Tag Archives: Sarasota

Status: January 14, 2014

Rational Anthem just finished recording at Black Bear in Gainesville and it sounds great. As much as I wanna talk about different songs, I’ll wait ’til everyone else can actually listen to it. I’m really excited about it though AND I found out the other day that I’m doing the artwork for it, which (of course) makes it even more exciting.

We’re headed for Tampa right now but before I get back to Jacksonville, I’m planning to hit St Pete, Sarasota/Bradenton, and Delray/Boca. Gonna visit a bunch of friends and try to hit a few galleries and other spaces about getting some shows set up for a little later in the year. To that end, I brought a ton of my prints with me, so if you wanna take a look and pick some up or just hang out, hit me up! My (tentative) schedule looks something like…
Wed-Thu: St Pete
Fri-Mon: Sarasota
Tue-Fri: Delray

20140114-170649.jpg
Here’s a picture of me because posts with pictures of me always get a lot of attention. (PROBABLY BECAUSE I’M SO HANDSOME, RIGHT??)

Status Update: 1/7/13

Part of it might be that there’s enough content on here that I don’t feel quite as strong a need to ensure that I’m putting up something new every single day; part of it might be that there’s been nothing this last week that I’ve been dying to share; but the unusually low level of activity on the site this last week definitely doesn’t have anything to do with a creative rut, a lack of output or anything like that.

Here’s what I’ve been up to:

I mentioned a couple weeks ago that I got my hands on a canvas that’s more than twice the size of any other I’ve ever gotten to work with. So far I’ve put 22 hours into it and I’m really happy with how it’s coming along. I’d like to say that it’s mostly done but I still have so much little detail left that [you never know] things could take a dramatically different sort of direction and it might not end up anything like the painting that it is at this moment. And actually – I take back what I said – I’m DEFINITELY dying to share this painting (just not until it’s ready!)

I’ve also been spending a fair amount of time trying to get my artwork into some new galleries, businesses, and other spaces. It’s gone well so far and I’m hoping to pick up even more new locations soon. I’ll share more specific details about that stuff later in the week.

On a different sort of note, I took the first part of my motorcycle training course today and will finish tomorrow. As soon as I can get down to Sarasota (this or next weekend probably) I’ll swap out my little 50cc thrashBike for a 150cc. Which might not seem like anything that has tremendous artistic implications but is really exciting because it’s going to enable me to travel outside of Jacksonville (on my own) and get shows set up in other cities.

On top of all that, there are a couple other developments I’m really excited about but can’t quite talk about yet. Long story short though, things are going really well and only seem to be getting better. I’m thinking I’ll make time to resume with regular art/blog updates tomorrow. In the meantime…

Cotton Candy Skies [photo]I wouldn’t have even noticed the sky the other night (had Heather not commented on it). Within one second of looking up though, I was reaching in my pocket for my phone. I’m (obviously) not a photographer and I don’t usually take pictures of anything like this but it was just too perfect. Not because it’s beautiful (though it is) but because it reminded me of something else  that’s beautiful.

Last month, Rumspringer made a video for their song, “Love Poem to Irrigation.” It’s off their sophomore full-length, Stay Afloat, which came out last year on LP through Dirt Cult Records. (It’s also available on CD or as a digital download).

Though it wasn’t the first record I had lined up for Traffic Street, Rumspringer’s debut EP was the first release in my catalog to see the light of day. It makes me really happy that they’re not only still playing but that they continue to get better.

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This photo was taken from right outside my house so those shoes on the power line are (of course) my own. Well – not originally. Back when I still lived at Tranquil Shores, I got ’em from a friend  after my own Frankenshoes finally gave out

frankenshoe
My last valiant effort to repair my own shoes.
troy's shoes
The crappy painting I did on the shoes I got from Troy which (for the last six months or so) have lived up on the power lines.

The shoes were painted the same day as my Suicide Jacket.

