Punk Rock Today is Better Than It’s Ever Been

"Punk Rock Today is Better Than It's Ever Been." 5/28/14. Pen. 4½x5¼".
“Punk Rock Today is Better Than It’s Ever Been.” 5/28/14. Pen. 4½x5¼”.

Back in February, I was lucky enough to get to work on a painting and set up a print table at a couple shows some of my favorite bands were playing. On the second night, I asked my buddy Mike (who runs Dead Broke Rekerds) if I could scoop up some records in exchange for some artwork. He picked out a print and asked if I would draw something for a Dead Broke sticker. It took me a while ’cause I was stressing out, worrying about whether or not Mike would like whatever I came up with. As soon as I decided to drop the anxiety and just do what came naturally though, it was done in no time and I had this design. I’m really happy with it – in large part just because it’s so radically unlike the kind of art that a band or label would normally use for a sticker design.

I don’t think I met him just then but the first time Mike and I crossed paths was in late 2006. His band, Down in the Dumps, was in Florida to play The Fest and I caught their set in Tampa at Transitions Art Gallery (now Epic Problem). In my mind, this was right around the time when DIY pop punk was really blowing the fuck up (in an incredibly relative sense) and getting awesome/exciting again. Off With Their Heads released Hospitals, started their never-ending tour, and were in the midst of the flurry of 7-inches that they’d release leading up to their first full-length for No Idea. 1-2-3-4 Go!, Kiss of Death, and A.D.D. were all fucking killing it with bands like Ringers, Snuggle, Drunken Boat, Monikers, Witches With Dicks, Tiltwheel, Chinese Telephones, and Pretty Boy Thorson & The Falling Angels. Labels like No Breaks, It’s Alive, Dirt Cult, and Salinas were similarly picking up the pace, building incredible catalogs, and (soon enough) inspiring me to do the same. Banner Pilot self-released their first record. The Brokedowns put out “New Brains For Everyone.” Blotto was on the other side of the Pacific, churning out 7-inches at the same rate as Off With Their Heads, (mostly for Snuffy Smile, who were also tearing it up on the label side of things).  And shortly thereafter (or right around then), we got the first records out of Dear Landlord, The Measure, The Gateway District, Dead Mechanical, The Humanoids, and The Steinways.

But I’m getting carried away… the FIRST band to play at Transitions that aforementioned night in October 2006 was Down in the Dumps. They were the only band on the line-up I didn’t know anything about. And they were fucking awesome. It was everything punk rock’s supposed to be: grimy, coarse, fucked up but catchy and upbeat (sonically, if not in content)Mike played bass and sang. And as I’d later find out, he was also the guy responsible for Dead Broke Rekerds, whose catalog now boasts a whole slew of my favorite records.

After I moved to DC for law school and started my record label, Traffic Street, the first bands to come through Baltimore and stay at my place were Iron Chic and Jonesin’.  Mike played bass and sang in Jonesin’ and – though he wasn’t at the time – is now the bassist in Iron Chic as well. Both bands mean a lot to me. One of Traffic Street’s final releases was Jonesin’s EP, “The Dream is Dead.” And – going back to the beginning – #001 in the Traffic Street catalog was a 7-inch compilation called “Dangerous Intersections,” which was not only my first vinyl release but also Iron Chic’s first appearance on vinyl (and only their second release overall, following their five-song demo).

Before Traffic Street collapsed under the weight of my mental health issues and heroin addiction, Mike and I were in regular contact, states away, trading our releases for our distros, talking music, making fun of each other, and – every so often – crossing paths again when I’d book a show for Iron Chic or he’d book one for Rational Anthem (who, coincidentally, shared the A-side of “Dangerous Intersections” with Iron Chic). When it all went wrong for me, he continued to stay in touch, checking up on me periodically, wishing me well, and even sending me a slew of records in the mail while I was in rehab. He’s continued being a source of support since I’ve been back in the real world too. He’s a great friend and a veritable fucking pillar of DIY punk rock. I’m honored to have my art featured on one of his label’s stickers.

AND REGARDING “punk rock today” and the claim made by the title of this piece… Allow me to present some audible evidence! Here are songs from the records Mike traded me that night back in February, as well as some recent stuff by other bands I’ve mentioned (and some by bands that spawned from their ashes).


