The Most Efficient Path to Loneliness

"The Most Efficient Path to Loneliness." 1/22/13. Ink. 7¼x9½".
“The Most Efficient Path to Loneliness.” 1/22/13. Ink. 7¼x9½”.

I’m still outta town. Mechanical problems are slowing me down. Not sure when I’ll have them resolved. I still plan on hitting the other coast of Florida before heading back to Jacksonville but I don’t yet know when that will be. I had wanted to get to St Louis this weekend as well (to see The Transgressions reunion set at Stay Retarded). Doesn’t look like that’s within the realm of possibility anymore. Had told Ben I’d plug that set on here… not sure that this counts. Sorry, buddy. I know I’m a little late…

Before I left Jacksonville I was THISCLOSE to being done with my latest (and largest to date) painting. I’m kind of bummed that I’ve now been away from it for so long. I really wish it had been completed before I got on the road.

In the meantime, I’ve been working on other pieces. I finished one that was started more than a month ago. Another that began on the 4th. I even made some progress on a third that I had lost track of in November. Those will all go online soon enough (I really hate posting from the road on my phone and without the ability to get decent photographs or scans).

In the meantime, here’s a new one that I started on the 19th, while sitting out by the bay, late at night. I finished it just now, which seems sort of appropriate. It’s hard to explain (or maybe I just don’t want to). The feelings I’m feeling, the circumstances of that night and this one. I’m kind of dancing around my own insecurity. I think I got honest when I was scribbling but it’s hard to know sometimes. This whole week has been a strange experience and it’s only looking to get stranger in the coming days. There have been plenty of solid healthy (non-manic) emotional highs, absolutely no bottom-of-the-barrel-“time to kill myself” lows; there’s been good judgment, questionable judgment, self-improvement, honest reflection, self-delusion, avoidance; basically, I got the whole fucking gamut covered.

I wrote some shit “in between the lines” of my drawing. It touches on some of the above but it was pretty stream-of-consciousness and it’s way more representative of the moment tonight than it is of my trip as a whole (up to this point). It says…

Watch me fly. If you wanted to see me but didn’t, it’s your fault. Word has it that I’ve become a pretty great guy but might be completely sociopathic. I’m so full of hurt and evil. I try to do the right things. With mixed results.

I hurt a lot so I hurt a lot. It’s ’cause I hurt a lot. I hurt a lot. I hurt a lot.

I’m so melodramatic. I’m fucking fine (I think). Why do I wanna be this tragic fucking figure? Celebrity. Icon. Shining shooting fucking star. I’m so in love with myself. I’m so disgusted with myself. I’m ashamed. I’m a shame. I’m a joke. I’m okay. I’m everything I don’t wanna be. I’m living out my dream. I’m losing track of everything. This is how it’s supposed to be.

I’m never satisfied. I’m filled with pride. I’m lost. I might be home. This isn’t home. I might be home. I have no home. I’m cool with that. I’m done with this drawing. I think it’s done with me.


Status Update: 1/7/13

Part of it might be that there’s enough content on here that I don’t feel quite as strong a need to ensure that I’m putting up something new every single day; part of it might be that there’s been nothing this last week that I’ve been dying to share; but the unusually low level of activity on the site this last week definitely doesn’t have anything to do with a creative rut, a lack of output or anything like that.

Here’s what I’ve been up to:

I mentioned a couple weeks ago that I got my hands on a canvas that’s more than twice the size of any other I’ve ever gotten to work with. So far I’ve put 22 hours into it and I’m really happy with how it’s coming along. I’d like to say that it’s mostly done but I still have so much little detail left that [you never know] things could take a dramatically different sort of direction and it might not end up anything like the painting that it is at this moment. And actually – I take back what I said – I’m DEFINITELY dying to share this painting (just not until it’s ready!)

