Opening reception for Rooted and Radical: The Art of Queer and Trans Resilience

The Fabulous Arts Foundation Presents: Rooted & Radical: The Art of Queer & Trans Resilience, an exhibition celebrating strength, heritage, and the transformative power of creative expression.

“Rooted & Radical” explores the deep connections queer and trans individuals have to their communities, cultural legacies, and personal journeys. Artworks should reflect themes of resilience, self-discovery, resistance, healing, and radical self-expression.

Join Us in Showcasing the Power of Queer & Trans Art

This exhibition is more than a showcase—it’s a statement of resilience, a reclamation of space, and a celebration of creative defiance.


If you’re wondering, “WHY IS SAM IN A SHOW FOR QUEER AND TRANS ARTISTS? Is Sam queer or trans?” Well, I’m definitely not trans and have never identified as queer. All my relationships have been heterosexual (Of Pride events I’ve done, I’ve joked that I’m “putting the plus in LGBT+”). That said, I really fucking dislike the word “man.” Traditional masculinity isn’t anything I identify with. (I delight at being called a “FAGGOT”). I’m not especially fond of the word “woman” either though and certainly identify with that even less. I don’t think it makes sense to call me gender fluid either. I’ve used he/him pronouns since I was born and have no problem with ’em. Ultimately, gender doesn’t mean anything to me. It’s just not a useful concept in my life or for my identity. I realize that it is helpful or empowering for some other people; just not for me.

And all of that ties into the central point of the piece that I’ve got in this exhibition. So go check it out.

(Regarding all of the above, if anyone thinks those beliefs and attitudes do indeed put me in the category of “queer artists,” that’s fine with me. It’s just not a label I would personally claim because it doesn’t resonate with me, and so claiming it would make me feel like an impostor trying to capitalize on someone else’s movement. But I will HAPPILY EXHIBIT with anyone (that’s doing anything positive) that’ll have me).


Tickets for the opening reception are free but (I believe) limited. You can get them here.

The exhibition runs for two months. This listing is just for the opening reception. Details for the rest of its run are here.


Rooted and Radical: The Art of Queer and Trans Resilience

The Fabulous Arts Foundation Presents: Rooted & Radical: The Art of Queer & Trans Resilience, an exhibition celebrating strength, heritage, and the transformative power of creative expression.

“Rooted & Radical” explores the deep connections queer and trans individuals have to their communities, cultural legacies, and personal journeys. Artworks should reflect themes of resilience, self-discovery, resistance, healing, and radical self-expression.

Join Us in Showcasing the Power of Queer & Trans Art

This exhibition is more than a showcase—it’s a statement of resilience, a reclamation of space, and a celebration of creative defiance.


If you’re wondering, “WHY IS SAM IN A SHOW FOR QUEER AND TRANS ARTISTS? Is Sam queer or trans?” Well, I’m definitely not trans, have never identified as queer, and all my relationships have been heterosexual (Of Pride events I’ve done, I’ve joked that I’m “putting the plus in LGBT+”). That said, I really fucking dislike the word “man” and traditional masculinity isn’t anything I identify with. (I delight at being called a “FAGGOT”). I’m not especially fond of the word “woman” either though and certainly don’t identify with that at all. Seeing as I’ve used he/him pronouns since I was born, have no problem with that, and I think can pretty safely be described as “presenting male,” I don’t think it makes any sense to call me gender fluid (or anything like that) either. Ultimately, gender doesn’t mean anything to me. It’s just not a useful concept in my life or for my identity. I realize that it is helpful or empowering for some other people; just not for me.

And all of that ties into the central point of the largest painting I’ve got in this exhibition. So go check it out.

(Regarding all of the above, if anyone thinks those beliefs and attitudes do indeed put me in the category of “queer artists,” that’s fine with me. It’s just not a label I would personally claim because it doesn’t resonate with me, and so claiming it would make me feel like an impostor trying to capitalize on someone else’s movement. But I will HAPPILY EXHIBIT with anyone (that’s doing anything positive) that’ll have me).

 

The Fabulous Arts Foundation Center (will soon but) does not (at this moment) have regular business hours. Please contact or email them before showing up if you’re not comfortable just showing up and taking your chances on whether or not they’ll be open.


Be Fabulous Music & Arts Pride Fest


Opening reception for “Art from the Heart: Connectivity”

The Ringling presents: “Art from the Heart: Connectivity” – a celebration of the extraordinary creativity, remarkable talent, and resilience of neurodivergent artists as they navigate their unique challenges through self-expression. This exhibition highlights the transformative power of art as a medium for storytelling, healing, and connection. Each piece is a testament to the artist’s voice and vision, inviting viewers to engage with diverse perspectives.

