I haven’t had the time or the internet access to update my blog much in the last four weeks. For the sake of posterity and the benefit of anyone not clever enough to follow me on Facebook, here’s what I’ve been up to in the last month.
On March 29th, Mike and I went to buy some art supplies and I couldn’t help myself when I saw some ninja turtles masks for sale by the register.
On March 31st, I wrote: “As I go to bed on the last night in March, it is with the satisfaction that comes with having met my income goal for the month. And my income goal for next month. And the NEXT month. Things are going well. Here’s to keeping it moving, carrying it forward in April (which I already have fully blocked out in three cities). I love making art. I love that I’m able to support myself doing it. I’m really, truly happy. I am fulfilled.”
On April 2nd, I participated in Jacksonville’s monthly Downtown Artwalk. It was – at that time – the single most profitable evening of my career as an artist. I made more money in one night than I had made in an average month in 2013. As I put it at the time: “Fuckin’ slaughtered at Artwalk tonight. We’re talkin’ Friday/Saturday night STRIPPER MONEY. I love you, Jacksonville.”
Later that week, I hit the road for the premiere of “No Real Than You Are” at the Sarasota Film Festival. On the same day as the premiere, I got to play director for Rational Anthem’s music video, “Darnit.” Or as I told my friends, “I’m playing HOLLYWOOD all day!” I posted a photo on Facebook with the caption: “Directing a music video today; got the sunglasses to prove it.”
Getting to see myself LOOKING COOL on a seventy foot screen, in front of a sold out auditorium was pretty alright and though I didn’t have time to stick around and finish the music video shoot the next day, it turned out pretty excellent even without my BRILLIANT hand at the wheel.
On my way out of town, I had a thought: “We give meaning to each other’s lives. We give meaning to all the little things of our everyday. It all means more ’cause we make it mean more.” I was thinking about a lot of spectacular people in my life, but mostly Chris Hembrough. And the new Banner Pilot record.
The reason I left town in such a rush is that I had been invited to sell prints of my artwork outside of Burrito Gallery during One Spark. I set a goal for myself: to make more money over that weekend than I had ever previously made in an entire month. And I succeeded. On the last night, I wrote: “To celebrate my earning four months income in FOUR DAYS. I am taking the night off to shower and then watch The Simpsons while I eat pizza and then sew up all the holes in my clothes.” A few hours later, I added that: “All truly great works of art can be divided into two categories: those that are pop punk songs and those that are Simpsons episodes. I’m exaggerating a little but not at all kidding.”
Before One Spark came to a close, I saw that the new split from Apocalypse Meow and Todd Congelliere (of Toys That Kill) had gone up for sale online. The artwork features my painting, “Poetry By Girls I’ve Brutally Fucked.” In the midst of everything else going on, being reminded that I had been lucky enough to contribute to such a cool project was really fulfilling. Icing on the cake. I posted a link on my Facebook with the caption: “We do cool shit every god damn day.” I’m lucky to have a lot of really talented, creative friends. And I fit right in with them these days. It puts a smile on my face.
On One Spark Saturday, I met Zack, in whom I immediately recognized serious talent and I promptly offered him a job as my thirteen year old business manager. Not only could he close a sale but he reeled in the cute girls like there was no tomorrow. Here he is posing with a print of “Modern Art is Stupid (Everything Is).” I paid him in plastic chrome sunglasses, Mello Yellow Root Beer cocktails, and COLD HARD CASH (that I can only hope he doesn’t blow on bullshit like plastic chrome sunglasses and Mello Yellow Root Beer cocktails).
About a month ago, I recorded an interview for an internet radio show. Last week, I finally noticed that it had gone online. You can listen to it here: V For Vitality with Sammy thrashLife.
Facebook post from April 15th: “Sittin’ outside the art store, waiting for it to open so I can spend $200 on markers. For COLORIN’. I am a professional child.” One of the first projects I’m going to use my markers on is re-coloring “Still Sick (The Illest).” Seein’ as I didn’t know any better at the time, I used cheap markers that fade with time and the piece has lost some of its color since I made it.
On April 15th, I dismantled my exhibit at Burrito Gallery so that I could move all my original pieces over to The Silver Cow for my last Jacksonville art show. I did, however, replace the original pieces with a display of prints. Since I’ve now left, Burrito Gallery is the only place you can go in Jacksonville to buy my prints.
April 16th marked the opening day of my last exhibit in Jacksonville, as well as the publication of an article about me in Folio Weekly. There were a few emotional hiccups that morning and I wrote:
“Today is not going exactly as perfectly well as I wanted it to and EVERYONE NEEDS TO FEEL REALLY BAD FOR ME.
I am such a fucking crybaby. When I inventory my problems, I can’t even phrase them in such a way that the OVERWHELMING POSITIVES aren’t totally obvious. And yet I’m still feeling crippled by despair and just wanna give up on everything.
BUT I’m not giving up; I’m still doing everything I need / am supposed to do. It’s just a little bit harder today.”
I’m really happy with the article though. You can read it on Folio’s website or in the image below. They also gave me the biggest photo in the table of contents.
My last show in Jacksonville went really well and I can’t think of a better way to have concluded my time there. Late last night, I got into Delray Beach, where I’ll be posting up for at least a week. I’ll know more about my time here within a day or so. Until then, here are some photos from the weekend.
Also, here’s the video of my “performance” on March 22nd (that I mentioned in relation to my painting, “The Future Scares the Sit Out of Me“).
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