The World Revolves Around Me

Some days, I feel like I have such a grip on my emotional well-being, that it’s maybe a little disingenuous to still promote my artwork as I do – like it’s the product of mental illness. Earlier today though, after becoming upset, hitting myself in the head twice, committing an act of vandalism, undoing it before anyone would notice, running off, pulling off the road to get out of my bus and journal on the side of the road, and then starting to cry… well – it just might be possible that I CONTINUE TO EARN the right to market myself as a fucking basketcase. There’s a lot more I could say about all that but I think it’s better left ’til it’s not so fresh.

I finished my newest painting on Sunday but, for today’s blog entry, I’m reaching WAY BACK to finally tell the story of one that I finished a decade ago. It’s one of those classic feel-good stories of self-destructive behavior, self-harm, compulsive sex, substance abuse, and criminal charges. I HOPE YOU LIKE IT.

“The World Revolves Around Me.” 8/21/15. Acrylic paint. 4×4′.

There are two blocks of text in this painting. One written before Wallis and I split up, one after. The first reads:

When I finished writing and crawled into bed with her, the bad feelings melted away in an instant. I had to wake her to tell her how much I loved her. She was sweet and affectionate and cuddly – nothing like the girl that had fallen asleep in that bed an hour prior. In the morning, she’d remember none of it. Turns out she’d stolen more Seroquel than I’d found. (Which explains how fucked up she was). I found a second razor on the floor, mangled. “What’s the story here?,” I asked as I displayed it. “Oh – I must have chewed it up, trying to get the blade out.” I guess that explains the blood in her mouth.

Wallis was a cutter. The worst I’ve ever known. If she drank too much, she’d get depressed, find a razor blade, and fuck her shit up. And not that straight across shit; I’m talking up-and-down vertical cuts on the wrists and arms. After one of those incidents, she’d agreed to quit drinking.  Shortly thereafter, we were in Miami and I dropped her off to spend the day with her mom. I knew her mom liked to drink so I called ahead and told her: “Wallis isn’t drinking right now. It’s been causing her serious problems. Please don’t encourage her to drink with you.” When I picked her up that night, she was drunk, which frustrated me but – she seemed okay, so I didn’t make a big thing out of it. I drove, she sat in the passenger seat and told me about her day. And then (I forget why, but) I turned on the dome light for a moment. I looked over and found that as she’d been casually telling me about her (admittedly, not wonderful) visit with her mom, Wallis was sitting there, blade in hand, quietly cutting away and fucking COVERED in her own blood. It was fucking brutal. Like, over-the-top horror movies levels of blood.

Even years later, I’ve heard Wallis describe the time we spent on the road together as the best part of her life and the most fun she ever had. I’d helped her get off hard drugs so she was clean for the first time in her adult life and we were traveling the country, chasing my art dreams, doing whatever the fuck we wanted. In spite of what I’ve just told you, it really was great a lot of the time. Just not all the time. In addition to the on/off drinking, she’d sometimes steal my psych meds for an extra buzz. I think there were two main issues that contributed to our problems.

(1) Our everyday lives revolved entirely around what was happening with me.1 It was all about where I had exhibits and opportunities and making my career happen. We had a lot of fun but – a lot of the time – I was working/painting and she was just left to read or play on her phone or whatever she could do to occupy her time. We were constantly on the move so she couldn’t exactly get a job and, any place that we went, if she had friends, they were my friends first. It wasn’t really possible for her to have her own life. I think she needed more. She needed something to give her her own sense of purpose and fulfillment. 

(2) We were wildly in love with one another but that didn’t solve my self-esteem issues. When I met her, I was in a pretty wild phase of promiscuity. I’d always gone from one long term relationship to the next, but I’d broken up with Heather when I decided to “take my show on the road.” When I met Wally, I was single, doing really well with art, and was meeting a lot of girls who (at the risk of sounding arrogant) really were throwing themselves at me. A few times, I had girls (that I’d never met before) walk up to me at an event and directly tell me that they wanted to fuck me. Like, right then if I’d be so kind. I’d always done alright with girls but this was new. It was not in line with my PREVIOUS EXPERIENCES. It went to my head. It fucked with my ego. I don’t think it was good for me.

I definitely grew up in a culture and a scene where my value was measured by how many girls I’d slept with and which girls I’d slept with. That’s been a hard thing to shake over the years. It took me a while to get to a high enough number that the number didn’t seem to matter anymore but, still, I had this feeling like, “If I sleep with this girl, then I’ll be good enough.” But that was, of course, not true. It didn’t matter if I’d slept with [insert hot girl here] if I wasn’t still regularly sleeping with other hot girls. And that’s SO FUCKING STUPID. It’s embarrassing. Wallis had been one of the girls that I saw that way. Before I fell in love with her, I was SUPER EXCITED TO FUCK HER. And I still really liked fucking her. The sex was great. AND I WAS IN LOVE WITH HER. Deeply in love with her. That should have been enough but it wasn’t. So I was still on Tinder, still flirting with other girls, and still sleeping with other girls. My philosophy had been, “So long as she doesn’t know, it doesn’t hurt her, so there’s no harm.”

