Sorry for Overdosing in Your Bathroom

“Sorry For Overdosing in Your Bathroom” 3/8/19. Acrylic paint. 20×20″.

Wallis and I both wanted to get clean. To get myself through the worst of the withdrawals, I took a fair bit [okay, a SHIT TON] of Xanax to keep myself as close to unconscious as possible. The next morning I woke up and Wallis was gone. She’d decided to go for inpatient detox but I was too out of it for her to communicate that to me. Being the loving and thoughtful person that she is, she’d arranged for a friend of ours (Whitney) to be there when I finally came to, to explain everything to me. But when I first regained consciousness, I was so out of it that I thought Whitney was Wallis. For a while. It really had to be explained to me. Several times. 

When Whitney did finally manage to get through to my drug-addled brain, I flipped out. I felt totally abandoned and upset and hopeless and – honestly, it doesn’t really matter. I was so fucked up on Xanax that I wasn’t myself anyway.

For those that don’t have experience overdosing on Xanax, it’s not the kind of drug that will kill you on its own. So you can take dozens of pills but – unless you introduce alcohol or another drug into the mix – you’re not going to die. At insanely high doses though, you will begin to behave like a RAGING lunatic. (Particular emphasis on “raging”).

What I did next is unlike anything I’d ever before done in my life. I took a knife and slashed through all of my paintings. And my biggest painting – the mammoth 12×8-foot piece hanging across the entirety of the living room wall – well, I set that one on fire. And then for good measure, I took our 50-inch TV and threw it through the closed living room window into the front yard. So Whitney now had glass and fire and a lunatic to contend with. Well, glass and fire; I jumped on my motorcycle and sped off.

Darting all over town in my drug-addled haze, it’s a miracle I didn’t crash that bike and lose a limb (or worse). I had a SHOPPING LIST to quietly, painlessly end my life. An overdose quantity of heroin should get the job done on its own; added to all the Xanax in my system would make it a sure thing. And just for good measure, I’d also chug as much alcohol as I could stomach (just before shooting up – and in the time before I lost consciousness). Having thrown all my syringes away in preparation for the detox/getting clean, I’d also need to find one of those.

Once I had all of my supplies, I needed someplace that I could actually do this. My house likely had a police presence following the fire and chaos. Or – at the very least – a Whitney. I needed somewhere that no one would try to stop me or find me soon enough afterward that my life could be saved. Where does that leave? You can’t go to a friends’ house. They’re not going to let you overdose and die. You can’t go really anyplace public; someone’s liable to see you and call 911.

Sun-Ray Cinema. Any other business, I’d be found, but Sun-Ray had a screening room with an entrance right by their front door. I could slip in without anyone even realizing I’d entered the building. And – in the back of that screening room – a bathroom that had only recently been renovated. This meant none of the customers even knew it was there. The only way anyone would find me in time is if an employee just happened to decide to use it in the short window that it would take me to do my shot and stop breathing. How many people were even on staff that day? Two? Three? And they’d almost certainly use the bathrooms in the main lobby or theater.

As recently as a few months prior, I’d considered Sun-Ray’s owner and proprietor one of my best friends. We’d had a falling out but – even still – I felt guilty pulling him, his wife/Sun-Ray partner, and their staff (some of whom I also considered friends) into my death. But it was the only viable option I could think of.

I got to the theater and snuck inside without issue. Once in the bathroom, I realized that my plan wasn’t quite as solid as I’d thought. The bathroom, of course, had a light. But unlike the lights in the main bathrooms, this one was kept off unless someone was using it. Even with the door shut, in the dark hall, it was clear when the light in the bathroom was on. Still, it was rare for anyone to come back there at all. It was in a hallway behind a curtain in the back of the screening room. The only other thing off the hall was a small office that only needed to be accessed briefly when a movie was set to begin. I hoped that the next showing was still a ways off or that – even if it weren’t – that no one would think anything of the bathroom light being left on.

