Save Yourself

"Save Yourself." 11/19/13. Pens and markers. 5x6½".
“Save Yourself.” 11/19/13. Pens and markers. 5×6½”.

After missing five in a row, I’m getting back into the swing of my Tuesday morning NA meeting. Save for an Alcoholics Anonymous meeting that I went to once (somewhat unintentionally), it’s the only one I’ve ever been to in Jacksonville. I go because I figure it’s good for me or – at the very least – it’s not bad for me. When the time rolls around each week, I don’t usually want to go but that’s sort of why I do. It’s so rare these days that I have to do anything that I don’t want to; I feel like an NA meeting each week is a good way to stay in practice for the times when something I’m even more averse to comes up. It’s self-discipline of sorts.

Which isn’t to say that I don’t draw while I’m sitting there, but I do it pretty discreetly (on the pages of my text) and I don’t draw anything that requires the kind of concentration that’d prevent me from paying attention to everything being said. Yesterday, I drew this on page 390 of my Narcotics Anonymous book and then added the color later on at home. The title/sentiment is part repetition of “Selfish Program” and part preemptive “fuck off”/”take your own inventory” to anyone who might get it in their head that they’re my unsolicited new sponsor.

The meeting was on the eleventh tradition, which “deals with our relationship to those outside the Fellowship [of Narcotics Anonymous].” Specifically, “we need always maintain personal anonymity at the level of press, radio, and film” and “advertisements, circulars, and any literature that may reach the public’s hand.” That was written decades ago and some people think it should be updated to explicitly include the internet; I don’t see how anyone could interpret it as not already including the internet but – either way – I don’t maintain personal anonymity. The first sentence of my Bio has my real name because I think the power of a lot of my disclosure / honesty would be lost if I were using a pseudonym as a mask (and not just ’cause I’m a ridiculous human being). In any case, no one’s supposed to present themselves publicly as a member of Narcotics Anonymous and no one should ever purport to represent Narcotics Anonymous. [By the way, these guidelines are virtually identical in every twelve-step program (those I’m familiar with anyway)].

So I was thinking about that: Do I violate the Eleventh Tradition with (just about) every thing I do?

My answer: Nah. If I were to ask anyone at my regular meeting if I’m a member of NA, they’d say,”Of course!,” and pat me on the back to assuage my doubt. But do I consider myself a member of NA? Not really.

Yeah, I’ve worked the steps, I go to meetings (sometimes), and the way I live is pretty thoroughly in line with the principles and recommendations of the program – but that’s not because they’re the principles and recommendations of the program; we just happen to line up more often than not. And I certainly don’t purport to be a representative of any group/program. Shit – I’m not sure I’ve ever brought up AA or NA [in my writing] without making some kind of distinction between their program and mine.

While I’d recommend a twelve-step program to anyone struggling with anything, none of those programs were the magic bullet for me. The words in their books don’t resonate with me the way they do with others “in the rooms.” A lot of people say, “AA/NA saved my life.” I am not one of those people.

My counselor, Tracy, saved my life. Julie and expressive art therapy saved my life. It was everyone at Tranquil Shores (and everyone that supported me from outside) that saved my life.

And punk rock? Well, if I’m being honest, it didn’t really do SHIT in the life saving department but – without it – who would even wanna live?

“Icepick” by Tenement


This Might Be Bullshit

"This Might Be Bullshit." 1/11/13. Pen. 8½x11".
“This Might Be Bullshit.” 1/11/13. Pen. 8½x11″.

I was still inpatient when I made this. It was the product of the my first episode after “No Accident.” A full month had passed since then, which was longer than I could remember having gone without an emotional breakdown of one kind or another but I was still pretty disappointed with myself. If December 12th (the day I made “No Accident”) was my “emotional sobriety date,” this was most definitely my emotional relapse. I picked right back up with the kind of negative self-talk that had ruled my brain for most of my life. The body of the text reads:

I thought I found a place where I belonged. I wasn’t wrong. At the time. But time has passed and I don’t fit in here anymore. I can’t stall. I can’t adapt. I have to move on. Ready or not.

I’m already dead.

I don’t measure up. It’s who I am. It’s not sad. It just is. Nothing lasts forever and we can’t all be astronauts.

I’m not exactly sure what I meant with that last word. I’m sure it was an allusion to something I had heard (or something that had happened) recently. The rest of the text in the piece appears in bits and pieces, scattered throughout.