But she fucking knew. She knew everything. She was regularly reading EVERYTHING ON MY PHONE. And it deeply hurt her

To my credit, when she finally told me that she’d known all along – and I finally understood just how much it was hurting her – I did stop. I stopped cheating. And I haven’t cheated on anyone else since. (And to her discredit, she fucked one of my best friends while I was working one day. But (1) that’s a whole other story, (2) I didn’t find out ’til years later, and (3) can I really blame her when she knew that (often enough) when I was out “working,” I was also sometimes out fucking? No, I don’t think I can).

In any event, we eventually decided to split up, at least temporarily. She’d go back to Jacksonville, I’d continue on as I had been and the tentative plan was that we’d give our relationship a second shot down the line (ideally, once I was established/successful enough that I wasn’t living on the road, traveling the country and scouting new galleries to show my work).

Switching gears/elsewhere in my life, ever since I’d started my whole touring-the-country to build my art career plan, it’d become really tough to get my Adderall prescription every month. At the time, monthly in-person visits were required for an Adderall ‘scrip, so – in every new city, I had to find a new doctor. I’d call every doctor I could find and it was a regular issue that the soonest anyone could book an appointment for a new patient was weeks away – often further away in time that I even planned to stay in that city.

On one of my stops back in Sarasota, I’d filed a Marchman Act in an effort to get Chris Spillane off drugs. Afterward, my friend Abby asked if I’d do the same for her, which I did. When I dropped her off at the treatment facility, she handed me a bottle of Adderall. “Do you want these? I know you take it too and it’s not like they’re going to let me bring it with me.” Yeah, sure – of course. It’d help cover any gaps between getting my own prescriptions refilled each month. 

A few months later, Spillane (who I’d brought on the road with me in my effort to keep him clean) and I were in Chicago. Mike and Dave (of Like Bats) invited us to form a new band with them. We called it Shitty Children and were soon invited to play Awesome Fest in San Diego. After the fest, on the 20+ hour drive back to Chicago, we got pulled over just outside of Normal, Illinois. Mike had been drinking beers. He wasn’t driving but there were empty cans on the floor by his feet. The police separated and questioned all of us. Spillane (GOD BLESS HIM) apparently consented to a search. I wasn’t worried though. I was off drugs and living a good, clean life. I was a positive anti-drug role model. I didn’t have anything to hide. 

And then they found that bottle of Adderall in my backpack and arrested me because I didn’t have proof of my own prescription with me. Despite the longstanding prescription, despite all the positive press I was able to produce to demonstrate that I was a literal poster child for recovery from drug addiction, the prosecutor was determined to charge and convict me. My public defender was useless and, in hindsight, I think if I’d hired my own attorney, I could have gotten it tossed out. But that’s not what happened. I was convinced that, according to the strict letter-of-the-law, I was technically guilty of illicit possession of a controlled substance which meant, if I went to trial, my only hope was a jury ignoring the technical facts of the case and bucking the law to, sympathetically, find me “not guilty.” If that didn’t happen, a conviction carried the risk of a serious sentence. So I wound up accepting a terrible plea deal, wherein I’d be branded a felon for the rest of my life and either serve 30 days in jail or else 2 years of probation.

But it’d be a while before that happened. Even though the arrest was months before I even met Wallis, the case was still dragging out at the time we split.

The second block of text in the painting begins with a vast oversimplification (if not an outright misrepresentation) of why I bought Wallis a ticket back to Jacksonville:

Is it because I gave up on my girlfriend and put her on a plane back to Florida? (A trade-off for new/casual sex). Is it because I’ve felt discouraged and unable to do anything productive or profitable? Is it because I feel crippled by my ongoing legal battle and the likelihood that I’ll be getting a jail sentence this week (or delaying that and continuing on in uncertainty)? This last week, I’ve acted less like I’m self-employed and more like I’m unemployed. I have the evidence to prove I’m successful but I don’t feel that way. I’ve been resting on my laurels (and my bank account) so hard that they both seem to be wearing out. I don’t like this painting but I can’t figure out why. I think it’s because the thought of the immediate future makes me sad. And maybe because I wish I had someone to tell me “it’s gonna be okay.”

When am I gonna win?

Because of my NINE YEAR relapse, it’s taken me a long time to finally get around to writing the statement/story of this piece, so I can only guess at what was on my mind back then that sparked the sentiment behind the title (“The world revolves around me. My world. The only world that matters (to me).” The biggest hint though is the figure with a confederate flag for an eye and rainbow-colored teeth. Confederate flags and monuments were BIG in the news when I was painting this – whether they should still be up at state capitols or whatever. (Which, of course, no – fuck off – they shouldn’t). But I couldn’t help but watch some of the reactions on both sides and just shake my head. YOU ARE GETTING WAY TOO EMOTIONAL ABOUT SOMETHING THAT DOESN’T WARRANT THAT LEVEL OF EMOTION. As much as I think anything confederacy-related is stupid as fuck, I’m not gonna pretend that the little shit-eater in me didn’t also like the idea of super sensitive white people2 being bothered by its presence in my painting. I also just like the contrast of the red and blue with the white stars. (When they’re outlined in black anyway; without the outline (like it is on the actual flag) it’s not even aesthetically cool). But I juxtaposed it with rainbow teeth because (1) I really like rainbow-colored anything and (2) I wanted to balance the conservative thing with a progressive thing. If that bothered anyone on the political-right – well – even better.