“Babyboo” by Unfun


“Snow Angels” by Murmurs


“Wolf Dix Rd.” by Iron Chic


“I Wish I Could Be Happy” by Rational Anthem


“Not Cool” by The Slow Death


“Old Man Yells at Cloud” by Skinny Genes


“This Future Sucks” by The Brokedowns


“Hey Caroline” by Dear Landlord


“Look” by Science Police


“How the Day Runs Down” by Dead Mechanical


“Start Walking” by Off With Their Heads


“Hold Fast” by Banner Pilot

And even though they’re not technically “punk rock today“…


“‘Lone” by Jonesin’


“City of the Living Dead” by Down in the Dumps

Oh! AND… I think I like the black-and-white version better but since I can’t resist coloring anything and everything, here’s what the finished, physical drawing looks like (though the stickers will still be black-and-white).

"Punk Rock Today is Better Than It's Ever Been" (with color). 6/1/14. Ink. 4½x5¼".
“Punk Rock Today is Better Than It’s Ever Been” (with color). 6/1/14. Ink. 4½x5¼”.

Give Me Money and Praise

"Give Me Money and Praise." 2/24/13. Acrylic paint and ink on cardboard. 14x6".
“Give Me Money and Praise.” 2/24/13. Acrylic paint and ink on cardboard. 14×6″.

I made this on the day that I first tried to sell my artwork. It’s kind of embarrassing. Beneath the bolder caption  is some less legible text: “Fill your arms with paint. Sorry. I fill my arms with paint. Or I want to anyway. Um. Metaphorically. This thing is kind of cool. I guess it is what I thought it’d be. I feel selfish though. Like I’m not watching the other bands.”

Translation: Dumb phrase that sounds poetic. Apology for not speaking in the first person (as we’re taught in treatment). Analogy about using artwork in place of heroin to manage my anxiety. Craft Fest [in St. Pete] is kind of cool and about what I expected it to be. I haven’t looked at anything any of the other people are selling at their tables and I feel guilty in the same way I might if I were playing a show and didn’t go inside to watch any of the bands before/after my own.

I felt weird about all of that so I decided to just write out my bluntest, most human feelings on top of it: “Give me money and praise and I’ll give you this.”

"Beachtown Graffiti." 2/14/13. Mixed media. 33x13".

Fun facts: On that first day, I did sell a few pieces: Why I Fail, Clarity, and – my favorite at the time – Beachtown Grafitti. A few others too. I do okay, huh?

—–

Status Update (December 12, 2013)

“Snowflakes Anonymous.” 11/22/13. Acrylic, watercolor, and spray paints, food coloring, markers, pen, resin sand, cardboard and EBT card – on 24×30″ stretched canvas.

Alex and I went to go see the “Everything is Terrible” holiday show at Sun-Ray tonight. When we walked out of the theater, there was a big gaping hole on the wall where one of my paintings once hung. I asked what happened and was handed an envelope with more money in it than I’ve ever been given for a single painting. Somebody bought it right on the spot and gave instructions to tell me that I’m “an international artist now” because it’s going in their home in Paris. So that’s pretty fucking awesome. And (like Beachtown Grafitti) – at the time of this one’s sale – it was also my favorite: Snowflakes Anonymous.

I’m really wrapped up in a “project” right now that’s costing me a lot of money and won’t pay anything (it’s not for me – it’s for some people that I care about). I was stressing about it earlier today but just told myself that it’s a nice thing to do and I don’t need to get all nervous because I like to believe that things will always work out when I’m making good, positive choices. And then this happened tonight so… Life’s kinda cool, right?

—–

Here’s a song that’s rad as fuck.

—–

Numbered, signed, and sealed Give Me Money and Praise prints are available in my webstore. If you’re interested in purchasing the original, get in touch.


Pale Angels

pale angels sundials unfun nirvana dirt cult records
“Pale Angels.” 11/7/13. Pencil and pen. 4×6″(3).

You ever think about hurting yourself? Me neither! Here’s a cartoon I just drew!

[I’m not actually thinking about hurting myself. Some days, life is just a little less cool than other days. Overall, it’s still pretty okay. And it’ll get better.]

—–

Buy “Primal Play,” the debut LP by Pale Angels, from Kiss of Death Records.


Fifteen Alligators

I might not like my earliest art, but I think I like the chronological approach to this blog/gallery so here’s number two.

"Fifteen Alligators." August 22nd, 2012. Oil pastels on scrap paper. 9x12".

“Fifteen Alligators.” August 22nd, 2012. Oil pastels on scrap paper. 9×12″.