  • Outsider art.
  • THIS MIGHT BE BULLSHIT.
  • It’s time for me to go home. HAHAHAHAHAHAHA.
  • Please break my hands and kick my fucking teeth in.
  • [I’m] tired of me taking up space and time.
  • Fuck my stupid fucking life.
  • No amount of any anything from me could ever be enough.

—–

Tonight was the opening reception for my first art show. My emotional reaction to it was very much in tune with the painting I’m working on right now, so I’ll probably work it into that and share more about it once the painting is done.

In a few words though, the response tonight was such that it could very easily be interpreted as having implications that are either wildly positive and encouraging or terribly crushing and depressing. I’m working to get to a place of strictly gratitude though (and I’m almost there). To the people that did come out, I can’t thank you enough. Not just for showing up, but for really showing up. It means a lot to me. It’s keeping me going.


Pregnant Baby Kimono Dragon

"Pregnant Baby Kimono Dragon." 3/2/13. Acrylic paint. 12x16".
“Pregnant Baby Kimono Dragon.” 3/2/13. Acrylic paint. 12×16″.

In February, I successfully completed a program of inpatient treatment for the first time. It was a ninety day program that took me seven months to finish, but – hey – some are sicker than others. For the first time ever, I was able to make the transition to outpatient treatment. It was also around that time that – faced with the real world again – I knew I’d have to start earning some money to support myself. One of my counselors and one of my peers had been really encouraging when it came to my art. They said it was good. Good enough that people would want to buy it and I could maybe make a living doing what I loved. I decided to try and believe them. I chose optimism and faith (another first for me).

Living in the outside world, I was suddenly free to paint as much as I wanted, which meant I didn’t have time to store up ideas for paintings. I decided to experiment and create images for their own sake, without worrying about what was happening in my head or what I was feeling. In a sense, I still do that to a degree but… not like this.

—–

I didn’t wanna not say anything about this piece but – seeing as that shit’s super boring – here’s the story of some wacky shit I did back in January 2012 (about one month into my first stint of inpatient care at my very first facility).

Sometime right around New Year’s Eve, Hal was kicked out for using. Before he left, he gave me five letters, each addressed to a different person in our treatment center. No one was in the courtyard. I sat down and opened the one with my name on it. “There are eighteen unused syringes stashed in the bathroom trashcan across from John’s office.” Interesting… There was also a phone number. “I met Stacy at an NA meeting. That’s how I got the dope.” Fuck. I didn’t know what to do with this information. I wanted to get better but… Fuck. I decided not to call, but I didn’t throw the number away. And I retrieved and re-hid the needles inside the couch in my unit. That night, I was alone in my unit. I took a syringe out, held it in my hand, and just stared. I took the cap off and stared some more. I grabbed a cup of water from the kitchen, went into the bathroom, and shut the door. My chest felt tight, my heart raced. What was I even doing? I put the needle in the water and pulled the plunger up, letting the barrel fill about halfway. I took my belt off, wrapped it around my arm, and stuck the needle in a vein at the crook of my elbow. I drew back and watched my blood swirl into the chamber. Fuck, I’ve missed this. I let out a little breath, almost a gasp, and I pushed the plunger forward, my body frozen, until the barrel was empty and I felt a quick swell then release. I shut my eyes and felt bliss. I know it was entirely in my head but – for about two seconds – I actually felt high. Two seconds. And then I felt crazy. And confused. I smirked at myself in the mirror. So… My smirk faded and my gaze fell. What the fuck was that for? I was disappointed that my “high” was already gone, sort of glad that I hadn’t actually used, wishing I had used, and wondering if this was what my future looked like… injecting water for… – I didn’t know what for. Really, I wasn’t sure what I felt. I filled the syringe again to see if I could get another two seconds of high. It didn’t work. God dammit. I cleaned up, put my belt back on, and put the needle back in the couch with the others. Okay, I thought, What now?

—–

tipjar

  • This story is actually an excerpt from the 134th page of a much longer story. If you like it, let me know and I’ll continue tomorrow where this left off.
  • My painting, “Pregnant Baby Kimono Dragon,” is for sale.

Coining Out

"Coining Out." 2/8/13. Marker. 7x9½".
“Coining Out.” 2/8/13. Marker. 7×9½”.