I gulped down as much alcohol as I could stand. (Turns out it was a Sunday and the liquor stores were closed, so I’d had to settle for the highest ABV thing I could find: a bottle of wine). Even still, with the amount of Xanax in my system, I figured even wine should be enough to kill me. (Alcohol and Xanax are a surprisingly lethal combination). Next, I prepped my shot with enough heroin (actually, fentanyl) to kill god-knows-how-many regular people (and still ten times even my regular dose). I found a vein and pushed the plunger down the barrel. I picked the bottle back up and started chugging as the dope made its way through my bloodstream.

It was only a matter of seconds before I’d lose consciousness and it seemed no one had noticed the light being on yet. Certainly no one had knocked. I was set. Even if someone came along now, it was doubtful they’d act with any sense of urgency. By the time they realized the door was locked from the inside, found the key, and come back, I’d be dead.


It was three or four days later when I woke up in the hospital with no memory of what had happened after I’d injected in the Sun-Ray bathroom. (To this day, I don’t know). In any case, it must be that I didn’t write a suicide note, because there was no psychiatric hold on me. I was treated like just another accidental overdose patient. As soon as I was able to stand, they were processing my discharge. I made some phone calls from the hospital phone. Wallis, Whitney – and I think Tim and Shana at Sun-Ray. I don’t really remember. Within the hour though, I was back out on the street, borrowing a stranger’s phone, and calling my dealer.


This painting was started after I got clean, interrupted by my second relapse, and then finished in Round 3 (2019). The overdose which inspired its title, however, happened all the way back in 2016. I’ve not been excited to tell the story – hence the delay.

Several small-print journals in the painting don’t strike me as terribly important or interesting at this point in time. In the bottom left though, it says: “Sometimes I bumout about being such a fuck-up, but – if I weren’t – I wouldn’t be able to make (authentic) rad shit like this painting.”

I’m not sure that that quite balances out but – I am who I am. My history is just that – it’s happened. Nothing will change what I’ve put myself, or anyone else, through.

Though in case it doesn’t go without saying – intentionally ridiculous title aside – I really am, genuinely, very SORRY FOR OVERDOSING IN YOUR BATHROOM. I imagine, at the time, it came across as an act of spite, but it really was merely an act of desperation. It had nothing to do with you; yours was just the place where I felt I had the best chance. And probably, in some twisted sense, where I felt safest. I’m sorry that I, very selfishly, let that outweigh what should have been my consideration for your welfare.

And the same goes to anyone else I’ve ever put in a similar position, only to then mine that trauma for humor or insight, for the sake of art. I work with a LIMITED PALETTE, trying to make the most of what I’ve got and spin it into something better.

It’s kind of all I know how to do.

I hope you (still) like it.


This painting was sold years ago but there are 12×12-inch prints on sale in the webstore while supplies last. Buy one and you’ll be funding my continued existence, artwork, and writing for at least two more days!


December or whatever

I’m pretty sure I left Chicago immediately after writing my last blog entry. We packed up that day and were on the road within 24 hours. We came to Jacksonville, which is mostly where we’ve been ever since.

I started work on the eight by twelve foot canvas that I had been planning since Spring. I set it up in front of Sun-Ray Cinema everyday and work on it with a table of prints set up to sell as I paint.

November turned out pretty well. After not even attempting to make any money the last two months in Chicago, I started to sell a good deal of art and am no longer in the dire financial position that I was in when I left Illinois. My emotional state improved significantly too.

December has been kind of rough so far. I stopped setting up to paint and sell quite as often so I started to make less money and I started to not feel quite as good. December’s Art Walk in Jacksonville was surprisingly bad and the rain at Art Basel pretty much fucked that up too.

I also finally had my first run-in with some idiot who wants to believe that I’m a rapist. Wallis and I were out in front of Sun-Ray and some girl walked by.

Without stopping, she asked, “Hey – didn’t you rape that girl?”

“No, I didn’t.”

“Yeah you did,” she said, by that point already a ways down the sidewalk, barely within earshot. There was no use trying to argue with her. She (and people like her) don’t care about the truth.

