Something to Cry About

"Something to Cry About." 6/20/14. Acrylic paint. 4x3'.
“Something to Cry About.” 6/20/14. Acrylic paint. 4×3′.

I just had my four newest large canvas paintings photographed, which means I can finally start adding them to the website. This one was started on June 2nd in Atlanta and finished June 20th in Chicago. I wrote the following statement for it a little over a week ago, on August 11th.


 

In May, I picked up Chris Spillane. I was grateful to have him and grateful to feel like I was doing something good for another human being (especially one that’s been such a good friend for so long) but having him with me in the first two months wasn’t always easy – being virtually chained to another person 24 hours a day. Especially since – a lot of that time – I felt responsible for him, like a babysitter or a one-man treatment facility. Chasing girls was suddenly totally impractical if not altogether impossible. I couldn’t leave Chris alone so that I could go on a date or hook up with some girl. Sure – he’s an adult and I’m not ultimately responsible for him (or anyone but myself) but I had taken on a responsibility of sorts and didn’t want to fuck it up, especially for something (that felt) as petty as sex.

If I had the kind of self-esteem (which legend holds is) possessed by normal, well-adjusted people, this might not have been a problem. Unfortunately, I need a steady stream of praise, sales, and sex in order to feel okay about myself. I wasn’t fully cognizant of it at the time but I’ve come to terms with it now. I had gone without virtually any episodes or incidents in May but in June, while painting “Something to Cry About,” I was perpetually sinking into dark depressions over the smallest little things. I tried to explain my bad moods to myself – rationalize and justify them – in all sorts of ways but, looking back, it’s not hard to nail down. First, I wasn’t having any luck getting a show booked in Atlanta (mostly because I had adopted a new, staid, respectful (and totally unimpressive and unmemorable) strategy for selling myself to galleries). That would have been okay if I hadn’t also just gone from a hedonistic period of total promiscuity to sudden and absolute abstinence. If I’m not having sex, how am I supposed to have any self-worth?!?

[I have issues].

Hindsight is 20/20 though and, while this was still going on, I tried to figure it out through journaling. A lot of that’s still visible on the canvas but I’m pretty bored by most of it.  Only the last part is really at all interesting to me. Regarding my bad mood and the silent temper tantrum I was throwing: “I just let myself soak in it ‘cause – hey – if I didn’t lose my shit every so often, wouldn’t that call into question the authenticity of my stupid fucking gimmick as an artist? ‘I’m emotionally unstable! Count on it!’

Borderline personality disorder is one of those conditions where the diagnosis is sometimes withheld from the patient himself because knowing the diagnosis can actually be harmful. I think that’s because in can exacerbate “borderline behaviors” insofar as the patient decides he “can’t help it” and acting that way is therefore excusable. I don’t think that I do that but I’ve definitely attempted to excuse myself (especially in relationships) by telling the girl that my emotional instability was “always part of the deal” and that she knew what she was getting into when we first got involved.

I’d like to think that I don’t use my diagnosis as a scapegoat; I always try to do my best in interacting with other people and I always apologize when I fuck up but I probably do allow myself to be somewhat more of an emotional basketcase sometimes than I otherwise might.


The original “Something to Cry About” painting has already been purchased. 16×12-inch prints are now on sale in the webstore.


North Carolina

Just got to Asheville from Atlanta. The plan for tomorrow is pretty geographically unspecific: I gotta make the insert for the new Rational Anthem LP that I’ve been putting off forever. That – plus a bunch of practical/non-art related errands – should soak up most of the day.

Atlanta: Chris and I set up at Summerfest in Virginia Highland over the weekend and made some money selling prints. Leading up to that, I went around to a bunch of galleries but didn’t really pitch myself to any of them – having decided that the better approach might be to just send portfolios to each one, rather than stopping by unannounced and hoping for the best.

I’m not sure if that decision is more the result of insecurity or of wanting to be considerate / play by the rules. Even if it’s the latter, I’m not necessarily sure it’s a good move. Either way, the consequence is that it’s no longer incredibly necessary for me to be living on the road and traveling to all these different cities. Still, I don’t think it’s a bad thing either. If I were stationary in one city, I might be more productive in terms of actual painting but it’s just as likely that I’d get caught up in and distracted by a relationship (or friendships or [whatever]). For now, I think that living this way still makes sense. (Plus, I enjoy it – stressful as it might be at times). But I’m not totally certain that I won’t decide to simply post up for a good while, somewhere along the way , at least until summer’s over and I can move around the east coast without feeling like I need a shower every time I step outside. I’ve sold enough these last few months that I could hide out and do nothing but work on new paintings for the rest of the year. As much as I might like that though, I know I gotta keep putting myself out there and selling myself in some sense. I’ve got too much ambition to do otherwise. And I’m energized by all the feedback (monetary and otherwise) that I get when I do. I can’t exist in isolation.