It was an assignment in the group session on the morning of my coin out [the ceremony to recognize successful completion of an inpatient treatment plan]. (It’s worth noting though that completion of my treatment plan didn’t mean the end of my inpatient stay; it had already been decided that I’d stay on, with a new treatment plan). “Using your non-dominant hand, draw a picture of the body part with the most sensation right now,” we were told. “Then ask it about the feeling and let it answer.”

My face was tense. My whole head was. I asked why.

‘Cause I’m scared of everything. I don’t wanna coin out and I upset Heather last night and assumed the worst so I could cancel everything but it didn’t work ’cause she’s not mentally ill, she’s smart and sweet, supportive, thoughtful, and wonderful. But I need to ask her to be more direct ’cause that “goodnight” could have really fucked with me. You did good not just letting it go, Sam.

Presented without further comment ’cause I’m a mess right now.


Shit’s Perfect

"Shit's Perfect." 2/27/13. Acrylic paint. 12½x4”.
“Shit’s Perfect.” 2/27/13. Acrylic paint. 12½x4”.

One of the assignments given at Tranquil Shores is to make something representative of your higher power. Back in February, somebody tipped me off that there was a huge foamboard by the dumpster. I went to check it out and found it captioned (in stick-on letters), “My Higher Power.” I wouldn’t normally think anything of somebody tossing some project but – in this case… this person’s higher power was in the garbage. This person’s higher power was garbage. How great is that?

Anyway, I cut it up for “canvas” and over the course of the next couple weeks made a few new pieces by painting over the photos and other crap they had glued to it.

Aside from something I made in September 2012 that’s covered in song lyrics, this is the only thing I’ve ever made with text that  I knowingly stole from somewhere else. (It’s from the chorus of “Mobbed By the 3s” by Toys That Kill). There’s just something about the phrase “shit’s perfect” that’s – well – perfect.

‘Cause it is perfect. Everything is. Good shit, bad shit, even literal shit – it’s all exactly as it’s supposed to be. And – on the other side of the coin – it just sounds snarky as fuck. Like, “Oh yeah, of course – shit’s perfect.

And who doesn’t love some snarky bullshit?


Ten Dollars an Hour

"Ten Dollars an Hour." 3/3/13. Acrylic paint and ink. 11x14".
“Ten Dollars an Hour.” 3/3/13. Acrylic paint and ink. 11×14″.

You know that feeling when you’re hanging out with people in your favorite bands and you’re pretending that you’re as cool as they are (or – put another way – that you don’t secretly think they’re, like, THE COOLEST EVER [just ’cause they happen to be in a band you really like])? And you pull it off successfully?
 
If you don’t know what I’m talking about, you’re a liar. (Because we bothknow YOU’RE NOT COOL). You are exactly as much of a faker as I am.
—–
I wrote that a few minutes ago (for nothing in particular) but then decided to use it in my entry tonight. It’s not totally on point for this painting (and what it means to me today) but it’s related. You could call that little blurb a prequel of sorts to what follows…
—–

One of my best friends has written a ton of my favorite songs. Since we first became friends years ago, he’s known how much I liked his bands but – now that I have a website where I write about a lot of this stuff all the time – I guess the full extent of it sort of dawned on him. He called me recently to ask about our friendship. “Like, is it pretty much the same as if Dr. Frank or Ben Weasel were calling me to tell me about their problems?” My answer: “Yeah, pretty much.” He asked what that was like and I told him it had been good for me. That I had learned a lot from the experience.