In partnership with Streets of Paradise, an organization dedicated to combating homelessness with dignity and grace, this exhibit emphasizes our collective commitment to inclusivity and empowerment. By fostering connections through creativity, we celebrate not only individual artistry but also the bonds that unite us. In a world where connection can often be overlooked, this exhibition serves as a reminder of the strength found in shared experiences and the beauty that emerges when we embrace each other’s journeys. Together, we can create a tapestry of understanding and compassion through art.

The museum’s located at 5401 Bayshore Rd but the grounds are pretty huge so let me give you some more SPECIFIC directions. Both the exhibit and the opening reception are in the Ting Tsung and Wei Fong Chao Center for Asian Art (which is the big building with the emerald green facade). The exhibit is in the gallery on the ground floor. The reception is in the Chao Lecture Hall, which is up on the third floor. The reception will be CATERED and runs from 5:30 to 7:30pm. After that, the exhibit will run every day from 10am to 5pm.

Here’s a MAP that I made JUST FOR YOU:


Art from the Heart: Connectivity

The Ringling presents: “Art from the Heart: Connectivity” – a celebration of the extraordinary creativity, remarkable talent, and resilience of neurodivergent artists as they navigate their unique challenges through self-expression. This exhibition highlights the transformative power of art as a medium for storytelling, healing, and connection. Each piece is a testament to the artist’s voice and vision, inviting viewers to engage with diverse perspectives.

In partnership with Streets of Paradise, an organization dedicated to combating homelessness with dignity and grace, this exhibit emphasizes our collective commitment to inclusivity and empowerment. By fostering connections through creativity, we celebrate not only individual artistry but also the bonds that unite us. In a world where connection can often be overlooked, this exhibition serves as a reminder of the strength found in shared experiences and the beauty that emerges when we embrace each other’s journeys. Together, we can create a tapestry of understanding and compassion through art.

The museum’s located at 5401 Bayshore Rd but the grounds are pretty huge so I made this map JUST FOR YOU to help you find your way.

I’ll update this if I find out otherwise, but here’s my current understanding. Admission to the museum is a little PRICEY but admission to the gardens is only $5. And that’s all you need to see this exhibit as the gallery hosting this exhibit is open to anyone/everyone on the grounds. Or you can just go on a Monday when it’s free. (Every Monday, the entirety of the museum is free to the public). It’s also free (always) to anyone with a SNAP, WIC, or other EBT card.
Museum hours are 10am to 5pm Friday through Wednesday. On Thursday, they stay open until 8pm.

Hurricane Milton < Hurricane Juliana

After packing my entire life into my car, stashing it on the fifth floor of a parking garage, and preparing to go to my grandparents’ ALF to wait out the hurricane (‘cause the building is “hurricane-proof” and has generators), my ex got around my many blocks (phone, email, social media) and begged me to give her ONE MORE CHANCE. And I brilliantly allowed her to come with me. It was fine (even GREAT) for that first night and then – the day of the hurricane – it became clear that nothing had changed and I was trapped in there with her.

It was torturous. To love someone so much, know it won’t work out, and then be stuck someplace together. And she just doesn’t get it. She still thought we were going to sleep together that second night, cuddled up, spooning on the couch. (There was no bed in the room we stayed in). I don’t know if she’s a sociopath or just has the emotional intelligence of a five year-old but I also know it DOESN’T REFLECT ESPECIALLY WELL ON ME that I was ever in love with this person or thought I wanted a life with her. I know I say this all the time but “we are attracted (and attractive) to people with similar levels of emotional health/maturity.” I would like to believe that my reluctance/refusal to engage with this anymore means that I’m getting better.

Anyway, it turned out that even though the hurricane made its initial landfall RIGHT HERE IN SARASOTA (less than a mile from my place), everything was alright. And nothing happened to my car. So I spent all day putting my life/home back together (just finished this minute) and I can LICK MY EMOTIONAL WOUNDS from the comfort of my home.

Things could have been worse. I need to remember to be grateful for what I’ve got. Friends (that helped me unload my car and then FED ME PIZZA), a home that I like, people all over that care about me, I’m clean, back to making art, and I don’t need to rebuild my life from scratch simply because of a natural disaster/GOD HATES ME. (Or maybe he doesn’t, seeing as how it worked out). But he PROBABLY does.


This was originally written simply as the caption for a TIKTOK VIDEO (I wonder if those words will ever not sound ridiculous to me?) because I’m currently operating under the belief that TikTok is my best shot at marketing myself/rebuilding my career, especially as long as I’m still just living in Sarasota. Here are the photos from the post for anyone that doesn’t wanna use that app.