My thinking right now is Asheville for about two weeks, finishing my current painting (which you can see pictures of on my Instagram and Facebook pages), waiting for the mailman to bring my digital portfolio CDs so I can mail out a hundred of them to galleries around the country, (at the very least) scoping out the galleries here in Asheville, and setting up a table somewhere downtown a few days each week to meet people and share/sell my prints and statements.

Here are a couple things I made for Rational Anthem last month. The first is a poster, the second is a koozie design.

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Nothing Helps

In September 2012, I was working on my first major assignment at Tranquil Shores. About halfway through, one of the questions wasn’t really a question; it just said to draw an image of powerlessness. Fuck that. (This was around the time that I had just started to sort of sometimes enjoy art). I skipped the question for the time being and went to the next. “Powerlessness can creep into how you feel about yourself. If you were painting a portrait of yourself today, how would it look? Do you go to bed or wake up with feelings of shame or grief? What about the things you’ve  wanted to accomplish that remain undone? What feelings do you have when your actions go against what you know is right? Share the way you really feel about yourself today. Paint with words a self-portrait of your inner feelings.”

Here’s how I answered (on 9/11/12):      

If I were painting a self-portrait of my inner feelings today, it wouldn’t look quite like my inner feelings. I feel a little too okay right now and – as we all know – only art born of anger, discontent, self-loathing, misery, pain, poverty, and/or shit is worth anything. So whatever I painted would be too contrived to be any good. Unless I successfully recalled some darker moments and managed to displace my current sort-of-pleasant state of mind.

I don’t usually wake up with shame. Well… sometimes. I always did when I was using (or a lot anyway). The things I want to accomplish will be fairly simple if I stay clean. Well, making another Troublemake record will be. Maybe not becoming at peace with myself and the world. Fuck, but I do sometimes act contrary to my intentions and then I feel really stupid, foolish, and inferior. Like when half of the things I say in a day (okay, less than that) can be heard escaping my mouth. That hurts. But generally, I feel enthused and intelligent. (I hate having to say good things about myself or about how I’m feeling though). It makes me feel self-conscious. And then less of whatever I was feeling before I said it (particularly when it comes to positive attributes). I’m definitely far more concerned with how others will perceive me than I have been at any other point in my life.     I can’t feel good about myself and say it without it disappearing or at least fading.

Sometimes I feel confident, appreciated, (relatively) important, or even powerful (in some sort of sense) but the moment I acknowledge it, I feel insecure, discouraged, hurt, and lonely – which I soak in until those feelings morph into hopelessness, anger, apathy, and recklessness – which I use to ruin everything and ruin myself. Eventually, I feel outright hateful (though I direct most of it inward, at myself).

Maybe I don’t have to fake it after all… Maybe I’m really not in great emotional shape and I can paint a really awful self-portrait. I guess I could say… “I’m a bit miserable – not coming apart at the seams; things aren’t as bad as they seem but they ain’t much better…”

If I’m not always totally aware of these things, I’m at least thoughtful, but I’m also prone to confusion, self-doubt, and depression. It can be a little volatile. I’m a little volatile. My strongest “inner feeling” is instability. I don’t feel stable.

—–

I finished answering all of the written questions within two weeks, but it wasn’t until October 2nd that I finally went back and drew the image of powerlessness that I needed to call the assignment complete.

"Nothing Helps." 10/2/12. Colored pencil and oil pastel. 6x9".
“Nothing Helps.” 10/2/12. Colored pencil and oil pastel. 6×9″.

I drew this on a Tuesday afternoon. On Wednesday morning, I was pulled aside and told that I was being discharged. I was getting kicked out of my third treatment facility that year. It was raining. I had no way to get anywhere and nowhere to go anyway. Someone gave me a little bit of money to help get me wherever I might decide to go. I spent the next couple hours arguing with myself: whether or not I should use it to go to a shooting range where, for twenty-five dollars, I could get my hands on a gun, put a bullet in my head, and just be done with it.

—–

In my answer to the “self-portrait” question, I quoted a song. As I drew my image of powerlessness, I had another song on my mind. Here are both.