Though I’m not sure exactly what it is that they do care about. Condemning me does nothing to prevent violence or to aid victims/survivors of violence. It’s a showing of support for an anonymous girl that told (or at least went along with) a really disgusting lie. And it hurts me.

There are a thousand things I could write or say in an attempt to convince people that I was innocent. None of that really matters though. There are only two people in the world who really know what happened that night. And though the news stories about the alleged crime are sensationalistic and factually inaccurate, the little bit of information that is publicly available is more than enough to suggest a reasonable doubt.

If someone wants to believe that I’m a rapist in spite of that, their belief really doesn’t have anything to do with me, my actions, my character, or my history.

This isn’t really what I set out to write tonight, when I sat down to write this blog entry. I just wanted to give an update to the people that care about (or take an interest in) me.

For reasons I don’t want to discuss, I’m less comfortable disclosing the more sensitive details of my life right now. (The reasons and details have nothing to do with what I’ve just written about). Suffice to say, in the time that’s passed since my last update, I’ve experienced plenty of highs, lows, and middles, and tonight I’m just feeling very introspective and a little somber.

Here are a bunch of photographs:

piggyback
Me and the girl I love.
Wallis being adorable as fuck in her onesie / footed pajamas (the best money I've ever spent).
Wallis being adorable as fuck in her onesie / footed pajamas (the best money I’ve ever spent).
Our boy, Lukah, also lookin' pretty cute.
Our boy, Lukah, also lookin’ pretty cute.

And here are a series of photographs to show the development of my current work-in-progress. It’s the biggest thing I’ve done thus far (eight feel tall, twelve feet wide) and I’ve been at it for about a month now.

Day 2.
Day 2.
On Day 3, I decided that the canvas needed another layer of gesso, so I lost most of what I had already done.
On Day 3, I decided that the canvas needed another layer of gesso, so I lost most of what I had already done.
Inspired by Lukah's giant green eyes.
Inspired by Lukah’s giant green eyes.
I was pretty proud of myself when the cat body actually came out looking as I'd envisioned it.
I was pretty proud of myself when the cat body actually came out looking as I’d envisioned it.
All of these photos are from out front of Sun-Ray Cinema, which is where I work on this painting most days while I'm in Jacksonville.
: P.
My little buddy, Riley, helped me paint one day. I gave him his own corner and then reworked everything he painted. I'll dedicate a whole blog entry just to that later though.
My little buddy, Riley, helped me paint one day. I gave him his own corner and then reworked everything he painted. I’ll dedicate a whole blog entry just to that later though.
Here it is after I finished all of Riley's stuff (which took forever).
Here it is after I finished most of Riley’s stuff (which took forever).
Late November.
Late November.
After painting nearly everyday for two or three weeks, I don't think I painted at all in the first ten days of December. Here's a picture of the painting from Saturday night though. You can see it's almost filled out but all of the details will probably take me at least another month to finish.
After painting nearly everyday for two or three weeks, I don’t think I painted at all in the first ten days of December. Here’s a picture of the painting from Saturday night though. Even though it’s almost “filled out” some of the stuff that’s in it now will likely be covered up so – between that and all of the time I’ll spend on little details – it’s safe to say that this thing will keep me busy for at least another month.

If you’re in Jacksonville and wanna buy something, meet me, or just see how the painting is coming along, I’m out front of Sun-Ray most days from around noon ’til 10pm or so (unless it’s raining or I’m depressed or… whatever). Come say hi and then go inside and see a movie or get a pizza or something. Right now they’re playing Krampus and Room. Thursday’s the last night for Krampus and then on Friday they’re opening Guy Maddin’s The Forbidden Room and the new Star Wars movie. Oh – and on Thursday night they’re throwing a huge fucking party out back (in the parking lot behind the theater) where they’re gonna be recreating the cantina from Mos Eisley (which, for you non-nerds, is a setting from the original Star Wars movie).

Cool? Cool.