"Suicide Jacket." 2/18/13. Acrylic paint on my winter coat. 15x24".
Can you tell which one I put more effort into?

 

Calvin Mather’s Refrigerator

"Calvin Mather's Refrigerator." 7/13/13. Acrylic paint on a broken mini-fridge.
“Calvin Mather’s Refrigerator.” 7/13/13. Acrylic paint on a broken mini-fridge.

Before “No Real Than You Are,” my only acting experience was being totally full of shit in real life. Word on the street is that I gave a pretty good audition, but that’s probably only because the character (Calvin Mather) is incredibly similar to a slightly younger Sam North. Calvin is an intravenous drug addict with serious abandonment issues, who built his life on dumb punk songs and doesn’t believe in anything.

Seeing as I have a pretty good understanding of such a character, Vincent [who wrote and directed the film] gave me almost free reign to do whatever I wanted so far as Calvin’s clothes and apartment were concerned. Shitty studio apartments have mini-fridges and microwaves, so I got those [thanks, Joe!] but found out shortly thereafter that the fridge didn’t work. That’s fine since… you know… Calvin’s not real, but it meant that nobody would be using it when we were done filming so… I painted it. The front (“Food is For People”) is about how I mainly consume Adderall, cigarettes, and candy. The side (“Works Less Than I Do”) is about how I pay my bills by painting pictures of funny faces and (at that point) playing pretend. Watch the trailer to the movie and you can probably spot it in one of the shots.

I didn’t paint the microwave but I did bring it back to Jacksonville with me. Sometimes I pop popcorn in it. It also totally heats up leftover pizza and old coffee. Other stuff too! Pretty cool, right?

My Treatment Plan

"My Treatment Plan." 3/28/13. Pencil, pen, and watercolor on treatment plan. 8½x11”.
“My Treatment Plan.” 3/28/13. Pencil, pen, and watercolor on treatment plan. 8½x11”.

I painted this cartoon on the front page of one of my treatment plans. It’s got a list of all of the things that I should’ve been doing at that point but wasn’t. The thing my counselor was pushing the most was that I go out and interact with human beings that weren’t (1) my girlfriend or (2) my ex-girlfriend’s family [who I lived with]. Basically – to hang out with my friends—not too unreasonable but… you know… I’m busy… and I kinda like my bubble.

On this particular evening – I was out in the great big world. I rode down to Sarasota for a house show with Rational Anthem, Wet Nurse, and Weak Nights. When the last band finished though, I didn’t know what to do with myself. Without heroin or some other intoxicant, how was I supposed to handle this? I’m good with one-on-one interaction but groups of people are tricky.

 

I decided to make myself useful; I went around the house collecting all of the beer cans and other garbage, bagged it all up and took it outside. I felt pretty good about that [it was nice to be the one cleaning up, rather than fucking up someone’s house] but … what now? I was sleeping at Pete’s house and he was still having fun; I couldn’t ask him to leave. I looked in my backpack. I had pen, pencil, some watercolors, but no blank paper.

 

It seemed like a funny idea—to make a cartoon about finally being in a social situation but engaging in a thoroughly antisocial activity—a cartoon that acknowledged my foolishness but demonstrated a resistance to giving it up.

 

I wasn’t actually trying to be antisocial, of course. [I’m not an asshole – I’m just awkward]. I’d break from what I was doing whenever someone walked up and expressed an interest in talking to me. Maybe – on some level – I was even doing it with that outcome as my goal. Maybe it was an effort to interact one-on-one without having to feel like I was somehow monopolizing someone; it might have been a subconscious move to interact without having to insert myself into a crowd and feel out of place. (It’s cliché and childish but – just about everywhere I go – I still regularly feel that I don’t quite fit in or belong).

 

So I worked on this at the house, at the bar we all went to afterward, and then back at Pete’s.