“Sorry Sam” by The Slow Death
I wake up in the warm sun on a folded out futon. Get some water from the bathroom sink and try to figure out what happened to me. And when I say, “I’m doing okay,” – it’s mostly overstated. I spent my nights forgetting, my afternoons regretting, all the stupid things I said and everything I should have done instead. And when I say, “I’m doing okay,” – it’s mostly overstated. I’m a bit miserable, not coming apart at the seams. Things aren’t as bad as they seem, but they ain’t much better.

“Wrong” by Off With Their Heads
Sit back and let me tell you about the sadness, about the beast that’s been gnashing its teeth trying to destroy me. It rears its head every time I’m alone. In the middle of the night, if you don’t answer your phone, it snarls at me. It hides underneath my bed and it sinks its teeth in every corner of my head. Don’t try to stop it, don’t try to control it, don’t try to defeat it, don’t try to console it – it’s unstoppable and it’s a part of me. Your best bet is not to get too close to me. Stay the fuck away, stay out of its reach or it will poison you like it’s been poisoning me. It tells me what I’m supposed to say and it controls every move that I make. You’ve got me all wrong. It’s not “the real me” screaming you away – it’s that selfish sadness ruining every day. Everything is wrong.

—–

  • “Sorry Sam” comes from The Slow Death’s 2011 album, “Born Ugly, Got Worse,” on Kiss of Death Records.
  • “Wrong” comes from Off With Their Heads’ 2008 album, “From the Bottom,” on No Idea Records. (Though it was originally released as “I Hate My Stupid Ass and I Hope I Get in a Car Accident Tonight” on the band’s 2007 split 7-inch with Dukes of Hillsborough, on ADD Records).
  • 5¾x4″ prints of “Nothing Helps” are available in my webstore.
  • If you’re interested in purchasing the original drawing, send me an email.

Beyond the Pink Cloud

"Beyond the Pink Cloud." 12/8/13. Acrylic paint, oil pastels, ink. 18x24".
“Beyond the Pink Cloud.” 12/8/13. Acrylic paint, oil pastels, resin sand, ink. 18×24″.

From my journal yesterday, immediately after finishing this painting:

I’ve got some cute little one-liners. I’ve got some snappy phrases that sound cool but don’t really mean anything. I don’t want to bullshit and I don’t wanna tag this with something that doesn’t represent it.

It took FOREVER to paint. So many layers, so much starting from scratch.

The truth is I’m sick, on the couch, and nothing is in my head. The truth is I’m not always SUPER BRILLIANT. And I don’t wanna not create just ’cause [whatever]. But I don’t really know what’s driving me right now. Maybe it’s just ’cause it’s what I feel like I’m supposed to do at this point. Which is lame but maybe that’s okay. I don’t know. Do I take a break or do I just keep going? Having a cold sucks. Feeling crummy physically is fucking with my ability to DO, which is fucking with my emotional well-being. Tomorrow I’m gonna get dressed and pretend I’m fine. Maybe I am. I guess?

I HATE giving the impression that I’m not doing well, especially when I’m not not doing well. I just have a cold! But if “success” is doing well (being happy) maybe it’s also being okay with acknowledging little hang-ups and demonstrating a progression beyond the pink cloud.

Maybe I’m too caught up in impressions in the first place. Living under a spotlight (even a little one) has its drawbacks. I hate feeling like (or realizing) that it’s influencing me in what I do or how I do it but – honestly – I wouldn’t be pushing myself like this if I didn’t feel like there was some expectation that I “produce.” Is that good or bad? I wanna call it ambition but it makes me feel small (I’m not a famous/important artist); it makes me feel like a joke. But I’m not. I’m okay. I just need to chill out.

It’s a fine line between humility and insecurity – between arrogance and self-esteem. I get carried away in both directions. I don’t need to “tenth step” my every thought / impulse. Hey, Sam: relax – everything’s cool. I know.

—–

I saw this article today about creativity.  There were two statements I really identified with.

  1. “The study shows that if you have the sneaking suspicion you might not belong, the act of being rejected confirms your interpretation. The effect can liberate creative people from the need to fit in and allow them to pursue their interests.”
  2. “To live creatively is a choice. You must make a commitment to your own mind and the possibility that you will not be accepted. You have to let go of satisfying people, often even yourself.

That last part seemed especially relevant right now, given this new painting and last night’s journal entry. As I wrote about it, on the canvas [near top-center], “I can’t get to a place where I feel okay with what I’ve done.”

