Arrested with Dear Landlord (Song Stories #2)

Update (10/17/13, 2:31 AM): Originally written over the course of two days (and published in two parts), I spent the last two hours rewriting it and the whole thing is now here, in this entry.

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Song: “Goodbye to Oakland” by Dear Landlord
Time: July 2010
Place: Brooklyn, NY

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Between semesters at Georgetown Law, you took an internship. It wasn’t required but it wasn’t a question either; it’s just what was done. I was about to wrap my first year when I got called into the advisor’s office—“Where will you be interning this summer?”

Umm…

“With Rational Anthem,” The way I said it probably sounded as much like a question as an answer. She looked confused.

I’m tempted to lie and say that I followed up with the bluntest, least-responsible sounding version of the truth, but I sort of spun it to sound like they were more than my friends’ punk band and that this was something that’d benefit me in my career as an entertainment or intellectual property lawyer. If I were smarter, I’d have actually done an internship that summer. I might have a totally different life today.

 

The following summer, I did take an internship. My dad’s dad is a lawyer and he took an interest in me when he heard I was going to law school (and an ever bigger interest when he found out it was Georgetown). He was the one that set this up for me. It was at a firm in Manhattan where my uncle or cousin (someone I didn’t know in any case) was a partner. (I don’t know my family). Following two consecutive summers of psychotic episodes and temper tantrums, it had already been decided that I’d no longer be touring with Rational Anthem. So I figured what the hell—I’d go be semi-responsible in New York for the summer.

Well, not quite “the summer.” Though that’s what was expected of me, I had a glut of releases coming out on Traffic Street in June and I understand how “priorities” work. And I wasn’t gonna stay through August ‘cause I wanted to make my way back to DC by way of a week on tour with New Creases, joining up when they came through New York at the end of July. Three months, one month—what’s the difference?

Midway in, Vacation came to town. I didn’t know them and I hadn’t gotten around to their demo but they were a new band and I figured they’d appreciate someone actually coming to see them. I called a mutual friend, got a phone number, and called to make plans to meet when I got out of work. Their show was at Tommy’s Tavern, but someone fucked up. Two promoters had booked shows that night and one of them had merged his show with another bill from down the street. There were fourteen bands slated to play. Did I mention that this was a Wednesday night?

Evan, Peyton, Jerry, and I sat in the parking lot all night and got to know each other while we waited for their chance to play. At 4 AM, they finally went on and the minute they finished, I helped them load out and hightailed it to my sister’s apartment in Bedstuy to get an hour’s sleep before I had to wake up for work.

I don’t nap so when I went to Lost + Found for the Sandworms show that night, I was still operating off virtually no sleep. It wrapped up around 1 AM and I got on the train. Maintenance or [who knows what] had me sitting in the car motionless for long enough to doze off.

“Hey. You. Wake up.

I opened my eyes. Two cops were standing over me.

Fuck.

“You can’t sleep on the train.”

I looked up at the sign; Bedford-Nostrand: only a few blocks from my sister’s.

“Oh, I’m sorry. I’m exhausted but this is actually my stop anyway.” I got up to leave.

“Hold on there. You were across two seats. It’s illegal to occupy more than one seat. Other people need to sit too.”

I looked around the train. It was just the three of us—not another person in sight. “You’re messing with me, right?” I smiled my best respectful, non-mocking smile.

“You think it’s okay to be a seathog?”

He was clearly fucking with me. Was I supposed to laugh at the joke? I apologized again, tried to explain: up early for work, visiting with outta-town friends, overtired, standstill train delays. No dice. He was having too much fun to let it end. Gleefully redundant, he continued his lecture on the harms of being a “seathog.” They let off the train, but not out of the station. I asked, directly, if I could go home, he asked if I had any warrants and I told him that I didn’t. “Are you sure?” “Yes, absolutely. No warrants.” “Okay, we’ll run your ID and if that’s true, you can go.” I handed it over, set my bag down, and held myself upright against a support column, waiting for my cue to exit. I’d have to be back at the firm in a few hours; I just wanted to sleep.

“What’s this here?” he asked. “Two years outstanding…”

I rolled my eyes smiling, pretending to think he was as funny as he did. “Come on. Don’t mess with me.”

Sarcasm left his face and he assured me it was no joke. The lightbulb went off in my head.

FUCK!