 

—–
Epilogue: This is one of the few things I’ve sold really cheap. To a kid I met in downtown St. Pete during my one Indie Market experience. He really liked a lot of my stuff and especially this one. He had one of those huge backpacks that transient/traveler kids tend to have, so when he asked of there was anyway i could accept just $12 for it, I figured that was probably a pretty decent chunk of his net worth. Besides, when it comes to pricing my art – it’s got very little to do with money. I mean – don’t get me wrong, it is how I pay my bills so I do need to make a certain amount each month, but (after that) it’s not about money – it’s about personal valuation, self-esteem, and confidence. I’ve been encouraged not to give things away which is something I was initially doing anytime someone expressed an interest or even when they actually made an offer to buy something. (And I still do it occasionally). ‘Cause it’s uncomfortable. It’s foreign. Coming up in punk rock – we’re not supposedto make money off our creativity. I still feel guilty sometimes when somebody asks how much I want for something. I’ll usually tell them a number that’s only two-thirds or so of what I actually had in mind. But then when they buy it without blinking, I feel dumb for not just saying the actual price I had in mind (especially when I’m struggling financially).
Although “struggling” is a little of an overstatement. I might *stress* but – so far – everything has always worked out for the best. In the six months since I moved out of Tranquil Shores, I haven’t failed to pay for essentials yet. Things are good. Things are okay.

 

Jail (This Time I Turned Myself In!)

"Jail." 3/5/13. Pen on property inventory sheet. 4x6".
“Jail.” 3/5/13. Pen on property inventory sheet. 4×6″.

August 1, 2012. I landed in Miami and rented a car. The cops in Overtown had been seriously on my case. I couldn’t go into the neighborhood without getting hassled (or worse). On one occasion, after putting a gun to my head, pulling me out of the car, and throwing me onto the pavement, they had actually made me pull down my pants (right there, on the street) and hold my butt open so that they could look inside my asshole for drugs. Again – this wasn’t back at the station – this was on a public street. That was before my car had been stolen. Having to enter the neighborhood on foot had made matters worse. I don’t “blend in” in Overtown. But I had a rental car now, so I was willing to take my chances.

I copped successfully and once I was sure that I wasn’t being followed (which had been the case several times prior) I pulled into a Wendy’s parking lot to shoot up. Normally, I’d insist that we wait until we were safely back in our shitbox apartment, but I was alone now and I wasn’t putting this shot off any longer. It had already been far too long.

The plan was to collect my things from the apartment (assuming they were still there – and that my key still worked), drive to Sarasota, collect some more of my things, and drive to New York, where I would live. I didn’t have any idea where specifically in the city I’d even go once I pulled into town, but I guess I thought I’d figure it out at some point in my eighteen hour drive up the east coast. I was going to get a job in a law firm as a paralegal, take the bar exam, and get a job in a law firm as a lawyer. And I was going to stop shooting heroin. This shit in Florida – this was just a “last round” sort of thing. I believed this. Sincerely.

The next 17 days were a blur. I could probably piece a lot of it together if I sat down and “timelined” it all out, but it’s not all incredibly relevant to this particular part of the story. What is relevant is that at some point in those 17 days, I got into a car accident.

I was driving to my drug dealer’s house, but I was already high on heroin and xanax. I made one stop on the way, at Liggett, to buy more needles. When I came out, two guys were standing by my car (the car I had borrowed from the Owens). “What do you have in the bag?” they asked me. What the fuck is this… I wondered… “It’s my prescription,” I lied, “my antidepressants.” “You’re fucked up,” they told me. “You ran up onto the sidewalk three times and almost hit us twice. What’re you on?” I had no idea that I had driven up on the sidewalk (or almost hit another car). I told them that I had been texting and that I was sorry. They said they couldn’t let me drive. They offered me a drive to wherever I needed to go. I put on my best sober and in control act and somehow, eventually, convinced them that everything was cool.