It made me think about what it means to be “beyond the pink cloud.” I think it means accepting that life isn’t always going to be 100% awesome all the time. I used to think that the most a person could hope for was “to be happy 50% of the time.” I don’t think that’s true anymore, but I still think it gets to something that might be true. I think a good aspiration might be “to be 50% happy all of the time” – by which I mean: even when things aren’t going so great, to be able to pause and recognize that I’m at least 50% okay… that some thing might be wrong – but not every thing is wrong; most things are okay.

—–

http://youtu.be/iz3uIc_55oc?t=23s

“Fragile is the hell we make for ourselves when we acknowledge that the spotlight’s on.” – from Fuck You, Ms. Rochelle by Dillinger Four

—–

  • Last time I was sick, I made this.
  • The range of textures (and the shadows they project) make this a difficult piece to photograph. I’ll be getting a better photo when I go to the print shop so I’ll replace it then.
  • Signed 12×16″ prints of “Beyond the Pink Cloud” are available in my webstore. Hit me up if you’re interested in purchasing the original 18×24″ painting.

Insecure and Overwhelmed

I’ve had (and still have) friends whose girlfriends are overweight. In years past, I remember meeting some of these girls and thinking things like, “Yeah, she seems nice enough, but I’m pretty sure [insert friend’s name here] can do better.”

It wasn’t until I started dating Heather that I ever had the thought, “Even if this girl were to gain weight, I’ll bet that I’d still be just as in love with her.” So it wasn’t until then that I actually had an understanding of how/why [whatever friend] was dating someone who didn’t have the “right” body type.

This morning, before she left for work, Heather was bumming out about her weight. Heather, however, is not overweight. She’s probably the most beautiful girl on the fucking planet. (Although – as I’ve just admitted – I may be somewhat biased when it comes to something like this). Still, I can relate. I feel for her.

It was January or February of 2012 and I was an inpatient at the Wellness Resource Center. Someone had accidentally smashed out the window next to my bed. Lying there, I thought about how anyone that were to walk past could see me. I remember contemplating going into the kitchen to get a knife. To slit my wrists or cut my throat or do whatever it might take to end my life. The reason: because I’d never be thin enough. I was thinking about killing myself because I was too fat.

At the time, (I’m pretty sure) I was about 150 pounds. Maybe 152 or 153. I don’t have a picture from that time, but to give you an idea of what we’re talking about, here’s a photo taken just now (at 147 pounds, which is close enough).

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I’m way too familiar with the feeling of not liking myself – and when I add to that feelings of not even liking my body (my shell) – well, life starts to seem pretty unbearable. Everything starts to seem unbearable. And hopeless. And useless.

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“Insecure and Overwhelmed.” March 26th, 2013. Acrylics, watercolor, marker, fabric dye, and knife. On a repurposed (framed) chalkboard. 16½x22”.

This painting was done one night when – though things were going well for me overall – I just couldn’t shake the negative thoughts in the moment. I didn’t really journal that night, but I did write one thing down. “I feel fat and I don’t wanna be me right now. No one will ever want to buy this.*** My art is good for my mental and emotional health, but rarely anything that anyone would enjoy.” Which is to say that I let my discomfort about my body/size slime through to my feelings about my art and the new path I was trying to embark on. I was letting my body image issues infect and destroy everything. They’re that powerful.

I’m pretty great at spilling my guts and clearly I just fucking love to talk about myself… But the one thing that I don’t like to talk about is anything related to my body. You see: if I think I’m fat, but I acknowledge that I have body dysmorphic disorder (because mental health professionals have told me that I do), then that’s an acknowledgement that I’m not really fat. And then I’m a fat idiot in denial about how fat I am.

I’m doing much better with this stuff these days than I ever have in the past. And talking (or writing) about it as I am now, (I think) is an important part of that.


***Despite this painting having the words “no one will ever want to buy this” on it, it did – in fact – sell pretty quickly. There’s also a series of 9×12″ prints but (like much of my super-early work) it’s not listed in the webstore. If you really want one though, just buy any other print and then put a note on your order letting me know that you actually want “Insecure and Overwhelmed” instead.

When I typed that last paragraph/footnote, I initially described this as my “super early, not-very-good work” (instead of just “super early”). I changed that ’cause I do still like it (and most of my other) really early work. I don’t think it’s bad. But it’s certainly not as good as the stuff I’d be making even just six months later. So while I’m not embarrassed of pieces like “Insecure and Overwhelmed,” they’ll probably never be in the webstore only ’cause I don’t want those pieces to be the first thing seen by someone who’s discovering my art for the first time.