What Makes Life Feel Worth Living

“What Makes Life Feel Worth Living.” 6/16/24. Acrylic paint. 24×24″.

This painting was essentially the product of my second month clean and single. To be fully honest, I was still pretty hung up on codependency issues and  the fact that, for once, I didn’t have a girlfriend. I found myself experiencing kind a low-grade depression a lot of days, not really wanting to get out of bed. In my head, I kept thinking that finding a new girlfriend was the answer to all my problems but I knew that, really, that would just be a way to distract myself from my problems. In any case, I was too embarrassed to make a painting about that immediately following one about my ex. I pushed myself to really try to get at something deeper in my journal writing. It took a couple weeks and quite a few attempts before I felt like I got at anything remotely meaningful. That’s what’s written across this canvas (in the upper left and just to the left of the very bottom center).

I struggle a lot with meaning and purpose. “Does anything matter?” “What’s the point of doing anything?” “The world’s a mess,” “I’m a mess,” “is anybody really happy?” I don’t know the answers to those questions but – as long as I’m gonna not-kill-myself and keep living – I’ve gotta try. It’s really hard sometimes. I’m not alone but I feel like I am a lot of the time. One person can really make a difference in that. Whether it’s A GIRL PAYING ATTENTION TO ME or someone deciding to GIVE ME MONEY (for my artwork).

When I tell people about my first month clean and making art again, it’s a success story, mostly on account of the commissions I got from Rick, a stranger walking down the sidewalk. But because I was painting outside and because he stopped to talk to me and took an interest, it’s given me concrete reasons to keep painting and writing. Pretty random, very easily could have NOT happened.

It’s genuinely INCREDIBLE when someone tells me how much my art means to them (and I don’t wanna discount that) but when they PUT THEIR MONEY WHERE THEIR MOUTH IS, it’s crazy validating in a way that’s rivaled only by A HOT GIRL WANTING TO FUCK (or date) ME. (Which is totally unrelated and indicates just how broken I am but that’s an issue for other days). It says that what I’m doing has actual value worthy of supporting human life – MY life. That hard validation can bolster my spirit against any/all of the negative feelings I have that could otherwise overtake me.

Even when everything else is wrong, one well-timed “yes” can make all the difference. A thousand rejections are nothing against a few key “yeses.”

These things are small and inconsequential in a world that’s so random and meaningless but when nothing matters, we choose what matters and I choose what makes my life feel worth living.

Taking a chance is worthwhile. Saying “yes” to someone is meaningful. Helping another person, offering encouragement, supporting an artist (ESPECIALLY WHEN IT’S ME). These are things that count. We never know what small act might be HUGELY CONSEQUENTIAL for someone else.

I still don’t know if I’m going to be able to revive my art career and make a living like I was, but it’s working out so far thanks to just a few people and a few key moments and decisions. It reminds me of the last lyric from one of my favorite songs: “just one good thing, that’s all – sometimes that’s all it takes.”

I lined up a handful of commissions right out of the gate upon getting clean: paintings that I had no idea what they’d be but that were pre-paid-for before I even started them. Knowing that a painting is already sold while I’m working on it is really motivating. It gives me a push to get to work. That’s over (at least as of this moment; no one has pre-purchased my next painting). That makes me a little nervous but it’s also how most artists operate – not to mention the only way I’ll ever be able to amass enough paintings to ever have another exhibit. I’m on my own for the first time in a while and need to start hustling again – whether that’s going out on the street to paint in public while slinging prints or putting more effort and thought into my social media. Probably both. It used to come so easily to me but now it seems almost impossible – though much less so than it did even a month ago. One of the main reasons I stayed on drugs so long was because it was an excuse not to do anything else. I’m so afraid of trying and failing. But I’ve got to try. I’ve gotta put myself out there. And hopefully I’ll get the “yeses” I need to keep going.

I’m in danger of rambling now. I wanna say something about how those “yeses” are less-than-ideal external validation in the same way that female attention is, but that’s a subject for another time. The spirit of this painting was about the positive feelings that come making something meaningful that resonates with another person and the positive consequences of that other person’s response. Not everything needs to be overanalyzed. Nothing is perfect but sometimes little things spark joy and pride and feel an awful lot like fulfillment – even if only for a moment. And sometimes that’s enough.

The song quoted in my painting (on the little blue guy’s black t-shirt): “Precious on the Edge” by Drunken Boat

This painting has already been sold but limited edition 12×12″ signed, hand-numbered prints are available for purchase WHILE SUPPLIES LAST.