Here’s how my first art group worked: we paired up, each person had a turn to talk, and each person drew something in relation to what they talked about as well as what their partner talked about. I drew “Kicking Dirt” after my partner talked and “Fifteen Alligators” after I talked. Neither has anything to do with the conversation. And all I remember about the conversation was being really weirded out by my partner’s facial expression while he was listening to whatever it was that I had to say that afternoon. He looked super attentive. Like – to such an extent that it seemed exaggerated. Maybe it wasn’t; maybe it was just new to me. I don’t know, but as you’ll see from this next journal excerpt, my perception (and, more generally, thinking) wasn’t exactly top-notch at this point.

The following is part of the same entry (from 8/19/12) that I excerpted for my first post. In fact, it starts exactly where I chose to let the last except end. Keep in mind that I wrote these with the intention of never sharing them with anyone. So a lot of this stuff is… Well, I’m not comfortable with it. Part of me thinks that posting these is a waste of time and that they’re totally uninteresting, but part of me thinks that they might have value insofar as they really are totally raw, very private journals from a very vulnerable/confused time in my life.

A quick note: Since I never intended to share these, I wrote things that I have no right saying to anybody (you know – stuff about other people… people that aren’t me). So before I get to any of that stuff, I decided today that I should start replacing all the names of people that I referred to in these journals, even if I only mentioned them casually / innocuously. That seems like a responsible thing to do, right?

Tranquil Shores journal. First entry (cont’d).
August 19th, 2012. Sunday. Around 5:30 am.

I’ve been staring at the wall, lost in dumb thoughts for fifteen minutes now.

Sophie said she thinks I’ll pick up another rehab girlfriend. Does she not realize she’d be my only prospect? Or does she think I’d go for someone like Elizabeth? I don’t think there’s even a third option. In any case, I told her I’ve got no intention. That’s what fucked me up both at Hazelden and at Wellness. Plus she’s leaving soon. And she’s a twenty-two year-old mess who still texts with two addict ex-boyfriends and who think she can be in recovery and still go back to selling weed… which she says she gets in forty-pound bundles from Hawaii, California, and Colorado… which – as anyone who’s spoken to her for even a moment can tell – is an outright lie. So basically, she’s a mess. Fuck. I kind of like it. It’s so funny when she “worries” about other people. Kid, you’re fucked – worry about yourself. Or wait… am I doing the same thing? I think it’s different insofar as I say, “so-and-so’s fucked,” not “I’m worried about ____.” And I perpetually acknowledge just how fucked I am. Fifteen percent of addicts recover! Or is that five percent? Let’s say “five to fifteen.” That’ll be the new tagline.

I wanna play my bass and rip off that Unfun song. “Society/Friends.”
I also don’t wanna get up.
And I’m still about to shit the bed.
“And that’s not so cool.” (!)

Read philosophy last night. Nietzche and Schopenhauer. Sadly, Shopenhauer had the more lovable, relatable material for me right now. Plus he didn’t lose his fucking mind 44 years in. What stood out to me: lowered expectations. The world does not have a great deal to offer us and happiness is not guaranteed. Basically, FUCK “The Promises.” Drugs make life worse, but abstention doesn’t guarantee that it won’t still be terrible. People have difficult lives for a lot of reasons. Drugs are not the root of all evil. But are drugs the reason my life sucks? Ehhh, that’s the question. If “yes” then I guess I can overcome – and then move on to trying to overcome the next biggest reason my life is shy of ideal. Until I’m all out of reasons or until I get to one I can’t beat. I guess it’d only be rational to kill myself after an honest attempt at that process. “Rational” is the wrong word. The only “rational” thing to do is to kill myself right now. Unless I have some meaning or purpose to my life. Then I can choose to live. How long do I look? How long do I fight to overcome the terrors of my life? The “terrors of my life?” Those words just came out of me. God, I’m an asshole.

I wrote another entry a few hours later. It’s short.

Tranquil Shores journal.
August 19th, 2012. Sunday. 11:15 am.

I’m sitting in an AA meeting at the Indian Rocks town hall.

Happiness is a choice. That’s what Vivian said to me this morning (and what I used to say to other people, a long time ago). The problem (well, a problem) is that the choice seems to require shutting off your brain. Because you have to make the choice despite the lack of reason behind it. Or you need to find a reason. I’m not dead yet, so I guess I must have one. Should I (can I) make the choice?

 

It’s pretty tough for me to look at these old journal entries, but that probably means it’s good for me to do so anyway. One last thing: I was going to post this update earlier, but I had computer trouble. I went to a friend’s house to borrow a power adapter. On the ride back, almost home, I turned toward my street. The gates were down, the lights were flashing red, and a train was coming. I didn’t stop. I sped around the gates and over the tracks. At that moment, “High Fives” by Dear Landlord started playing in my headphones. And I don’t think I’ve ever felt better in my life.