About five minutes later, I crashed into another car. Luckily, nobody was in it. That’s probably because it was parked – not on the street, but a good deal off of the street in a driveway. The people came out of their house. I apologized profusely and recycled my lie – saying that I had been texting. They wanted to call the police, which I assured them wasn’t necessary. “I’m really sorry, but I can’t wait around that long. I have a doctor’s appointment to go to and I’m moving out of state tomorrow. If I miss it, I won’t be able to get my prescriptions filled before I leave.” (I was planning on leaving, but not the following day – and there was no doctor’s appointment). I gave them my information. Well, not so much the information, but the actual documents. To convince them that I could be trusted, I gave them my driver’s license and the vehicle registration and insurance card from the glovebox (it wasn’t my car, it had been loaned to me after I returned the rental). And I had them call my phone right then so they could see it ring in my hand, verifying that it was legitimate. I assured them they didn’t need to call police and hit the road. I said I’d come back for my license and other papers later.

The calls started coming in. They called the police, who wanted me to come back. I pretended I couldn’t because I was at my appointment, but when the vehicle’s owner called me (having also been contacted by the police) he told me that if I didn’t go back, there’d be a warrant issued for my arrest. But that if I did go back, I’d just get a citation. By this point, I had already injected even more heroin, but I convinced myself that I could pass for straight, stashed my lockbox full of drugs and paraphernalia, and drove the smashed up car back to the house where I had hit the car.

I pulled off the act successfully. No one suspected (or at least accused) me of being under the influence of anything) and I just got some tickets… and a summons to appear in court. For “leaving the scene of an accident without giving information.” Which was obviously a totally bullshit charge considering the tremendous extent to which I had given my information BUT it was a fuck of a lot better than being arrested for DUI and possession of heroin.

I cut a deal wherein I had to pay some fines, take a driver improvement course, and do some community service hours. By the time I went to my courtdate, I was already in rehab again, but they didn’t need to know about that. But here’s the one bit of information that I’m actually trying to get at: I (unknowingly) failed to satisfy one of the criterion in some way, so when I got out of Tranquil Shores (seven months after all of this even happened) I found out that there was a warrant for my arrest. Unless I wanted this shit hanging over my head, I’d have to go down to the jail and turn myself in.

It was a bummer but I kept an incredibly positive, upbeat attitude throughout. Even when I found myself handcuffed to a wall in a hallway, for hours, waiting for them to even begin the process of booking me. (Translation: I could have been sitting in the lobby, I could have just been outside – but I guess that’s not how that shit works).

I even stayed positive when – having asked for permission to draw (and been granted it) – another officer came and took my pen away. (And this was at the phase of the game where incoming arrestees are all filling out paperwork so we’re not talking about a “no pens allowed” policy). Which isn’t to say that any of this is a tremendously huge deal or “totally unfair.” But it is the sort of thing that “the old me” would have found to be a TERRIBLE INJUSTICE and lost his shit over. I didn’t do that though. I smiled and thought about how I was grateful to be in a position where I wasn’t caught off-guard – where I was able to arrange for my bail to be paid ahead of time – and grateful that, so long as I stayed on the path I was now on, this would be the last time I’d have to deal with this kind of shit. This would be the last time I’d have to sit handcuffed to a wall.

So this is my self-portrait from the last day I was arrested.

—–

Post-script: Obviously, I never made it to New York. I checked into rehab on August 17th. Also – fun epilogue: From the scene of the accident, I went to trade in the (now totaled) car for a motorcycle… which I also managed to crash (just thirty minutes after being issued the tickets and the summons!) – impressed??

 

 

 

 

 

The original drawing is no longer available, but if you ask Bill Pinkel (one of my favorite artists) really nicely, maybe he’ll let you take it out of the frame and see what I had with me / got marked down on my property inventory sheet. Either way, it is available as a 4×6″ print – numbered, signed, and sealed.