More to the point, what I’m saying with this piece is that (without religion) life has no objective meaning. Nothing matters. Or everything matters. Or, more accurately, each thing matters only to the extent that each of us decides. And that value doesn’t transfer between people. I decide what matters to me; you decide what matters to you. The world 100% revolves around me. That’s a fact. But only for me. For you, the world does not revolve around Sam. I hope it revolves around you.  You’re the main character in your story. It’s your world to conquer or surrender to.

I don’t ultimately care about confederate flags and monuments because they’re almost certainly totally out of my control unless i decide to become an anti-confederacy activist, which is not something I’m particularly interested in. I’ve got my opinions on the matter but they’re not important enough to me for me to invest that much of my time or  emotional energy. The Sammy thrashLife News Network IN MY HEAD has 24/7 coverage on the real issues. Issues like my friends, Chris and Abby, falling hopelessly back into addiction and darkness. My efforts to help them get clean.3 Meeting a beautiful, wonderful, funny, fun girl named Wallis and helping her get clean, falling in love with her, and traveling the country. Playing music with my friends in Shitty Children and performing on stage again for the first time in years – a stage that I shared with some of my favorite bands in the world, at one of my favorite fests in the history of punk rock. Making art that I’m FUCKING STOKED on, that helps me work through my issues, makes me happy (USUALLY), frees me from having to work a regular JOB, and gives me a sense of fulfillment and the only kind of genuine self-esteem and confidence that I’ve probably ever known. And then all the other shit – whether monumental or petty, positive or devastating that is worth investing my emotional energy into. AT LEAST ACCORDING TO ME.

That’s my world. Everything else – that shit’s happening in another universe. As much as I’d like to SOLVE WORLD HUNGER or BRING PEACE TO THE MIDDLE EAST, I’ve got one life to live and it takes a lot for me to not fuck it up. I don’t lack empathy, I’m not self-absorbed (okay, that second part might not be ENTIRELY true), but if I’m gonna do any good in this world, I’ve gotta PRIORITIZE, keep focus, and do it where I can have the most impact. A big part of that is this kinda thing right here – what you just read.


I’m gonna have to take that “no more than 12 emails per month” thing off of my mailing list sign-up sheet. It was true when I made it but, AS I GET MORE PRODUCTIVE, these updates become more frequent. It’s totally possible I’ll have another one within a week for that new painting I mentioned (it’s called “The Whole Wide World Can Suck My Dick (but, like, in a Fun Way”). I’m excited to share it with you guys, so keep an eye out.

In the meantime, prints of “The World Revolves Around Me” are now for sale in the webstore. This is also one of the few originals I’ve got that’s not yet sold, so shoot me a message if you’re interested. Or go see it in person. I’m happy to report it’s been accepted for a gallery exhibition that opens next month.


Footnotes:

  1. This is totally unrelated to the actual, intended message of this painting. I didn’t even pick up on the coincidence until writing this statement. [go back]
  2. In my experience, it’s only those who like to be offended on behalf of others, that ever seem to take offense at my art. Anyone who would actually have cause to be personally offended tends to be thoughtful enough to recognize my intent – or at least ask about my intent before they let something bother them. [go back]
  3. Those plans succeeded by the way. Chris is still clean, happy, and healthy to this day. Abby got clean too. Until last year, when she died. The story I’ve been told is that she was still clean but, one night, slipped up and allowed herself to do a line of cocaine at a party. Cocaine allegedly cut with fentanyl. And then she went home, went to sleep, and never woke up. That doesn’t quite make sense to me but I suppose it’s not terribly important. The world’s a little darker without her, regardless of how or why it happened. [go back]

Motivation (Will Work for Food (maybe) / Will Beat Off on Live Webfeed for Perfect Love and Acceptance)

Woo! This painting’s been done for three months now so apologies for the delay in getting it online. Let’s jump right into the statement for the piece though and then I’ll tell you a little more about everything that’s been happening lately. Cool? COOL.


“Motivation (Will Work for Food (maybe) / Will Beat Off on Live Webfeed for Perfect Love and Acceptance)” 12/26/24. Acrylic paint and pigment ink. 48×30″.

Allow me to SET THE SCENE for you: it’s 2013, I’ve been institutionalized for two years, but I’m finally gearing up to re-enter the real world. Part of that process is figuring out what my life’s gonna look like in the outside world. Where am I gonna live, what am I gonna DO FOR MONEY, etc, etc.

Strung out on heroin, I’d graduated by the skin of my teeth from Georgetown Law in 2011. But I discovered art in treatment and that’s pretty much all I wanna do now. I don’t know if it’s possible to make money from art, but I don’t really care. What do I need money for? I start researching communes where I could live for free and get fed in exchange for pitching in. But there’s a hitch in this plan. I NEED A GIRLFRIEND. I need GIRLS TO LIKE ME. And – at the time – my logic is such that I decide that this would at the very least, probably require a home with air conditioning, so that I’m not perpetually sweaty and smelly. And it turns out that a lot of these communes or “intentional communities” (as I learn they’re often called) do not have air conditioning. So that’s out. I’m gonna need money for the most basic of amenities afterall. WHAT TO DO…

(Before I tell you this next part, remember that OnlyFans didn’t exist in 2013 and similar sites were totally outside of mainstream consciousness; most people had never even heard of such a thing).

