If it’s been a while since you’ve checked in with me, I have some bad news. You know how I used to be that heroin addict who got (and stayed) clean by making art? Well, sometime last year that all fell apart. (And this year, I’ve really gone downhill).
Twice this year, I’ve made serious plans to detox from heroin, get my life back on track, and start painting and writing again. Both times, ended disastrously but – in this entry – I’ll be focusing on the first. (Details of the more recent incident are in two blog entries: the first was written more manically upon my release from jail; the second with greater reflection the following evening).
It’s not generally a great idea for two people in the depths of addiction to be in a relationship together. If one is feeling weak and wants to use, it’s easy for the other to be dragged down right along with them. Regarding, my girlfriend and I, our relationship worked for quite some time because I already had a couple years of clean time racked up when we met. I was able to help her get and stay clean for about a year. When we relapsed together though, things went downhill. Nevertheless, having been together and having been able to successfully stay clean for so long, we didn’t think that we needed to separate. We had used together but there was no reason we couldn’t once again be clean together. Detox is painful, however. Especially in those first few days. I might be able to handle my own symptoms but seeing Wallis in that much pain really hurts me. During previous attempts to detox, as soon as I’d get the slightest inkling that it might be more than she could stand, I couldn’t help myself from going out and getting more heroin to make her feel better. After all, it’s not as if one dose in the middle of a detox is a nail in the coffin. That’s what titration is all about. You can always reason with yourself that one last hit, halfway into a detox period, will cure the worst of your symptoms and help you coast the rest of the way to the finish line.
But that “one last hit” all too often does not, in fact, retain its status as the last hit. You convince yourself that “just one more” will be okay. And then another. And another. And then you’re back to where you started.
We decided that we should detox separately to make it easier on each other. Wallis made plans to detox in Gainesville. I was to stay home in Jacksonville.
As anyone who’s ever detoxed from opiates will tell you, the best medicines to help ease you through the process are benzodiazepines. Xanax. Klonopin. Ativan. Those ones. While these drugs have an immense potential for recreational abuse, they’re not something that we’d ever otherwise take. We did, however, procure some for our detox.
Unfortunately, I have a track record of strange behavior while under the influence of these drugs. Well, I do now. Up until this point, there had only been one previous incident. When I took too many and became erratic and suicidal. And that’s exactly what happened this time around.
We began our detox the night of August 16th together. Wallis was to leave sometime the following afternoon but when I woke up, she was gone and I was confused. Already under the influence of the drug from the night before, I couldn’t understand what was happening. She had invited one of our friends to come over to be there for me when I woke up, but it didn’t make any difference.
I’m not the sort of person that breaks things when I lose my temper. I’ve never thrown a phone at a wall or anything like that. But under the influence of too many benzodiazepines, this did not hold true. I broke virtually every one of my possessions. Both of my televisions. My MacBook Air. My iPhone. And then I went around the house, from painting to painting, slashing at my canvases and smashing or shattering all of my frames.
Then I left the house, procured a large amount of heroin, went somewhere that I presumed I wouldn’t be found for at least several hours, and – after swallowing the rest of my benzos – injected what I presumed would be enough heroin to kill me.
When I woke up in a haze in the hospital three or four days later, I discovered that I had not been discovered hours after my intendedly-lethal injection. I was discovered almost immediately and thus my life was able to be saved.
Upon release from the hospital approximately one week after the overdose, I was no longer under the agitating effects of any drugs but I was in no better shape mentally. I began racing around town, trying to procure the money I’d need to buy enough heroin to once again attempt to kill myself. It wasn’t long before a suspicious and concerned Wallis (who I had spoken to on the phone at some point) alerted the police. They found me and took me into custody before I could try anything. I’ve been hospitalized often enough for suicidal behavior that I know what to say to doctors to procure my own early release though. I was back out on the street again the very next day but, fortunately, had calmed my mind and was no longer suicidal. I recommitted to getting clean, picking back up with my art and writing, and getting my life back on track.
As time has shown, it turns out that I wasn’t quite ready. I was not able to stay clean successfully for much more than a week or so. Even still, I was able to get my head clear for long enough to do something. I began sewing and repairing my damaged paintings. These would become what I’m now referring to as my “Suicide Stitches” series.
When I make art, I don’t plan very much ahead. I kind of just let the images take shape on their own. If I make a mistake – some mark that’s somehow other than I intended it to appear – I don’t correct it. I embrace it. “That’s how it’s supposed to be,” I tell myself. I find a way to rearrange my ideas about how the painting should look. The same is the case with my Suicide Stitches paintings. These pieces are not “damaged”; they don’t have rips or holes in them. This is how these paintings were always meant to be. Each one of my paintings and drawings tells a story and those stories are usually all about my emotional and mental state at the time I’m working on each one. My Suicide Stitches paintings tell those stories, plus one more: the story of August 17, 2016. The story of the day I lost my mind and almost ended my life.
The first of these paintings that I stitched up has already sold. In fact, it was stitched up because it was sold. It was the first good news I had gotten in quite a while. Through Instagram, I got a message from reality TV star, Scott Disick. He wanted one of my pieces and, more than that, he wanted to help promote my art. That opportunity was the first spark I’d had in a great while to actually do something productive. And the publicity and consequent sales I’m expecting are what’s motivating me to get back to work right now. (Although I do have other similarly exciting opportunities also in the works at this point). That first painting has been shipped to Scott but the other Suicide Stitches paintings are still available for purchase. For pricing (on both the originals as well as limited edition hand-numbered/signed prints), contact my new agent, Jennifer Levin of newly formed agency, Blow the Dust. (Jen’s last enterprise is currently on Forbes’ list of America’s Most Promising Companies, so I’m pretty amped on this new partnership). Blow the Dust’s website is still very much a work in progress but it’s already been launched with a webstore featuring some of my prints and one of my original paintings. It should actually be operational by sometime this week. Check it out.
While the pieces have not yet been rephotographed since their Suicide Stitches updates, you can get the general idea from a couple photos I snapped quickly with my iPhone in my blog entry from October 8th. Six of the seven paintings in the series are as follows:
“I’m Getting Really Sick of Not Being Famous.” 3/31/15. Acrylic paint. 48×24″.
“I Could Never Love Anyone More Than i Hate Myself .” 4/30/15. Acrylic paint. 36×36″.
“(We Are All) Shitty Children.” 7/24/14. Acrylic paint. 60×40″.
“Have Sex With and/or Buy Art From Me.” 7/1/14. Acrylic paint and duct tape on canvas. 22×28″.
“How to Bed a Girl When Your Bed is in a Minivan.” 3/20/14. Acrylic paint, spray paint, and ink. 60×40″.
“Poetry By Girls I’ve Brutally Fucked.” 2/7/14. Acrylic paint and ink. 12×24″.
The final (seventh) painting in the series (and only one not pictured here) also happens to be the largest, newest, (most expensive) and my favorite of the whole lot. It’s called “The World Revolves Around Me.” For more information on (and images of) that piece, like the others, just get in touch.
For what it’s worth, I’d like to note that (at the time of this posting) I currently have 13 days clean (a record for me so far in 2016) and I plan on that number continuing to climb through the year’s end. I’d also like to note that money from the sales of my work no longer goes directly to me – a safety measure taken in case of a potential relapse.