I’ve also been spending a fair amount of time trying to get my artwork into some new galleries, businesses, and other spaces. It’s gone well so far and I’m hoping to pick up even more new locations soon. I’ll share more specific details about that stuff later in the week.

On a different sort of note, I took the first part of my motorcycle training course today and will finish tomorrow. As soon as I can get down to Sarasota (this or next weekend probably) I’ll swap out my little 50cc thrashBike for a 150cc. Which might not seem like anything that has tremendous artistic implications but is really exciting because it’s going to enable me to travel outside of Jacksonville (on my own) and get shows set up in other cities.

On top of all that, there are a couple other developments I’m really excited about but can’t quite talk about yet. Long story short though, things are going really well and only seem to be getting better. I’m thinking I’ll make time to resume with regular art/blog updates tomorrow. In the meantime…

Cotton Candy Skies [photo]I wouldn’t have even noticed the sky the other night (had Heather not commented on it). Within one second of looking up though, I was reaching in my pocket for my phone. I’m (obviously) not a photographer and I don’t usually take pictures of anything like this but it was just too perfect. Not because it’s beautiful (though it is) but because it reminded me of something else  that’s beautiful.

Last month, Rumspringer made a video for their song, “Love Poem to Irrigation.” It’s off their sophomore full-length, Stay Afloat, which came out last year on LP through Dirt Cult Records. (It’s also available on CD or as a digital download).

Though it wasn’t the first record I had lined up for Traffic Street, Rumspringer’s debut EP was the first release in my catalog to see the light of day. It makes me really happy that they’re not only still playing but that they continue to get better.

—-

This photo was taken from right outside my house so those shoes on the power line are (of course) my own. Well – not originally. Back when I still lived at Tranquil Shores, I got ’em from a friend  after my own Frankenshoes finally gave out

frankenshoe
My last valiant effort to repair my own shoes.
troy's shoes
The crappy painting I did on the shoes I got from Troy which (for the last six months or so) have lived up on the power lines.

The shoes were painted the same day as my Suicide Jacket.

"Suicide Jacket." 2/18/13. Acrylic paint on my winter coat. 15x24".
Can you tell which one I put more effort into?

 


How I Make My Soup in My Belly

I’ve got this group show coming up and, last night, the organizers hosted a reception for the artists to meet each other. One girl was in another room most of the night but I did eventually get to know her a little bit when she asked if I’d like to sit down and draw with her. As it turns out, she just tagged along and isn’t actually participating in next week’s show. Although (while I’m not sure if she meant “professionally”) she did tell me that she’s an artist.

She ALSO told me that she has two nannas (who are both very nice), that Madelyn and Mikaylyn are twins (her favorite twin is both of them), and that she likes to make her own soup in her belly. Yeah, right.  “How do you do that?” I asked incredulously. “I eat sweets and vegetables and that’s how I make my soup in my belly.” I had to concede. That’s a dynamite soup recipe if I’ve ever heard one.

So Marley’s pretty great and I’m not saying that just ’cause she gave me some of her drawings.

Marley's drawing for me. (I'm an idiot; I forgot to ask the title).

 

Is it just me or is this way too close-for-comfort to my art (considering it was drawn by someone who won’t be starting pre-kindergarten for another eight months)?

In any case, I DON”T MEAN TO BRAG but I’m pretty sure I’ve got at least a year or two before she catches up to me in terms of technical ability. I mean – she’s good, but not Sam’s-motor-skills-are-fully-developed good.

Here’s the picture I drew for her.

"How I Make My Soup In My Belly." 1/4/14. Crayon, pen, and marker. 8x10"
“How I Make My Soup In My Belly.” 1/4/14. Crayon, pen, and marker. 8×10″

Shit… Looking at these side by side… If I’m being honest, I think the only real difference is that she got bored and moved on to another drawing (and then to dancing, and then to showing me some toys, and then to watching TV) in the time that it took me to draw mine. Focus might be my only edge over Marley… If she gets a Ritalin ‘scrip when she starts school, I’m gonna be shit outta luck.

