her mood swings. One minute she’d be perfectly fine, the next she’d be having an anxiety attack about a delivery coming to the apartment or a scheduled meeting with a photographer. I’d do my best to soothe her nerves, calm her down, and everything would be okay. I could handle those mood swings. The ones I couldn’t handle were the temper tantrums. In an instant, she’d FLIP THE FUCK OUT over some insignificant little thing that – more often than not – had nothing to do with me. One morning she woke me up, SCREAMING at me. Holy shit, I thought – what is happening?
“DON’T USE FUCKING GLASSES AS ASHTRAYS!” she screamed. “THIS GLASS IS FUCKING FULL OF CIGARETTES!”
The glass she was holding, she had picked up from the counter by the window where she smoked cigarettes (I had smoked all of mine out on the fire escape the night before). I walked over. “These are all Pall Mall Blues with the exception of one Camel Menthol that you bummed from me last night. I don’t smoke non-menthol cigarettes; these are all your cigarettes. I didn’t use that glass as an ashtray; you did. Why are you screaming at me?”
After episodes like that one, she’d eventually calm down, apologize, become sweet and affectionate once more. But it was too much. It was more than I could handle. And it was every day. Several times a day. I told her that I could continue to stay there if we could just be friends. No more kissing, no more touching, definitely no more fucking or physical intimacy – and I’d be sleeping on the couch instead of in bed with her. She said she wasn’t sure if she could do that. That she was in love with me and that it would be too hard. I assured her that not only did she not know me well enough to be in love with me but that people don’t treat the people that they love the way that she was treating me. This was seriously fucked and it was seriously not okay. I left but she invited me to come back later that night and I did, to sleep on the couch. She woke me up in the morning, yelling at me again. I told her that it was totally over. That we could still be friends but that it wasn’t a good idea for me to stay in the apartment at all. I told her that she could call me anytime – if she was freaking out, having a panic attack, if she needed a friend. But that that was all that I could be to her: a friend.
A few days after I left, there was one night when I needed a shower and I was in her neighborhood. I didn’t wanna go all the way out to Brooklyn just to shower and then have to come back out to Manhattan. I offered her five bucks for the use of the shower. She asked me to just pick up some toilet paper on my way over. Deal. I stopped at the store, went to the apartment, and took a shower. Before I left, she offered me some leftover pizza. We hung out and talked as it heated up. Everything was okay, we got along fine. After I finished eating, I gave her a hug and said goodbye. She texted me later and said that if I wanted, I could come back that night and stay on the couch. I told her it was nice to see her but that we’d better not push our luck.
About a week later, she called me and invited me over. I took a shower and – again – she offered to let me stay over. This time I took her up on the invitation but told her I’d need to move my van (to somewhere it could be legally parked overnight). After I moved it, I went back upstairs and told her, “I’m gonna go downstairs to the deli and get something to eat. Would you like anything?” This was not acceptable. She got really mad at me. Told me that if I was going to stay, then I needed to just stay. She yelled at me for leaving to go move my van and for not having gone to the deli (which is literally underneath the apartment) before I came back upstairs. She called me “gross and manipulative.” She told me that I’m a bad person.
So… that’s about enough of that. I left and I blocked her number. The convenience of a place to shower or sleep isn’t worth the way that this girl treated me. I was in one shitty relationship before and this time I wasn’t even dating the girl. I barely fucking know her. I understand now why none of my friends from Sarasota had nice things to say about her. I understand now why (as she herself told me) she’s never had a “boyfriend.” I feel for her because she’s clearly lost and in a lot of pain but I’m not gonna be her fucking pincushion.
Is New York more difficult without having the apartment as a base of operations? Yeah – absolutely. But if I really need a place to sleep (an air-conditioned place to sleep) I’ve always got my friends in Brooklyn and Queens, I’ve always got Tinder, and I’ve always got the option to just sleep in the van. It’s been about two weeks now since I stayed with Joy (and a few days since that last time I went over) and I’ve been doing just fine. I’ve started hitting up some of the galleries around the city; I’ve set up my table out on the street a few times and made a little bit of money; and I’ve gotten to see a lot of friends I hadn’t seen in a long time (and gotten to make some new ones). Now, when I need to do work on the computer during the day (like writing this blog post), I just stop in at some coffee shop and buy a fucking lemonade and take a seat. It’s not so bad. Some of these places even have bathrooms.
Cool.
My first day in the city, my little brother was passing through New York with his girlfriend, Valerie. Since both of my sisters live here in the city, we all met up. It’s probably one of just three times that the four of us have all been together in the last five years.
![Apparently Proverbs 5:19 says: “Like a loving doe and a graceful mountain goat, Let her breasts satisfy you at all times; Be exhilarated always with her love.”
So… Christianity is fucking weird, you guys.
Then again, I sure could go for a nice girl with ]THE GRACE OF A MOUNTAIN GOAT and, like, really cool tits.
Anyone know how I’d go about getting baptized?](https://i0.wp.com/sammythrashlife.com/wp-content/uploads/Grace-of-a-Mountain-Goat.jpg?resize=730%2C995&ssl=1)
![Apparently Proverbs 5:19 says: “Like a loving doe and a graceful mountain goat, Let her breasts satisfy you at all times; Be exhilarated always with her love.” So… Christianity is fucking weird, you guys. Then again, I sure could go for a nice girl with ]THE GRACE OF A MOUNTAIN GOAT and, like, really cool tits. Anyone know how I’d go about getting baptized?](https://i0.wp.com/sammythrashlife.com/wp-content/uploads/Grace-of-a-Mountain-Goat.webp?resize=300%2C300&ssl=1)