Two of my fellow inpatients approach me one day. “Hey, Sam – we just found out you can get paid just to masturbate on camera! There’s this site you can sign up for and they’ll pay you to beat off and record it!”

I laughed. “Uh… okay. So… what are you telling me? That you guys are gonna try it?”

“Fuck no! We’d never do something like that. But we figured you probably would!”

I laughed again. THEY WEREN’T WRONG. I despised the idea of getting pretty much any kind of a job. It felt like prostitution to sell my time, doing something I didn’t enjoy, just for a paycheck. But masturbating for a paycheck… while, arguably, a little closer to literal prostitution, it didn’t feel that way to me. Doing something on camera that I’d be doing sometimes anyway – if I could get paid for that, that seemed like a pretty good deal.

So that’s the background of this joke. “Will work for food (maybe)” = I’m not willing to get a job just to survive. (The “maybe” in that statement – it’s a lie; I will not work for food). “Will beat off on live webfeed for perfect love and acceptance” = But I will masturbate on camera if that pays enough money to facilitate the circumstances that would need to exist in order for me to find a loving partner.

I chose the phrase “perfect love and acceptance” because that’s what I was really after. I’m a broken fucking child. I just want someone to tell me I’m good. To love me as I am.

By the time the painting was almost finished, I was still in treatment but had already found a girlfriend. I was still living at the facility but – at this stage – was allowed to have a phone. I met a girl on Facebook that would visit me on weekends. I was even able to file requests that would allow me to leave the property with her for up to two hours at a time. Normally, this sort of thing would never be allowed. Patients weren’t supposed to date for at least a year after getting out of treatment (let alone while they were still living there). In my case however, the treatment team had decided that I was so ROMANTICALLY INCORRIGIBLE that there was no way I wasn’t gonna get into a relationship once I was back in the outside world and – the way they saw it – better to let it start before I left so that they could keep an eye on it and help guide me through any issues that might arise.

Quick aside: that was probably the best thing about Tranquil Shores and why it was the first program that worked for me. Not because they let me do whatever I wanted (they definitely didn’t; they even KICKED ME OUT at one point but – when I learned my lesson, they let me back in). What made Tranquil Shores so great… – every treatment center promises “individualized care,” but Tranquil Shores was the first facility that actually seemed to understand what that meant and deliver on it. It was not a “one size fits all” approach to recovery. They recognized the nuances of each patient and tailored their treatment plans accordingly. Another facility would have prohibited me from dating – knowing full well it would happen anyway – and then it wouldn’t start until I was out on my own without the support system of a full treatment team. Tranquil Shores worked with reality, not some idealized vision of what they wished reality to be.

[EDITORIAL INTERRUPTION: These last two paragraphs were all leading to the revelation of a particular detail that I’ve decided I’m not going to include after all. BUT I’M STILL GOING TO LEAVE THOSE TWO PARAGRAPHS IN THE STATEMENT ANYWAY. I do what I want. (If you wanna know THE SECRET I WAS GONNA TELL though, just ask me and I’ll tell you)].

Flash forward to the future/present day. After all, everything I’ve just told you only takes us up to early 2013 and yet this painting is from 2024…? That’s ‘cause it’s version TWO POINT OH. When I painted the self-portrait holding the two signs, I’d just discovered my passion for art but WASN’T GOOD AT IT YET. Not visually. The version of this from 2013 looks terrible. BUT I STILL LOVE THE CONCEPT and I wanted to have prints of it in my inventory. That meant I had to recreate it. Or – more accurately – make a new painting that just featured that main component (the kid holding the two signs).

And – more importantly – these days, I’m in a very similar place to where I was when I got out of Tranquil Shores. When I came up with this concept, I was maybe 7 months clean for the first time since I’d become addicted to heroin. And when I started this new painting, I was six months clean after coming out of a nine-year relapse. In both instances, I was single for the first time in YEARS and very much in the process of rebuilding my life, essentially from scratch. The feelings that swirl around those two cardboard signs (“will work for…” / “will beat off on…”) are VERY MUCH RELEVANT AGAIN. The idea of using this concept to make a painting I could be proud of was exciting to me. So that’s what I did.

There’s a little journal scribbled on the canvas, about how much had changed in the two months since I’d started the painting. I’d bought an RV, was preparing to move out of the apartment I’d gotten with my friends (after getting clean in April); (for the first time in 9 years) I’d started actually going out in public to sell my art (I’d only been selling online since April). I write that I feel good about the money I’m now making but also my anxiety about whether it’ll continue and some other (logistical) things that were stressing me out.

Elsewhere, I wrote: “Anything I have is just something I can lose.” There’s a comfort in having nothing. But once you start to get things back… you’re at risk of losing them – and that can be painful.

On a seemingly (but not at all) related note, I also wrote the word “possession” even though I was thinking about “cupidity.” “Cupidity” is greed for wealth, material goods, and/or power but – in my mind – I’ve REDEFINED it to be more like greed for a PERSON. (I mean, come on: most of the word is CUPID; it should mean something related to ROMANCE). So I think of it as that feeling when you like (or love) someone and want them to be your partner – for good, nice reasons: sure – but also because you DON’T WANT ANYONE ELSE TO HAVE THEM. I think of it as a jealous, controlling kinda thing. It was on my mind in relation to everything I wrote about in my previous painting, “She’s Cut With Xylazine.”

