So Smart I Got Life Lessons Dripping Out My Asshole

"I'm So Smart I Got Life Lessons Dripping Out My Asshole (Also: Charm) Pay Me (...?)" 2/16/13. Acrylics and resin sand on cardboard. 12x14".
“So Smart I Got Life Lessons Dripping Out My Asshole.” 2/16/13. Acrylics and resin sand on cardboard. 12×14″.

So smart I got life lessons dripping out my asshole (also: charm); pay me (…?)

Expressive art. Self-deprecating humor. The ninth painting of ten in my series, “The Weak End.” If you’re at all familiar with my work, you’ve already read everything that I could possibly say about this painting or the two days over which I worked on it.

I do, however, have a new (almost-finished) painting that will be featured here soon. In presenting it, there are three stories that I’ll want to share. Were I to include them all in a single entry, it’d be a little overwhelming. So…

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The true story of my afternoon on April 28, 2012.

We met in a treatment facility that we had both transferred to from others. It was from her previous rehab that she knew Bill. He wasn’t a patient of theirs, he was an employee. He had clean time. (Emphasis on had). He started using yesterday.

J had a habit of not counting his money until he was back in his car. We didn’t have any money, but if we could find someone to throw in a hundred, we could pad the twenties with small bills to make it look like as much as three. We called Bill and he met us with a hundred dollars cash.

We had shorted J before but only by twenty or thirty and we’d always eventually (sort of) paid in full. In any case, we bought from him everyday. We were junkies; he knew we weren’t going anywhere.

I made the call and with her by my side and Bill in the backseat, we met up with J. As soon as we made the hand-off,  I put the car in gear and drove off as quickly as I could without raising suspicion – but it’d only be a matter of time before he sat down and counted that money. He called within a minute. I had (I thought, slyly) taken a residential street so that he wouldn’t see us in traffic, but before I knew it, he was there. He slid around us, cut off our path, and was out of the car. I floored it in reverse, struggling to keep the car from backing into any of the others parked on the narrow street. He chased after us and almost grabbed hold of me through the window when I swung the car out into the intersection and into drive. His girlfriend had taken the wheel when he got out and she picked him up. They were right on us immediately and we proceeded to play bumper cars across the streets of Delray Beach, running every red light, driving on the wrong side of the roads. Our car was already beat up but his was really nice. Or had been earlier that day anyway.

As soon as J was back in the car, he was back on the phone. As we swerved around and into each other, I tried to reason with him. “It’s only two hundred dollars. Report the damage as a hit and run and turn it in to your insurance. This isn’t worth it.”

“This car isn’t insured or registered. It’s not even my plate. You owe me a lot of money – and the dope – and I’m beating the shit out of you.”

“I’ll get you money later in the week but I’m not giving the drugs back so you might as well give up now.”

I got us to the on ramp for I-95, but  our car was old and slow. We didn’t stand a chance at outrunning him. Smashing the fuck out of his car hadn’t deterred him so I had to get creative. I swerved around other cars, trying to lead J into an accident that might actually slow him down.

“I’m gonna flip your car and kill you,” he said.

“That’s the only way you’re getting the drugs back. Chalk it up as a loss and give up before it gets any worse.” I was pretty bold for someone shaking so badly.

I tried a new technique: slamming on the brakes to take us from 90 mph to a dead stop in the middle of the interstate – counting on the cars around us to prevent J from doing the same. After a couple stalemates, where he pulled onto the shoulder up ahead to wait, knowing we had no option but to start driving again, I started to lose hope. How had we not passed a cop yet? How many other drivers must have called this demolition derby in by now? It was only a matter of time before this all ended very badly – one way or another. And my fucking fuel light was on.

“My boys are getting on at Lantana and are gonna light you the fuck up. You and your girl are as good as dead.”

I guess he didn’t notice that we also had Bill in the back seat. (Quite an experience for someone so freshly off the wagon, huh?)

Eventually, somehow, I was able to lose him. After an exit, I tore across two lanes and into the grass back toward the off-ramp at the last possible second when I’d be able to do so and J wouldn’t without losing sight of us for long enough for us to turn and leave him guessing which way we had gone.

J didn’t follow and when I got to the first red light that I wouldn’t be running that afternoon, I eased into a stop with a police car right next to me. My headlight was dragging on the street in front of the car. The front bumper was partially detached and the back bumper was smashed in. The light turned green and the distance between us and the cop increased until I was able to exhale.

And then I laughed. We all laughed. A lot. It wasn’t funny but it was amazing in its way. As fucked up as all of it is in hindsight, in that moment we were triumphant and I was a hero. (Nothing could be further from the truth, of course, but it felt that way). We had no right to be alive. It defied all logic that we were driving away, unscathed and with heroin. I dropped Bill off at his car and drove back to the trailer park where she and I were renting a windowless room with no door to the outside. I left the car at the opposite end of the park and we got out to walk. We lived at the entrance of the park and J’s house was only a mile down the road; I didn’t want to run the risk were he to go out looking for us.

We walked into the trailer, into our room, shut the door, and shot up. I don’t remember anything that happened after that, but the next day, we packed our shit to leave for Miami.