 


Art around Jacksonville

Just finished hanging twelve pieces at a place called The Hourglass in downtown Jacksonville. That’s in addition to the large pieces that just went up at Dark Side and Sun-Ray. In two weeks, Mikey twoHands and I will be doing a split exhibition at Rain Dogs in Riverside. After that, in February, it looks like I’ll be putting some stuff back over at The Silver Cow.

A lot of this stuff’s never been displayed publicly before and a few of the pieces have yet to even be shared online. If you’re interested in buying an original, this is gonna be a great month to run around town and see what I’ve been up to. The prices on this stuff ranges from $200 to $4,000 but – as always – you can hit me up for prints of any of my pieces (which range from $30 to $100).

Cool. Here’s the flier for my show with Mikey…

2014_12-Sammy-Mikey

 

Mikey and I are at Rain Dogs tonight, working on art and listening to punk rock. Swing by if you wanna say hi but hit me up ’cause we’re in the back room.


Later, Florida

Riding around in the back of Mikey twoHands' truck yesterday, trying to find a new tire for the van, having the time of my life, and listening to Sundials' "Derek Shelton Birthday Party" on endless repeat.
Riding around in the back of Mikey twoHands’ truck yesterday, trying to find a new tire for the van, having the time of my life, and listening to Sundials’ “Derek Shelton Birthday Party” on endless repeat.

Today is the day I finally bust across the state line to start meeting with galleries and setting up exhibits outside of Florida. I’m not allowed to drive in Georgia but – now that I’ve got Spillane with me – I’m able to make Atlanta the first stop. Cities are cities to me at this point though so priority #1 is to get out of the heat. To that end, we’re gonna try to get everything we wanna get done within the span of a couple days – maybe stick it out through the weekend just on account of gallery hours – and then get heading further north.

Right now, we’re en route to get the transmission on the van serviced but we should be on the road by 6. This stop in Jacksonville was only supposed to be a day or two and turned into ten. I’m happy to be moving on but that’s nothing against this city. I’ve been in and outta Jacksonville for the last few months now but, in that time, it’s started to feel more like home than any other city out there. There are a lot of people that made it that way: Tim, Shanna, and everyone else at Sun-Ray Cinema; Christina and Ian at Rain Dogs; Mandie, Rosaly, and Richard of Wunderground; the whole crew at Burrito Gallery (with a special nod to Julie for getting me in the door); Janet Harper and Folio Weekly; Regina and The Silver Cow; Pugsley and Ian at Dark Side Tattoo Gallery; (most recently) everyone at On Point Ink and Ryan Rummel at Club TSI; Heather Pierce; Alex Zalo; and all the friends I’ve made and supporters I’ve found here, who are so many in number that (as much as I wanna) I won’t call out by name ’cause I’d hate to leave somebody out. You’ve all been so excellent to me and I’m not gonna forget it anytime soon.

And that goes double for Mikey “twoHands” Kelly, who’s been the best fast friend I could have ever asked for. Half the shit I’ve done here would have never happened had it not been for you, buddy. I’ll miss Jacksonville and I’ll miss you.

Until the heat goes away…  Later, Florida.


When God Gives You Lemonbrains

"When God Gives You Lemonbrains." 1/15/14. Oil pastel. 9x12"
“When God Gives You Lemonbrains.” 1/15/14. Oil pastel. 9×12″

It was early January. I was sitting on the couch at Sun-Ray Cinema, organizing the prints that I had left there for sale. I looked up and saw Tim walking toward me. He stopped, took a step back and looked at the placard for a piece of mine on the wall. “Yeah, I’m gonna take that one,” he told me.

Tim and Shanna (co-owners of Sun-Ray) had given me the opportunity to have my first art show, there in the lobby of their theater. And Shanna had already bought one of my pieces when my exhibit first opened. They’ve been unspeakably supportive of me.  And now Tim wanted to buy another one. Things had been going very well the last few months and as I made my way home that night, I couldn’t help but reflect on how cool it all was. I was actually making my living with my artwork. I was paying my bills and supporting myself with the little therapeutic exercise/activity that I had discovered in the midst of my third (and seven month) inpatient stay of treatment for heroin addiction and borderline personality disorder. I was spinning my mental illness into a career. It seemed totally insane and I couldn’t have been happier about it.