I absolutely had a fucking warrant. One that I had legitimately fucking forgot about.

“Put your hands behind your back” and the cuffs came out. I was going to fucking jail. And that wasn’t all.  It’d only be a matter of time before…

“What’s in the backpack?”

“Clothes. Books,” I told them. The first thing they pulled out was a brown paper bag. They asked what it was before they unfurled the top. I put on my confused/trying-to-remember face: “I don’t know…” Inside, they found syringes, cookers, cottons—all the usual paraphernalia. “Recognize it now?”

“Nope.”

“How’d it get in your bag then?”

“I don’t know. I had it stashed in a closet in the bar so I wouldn’t have to carry it around earlier.” (Which was true; I do that).

“You’re saying someone put this in your bag?”

“No. I’m just saying I’ve never seen it before.”

The search went on. I was beyond fucked. “What are these?”

“Stickers,” I told them, “For my record label.” Who cares? Let’s just get this over with.

The more obnoxious cop’s attitude suddenly changed just a little bit. He cared. He was curious; he thought it was cool. “You know who my favorite Florida band is?” he asked. [I lived in DC but still carried a Florida ID]. Ugh… I can only imagine. Are Nickelback from Florida? Puddle of Mudd? Fuel?  I had no idea. What kind of awful shit does a cop beat his kids to?

“I don’t know – who?”

Kids Like Us.”

Ho-ly shit. I laughed. What are the odds?

It’s 2010 and I have no idea who’s in Kids Like Us or if they’re even a band anymore but (back in 2003) their guitarist would come down to hang out in Sarasota pretty often. We were friends insofar as you’re friends with anyone that you hang out with a few times and get along with well enough. We weren’t close but [you get it]. Could this work to my advantage? I lied and said that the whole band were great friends of mine and started talking out my ass about our friendship. Now, he didn’t set me free at this point but his search of my bag got more perfunctory and then ended abruptly, before he had so much as glanced at half the stuff in there. I might be okay…

 

At the station, he asked if I wanted my property checked into inventory or picked up by someone. I’d need my sister’s number, and I didn’t know it. “Can you get it from my phone?”

Flipping through contacts, he stopped: “You’ve got Andrew W.K.’s phone number?”

I smiled and shrugged in that I’m the coolest motherfucker on the planet kinda way.

Granted, that number for Andrew W.K.: it was public information, available to anyone with an internet connection. It was only in my phone ’cause Hembrough put it there. I’m not cool and I’m not a big deal. I run my record label out of the same little apartment that I live in and I don’t know anybody.

But this cop didn’t need to know that.

My sister came for the backpack and its undiscovered contents remained undiscovered.

And all was right with the world.

 

From my cell, I saw that my brown paper bag of NEEDLES ETC hadn’t left the station with my backpack. “What am I looking at?” I asked. “For the warrant,” he said, “time served probably.” “How about the other stuff?” He threw the bag in the trash. “What other stuff?”

! ! ! ]

 

It was time to get transferred. Central Booking for Brooklyn. Before they handed me over, my “arresting officers” had some words of wisdom: “That shit will ruin your life. Stop before it’s too late.” I nodded with a solemn yeah, I’ll think about it face.

(I wasn’t gonna think about it).

 

Back at the station before my backpack left, I had asked for a book out of it: a worn-to-shit copy of Cannery Row by John Steinbeck. When I got passed along to Booking, I asked if I could hold on to it. “They’ll take it when they find it, but sure.” Shockingly, I made it through processing with the book stuffed down the back of my pants. Stuffed into a cell with three times as many people as it was probably meant to hold, I had no choice but to stand still. There were benches along the wall, but already packed with bodies. Those of us that stood couldn’t even move around: it was packed like a Tokyo subway car. And, if there had been room to sit on the floor, it still wouldn’t have been a great option. The toilet – still filled to the brim with urine – had spilled its contents across half of the cell.

It’s 6 AM and I’m tired, hungry, and stuck shoulder-to-shoulder in a literal piss pen. But I had my fucking book. I took it out and stood, just reading for hours, the pages inches from my face because I didn’t have room to hold it in front of me. It was shitty but I was glad to have it. When I finished the last page, I paused … and then I started again.

What the fuck else was I gonna do?

I just had to be patient. I’d be outta here in no time. Right?