Oh well. No use in worrying today about what may or may not happen tomorrow.


I’m Sorry

"I'm Sorry." 12/26/13. Pen and markers. 6½x9½".
“I’m Sorry.” 12/26/13. Pen and markers. 6½x9½”.

The other new piece from Thursday night. The one that’s mean and shitty and makes me not like myself.

“Diaper Baby” by Sass Dragons seems appropriate right now…
I don’t care. I want attention. It doesn’t matter just where it comes from.
I’m as needy as the day I was born. Like a crying baby.
SOMEBODY CHANGE ME. 

—–

28 [image]Before I went to bed at 8 AM, I uploaded the new high-resolution photos of 28 and Eradicating the Threat of Happiness.

Both are available in my webstore, as are prints of my newer pieces.

Eradicating the Threat of Happiness [image]

The good people of the Wunderground collective have been sweet enough to include me in their quarterly event at 1904 Music Hall. If you’re in/near Jacksonville, come hang out with me on January 11th. Art, music, burlesque, spoken word, food… IT’LL BE AN EVENING.

wunderground-flier


Going to Charlotte

"Going to Charlotte." 12/27/13. Ink. 4x6".
“Going to Charlotte.” 12/27/13. Ink. 4×6″.

This is the less objectionable of my two pieces from Thursday night. I started it while Heather and I were actually talking about all this (and finished it after she went to bed). It was strange because I felt like I had gotten to such a good place after my journal the other day but by late Thursday / early Friday, I felt more convinced than ever that our relationship was over. Today [by which I mean Friday; I haven’t gone to sleep yet] I sort of accepted that I honestly have no idea. It makes me feel less in control than I’d have been comfortable with in the past but – these days – I’ve sort of come to terms (or am at least gradually coming to terms) with the fact that my emotions (and my ideas or plans that find root in them) are subject to unpredictable, radical change at any time. At one point while this was happening, I actually said, “I wish you’d let me break up with you so we could just be friends already.”

This shit’s retarded… This fickle / flighty bullshit. I can’t possibly be worth it. There’s no self-pity in this – it’s just a reality and I feel at peace with it. I tried to make the case that I’m probably not fit for a relationship and was reminded of the (positive) impact I’ve already had. Okay – I can accept that; I’ve heard it before. But that doesn’t necessarily make me a good life choice. Taylor and I dated for six years and while she’s said her life would be wildly different (almost definitely for the worse) had it not been for me, that relationship wasn’t meant to go on; it served its purpose and it ended. So – I don’t know – maybe that’s the role I’m supposed to have. I might not be the best partner but maybe I’m a great detour – a stepping stone to something that, ultimately, makes more sense… something not necessarily better but … just … what it’s supposed to be.

Today – I don’t know what the fuck to make of any of that but there’s my explanation for all the dumb CLT/airport metaphor stuff.

My favorite part is where it says, “I’m pretty okay at fucking!”

—–

My title’s a Mountain Goats’ reference (for reasons that are too dull to bother sharing). But, in light of that, it seems like I oughta throw one out here. “No Children” is about wanting for the end of a relationship, but that’s the extent of its relevance to this piece/last night. The song’s all hostility, bitterness, resentment, and snarky, cynical hate, which has definitely been relatable at other points in my life but I didn’t feel that way at all when I made this. Not during our conversation and not at any point afterward. As crazy as it might sound (which I’m going to take as indication that it probably is) I felt like I was being practical and considerate…

In any case, the parts of the song that are self-deprecating or self-loathing – well, shit – that stuff’s always right on target! Even when I don’t feel it, I fucking love it.

But I wasn’t listening to this stuff then ’cause – like I said – it would have been too angry to fit. I was listening to Shorebirds and Pipsqueak (again), which matches this drawing way better.