A few days later, I was in southwest Florida so I went in to visit at Tranquil Shores – the facility where all of this started. And I was lucky enough to be there on a Wednesday, which is the night of their outpatient “Art of Recovery” group. These days, I rarely spend less than fifteen hours on a piece and they’re almost always acrylic paint on canvas. When I get back to “group” though, I like to play along, which means starting and finishing a piece within the session and using the materials provided. Besides, those bright yellow and pink oil pastels looked really appealing. (I love colors way more than makes any kind of logical sense).

I’ve been mobile/itinerant as fuck lately, so I’ve had this piece tucked away (in an envelope, in a steamer trunk, in the back of my minivan) for the last two months. I rediscovered it the other day and finally had prints made. It seems like just the right time. As I wrote last night:

As I go to bed on the last night in March, it is with the satisfaction that comes with having met my income goal for the month. And my income goal for next month. And the NEXT month. Things are going well. Here’s to keeping it moving, carrying it forward in April (which I already have fully blocked out in three cities).

I love making art. I love that I’m able to support myself doing it. I’m really, truly happy. I am fulfilled.

 The problems that come along with having a personality disorder (my brain not being the way it should be) used to fuck me up all kinds of ways. These days, it’s a blessing.

I feel like a broken record saying so but I’m so grateful. And I can’t help but think about how remarkably and wildly different a sentiment that is from the way I used to feel about myself.

 


Happy, Joyous, and Free b/w Give Us Your Blood

"Give Us Your Blood." 1/19/13. Charcoal. 12x8½".
“Give Us Your Blood.” 1/19/13. Charcoal. 12×8½”.

I’m still riding the high of that sale from last night. On top of that, I was carrying a couple of paintings into Sun-Ray when someone asked if they could take a look.  It’s not in stone or anything but it looks like, from the brief exchange that ensued, I might have another opportunity to show some pieces in a pretty great location in January. And I still have two other offers on the table (to display some work) that I haven’t taken advantage of yet just ’cause I was busy, outta town, sick, and then busy again. So things are going really well and I’m pretty excited. And really grateful.

Oh – and how could I forget… My mood wasn’t in the slightest bit hindered by the arrival of a veritable shit ton of records and zines today!

records december 13th

I’m really excited about all of them but especially the Teenage Softies 7-inch. Like the Brokedowns / Vacation Bible School split 7-inch and the Humanoids LP that I’ve mentioned here before, this was one of the records that was slated to be released on Traffic Street (my record label) before I crumbled and gave it all up.

"Happy, Joyous, and Free." 1/19/13. Charcoal. 8½x12".
“Happy, Joyous, and Free.” 1/19/13. Charcoal. 8½x12″.

The whole EP is great, but I think the opening track might be my favorite: “If your life is easy, you got caught in their trap. Distracted like monkeys, living life flat on your back. But if you’re working for some asshole then you’ll understand that life’s not that easy – so what about getting ahead? If you’re looking for a solution, it’s not to fuck it all up. If you’re looking for a solution, it’s not to give up. So just do what you can to get by. You’re the one that can change it this time. Stay with it.”

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The two drawings in this entry were products of an Alcoholics Anonymous meeting, early on a Saturday morning last January. Give Us Your Blood was inspired by some asshole giving my friend a hard time; it says: “we are insane (and mean) and we’re here to help – give us your blood.” Happy, Joyous, and Free was my second attempt (following Pulp) to draw a more realistic kind of portrait. I only had one sheet of paper folded up in my coat pocket, so one is on the back of the other.