On the sides of the canvas I wrote a couple other things that I didn’t necessarily want to be visible to anyone but the painting’s eventual owner – or anyone who sees it in person that cares enough to really look closely from all angles. 

I also wrote: “I just wanna fall in love again. I want it so badly.”

And I wrote the words girls, love, and sex over and over again in a loop (“GIRLS LOVE SEX GIRLS LOVE SEX GIRLS LOVE SEX…”) because of (and IN THAT ORDER for) OBVIOUS REASONS. (Because those things occupy a lot of real estate in my mind; in that order because I THINK I’M FUNNY).

The moment I finished this painting, I started work on “Peeing in the Pool (of Tears (You’re Drowning In)),” which goes in another direction. But the story of my recovery (and my life right now) very much continues in the painting that I’d make next. The primary text on it says: “Everything Works Out Exactly as It Should (is Something I’ve Been Trying to Get Myself to Believe Again).” I’m planning to add it to the site tomorrow so check back soon. [Update: It’s up. You can see/read about it now].


I know I started this entry with the promise of more details on what I’ve been up to lately, but let’s actually put those off until tomorrow’s entry.

Prints of “Motivation” are now on sale in the webstore. Send a message to find out if the original painting is still available for purchase or to order a larger, custom giclée.


Christian Love (The Grace of a Mountain Goat)

Apparently Proverbs 5:19 says: “Like a loving doe and a graceful mountain goat, Let her breasts satisfy you at all times; Be exhilarated always with her love.”

So… Christianity is fucking weird, you guys.

Then again, I sure could go for a nice girl with ]THE GRACE OF A MOUNTAIN GOAT and, like, really cool tits.

Anyone know how I’d go about getting baptized?
“”Christian Love (The Grace of a Mountain Goat)” 10/22/24. Pigment and alcohol inks. 8½x11″.

I stumbled across Proverbs 5:19 on the internet today. From the New American Standard Bible:

Like a loving doe and a graceful mountain goat, let her breasts satisfy you at all times; be exhilarated always with her love.

Some of the other translations aren’t quite as ridiculous but where’s the fun in that? My first reaction was only (ASSUMING MY READING OF THIS IS CORRECT): the Bible is much hornier than I realized! (Or at least remembered). I haven’t bothered to read the passages surrounding this for additional context, but it would seem to be about nothing more than ENJOYING BREASTS. If that’s not jarring enough, the fact that a line is somehow drawn to that from the grace of (of all things) a MOUNTAIN GOAT. …I can’t be the only one that finds this absurd, curious, and remarkably amusing.

My first draft didn’t have a girl’s head and the boobs were just slapped on the side of the goat’s body but, I figured, if THE BIBLE is gonna get horny with it, I might as well too. It’s much creepier this way!

And speaking of horny and creepy, I initially wanted to title this “Christian Girls” but…  that felt a little too horny even for me. Or rather, it felt too creepy for me at my age.

When I use the word “girls,” I’m talking about women approximately my own age. Maybe because I’m stuck in perpetual adolescence as a consequence of losing so many years to addiction, but the word “women” just feels strange to me. I feel awkward saying it. I’m not as uncomfortable with it as I am with the word “men,” which I really hate but – I’m at an age now where I’m gonna have to get used to it. Referring to my peers as “kids” worked a decade ago. Referring to my dates as “girls” worked a decade ago. But, today, someone might get the wrong idea, especially about “girls.”

Hey – what do you know? Seeing as all I’m presenting in this entry is a drawing that’s AS DUMB AS THEY GET, I was afraid I was gonna disappoint anyone who came here hoping for another overwrought story of mental illness and poor decisions but – CHECK ME OUT – I managed to get there all the same!

One last note (in case it doesn’t go without saying) “like, really cool tits” is not the way I talk (unless I’m trying to be funny). That’s me poking fun at the way God talks. (He wrote the Old Testament/Torah/Tawrat, right?)

“Let her breasts satisfy you at all times” – HILARIOUS!

Having said all of that, it’d be dishonest to not acknowledge that “there’s at least a grain of truth in every joke.” I mean, who wouldn’t go for a girl with the grace of a mountain goat and REALLY COOL TITS?

I’m only human. I’m just as God made me.


If you’d like to support me (even half as much as I’d like you to support me!) prints of “Christian Love (The Grace of a Mountain Goat)” are on sale now in the webstore. I mean, really you should probably buy one of my other prints but – hey – THE HEART WANTS WHAT IT WANTS and I won’t judge you. Thank you (as always) for your time and attention. Even for nonsense like this.


The elephant in my brain

Revisiting “Adventures Per Minute,” I felt compelled to write an addendum because I don’t love the way that it ends. After writing much of it though, I realized that these were words I’ve had in my head for years, as I continually postponed writing my statement for “Things You Can’t Come Back From.” Rather than simply tack on to a ten year-old blog entry though, I decided to give this its own space. Here it is.


APM addendum

I’m very tempted to remove (or at least change) these last two paragraphs [which are about a sexual experience involving some very aggressive role-playing]. That feels dishonest though. It would be disingenuous. Because I don’t actually think there’s anything wrong with them; I’m just afraid of how they might influence strangers’ perception of me. And I shouldn’t let that corrupt or influence my art.

I would never actually sexually assault or hurt someone, nor would I get off on it. It would make me physically sick. There’s a difference between playing pretend and reality.