About twelve more hours in, we were chained-ganged up and transferred to a bigger room. There was enough space to sit against a wall without sitting in pee. (Well – without sitting in a puddle of it anyway). I sat, read my book and ate shitty apples. They were warm and mealy but they beat the fuck out of my other options. I was glad to have ‘em.

From here, they’d call a name—if it was yours, you’d go before a judge who’d determine whether you were released or sent to Riker’s Island to wait for your next hearing. But this was a Monday through Friday operation and today was Friday. (The judge didn’t see anyone over the weekend). Hearings went ’til midnight and if your name didn’t come up before then, you got a trip to Riker’s for the weekend by default. Around 8, nearly all my old pals from the piss pen had been called up to see the judge and a new group of twenty or thirty had come in to replace them. By 10, nearly all those guys had been called away and the room had been filled again. What the fuck is going on? Why haven’t they called my fucking name?

I didn’t want to go to Riker’s Island for the weekend. That didn’t sound like fun.

11:45 PM: my window of opportunity for release was down to fifteen minutes. Basically, I was fucked. But then I heard my name. It was glorious. The door was unlocked and I could hardly contain or my excitement. Led into the courtroom though, I found myself seated in line behind six or seven others. Still, I had to be in the clear…

I looked to the guard beside me: “Everyone that’s already in here will get to see the judge tonight, right?”

“Not necessarily.”

I will kill everyone.

 

As it turned out, I didn’t have to kill everyone. The judge called my name and I stood up. She asked a few questions, read some bullshit off a paper, and ruled on my case. The gist: “Don’t catch any new charges in New York for six months and you’re good. No additional penalties or fines.”

Out on the empty street, I actually jumped in the air, cried out in joy, and ran all the way to the train station. (I probably fucking skipped). I don’t know if I’d ever been happier in all of my life. Just to be out of there – it was amazing. I’d never felt better.

 

While in New York, I was floating so as to not wear out my welcome anyplace. My pre-arrest plan for the day was to relocate – from my sister’s apartment in Bedstuy to Chadd, Grath, and Toni’s in Elmhurst. The train I got on wasn’t taking me to either though – because my Friday plan had also included seeing my favorite band from back home; Dead Mechanical were in town and playing at Tommy’s Tavern (where my whole stupid sleep-deprived adventure had began two days prior)! I knew I had probably missed the show but so long as everyone was still kicking around, that was good enough for me. It took everything I had to not fall asleep on that train as I rode back out to Greenpoint but the adrenaline and serotonin pulled me through. I thought about the last thing I had done before I got arrested: my goodbyes outside the Sandworms show. When I walked up to Tommy’s that night, I found the exact same group standing out front (along with Matt, Dan, and Lucas). I couldn’t have been happier to see everyone.

” Who can guess what I’ve been up to since we parted last night?”

I told my tale and we laughed and joked and it was fun. And even though I missed their set, it was cool just to see Dead Mechanical in a different city [outside their natural environment!]

Around 2AM, everyone packed up and I headed for Bedstuy to collect my things. …And totally fell asleep on the train…

I woke up scared as shit, shaking and knocking myself into consciousness. When I got into my sister’s she was mad and mean as shit about having been called down to the station in the middle of the night.

“Sorry! Gotta go!”

I grabbed my stuff and turned around for Elmhurst. …And totally fell asleep on the train.

Live to fight another day…

[the end].

—–

Obviously, there’s one lyric in particular that’s affixed “Goodbye” to this memory with concrete, but how am I gonna throw that up here without “Park Bench” when the two are so intertwined on the album (and “Park Bench” is so strikingly appropriate/relevant for a story like this)? It’d be criminal!

Start the video at 0:22.

Lyrics:
you were swaying on your feet, trying to light a smoke
waiting on a bus, you got nowhere to go
you were sleeping in the park in a dirty sweatpants suit
the cops woke you up, now you gotta move

walking around wearing a motorcycle helmet
up and down the same streets you walked yesterday
wild irish rose can make a mean world almost decent
it’s an illusion handcuffs quickly take away
there ain’t enough room in this city for a guy who
wants to drink himself to sleep under the stars
there will always be some shit bag to remind you
right where you are, right where you are.