I don’t remember the exact details of what was said to my friend that morning, but I do remember something else that the same guy had said to me after I shared/spoke at that meeting for my first time (after having gone every Saturday for several months). “I hope you make it. I doubt that you will, but I hope you do.” Some of my friends thought that was pretty fucked up but I didn’t think much of it at the time. I kind of liked it actually. (Although – in hindsight – what purpose is a statement like that supposed to serve?) But like I was saying, I liked it just ’cause it was brash, insulting, and honest.  After all, most of us don’t / aren’t going to make it, so it made sense for him to doubt me. Shit – especially me. Very, very few people ever thought I’d do anything besides die with a needle in my arm. (And – in their defense – there’s still plenty of time for me to prove them right). I remember in March of last year (in between inpatient stints) I picked my girlfriend up from her first outpatient session with a therapist she had started seeing while we were still in treatment. The therapist knew me so I asked my girlfriend if she had given her any advice or had any thoughts concerning our relationship. “She says there’s a 99.999% chance that you’re never going to get it and that you’ll die an addict, more likely sooner than later.” I cracked up laughing. She didn’t know me that well! I was a little shocked she’d make any kind of a statement so bold. I asked her (the therapist) about it at some point shortly thereafter (we’d talk a little after some of my girlfriend’s sessions). I told her what I had heard and she just kind of smiled and shrugged at me. “Prove me wrong,” she said.

No sweat! (So far, so good).

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Go check out my store!!! It’s got cool stuff in it!

If you’re interested in these drawings, I’m interested in selling them to you. Hit me up.


Give Me Money and Praise

"Give Me Money and Praise." 2/24/13. Acrylic paint and ink on cardboard. 14x6".
“Give Me Money and Praise.” 2/24/13. Acrylic paint and ink on cardboard. 14×6″.

I made this on the day that I first tried to sell my artwork. It’s kind of embarrassing. Beneath the bolder caption  is some less legible text: “Fill your arms with paint. Sorry. I fill my arms with paint. Or I want to anyway. Um. Metaphorically. This thing is kind of cool. I guess it is what I thought it’d be. I feel selfish though. Like I’m not watching the other bands.”

Translation: Dumb phrase that sounds poetic. Apology for not speaking in the first person (as we’re taught in treatment). Analogy about using artwork in place of heroin to manage my anxiety. Craft Fest [in St. Pete] is kind of cool and about what I expected it to be. I haven’t looked at anything any of the other people are selling at their tables and I feel guilty in the same way I might if I were playing a show and didn’t go inside to watch any of the bands before/after my own.

I felt weird about all of that so I decided to just write out my bluntest, most human feelings on top of it: “Give me money and praise and I’ll give you this.”

"Beachtown Graffiti." 2/14/13. Mixed media. 33x13".

Fun facts: On that first day, I did sell a few pieces: Why I Fail, Clarity, and – my favorite at the time – Beachtown Grafitti. A few others too. I do okay, huh?

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Status Update (December 12, 2013)

“Snowflakes Anonymous.” 11/22/13. Acrylic, watercolor, and spray paints, food coloring, markers, pen, resin sand, cardboard and EBT card – on 24×30″ stretched canvas.

Alex and I went to go see the “Everything is Terrible” holiday show at Sun-Ray tonight. When we walked out of the theater, there was a big gaping hole on the wall where one of my paintings once hung. I asked what happened and was handed an envelope with more money in it than I’ve ever been given for a single painting. Somebody bought it right on the spot and gave instructions to tell me that I’m “an international artist now” because it’s going in their home in Paris. So that’s pretty fucking awesome. And (like Beachtown Grafitti) – at the time of this one’s sale – it was also my favorite: Snowflakes Anonymous.

I’m really wrapped up in a “project” right now that’s costing me a lot of money and won’t pay anything (it’s not for me – it’s for some people that I care about). I was stressing about it earlier today but just told myself that it’s a nice thing to do and I don’t need to get all nervous because I like to believe that things will always work out when I’m making good, positive choices. And then this happened tonight so… Life’s kinda cool, right?

—–

Here’s a song that’s rad as fuck.

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Numbered, signed, and sealed Give Me Money and Praise prints are available in my webstore. If you’re interested in purchasing the original, get in touch.