Little Sam (Little Devil)

On the drive back to Jacksonville tonight, I wrote in my journal. At one point in the process, I felt like I’d had a major breakthrough. Now – just a couple hours later – I’m not so sure. In either case, I think it’s worth sharing. And (above all) what matters is that I was feeling tremendous anxiety when I started and (at least a semblance of) peace when I was done.

—–

Journal: Christmas 2013

The last time I made a playlist was July. The music I like gives most people anxiety but it’s an extremely rare occasion when it has that effect on me. But I’m feeling way too fragile right now to risk hearing anything that I’m not totally prepared for. I need really to be comforted right now and I’m counting on this music to do it.

We just hit the part of the highway with no lights. I’m writing in total darkness now.

Heather’s so sweet. I know she never intends to do me any harm. That’s why it’s hard to leave her. I don’t know if I understand love so – sadly – it has to be a practical consideration.

I know I can’t ever be alone. I fall in “love” way too fast. So if I’m gonna be with someone, it should (probably?) be her…

She’s not great at making me feel loved, which is something I desperately need. But maybe that sort of thing goes both ways. Maybe a girl that was better at making me feel loved would also be great at hurting me if/when she wanted to. Fuck. I can be (or am) such a fragile fucking baby.

I met this girl in November. She took in the whole story behind Autobiography and pointed at the girl in it. “That’s your mom,” she said.

I didn’t like that. I’m pretty sure my disgust registered on my face before I could even think to mask it. With a smile, I responded: “I reject that. I don’t agree at all.” I had just met this girl. What the fuck?

“That’s fine,” she said. “You can reject it. But it’s still true.”
When I shot down her interpretation, I meant what I said. But – of course – she’s fucking right. As much as it’s killed me to realize that and as much as I hate to admit it.

When my mom used to constantly badger me about how much I hated her, I’d tell her I loved her and ask her to stop. I really didn’t hate her. But I kind of do now.

It’s one thing to have an intellectual understanding that your parents did their best – and to use that to “forgive” them. It’s another thing to really make sense of everything emotionally, connect all the dots, and really get a grip on it. ‘Cause when you realize now that I’ve realized that it’s not about the individual incidents of especially fucked up shit that she did, it’s about the life-threatening defects ingrained into my every fiber that she cut in and fucking cultivated for years… It’s about the fact that every time I feel rejected by Heather in the slightest, I wanna run away from home all over again.

I told Heather again yesterday that she hadn’t done anything wrong – we’re just not a good match because she doesn’t have the kind of affectionate personality that I need to feel loved. She responded that she loves me 500% and didn’t I know that? I told her that I had that information in my brain but that I don’t often feel it. Shit – how could I?

No one’s ever gonna be able to do anything that’ll make me feel loved all the time. Just as my art (which is really just the maintenance of my (relative) sanity) is a full-time job, another person couldn’t possibly give me what I need unless that was their full-time job too. Or – more accurately – were on call 24/7. ‘Cause a lot of the time I need to be left alone to “work” (paint, write, or do various backend business-of-art or website kinds of tasks). But the second I need love, if [insert the name of any girl I’ve ever been with here] can’t deliver exactly to my specifications in that instant… well, then IT’S NOT WORKING AND WE’RE JUST NOT RIGHT FOR EACH OTHER.

So – contrary to my understanding up ’til this moment – this is on me more than it’s on Heather and it’s not some incurable defect that she needs to be solely responsible for maintaining an awareness of and behaving accordingly (because she “signed up for it” by getting involved with someone who’s so openly an emotional basketcase). I need to step back in these moments and remind myself of these things of which I need to be reminded. Still, if she’s my partner, she does need to be “in it” with me and make a little more of an effort to actually express that love she says she has for me. She can be pretty cold. And in some of those moments, there’s not gonna be anything I can do to not feel unattractive, unloved, and unwanted. Worthless, and undeserving of love. This new understanding of myself won’t always be enough. Sometimes feelings are more important than facts.