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“The Weak End” series:

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  • 11×13″ prints of this piece are for sale in my webstore.

Eat Gummy Worms and Smoke Crack With Someone Who Appreciates You

"Eat Gummy Worms and Smoke Crack With Someone Who Appreciates You." 1/7/13. Pen. 8½x11.
“Eat Gummy Worms and Smoke Crack With Someone Who Appreciates You.” 1/7/13. Pen. 8½x11.

When I was in pre-school, my dad once asked my teacher, “Racey brings home art almost everyday – why doesn’t Sam ever bring anything home?”

“Because it doesn’t turn out the way he wants it to, so he crumples it up, throws it away, and then stares at the floor sulking until art time is over.”

Forget about art and pre-school – that’s kind of how I lived my entire life until recently.

I drew this one day in January back when I was still an inpatient at Tranquil Shores. (It wasn’t an art group but I’m like – totally rebellious, you guys). It started out as a drawing for my friend Nick but – after I fucked it up – I let it become something else. (Pen isn’t a very forgiving medium). I’m glad that I have the capacity these days to accept my mistakes as necessary – or inevitable. (They’re not really mistakes; they were supposed to happen). And this too works as an analogy for my life. I’ve fucked up plenty, even in this last year, but I accept all of it now. I’m right where I’m supposed to be.

The caption is the same as the title: EAT GUMMY WORMS AND SMOKE CRACK WITH SOMEONE WHO APPRECIATES YOU.

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Daily status update: My first Artwalk tonight went really well. Jacksonville may not be the ARTS CAPITAL of the world, but I’m really grateful that we’ve got something like this that happens every month. Looking forward to round two in November. (It’ll be just two days after my birthday)!

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Asides

  • This piece was kind of a breakthrough for me in terms of expressive art. I feel the same way about: “Perfect Love / Exit Bag,” “The Weak End” series, and “Court Dating.”
  • This is the ONE HUNDREDTH piece of art to be added to the website!
  • It also totally features a frog sitting in a prescription bottle. That’s something, right?
  • 2025 UPDATE: I decided I like this drawing enough to make a small run of prints. But first I JUICED IT UP with some color and a border (’cause I’m a CHEATER). You can find it in the webstore.

Satellite Photography

"Satellite Photography." 2/16/13. Acrylic paint on cardboard.
“Satellite Photography.” 2/16/13. Acrylic paint on cardboard.

I didn’t go to church as a kid, but I remember a friend once telling me about something he had heard at church that Sunday. “They said that a satellite took a picture from really far away of what they think might actually be heaven.”

I’m terrified of judgment when it comes to my spirituality or my ideas about God. I’ve had so much animosity built up around religion for so long that I get really nervous and defensive about it. (See: “Evil” / “Maybe I Don’t Believe in God”).

But I pray. Or – rather – I try to pray. Sometimes. I’m not praying to someone that can be photographed from outer space though. For me, prayer is an exercise that’s its own reward. When I pray, it’s never for myself. I only pray for other people because – in doing so – I think about them. (“Portraits of God, Nothing, and Fear”).

Most days, I isolate and tell myself that my activities through my website (and online generally) are enough sociality. Living in my little bubble of self, it’s really easy to get wrapped up in my own nonsense, problems, or [whatever]. Prayer is one way of forcing myself to remember other people in a way that affects me more than a “like” on a Facebook post. It feels good to break out of myself now and then. And it’ll usually motivate me to reach out and connect with a friend in a way that feels a little more meaningful than I might otherwise.

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“The Weak End” is a series of ten paintings.

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8½x12” prints are available in my webstore.


Values Are For Shoppers, I’m For Giving Up

"Values are For Shoppers." 12/3/12. Marker. 7½x9½”.
“Values are For Shoppers, I’m For Giving Up.” 12/3/12. Marker. 7½x9½”.

Core beliefs are the things we believe about ourselves that guide and influence all of our behavior. This week’s spirituality group assignment at Tranquil Shores was to list ten core beliefs. I did it on the same page on which I was also scribbling (and using to write notes to the girl sitting next to me).

  1. I am ugly.
  2. I am a problem.
  3. My perceptions are wrong.
  4. I am smart.
  5. I am only tolerated.
  6. I am almost good enough.
  7. I’m not like other people.
  8. Nothing lasts.
  9. I lose.
  10. Nothing matters.

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Number three might not actually be a core belief as much as it was a new belief that had been developing in response to everyone telling me how wrong I was (when it came to my core beliefs).Number four is the one positive item on the list. Number six was misinterpreted by someone in the group as positive but “I’m almost good enough” is an acknowledgment that I might not be thoroughly awful (when it comes to [insert anything here]) but I’m not good enough to actually succeed. Which is maybe even more frustrating because it puts me in the position to think that I might succeed “one of these times.” It keeps me going and sets me up for more disappointment. [What I failed to recognize up to this point in my life was that I had succeeded many times at many things: I have a fucking law degree from Georgetown! I released records by some of my favorite bands! I’ve done all kinds of cool shit in my lifetime].

Number ten is my favorite because it’s the one item that I held on to – but spun in such a way that (rather than eat away at my fucking soul) it frees me.