I got two dollars and fifty-one cents
eighteen matches, a lighter, two pens
and a beat up copy of Cannery Row
five hundred miles left to go

everywhere I go I’m looking down
watching my old tennis shoes as they’re wearing out
walking off these homesick blues
I may be drunk and lost but I’m not confused and
I know where this train is slowly going
north through K-Falls then on to Portland
I know I’m fucked up, it’s stupid hoping
you’ll answer phone calls, goodbye to Oakland

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Other entries (more) related to Dear Landlord:


Living in Shit with The Copyrights (Song Stories #1)

If you’re anything like me (and for your sake, I hope the similarities start and end right here) certain songs trigger memories for you. On our drive down from Jacksonville, late Thursday night, I had the iPod on shuffle and a few songs came up that I hadn’t heard in a while but gave me an idea that I thought might make for a cool series of entries on the website. Here’s the first in my (remarkably cleverly titled) series of Song Stories.

Song: “Prove Me Wrong” by The Copyrights
Time: June 2012
Place: Miami, FL

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It backed up. From wall to wall, the floor in our little shitbox of an apartment was now seeped in toilet water. And yeah – when I say “toilet water,” I’m talking about a lot more than water. We had no cleaning supplies and no car to get to the store. Normally, I’m happy to walk but this was Miami in June and I was in the midst of heroin withdrawals. I felt about as awful as a human being can feel. Besides, we didn’t have any money to buy cleaning supplies anyway. And you can fucking bet that – whatever money we were going to scam up – it sure as shit wasn’t going to pay for paper towels and Lysol. I did the same thing any “sensible” person would do in my position: I took the comforter off the bed and threw it on the floor. It stayed there like that until we left town a few weeks later.

I hated being in that apartment. Actually, to call it an “apartment” paints too grand of a picture. It was a fucking room. And it felt more like a coffin. I felt trapped all day and night around the clock. I wished I were dead. But I wasn’t going to walk out the door for anything. Anything but drugs.

My memory’s a little hazy but if things were as I remember, I’m too ashamed to spill all of the details. You don’t really need to know the source of the money anyway. Suffice to say it was a process that involved more than one felony and ended with a Moneygram or Western Union transfer. I braved the outside world to go pick up the cash, so I could hop a train to Overtown and finally get some heroin. Not enough to overdose and kill myself (what a sweet dream that would have been; I fantasized about it constantly) but enough to make the hurt go away for a few hours. That was enough. I calculated the exact minute that I could expect the money to be ready and left so as to arrive just in time.

But it wasn’t ready. I waited. And waited. And waited. And it still hadn’t come in. Because the people that I was counting on to send it were also drug addicts and – you know – they’ve got their own schedules.

So I sat on the sidewalk outside of the CVS, calling and texting, trying to find out when the money would become available. It started to rain. And I just sat there, clinging to my hope that they would eventually come through. I shook and shivered and sweated. I prayed not to be recognized – after all, this was the same CVS where I’d steal $80 boxes of allergy medication which I’d then return to Publix or Walgreens for store credit. (On the rare occasions that I ate, this was one of the ways that I got food). I’d have walked down the street and looked suspicious elsewhere but I just didn’t have it in me to care that much. It all hurt just a little more than I could stand. Sitting there in the rain… I don’t know… maybe I was paralyzed or maybe I was punishing myself. Maybe I enjoyed my squalor and tragedy on some sick, stupid, self-destructive level.

In any case, that was my evening. And as I sat on that stupid fucking sidewalk in the rain, I listened to music on her phone. The battery was low and I shouldn’t have done anything to speed that process up but I couldn’t help it. Those songs, my songs, were all that kept me from laying down in traffic some days. There was one that stuck out and that I’ll forever associate with that night.

I told you there was a time back then when I still believed
You asked “believed in what” and I said “in anything”
Well the world’s still spinning, and we’re still grinning with cold drinks in our hands
But you’re grading on a curve while we’re sitting on a curb in a cold and callous land

And you tell me there was a time I’d laugh at this dramatic trash
That was coming out of my mouth after too much sour mash
I say the world only spins when I shut my eyes and it goes too fucking fast
But then I’m free to dream about the frequent smiles of a not-too-distant past

You will always run into creeps like me
Who love to swim and drown in negativity
But we want you to strongly disagree
Ignore all the surface signs and prove me wrong

Reminds me when I first saw the Pacific in a sunset glow
Or when we came through the Holland Tunnel for our first New York Show
But if the winners like these are fewer and further between now
The losers like us are too stubborn to ever forget how
to compare and contrast to the best of days
in competitive, unfair, and bullshit ways
instead of just putting our arms around someone we love
you gotta let it go

Please make sure to remind us
Our best days are not behind us

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“Prove Me Wrong” by The Copyrights comes from the compilation LP, “The Thing That Ate Larry Livermore.” You can buy the LP from Interpunk. And (I was under the impression that it was only released on vinyl but) it looks like you can also get it on CD from It’s Alive.