I’ve always felt confident that my willingness to share all the darkest, most private parts of my self (through my art and writing) would be all the evidence anyone would need to know exactly what kind of person I am. Sometimes emotionally erratic, occasionally petty or spiteful but – above all – deeply sensitive, empathetic, and caring. Vulnerable to depression and hopelessness, but – just as often – filled with joy and light, ridiculously silly, generally optimistic, and too trusting for my own good.

If there are people in the world who want to believe otherwise about me, that’s their business – not mine – and I can’t let my fear paralyze me. Not anymore. I already lost nearly eight years of my life to that. It’s time to be brave and that means living (as I did back when I made “Adeventures Per Minute”) with my whole truth. Sharing everything, hiding nothing. That’s what made my work powerful (and popular) in the first place – even if it did eventually hurt me.


As mentioned up top, it occurs to me that much of what I just wrote is part of what I’ve been putting off as I continue delaying the writing of my statement for “Things You Can’t Come Back From.” It’s been six months now since I’ve been clean and making art again, and I’m starting to feel a little steadier. I recently wrote the statement for “Sorry for Overdosing in Your Bathroom” (another one I’d been putting off for similar reasons). But “Things You Can’t” is on a whole other level. That painting is about the single most traumatic episode of my life. I’m committed to finally writing its statement soon. Absolutely before the year’s end. (I will tell the whole story). In any case, I really only mention this (1) as explanation for why this addendum kind of dances around something without fully addressing it; and (2) for the very trivial reason of: Please don’t be annoyed with me if some of what you’ve just read gets repeated, whenever I do write/publish the blog entry for “Things You Can’t.”


In closing, a quick acknowledgment: I want to thank everyone who’s stuck with me. Not only through the years of relapse and inactivity, but through that life-shattering event in 2015. I won’t even try to describe the nightmare of that experience; just know that your trust in me and your continued support means more than I could ever put into words. I did not get it from everyone. Without you, there’s not the slightest chance that I would still be breathing today.


untitled prose poem

I wrote a stream-of-consciousness prose poem. It doesn’t have a title. It may or may not find its way into the painting I’m working on right now. It’s about the girl who says she can’t live without me – and the guy that she rebounded with when we broke up – who she’s still living with because she’s too piss-scared of change to crawl out of her rut.

If you’re going to cling to a safety net
Could you at least choose one that’s less pathetic?
A chronic masturbator, jerking off in his car
Into socks that he lets pile up in the back seat…

I know you like having someone you know will never leave you
Or hold you accountable for anything
But how about a chronic masturbator
who jerks off into tissues that he throws away?

‘Cause it’s embarrassing having to try to explain
Why we’re not together
Even though you’re in love with me
That this is a tough choice for you
DOES NOT REFLECT WELL ON ME

I think you’re afraid to be in a healthy relationship
Which is why you never leave the bad ones
I know you’ll try to come back to me
(Because you’re still trying)
But I know you’ll try harder
You will eventually make a real effort
But even if I took you back for real
And we made a real go of it
I don’t think you’d stick around
Because you wouldn’t be comfortable
With someone who makes you happy
With someone you like fucking
With someone who loves you
And dotes on you
You’re too used to neglect
And alienation
And watching TV on separate couches
And sleeping in the same bed
Without ever making physical contact

It breaks my fucking heart
How scared you are
How broken you are
How much fun we have
How much love we have
Until you self-sabotage
So I pull back
And you go back
To living alone
In a house with someone else
Where you drink
And cry
And are always sick
And never happy
Until we reconnect again
And you start to heal
And start to love
And start to smile
And laugh
And everyone can see how happy you are
And how in love we are
Until you fuck it up all over again
And the cycle goes on

I’m too old now
To be wasting time repeating the same mistakes
I’m ready to be happy
It breaks my heart
That it won’t be with you

Because you’re everything I want
You’re my dream girl
I can’t imagine
Being more attracted to
Having more fun with
Having better sex with
Sharing more love with
Anyone else
You’re perfect
Except for that one little thing
Inside of your brain
That nullifies everything else
That makes it all worthless
Because it’ll never work
Because you’re too afraid
to just let yourself be happy

And you hate yourself so much
You can’t believe anyone could really love you
Unless there’s something wrong with them
So you stay stuck in your rut
With someone that you know you at least have control over
Because he’s the personification of a wet paper bag
Except that wet paper bags
Don’t get drunk and watch Andrew Tate videos
Or have a dozen jizz-crusted socks in the backseat of their car
You can cheat on him
(And show him videos of you cheating on him)
Show him what it looks like when you’re with someone else
Who you actually love
And actually fuck
And enjoy it
You can scream at him
You can say awful things to cut him down
To make him feel totally worthless
You can be cruel
Because you resent him
Because he doesn’t make you happy
And he’ll just take it

And resent you
But never leave
Just sulk
And get drunk
And text you Andrew Tate videos

That’s the life you’re choosing
That’s what you’re afraid to let go
It’s a tragedy
A genuine fucking tragedy
Because unlike the movies
This won’t have a happy ending
Unless you make it happen
And I don’t think you can

Update from two days later (Tue, Sep 10): The same day that I wrote this (but before I’d posted it) I got a phone call from someone on this girl’s behalf. I was told that she’d been looking at keepsakes of her father (who died a little over a year ago) and had come to the realization that she didn’t want to waste one more single day of her life living without me. I was asked to please call her and hear her out. I was skeptical when she gave me all the usual lines. She was going to officially break it off with that guy and let him know that she was moving out at the end of the month. She also told me she’d already found a couple of prospective apartments. She begged me to believe her and give her another shot. I told that, frankly, I didn’t believe her but that she could come over. So that night, she asked me to pick her up. When I told her I was outside, she told her sockboy (actually, we usually call him “Lumpy” but his real name is Brett) that she was going to the kitchen for a glass of water, but instead came out and got in the car. She stayed the night and – when I dropped her back off the next day – she said she was gonna tell Lumpy the truth about everything when he got home from work and that she’d call me the next morning to come pick her up so we could spend the day together.