That sounds lame and I’m okay with that.

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After we wrapped up core beliefs, we were told to make a list of core values. Values are inherently positive though. And having just reviewed my ten core beliefs, I was emotionally drained and feeling sick to my stomach. In that state, I wasn’t about to acknowledge anything even remotely positive. Not to mention that – while I knew what my core beliefs were without even having to think about it –  “my values?” … That was a little trickier.

“Values are for shoppers,” I wrote.

Because I think I’m clever.

And because I was scared to go there.

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Court Dating

"Court Dating." 4/15/13. Colored pencil, watercolor, marker, and pen. 9x12".

“Court Dating.” 4/15/13. Colored pencil, watercolor, marker, and pen. 9×12″.

Do you ever feel like every word out of your mouth is annoying? Like even your love is annoying? I feel like that almost always. And I don’t know that I’m wrong.

“We’re gonna have to wake up early and it’s all the way in Venice; are you sure you wanna take me to my court date?” Heather assured me that she didn’t mind. I told her I’d take her out to breakfast afterward, thus turning the court date into a regular date (you know – the kind that couples go on)!

When we woke up, she was grumpy. She seemed really pissed off about having to take me but she insisted that she wasn’t so I took her word for it and behaved as if I believed her. Like everything was cool. Nothing I said could make her smile though; she was mean. It was a bit of a drive so I had to give up on conversation and find a way to get okay with me regardless of her attitude.

I started drawing. It was labored. I had no idea what to draw and didn’t really think this would ever turn into a finished piece. But I had to do something to keep my mind off what was happening (lest I become irrationally upset and begin contemplating suicide or some other poorly planned major life decision). This was really expressive art therapy at its purest. I just kept adding to the page until we got to the courthouse.

Though I captioned it that day, I didn’t finish it until I pulled out my sketchbook a month later (under frighteningly similar circumstances).

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Every Friday at Tranquil Shores, Robin and Nancy would take us grocery shopping. On my second Friday (8/25/12), Nancy accused me of shoplifting. (I wasn’t but she had good reason to suspect otherwise). When I went to Robin to complain, she asked me if I had been. “Go fuck yourself,” I told her.

(I’m a real charmer).

But anyway – it kinda killed me to part with this piece, but I gave it to Robin as a birthday gift. She’s probably the nicest person I know. My biggest problem with living in Jacksonville is being away from my Tranquil Shores buddies. (Have I mentioned that before?)

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This morning (and last night) were really tough for me emotionally. Today was probably my least productive day all year. I’m gonna strive to make up for it tomorrow.

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This piece is available in my webstore as a 10×13″ print.


Powerless Over Flexeril

"Powerless Over Flexeril." 3/15/13. Marker. 9x12".
“Powerless Over Flexeril.” 3/15/13. Marker. 9×12″.

I wrote a statement about this piece after I finished it:

Awoken by pain at 5 AM this morning, I was given a heating pad and a Flexeril (a drug which I have not been prescribed). Lying in bed, I started this drawing and continued until the pain subsided enough that I was able to get back to sleep. I finished later that afternoon on the ride back home from my outpatient group at Tranquil Shores.

In case you’re wondering, neither my integrity nor my recovery were at all compromised by my decision to ingest a Flexeril. If you think that’s at all questionable though, let me assure you that I am totally happy for you!

I only bring it up to clarify that this title is tongue-in-cheek.

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I’ve been insanely busy the last few days, getting all of my stuff ready for Artwalk in Jacksonville next week. I’m happy about it insofar as it’s put a fire under me and gotten me to work on editing my statements (since I’m putting printed copies in the sealed sleeves along with each print). I’m aiming to have around 50 different prints ready for sale so that means 50 statements. The less fun part is all of the tedious presentation stuff. Putting the prints in the sleeves, cutting thick backing board into the right size for each print, formatting the statements in Word to be the right size for each piece — stuff like that. It’s cool though; I’m going to feel really good about it when it’s all done. (Only four days left to go).


Acceptance, Surrender, Resignation, Shit

My counselor said I seemed different today. It wasn’t a change for the better. If I had to name it, I’d call it “Defeat.” I haven’t surrendered but there’s this bit of quiet resignation in me. I fight for myself but I think there’s a part of me that doesn’t actually believe I can win. I work toward my goals, I work for the life I want (everyday — and all day). But these goals may not be attainable. They’re as conceptual as my “belief” in a higher power. They are tools that keep me moving — they give me a reason to live, but they might not exist beyond that. My destination may be farther away than I’m able to travel in this lifetime.

"Acceptance, Surrender, Resignation, Shit." 4/16/13. Oil pastels, marker, pencil, pen. 6½x8½".

“Acceptance, Surrender, Resignation, Shit.” 4/16/13. Oil pastel, marker, pencil, pen. 6½x8½”.

I started this piece in February but struggled with it until it was finally finished in April. It seems appropriate here.

This entry is very much a continuation of its predecessor, earlier in the hour.

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This song is playing and I like it.

I’ve had an idea for a Crusades comic in my head for months now. Maybe I’ll actually draw it one day.

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