This is a real breakthrough for me. Right now, in this moment. It’s not the only one from the last 48 hours though.

Driving to Manatee from Jacksonville, we had another of our four hour drives without speaking. Not in as hostile a way, but things were tense so I kept busy as she drove and, when I took the wheel, she slept. Then, when we got to the Owens, I went in alone without a goodbye. (We both just looked at each other, waiting for the other to initiate it, as I collected my things from the backseat). Then she went to her parents’. I did my thing with the Owens and with my friends in Sarasota and we didn’t see each other for two days. We didn’t spend the holiday (which means nothing to me but something to her) together. The few texts we exchanged were not especially productive.

I opened up to some friends yesterday and acknowledged that a lot of the problem – what I felt – was sexual rejection. I’ll decide in an instant, at anytime, that I want to fool around, make some gesture toward that, she’ll shoot me down for whatever reason, and I’ll feel like shit. In her defense, I know where and when she will/would be in the right frame of mind for that and I rarely act on it because it’s when I’ll usually be busy working. Our schedules are wildly different and I need to work on compromising mine more, seeing as hers is handed down from a company and mind can be whatever the fuck I want it to be. It sucks but I feel constantly burdened with a need to be productive and I’m rarely willing to set aside and stop working because I’m terrified that I won’t be able to get back on course fast enough once I’m free to pick back up.

“It’s harder to be yourself than it is to be anybody else.” My problems are so petty, small, and (really) within the bounds of my control. Still, they’re monumental monster motherfuckers and THE BIGGEST CHALLENGES WITH WHICH ANY HUMAN BEING HAS EVER BEEN FACED. I say that jokingly but it’s equally true and false. It’s real and it’s a struggle that won’t ever end. It’ll only morph and evolve. As I do…

I got away from myself and the other “breakthrough” to which I alluded. I was talking to some friends about this stuff yesterday and the response I got went from “you gotta end it (for your own sake)” to “you gotta end it (for her sake).” At one point in the conversation, the feedback I was getting, the direction that the conversation had taken, and the things coming out of my own mouth had me feeling like the most sociopathic, seriously damaged, selfish mental case on the planet. I felt like a calculating monster with an impressively evil skill-set, who was so distinct from normal people that he didn’t even have the slightest idea or awareness of what he was doing or the full implications of his decisions and behavior. I felt sicker than I’ve ever felt – like I could be some murderer, smiling at the cameras.

I probably could be. I just remembered – I had been thinking about conscience just earlier in the day. Some friend of Clifford’s murdered his girlfriend and then turned himself in. What a sap, I thought, when Mclane told me about it. What a weak human being.

I considered it further: I would never do that. You buckle down and live with the secret. No good comes from that confession; just move forward, asshole.

Well – not really. He needed to be caught; I mean, he’s clearly dangerous. But if I killed someone, I should just move forward… Learn from my mistake and accept that the consequence for my actions is having another fascinating story that I can’t ever share with the world.

WHAT’S WORSE THAN THAT?

—–

So… that’s what I wrote as we made our way back to Jacksonville tonight. I probably started around 9pm and put the pen down a little after 10…

I looked in my other notebook at the pieces I have left to add to the website and – given everything I wrote about tonight – one of them jumped off the page and struck me as being a perfect fit.

(Relatively) early in my stay at Tranquil Shores, we got an assignment, in art therapy group – to make a figure of our “inner-child.” Like most of my inner-child stuff, I focused on myself at age four.

"Little Sam (Little Devil)." 11/7/12. Tin foil, masking tape, felt, marker, glue. 4" (tall).
“Little Sam (Little Devil).” 11/7/12. Tin foil, masking tape, felt, marker, glue. 4″ (tall).

This thing isn’t totally devoid of substantive meaning but – obviously – this wasn’t an especially probing assignment. It was mostly fun though and I felt pretty pleased with myself when I finished it.