Five perfect pop (punk) singles

I went to play my “Don’t Take My Clone” single this morning and found that it had mysteriously vanished. That’s a bummer but rather than get all sad, let’s spin it into something cool.

Originally, I was going to write my list of THE FIVE GREATEST POP (PUNK) SINGLES OF ALL TIME. But that’s a little tough and I’m struggling with the parameters. For example, the song “West Side Highway” by Pinhead Gunpowder is as good as it gets but is that record one of the greatest singles of all time? A single is usually just two songs and that 7-inch has three (one of which is even on Side-A!) Furthermore, those other two songs… not that great. Now, if there had just been one other song and it was on Side-B, well, that’d be another story. (If the “single” on “the single” is good enough, Side-B can be fucking empty for all I care). But [whatever]. Got an idea of the parameters we’re working with? Cool, let’s go.

HUNCHBACK – Werse Houses b/w Beautiful
The best song in Hunchback’s catalog is the fucking creepy-crawliest, haunted, spooky song I’ve ever heard. From the opening bass riff and screeching keys to the way Mike stumbles and stutters through every word, this song is the musical manifestation of mental illness. In the midst of his refrain (“just let me taste it“) he breaks to ask “Will you please play my mommy? I’ll play your little boy. I’ll be your little man if you could just play my mommy… [voice trails off].” The whispers, the screams – it’s all so fucking perfect. As for the spelling of the title – I don’t know what they had in mind – but stupidity is scary. You can’t reason with stupidity. Fuck The Monster Mash – this is the Halloween song so far as I’m concerned.

On Side-B, we’ve got Beautiful, which I’ve been told is Christina Aguleira’s anthem for gay teens or fat teens or [some group of] teens. Personally, a song with so simple an affirmation (“I am beautiful“) wouldn’t have made a shit bit of difference in making me feel any better about myself as a kid, but if someone else was comforted by it: cool. In any case, this “reimagining” is pretty disturbed and isn’t at all “beautiful. If anything, it’s ugly (in the best way possible). A little kid’s voice – cute in some other context but buried just a little bit in the mix behind a piano and some humming – is anything but cute. It’s got the same dark/scary vibe as Werse Houses but isn’t quite as strong – which makes it the perfect b-side.

werse houses

Riverboat Gamblers – Keep Me From Drinking b/w No Fair
Being on a “bigger” label is weird – on the one hand – when To the Confusion of Our Enemies came out, Riverboat Gamblers got a bunch of attention from Spin and Rolling Stone and other shitty mainstream press. On the other, fucking nobody even knows that this non-album single even exists. Volcom has no connection with any of the labels and distros that carry stuff like this, so probably the only place to grab a copy (other than at RbG’s shows) was at stores like Hot Topic or Best Buy. [Does Best Buy carry vinyl?]

These songs were recorded in the same sessions as To the Confusion of Our Enemies but were left off the record, which is kind of funny since the re-recorded version of Keep Me From Drinking is one of the strongest songs on the band’s next record, Underneath the Owl. (Even if that version does sound like the band recorded in a nursing home with seniors screaming at them,  “No, no, no! Play it right! Too noisy!”) Anyway, this version sounds rough and raw and awesome. A great song about the way we live and crossing that bridge when we come to it; tomorrow’s consequences aren’t ’til tomorrow – and tomorrow’s like… almost a whole day from now!

No Fair could have also been a standout track on Underneath the Owl. It’s not quite as special as Keep Me, but it’s got the right energy and attitude for dancing to in the hallway as you watch your girlfriend poop. What?

keepmefrom

Let’s make this a TO BE CONTINUED. Nobody really wants to read this many words from me all at once, do they?

(Uploaded this myself and dumped a bunch of random images of my art into iMovie; figured it’d be more entertaining than four minutes of the album cover).