Merry Christmas 2K12 (and 2K13)

I forget how it came up, but I found myself in rehab, defending some view as not being illegitimate or immoral. Something to do with property and how this world has enough for everyone to have everything that they need. But how people get scared, their fear morphs into greed, and they feel like they need to hoard wealth or resources to the detriment of others. One way or another, we got to that thing from the Beatitudes where Jesus says it’s easier for a camel to pass through the eye of a needle than it is for a rich man to enter the gates of heaven. And from there, “For God so loved the world, he gave his only begotten son to burn the banks to the fucking ground and drink the blood of the rich” popped into my head – which I, of course, thought was hilarious. And I immediately started jokingly trying to recruit my fellow inpatients for a crusade to burn down the banks and – you know – drink the blood of the rich.

The next day, in expressive art therapy group, we were told that the theme was Christmas (it was December 22nd). “Not really Christmas though – just in terms of birth or re-birth – just as a metaphor.” Everyone else in the group kind of ignored that. We produced a lot of paintings of Christmas trees and Santa Claus that day. I – predictably – went really literal with it though. I started painting myself being born (fully grown and clothed). And not so much being born, as much as pulling myself out of a woman’s birth canal. (The distinction is that birth wasn’t “happening” to me, I was taking the action). I thought that was pretty great given my circumstances. Recovery or rehabilitation weren’t happening to me – I was making them happen. I was bringing them about. Doing the work to get better.

And then it occurred to me that the “For God so loved the world…” thing that I had come up with the day before would be PERFECT for this painting. It was supposed to be about Christmas, right? The celebration of the birth of Christ. And while I had intended for the character in the painting to be me (and – no – I don’t think I’m the messiah) adding the caption would make this a depiction of what must be the second coming of Christ. When he comes back as a lion instead of a lamb. Lion Christ just might be the kind of guy that WOULD burn the banks to the fucking ground and drink the blood of the rich, the greedy, and the selfish. After all, Jesus never spoke ill of homosexuals or [whoever evangelists are bummed out about these days] but he sure as fuck had a distaste for the rich.

So this may sound absurd, but this painting, the little things leading up to it, and the process itself.. this was a spiritual experience for me. No offense to any of my peers, but they all painted Christmas trees and (by their own admission in group that day) didn’t get much out of it, so this assignment/prompt MUST have been for my benefit. And the way that it all panned out – what I chose to paint without even thinking of the previous day – and then remembering it at just the right time – this was all predestined. Similarly, back when I was told that I needed to have some kind of faith – that I’d need to believe in some kind of higher power if I ever wanted to get better and stop shooting heroin – the first belief I adopted (albeit sarcastically) was that “my higher power thinks I’m fucking hilarious“; if this whole episode isn’t proof of that, then I don’t know what is. The universe really brought it all together for me this time around.

"Merry Christmas 2K12." 12/22/13. Acrylics and pen. 9x12".
“Merry Christmas 2K12.” 12/22/13. Acrylics and pen. 9×12″.

HISTORICAL note!: Our art therapy counselor brought us acrylic paint and canvas boards as a Christmas present, so this was my first time using “real” art supplies. (Normally we used cheap paper and tempera/poster-paint). And I kinda can’t mention that counselor without saying something else…

Even when everyone else thought that “something might need to be done” about the kind of stuff I was turning out in art group, Julie stuck up for me and insisted that I be allowed (and encouraged) to create whatever I was feeling. It’s so much more than entirely possible that – were it not for Julie – what little enjoyment I got out of those early art groups might have been snuffed out. Had that been the case, there’s no way in hell that you’d be reading this right now because this website (and all of these pieces) wouldn’t even exist. And It’s not quite as certain, but it’s extremely likely that I’d either still be shooting heroin or dead. A lot of people and factors played into my recovery but the one piece that I’m almost positive is totally crucial is art. And Julie gets total credit for that. (With an assist from my friend (and fellow inpatient) Mary Beth, who was also a huge source of encouragement in the early stages of the game.