Believe it or not, there are people who think that I’m cool (and/or accomplished). And the experience of becoming so close with one of my “heroes” has given me some insight into that. We’re all nerds, none of us have a handle on our lives, and we all feel like we’re faking it to some degree. And the things that we’ve each achieved: they don’t always seem like much because they’re all we know. My “measure for success” changes constantly. At one point, if I posted a picture of something I made on Facebook and it got a dozen or so “likes,” I wanted to throw a fucking parade. That kind of stuff can still mean a lot to me (especially when I’m down) but it’s not quite the big deal that it used to be.
One afternoon in January, I was sitting on the side of the road trying not to lose my mind… I found a few crayons and some scrap paper in my backpack and scribbled out some nonsense. Today, somebody gave me sixty-five dollars for that piece of scrap paper. When I take the time to stop and think about that, it’s pretty incredible (and I’m very grateful). But that’s sort of where the bar is at now. When that sort of thing doesn’t happen, I feel like a failure. Recently though, I’ve been able to examine that along with my experiences with friends in more “successful” bands (who do the kinds of shit that a lot of us have only dreamt about (and write the kinds of songs most of us will never even get close to)) and I get it; I can understand why they don’t feel like the “success stories” that others might see them as. And I can see why I am the success story that I don’t always think I am.
That’s not all either. At times, the experience has given me self-esteem. Not because “somebody cool is my friend,” but because of the tough spots that it’s put me in. It’s hard to tell anyone that you care about something you think they might not wanna hear (or that they might be insulted by). And it’s even harder when that person is a “hero” of sorts. I found myself in that position recently and it wasn’t easy. I reallywanted to keep my mouth shut, but I also didn’t wanna be a coward. I swallowed the lump in my throat, said everything I wanted to say (with as much sincerity as I could), and… it couldn’t have gone better. Not only that but – when I asked, “What’ve your other friends said?” – the response I got was, “You’re the only one that’s said anything to me about this.” I think that’s a testament to just how easy it is to keep one’s mouth shut and not say the hard thing to a friend. Which (of course) isn’t being a friend at all. I was pretty shocked when I heard that but I also felt good about it – about overcoming my fear and finding the courage to say these things. No one else had.
—–
This stuff’s all super awkward. Who wants to talk about friendship or admit to having “heroes” in the first place? (Not me!) So – seein’ as I’ve been brave enough to do that – I’m gonna cut myself a little slack and allow myself to “cut it short” right here. Cool? Cool.

28

"28" 11/5/13. Acrylic pain, food coloring, ink. 18x24" stretched canvas.
“28” 11/5/13. Acrylic paint, food coloring, ink. 18×24″ stretched canvas.

This is how bad at relationships I am: I wait until twenty-four hours after things start to get better to share my painting from when things were still fucked up – thereby risking that they get fucked up again. Actually, that’s bullshit – I don’t think this is going to fuck anything up. I’m just not comfortable sharing this ’cause I think it makes me sound petty and immature. I don’t need to write a statement for this piece because it’s got all the text it needs right on the canvas. Here’s what it says…

—–

I didn’t cry. Well, no, when it got bad, I did. But pre-addiction, if I cried, it was usually fake. To show a girl how hurt I was. It was emotional manipulation. But at my worst, I’d break down and cry. Then I went away to treatment and I watched other people cry. But I didn’t. Still “in,” a year later, I started. Like all the time. I was a mess but I was getting better. Then I “got” “better” and I stopped.

I have an idea for a cartoon. It won’t be hard to make. People will like it.  But I just wanna cry. But I don’t do that anymore. I can still force myself. I can fake it. But I don’t do it for real. I’m not holding back tears because I’m not in the kind of emotional state in which they can even begin to form.

The question of “what I wanted to do for my birthday” never came up. Maybe that’s my fault, but there were already other plans and I didn’t want to be disagreeable. Am I being crazy though to feel like I should have never been in that position? Is it unreasonable to think I should have been asked?

She’s not at all mean or selfish. She had good intent. But this gets to what was under my skin the other day. That we just might not be on the same page. We might not be right for each other. And that’s what I’m actually upset about.

On the ride home, I wanted her and told her so. She said she had to be up early for work in the morning. I guess I understand that but – at the same time – it’s my birthday and I guess I sort of thought she’d want to do whatever for me. And it makes me sad that she didn’t just want me the way that I wanted her.

I don’t think it’s supposed to be this way. I think something’s missing. She says otherwise but I can’t imagine that she gets what she needs out of me / this relationship. Which is why I feel guilty whenever I bring this stuff up. It’s not like I’m so great.

This is the story stripped of all its detail (at its vaguest). I write that way for myself. To keep the focus on my feelings. Even though I know it’ll be less satisfying for anyone else. Less “entertaining.” I enjoy an audience but I won’t cater to it. Not with this kind of work anyway.

I enjoy the sentiment of self-pity but not when its point of origin is with me. This feels like self-pity and it makes me feel embarrassed.

I wonder what I’m saying without realizing it. What I want this to say (or think it says) and what it actually says are probably wildly different. [I’m probably an asshole].

—–

So that’s the text on the canvas… Have I embarrassed myself enough for one day? Great! Here are links to the other pieces in what might as well be considered the “series” to which this one belongs.