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  • Astonishingly, Sacred Bones Records still has copies of Werse Houses. YOU SHOULD BUY ONE OF THEM.
  • Some dorks are selling copies of Keep Me From Drinking through Discogs.

Little pop punk things that warm my little heart

I remember in 2008, somebody asked me, “Are you really still gonna care about bands like Drunken Boat and Ringers five years from now?” I stated confidently that I would. And I do! In his review of the Frozen Teens LP, Todd Taylor compares the band to The Replacements, Bent Outta Shape, and Drunken Boat. Obviously, The Replacements get their due every day and Bent Outta Shape still get nods pretty often too. But it’s nice to see that someone else out there picked up on the little something-specials going on in the music of Drunken Boat, remembers them, and still cares as much as I do.

I don’t know Bianca, but in her review of the Peeple Watchin’ cassette, she writes, “If I were in a pit of despair, this would be the soundtrack to my triumphant escape from it.” And that is exactly how I felt about Peeple Watchin’s “I’m Still Here, Asshole” in the darkest moments of this last July.

Marty Ploy’s top five list concludes with “Having Rational Anthem in southern California for a week.” I love those kids too, Marty!

Another reviewer I don’t know (Rick Ecker) writes of The Turkletons (in his review of their split with Lipstick Homicide) that they’re “every bit the equal on this split single.” Like my first little note, I think Lipstick Homicide are a band that have been getting the recognition they deserve but it makes me happy to see that The Turkletons are too. If Lipstick Homicide’s “Not That Easy” is my favorite song on the record, then The Turkletons’ “Geography” is only the slightest scratch behind it. And the lead in that song is definitely the highlight of the record.

A few weeks back, Jesse (Slow Death) wrote something online about all of the records he had in the works and Chris (Turkletons) said something like, “You’re boring everyone.” His response: “What if I told you they were all based around puns and clever wordplay?” Chris: “Sold!” I think I laughed out loud reading that.

Ten thousand years ago, I was supposed to release The Humanoids’ debut full-length on Traffic Street. Those plans took a backseat to my heroin problem but the LP has finally seen the light of day thanks to Darren’s new(ish) label, Throwing Things Records. He gave me a copy when Rational played with The Haddonfields in St. Louis last month, it just happens to be spinning on my turntable as I type all of this, and – like everything else that I just mentioned – it’s one more little thing that makes me happy, one more little thing that puts a smile on my face.

 

Did you know that there are people in the world who care about shit other than pop punk?

It’s sad, really.
Listen to The Turkletons.
Contact Derron at Throwing Things and tell him to add The Humanoids LP to his webstore already!
Buy the issue of Razorcake that sparked this blog entry.


Rational Anthem interview for Razorcake

When I was eighteen years old, I played in a band with Chris Hembrough. I smashed the windows of his house one night in a drug and alcohol-fueled rage. By 2008 (about four years later) we were friends again, but the kind of friends who rarely – if ever – hung out. He called me and asked if I’d come see his band play. They asked me if I could help them out with a few things and one thing led to the next. I convinced them to change their name (originally Portman). I helped them put together a demo. I booked an East Coast/Midwest summer tour. I started Traffic Street Records to make their next release appear more legitimate.

We drew some boundaries after a bit of tumult. I continued to put out their records, but I didn’t want to have to do any other chores for them and they didn’t want to put up with my mental illness. Part of me thought that without my incredibly skilled hand on the wheel, the band would crumble to shit. Part of me was wrong. Rational Anthem has grown to become one of my absolute favorite bands. And thanks to some serious, long-term inpatient treatment, I’m no longer a mixed blessing or a liability for them. I’m just a friend and a fan.

We sat down for two hours the night before they left town for their sixth annual U.S. tour to talk about their (often our) misadventures along with the kind of personal stuff that wouldn’t normally come up if we were just hanging out as buddies.

That’s the introduction I wrote for my interview with Rational Anthem in the new issue of Razorcake. If you’re not a subscriber, you can get a copy right here. The interview’s really lengthy and came out really well. Thanks a ton to Todd Taylor for being an excellent editor, to Bambi Guthrie and Marc Gärtner for their photographs, and to Keith Rosson for doing a killer layout.

from Razorcake's 76th issue
from Razorcake’s 76th issue

Eye

The Google search that brings the most traffic to my Storenvy site is “rough sex images.” Something tells me these people might not be finding what they’re looking for…

I got an awesome package in the mail from Justin at Underground Conmunique today. And just in time to utilize my new li’l record listening station that I set up yesterday.