And so long as I’m going on tangents: After I finished this painting, as I was carrying it from group to my room, one of the property techs stopped and asked me if he could see what I had made. Staff aren’t really supposed to be “friends” with patients/clients, but I definitely considered Kenny a friend and (as a Christian) I was afraid this would bum him out. But I showed it to him and he surprised me. He knew exactly what I was going for, got the joke, told me it was actually a really Christian sentiment, and even gave me the [call number or whatever it’s called] for a verse of scripture. That sort of reaffirmed my faith in humanity that day. It was really awesome.

By the way, that movie I was cast in over the summer… the production designer saw this painting and asked if I could redraw it so that it could be screened onto a t-shirt for my character to wear. So I did!

"Merry Christmas 2K13." 7/2/13. Digital. 12x18".
“Merry Christmas 2K13.” 7/2/13. Digital. 12×18″.

A lot of what you’ve just read was written a few months back. Some of it is even older than that. The word “predestined” jumps off the page at me. Do I really believe in such a concept? I don’t know. I’m tempted to say “not really.” I’ll say this though… on December 22nd, back when all of this was happening… when I say, “this was a spiritual experience for me”, I mean it. Did I believe anything was predetermined earlier that day? No. Did I believe it in that moment? Again – I don’t really know. But I know that I was having fun acting as if I did… This really struck me as too perfect to be random (it just felt too excellent) but … eh… Well, like I sort of said: this was the best evidence I had ever seen that [to borrow from Andrew Jackson Jihad] “my god thinks my jokes are funny.” And it was all great fodder as I explained the cartoon/painting/sentiment to the patients and staff that were giving me funny looks. So I was having a lot of fun with it. So far as my real (confident) beliefs go… – only what I laid out in my entry for “Everything Works Out Exactly As It Should.”

Anyway, here’s a song that I was listening to a lot around the time this was painted.

Here’s a song that strikes me as otherwise relevant.

This painting is still available for purchase. As are an incredibly limited number of t-shirts. And – as with all of my art – either version of the image can be purchased as a signed, numbered, and framed print/poster.

Trying to Be a Light

The phrase trying to be a light came to me. I repeated it like a mantra (in my head) as I tried to hold on to my grip. I was sad that my plans hadn’t worked out and I was really anxious about the message I had just gotten from Heather.

An older woman and her daughter (still older than me) walked up and asked about my painting and about art school.  “No, I’m not an art student.” I told her I was fresh out of a seven month stint in rehab and that that’s where I had picked up art. We talked for a few minutes and then she asked if she could pray for me.

And I said yes.

I’m tempted to defend myself. “Why wouldn’t I say yes? What do I care if she prays for me? It can’t hurt me.” But – in that moment – I think I was actually wrecked enough that my actual rationale was closer to: “Shit. Yes. Please.” (That episode where Homer’s in trouble and he screams something like, “Help me! Jesus! Allah! Buddah! I love you all!” – that’s kind of the state I was in). In either case, I’m positive that my outward response was simply a shrug and a nonchalant (possibly dismissive) “sure.”

But what I didn’t realize was that she didn’t mean later, at home. She wanted to pray for me right there and then. Aloud. With me, at the table, outside of this grocery store, as people milled in and out around us.

I was uncomfortable. Really uncomfortable. But I didn’t want to be. So I fought the impulse to stop her and just let it happen. She might have even tried to take my hand and I might have even let her. (I think I did). And then she went inside to buy groceries.

When she came out, she said bye and wished me luck. Just as I was finishing this. So I gave it to her. I don’t know why.

(I know why. Or… I have theories as to why. Good and bad. I don’t really like either. So I’ll just leave it there).

"Trying to Be a Light." 2/26/13. Acrylic and watercolor. 10x12½”.
“Trying to Be a Light.” 2/26/13. Acrylic and watercolor. 10×12½”.