Instead, she texted me just to say, “I’m an idiot.” I called to ask what that meant (as if I didn’t already know) and she said that she’d only gotten as far into the conversation with Lumpy to say that things weren’t working out, but hadn’t been able to muster the courage to tell him the full truth about her and I, or that she was planning on moving out. I asked if she was still planning on moving out and – oh so predictably – she said she didn’t know. Said she needed “time” to figure it out. Even though I had already been giving her all the time and space in the world and she reached out to me (as always) to once more say she was certain now.

So I’m cutting off communication again. And hoping that’s the last time I get dragged through that same cycle. I could make excuses for why I keep letting it happen or explain what I think needs to happen for me to stop but I’ll just leave it at that for now.

Oh, wait – one more thing. Remember the part where I mentioned that she sent Lumpy a video of me fucking her in order to hurt his feelings? While drunk, he told her that he had kept the video. Because he jerks off to it. Probably while sitting in his car. Into a sock. That’s probably still lying in his back seat. What a champ. Cheers, Brett Riddick. Or Reddick. Or whatever the fuck your name is. If anyone ever has cause to Google your name one day, I hope they find this page.

SECOND UPDATE!: This poem is now also a TikTok video because 🤪.


What Makes Life Feel Worth Living

“What Makes Life Feel Worth Living.” 6/16/24. Acrylic paint. 24×24″.

This painting was essentially the product of my second month clean and single. To be fully honest, I was still pretty hung up on codependency issues and  the fact that, for once, I didn’t have a girlfriend. I found myself experiencing kind a low-grade depression a lot of days, not really wanting to get out of bed. In my head, I kept thinking that finding a new girlfriend was the answer to all my problems but I knew that, really, that would just be a way to distract myself from my problems. In any case, I was too embarrassed to make a painting about that immediately following one about my ex. I pushed myself to really try to get at something deeper in my journal writing. It took a couple weeks and quite a few attempts before I felt like I got at anything remotely meaningful. That’s what’s written across this canvas (in the upper left and just to the left of the very bottom center).

I struggle a lot with meaning and purpose. “Does anything matter?” “What’s the point of doing anything?” “The world’s a mess,” “I’m a mess,” “is anybody really happy?” I don’t know the answers to those questions but – as long as I’m gonna not-kill-myself and keep living – I’ve gotta try. It’s really hard sometimes. I’m not alone but I feel like I am a lot of the time. One person can really make a difference in that. Whether it’s A GIRL PAYING ATTENTION TO ME or someone deciding to GIVE ME MONEY (for my artwork).

When I tell people about my first month clean and making art again, it’s a success story, mostly on account of the commissions I got from Rick, a stranger walking down the sidewalk. But because I was painting outside and because he stopped to talk to me and took an interest, it’s given me concrete reasons to keep painting and writing. Pretty random, very easily could have NOT happened.

It’s genuinely INCREDIBLE when someone tells me how much my art means to them (and I don’t wanna discount that) but when they PUT THEIR MONEY WHERE THEIR MOUTH IS, it’s crazy validating in a way that’s rivaled only by A HOT GIRL WANTING TO FUCK (or date) ME. (Which is totally unrelated and indicates just how broken I am but that’s an issue for other days). It says that what I’m doing has actual value worthy of supporting human life – MY life. That hard validation can bolster my spirit against any/all of the negative feelings I have that could otherwise overtake me.

Even when everything else is wrong, one well-timed “yes” can make all the difference. A thousand rejections are nothing against a few key “yeses.”

These things are small and inconsequential in a world that’s so random and meaningless but when nothing matters, we choose what matters and I choose what makes my life feel worth living.

Taking a chance is worthwhile. Saying “yes” to someone is meaningful. Helping another person, offering encouragement, supporting an artist (ESPECIALLY WHEN IT’S ME). These are things that count. We never know what small act might be HUGELY CONSEQUENTIAL for someone else.

I still don’t know if I’m going to be able to revive my art career and make a living like I was, but it’s working out so far thanks to just a few people and a few key moments and decisions. It reminds me of the last lyric from one of my favorite songs: “just one good thing, that’s all – sometimes that’s all it takes.”