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Adorable. (Right???)

Every song by The Heat Tape sounds like another song by The Heat Tape. It’s a good thing that they’re all really, really good.

VBS thanked me on their record insert (which warms the cockles of my little heart). Wanna hear a funny story? When I first agreed to do the Vacation Bible School split with The Brokedowns (which as we know, wound up on It’s Alive after Traffic Street crumbled) I requested that VBS record extra songs so that I could pick and choose since I thought their track record was a little spotty. Before that happened, I wound up releasing their split with The God Damn Doo Wop Band, which featured “The Swarming” (a song better than anything most bands ever record) and since then, they’ve yet to record a single song that I wouldn’t be proud to release. If anyone’s ever (inadvertently) “shown me,” it’s definitely those guys. I might only just now be getting a physical copy of their album (“Ruined the Scene”) but I’ve been listening to it since it came out (two plus years ago) more consistently than (maybe) any other record to come out in that time. If you haven’t heard it / don’t own it, do yourself a favor and correct that.

And so long as I’m rambling – speaking of awesome packages from Justin… he was the first person to send me a care package when I was in treatment at Tranquil Shores. We’ve only met (briefly) a couple of times, in the midst of whirlwind fests, so for him to go out of his way like that for me / show me that he cared… it really meant a lot to me.

It’s really easy to bum out about how awful this planet can be, but it’s not all that much harder to take a step back and really recognize just how outstanding it can be. People can be rotten sometimes, but – far more often – (in my daily life anyway) I see, again and again, evidence of just how wonderful a lot of us are.

Originally this update was just gonna be a couple sentences but since it’s gone this far…

"Eye." 1/17/13. Charcoal. 9x12".
“Eye.” 1/17/13. Charcoal. 9×12″.

I think this piece fits in well with what I’ve been writing about. My friend, Mary Beth, was about to leave treatment and go back to Atlanta so she was granted a day pass to go out with her nephew. When she came back, she had a bag of art supplies that she had bought for me. Stuff that I had never used before. This is one of my nine “learning-to-draw-with-charcoal” sketches that I did shortly thereafter.

And it’s funny that the only person that currently owns a print of this piece is my friend, Doug, who I met at Awesome Fest 4 when he invited me to stay in the room he had reserved at [whatever that hotel in San Diego that used to be cool is called]. Not only did he let me stay for free, but when I found out that Dead Mechanical had nowhere to sleep, I sheepishly asked if … could they maybe… possibly… also sleep in the room? “Of course!” he said without a second thought. AF4 was the most fun I’ve ever had at any fest and Doug was definitely one of the people that made it what it was.

So… here’s to people like Doug, Mary Beth, Justin, and those lovable tykes in Vacation Bible School. I wouldn’t wanna live in a world without ’em.

Here’s a video of Vacation Bible School playing at Awesome Fest 4. (Perfect!)

I’m gonna take a little time now to do something nice for someone. (If you’re not at work right now, you should try it too!)


I’m Also Available to Babysit

Just a few days after moving out of Tranquil Shores, I went to Artpool’s “Crafty Fest” to try and sell some of my paintings. I didn’t put my most “offensive” stuff out, but – early in – a kid came up to my table to look at everything with parents trailing behind. When mom and dad got closer I watched their faces change as the content of my stuff registered in their brains and they quickly hurried their kid along to the next table or booth. And then I watched this same exact sequence play out over and over throughout the day. So – right there at my table – I painted something new and laid it right out front.

"I'm Also Available to Babysit." 2/24/13. Acrylic on (what was) the front cover of a hardcover book. 9x12"
“I’m Also Available to Babysit.” 2/24/13. Acrylic on (what was) the front cover of a hardcover book. 9×12″.

A month or so after I made this, I got an email from Mike Duda asking if I still had it and how much I’d want for it. I think that was the first time someone had hit me up like that, so it was pretty great. That Mike is also responsible for writing and recording some of my favorite art (in his band, Like Bats) just made it that much cooler.

Here’s “The Last Catholic in America,” the last song on Like Bats’ debut full-length, Midwest Nothing.