—–

  • When I typed up my journal entry, I linked to a few entries which struck me as relevant.
  • After I journaled, I felt well enough to skip around and listen to songs that would have made me nervous earlier in the night. One of them was “Debt” by Pipsqueak, the acoustic band which was initially just the kid that sang in Snuggle (and – more recently – Murmurs) but now has a second member, playing cello and also singing. It was great before and it’s great now.

Shit Fits / Funny Faces

I used one of the frames I got the other day for my most CONTROVERSIAL(!) painting – Toilet Humor. When I shared a photo of that, I got one particularly succinct response: “Crap.”

One of my earliest pieces.
“Toilet Humor.”  11/10/12. My THIRD EVER non-assigned drawing or painting.

That (I think) is fair. Sort of. As a standalone image, it kinda screams, “look at me!” and (arguably) little else. I added a link to its entry on my website, with the statement I had written. That’ll clear this all up!

My critic’s response: “Still crap.”

Come on!

I guess I understand but, at that point, I no longer thought it was fair. I said as much and added that it’s clearly something I put a lot of time and thought into it. She said it’s contrived. In a sense, that’s true. It wasn’t natural; it took a lot of strain and effort, not because it was bullshit but because it’s difficult and scary to work with and write about something that’s got such potential to hurt (or at least offend). And that’s especially true when your audience is online. Truth be told, it even makes me so uncomfortable that (as tempted as I was) it took a little while to compel myself to actually re-read the statement. There’s nothing easy about “Toilet Humor.” And if it’s insulting to my critic’s intelligence (as I was also told) she must be a whole lot smarter than I am.

The point I’m really getting at [I have one, I swear!] is that, while I absolutely stand by the piece, it is worth mentioning that it’s one of my very first; is totally unlike the stuff I paint these days; and that that’s (I think) both good and bad. On the one hand, “rich kids care about politics”; I’m too caught up in my own nonsense to wanna make any kinda statement beyond my “artist’s statements,” e.g. “Today I threw an emotional shit fit and then painted a bunch of funny faces about it!” [My regular “go-to” when I wanna make fun of myself and my art. Pretty spot on, right!?]

I poke fun but that part of my process is really important to me, I’m glad I do it, and I need to do it. But the value of work like “Toilet Humor” is that it forces me outside my comfort zone and (I don’t think) that’s ever a bad thing. And I don’t mean to say that I’m tackling issues; I wasn’t off on any irrelevant/diversionary social or political rants. Like most of what I do, it’s thoroughly personal.

Which brings me to my piece from today, ”Shit Fits / Funny Faces.” (It was bound to happen sooner or later, if only because I think I’m hilarious).

"Shit Fits / Funny Faces." 12/22/13. Acrylic and spray paints, food coloring, and ink. 18x24".
“Shit Fits / Funny Faces.” 12/22/13. Acrylic and spray paints, food coloring, and ink. 18×24″.

The “shit fit” that gave rise to it had nothing to do with Toilet Humor. It takes a lot more than criticism of my art to send me into a downward spiral. That only happens when something really serious goes down. You know – like A GIRL NOT PAYING ENOUGH ATTENTION TO ME FIRST THING IN THE MORNING WHEN WE WAKE UP. Or, um, something like that anyway…

Hey, Heather! Look! I’m talking about you on my website again! JUST LIKE YOU (implied that) YOU WANTED (or at least liked?) (I think!?!)

(I love you).

—–

large canvasUp next, I have a canvas that’s more than twice as big as any other I’ve ever worked with. I got it for just thirty bucks!

  • Numbered, signed and sealed 12×16″ prints of Shit Fits / Funny Faces and Toilet Humor are both sold in my webstore.
  • For information regarding the availability of these (or any of my) originals for purchase, shoot me an email. [Update (12/24/13): Shit Fits / Funny Faces has been purchased].