I lined up a handful of commissions right out of the gate upon getting clean: paintings that I had no idea what they’d be but that were pre-paid-for before I even started them. Knowing that a painting is already sold while I’m working on it is really motivating. It gives me a push to get to work. That’s over (at least as of this moment; no one has pre-purchased my next painting). That makes me a little nervous but it’s also how most artists operate – not to mention the only way I’ll ever be able to amass enough paintings to ever have another exhibit. I’m on my own for the first time in a while and need to start hustling again – whether that’s going out on the street to paint in public while slinging prints or putting more effort and thought into my social media. Probably both. It used to come so easily to me but now it seems almost impossible – though much less so than it did even a month ago. One of the main reasons I stayed on drugs so long was because it was an excuse not to do anything else. I’m so afraid of trying and failing. But I’ve got to try. I’ve gotta put myself out there. And hopefully I’ll get the “yeses” I need to keep going.

I’m in danger of rambling now. I wanna say something about how those “yeses” are less-than-ideal external validation in the same way that female attention is, but that’s a subject for another time. The spirit of this painting was about the positive feelings that come making something meaningful that resonates with another person and the positive consequences of that other person’s response. Not everything needs to be overanalyzed. Nothing is perfect but sometimes little things spark joy and pride and feel an awful lot like fulfillment – even if only for a moment. And sometimes that’s enough.

The song quoted in my painting (on the little blue guy’s black t-shirt): “Precious on the Edge” by Drunken Boat

This painting has already been sold but limited edition 12×12″ signed, hand-numbered prints are available for purchase WHILE SUPPLIES LAST.


Baby Dick Virgin

“Baby Dick Virgin.” 5/1/24. acrylic paint. 16×20″.

In the past, the smaller text in my paintings tended to be raw journals, scrawled onto the canvas in the moment. For this, my first painting in five years, I sort of typed out the story of the piece as I was going and, then, transcribed it to the canvas a little later. For that reason, the smaller text featured in the painting, essentially, is my artist’s statement for the piece. It says:

I left my girlfriend again but this time we didn’t get back together because there was some baby dick virgin waiting to pounce the second she was vulnerable and she says she likes that he looks at her like a puppy dog and even though she says she’ll never love him as much as she loves me AND THAT I’M HER SOULMATE, that because I don’t believe in soulmates and because he’s “ordinary,” maybe that would be safer for her. That’s all obviously FINE AND FUCKING DANDY except for the part that’s DRIVING ME UP THE GOD DAMN WALLS trying to decide if I miss her because I’m in love with her or if I’m just a lonely little codependent fuck who can’t stand the idea of being alive while there’s not a beautiful girl who is ACTIVELY in love with me.

It’s been two weeks since I wrote [the [preceding paragraph]. I wanna write about how I’ve FUCKED HER since then, how she took pictures of it, how her fat uncle of a boyfriend saw the pictures, forgave her, and then I FUCKED HER AGAIN (and then some). But that’s just pettiness and spite and me feeling like I got a win that I need to advertise. I’m not trying to get back together with her. I would very much like to destroy their relationship. Not just as a fuck you. I do still genuinely care about her and she’s not going to get better while she’s hiding from her issues in that joke of a rebound. She knows now that she can literally do anything and he will never drop her because he’s too pathetic and broken to ever think he could do any better. I’m VERY tempted to name this painting after him.

I ultimately did. After committing it to the canvas in giant letters, I wrote:

Choosing this title is the pettiest thing I’ve done in my work. But it’s SUCH a ridiculous choice that I couldn’t help it that the thought made me smile as much as it did. (And I argued with myself and consulted with friends but kept coming back to it, so I clearly needed to EXPEL THE VENOM so/before I could move on). I know it’s shitty, toxic masculinity and probably only highlights my own lack of self-esteem that I enjoyed winning a DICK MEASURING CONTEST as much as I did but – you know what? I never did shit to that dweeb and HE called ME from her phone to SCREAM at me for no fucking reason, at a time when I was already fragile as fuck. So fuck him – he gets what he gets and he can live with the world knowing that [redacted] he wasn’t MEASURING UP (in any way).

I promise this will be my last painting for a minute that’s secretly about HOW GREAT my own dick is. Though I’m sure it’s the first of many more that’s ACTUALLY about how fucking insecure I am, in spite of everything. BUT I’M GETTING BETTER (I swear). Today is day 23 [since I got clean again].

This next, final part is definitely less of a journal and more a defense. I anticipated some strong reactions as soon as I put the painting up on my social media and I guess I wanted to kind of preempt some of the criticism.

I’m pretty embarrassed by the sentiment of this painting but that feeling often indicates when I’m onto something that’s significant for me and/or will somehow be meaningful to other people. It also makes me feel like a little bit of a BULLY but it’s not as if I have some huge platform these days. The dink at hand might never even learn this painting exists. I feel a little guilty – even having her approval – that the previews I posted online already caused some discord in her family and anxiety for her but… I can’t control or really even concern myself with other people’s reactions. So long as I’m being honest and my work is authentic (even when partially powered by spite), I’m doing what I’m supposed to be doing.

The painting went online and, sure enough, even with my hedging, I still got some negative responses – even stronger than what I’d feared. One person told me they no longer wanted a painting of mine that they owned and asked for an address that they could ship it back to!  And I’m sure there were plenty more who chose the “if you don’t have anything nice to say…” path. But I also got some really great, positive responses beyond what I even hoped. People who saw past the pettiness and the ego and really seemed to understand, relate to, appreciate, and admire what I’d made. As an artist (especially a snarky little shit-eater of an artist) what more can I ask for?

“Baby Dick Virgin” has already been sold, but limited edition 11×14″ signed, hand-numbered prints are available for purchase.