Tag Archives: addiction

Iowa

Things got a little hectic yesterday morning. I’m going to try to tell this story, which involves other people, while keeping the focus mostly on myself. I’ve never stated so explicitly but there’s a reason I do that and it’s not because I think I’m such a fascinating character. Letting my focus shift to other people would make for better storytelling but less effective mental health exercise. When it comes to my well-being, the things that other people think, say, and do are irrelevant. Really, they have nothing to do with me and are none of my business (or at least none of my concern).

The Lipstick Homicide and Bloated Kat houses are about a block apart, so our crew was split between them for the night. It was about time for us to get on the road from Iowa City to Carbondale when Noelle called me and said she needed my help. “It’s nothing bad or serious, is it?”

“Andrea broke up with me and is driving back to Florida without Jessica.”

Since 2008, Rational Anthem has had an incredibly sensible rule: no girlfriends on tour. Relationship problems are bad enough on their own, but when they come up on tour, they become the whole band’s problem. This trip though wasn’t quite a tour and an exception was made. Noelle’s girlfriend rented a car to drive up to Dave Strait Fest, but also to stop along the way up and back for two of the shows Rational was playing between Florida and Minneapolis. In the car with her was a friend of Noelle’s (and – at one point – possibly of Andrea’s as well).

What happened isn’t important. There was now bad blood and Andrea didn’t want to drive back to Florida with the other girl.

Rational Anthem has three members. Their van has four seats. I was along for the whole trip and Zack’s summer in Minneapolis was over, so he was hitching a ride with us back home to Florida.

I walked over to the house and sat down with Andrea. I offered a couple different ideas/options that might make her more receptive to driving back with Jessica in tow, as planned. She wasn’t having it.

There was a point in my life where I was so desperate to be perceived as a “winner” – as someone capable of pulling any trick or fixing any problem – that I would have pulled whatever emotionally manipulative bullshit was necessary to get those two girls in the car together and back on the road to Florida. But that’s not me anymore. Andrea was hurting and I felt for her. Whatever happened to spark the conflict didn’t really matter to me. Two (or three) people can have radically different versions of a story and neither’s is wrong. Perception *is* reality. If Noelle or Jessica were mean to Andrea, if it was all in Andrea’s head – it didn’t make any difference. Emotions are more powerful than facts. I didn’t care about the problem, only the solution.

The rental car was in Andrea’s name. On paper, the call was hers. Could she have been coaxed into taking Jessica and making life easier for the other people involved? Probably. But I consider Andrea a friend and – it’s a little strange but – my empathy was stronger than my need to be the clever problem-solver. It’s strange because I’m not sure that’s ever happened before. I wasn’t willing to do anything to keep her from doing what she felt she needed to in order to feel okay.

I gave Andrea a hug and told Jessica she’d have to take a bus from Iowa to Florida. Not because she did something wrong (I don’t know or care whether or not she did) but because that was simply the situation we were in. Unfortunate but… things are as they are.

Jessica said she didn’t know what she had done wrong. I said that I didn’t either, but that it didn’t matter. She was upset (and reasonably enough so). Not being the type of itinerant punk rock fuck-up that so many of us are, a bus trip from Iowa to Florida was going to be a new kind of experience for her. I did my best to remain calm, compassionate, and supportive, and to alleviate any fears, but it didn’t go over much better than my initial proposals to Andrea. Jessica asked if she could go in the van with Rational Anthem and someone else could take a bus or ride back with Andrea.

Chris, Noelle, and I walked back to the other house. Chris wanted to keep the group intact as it was. Noelle said she felt bad about the situation Jessica was in so she was okay with Zack or I heading back with Andrea – so long as we were. I didn’t like that option, but was willing to do whatever seemed to make the most sense. Zack was too. I saw Andrea’s hurt, but there was hurt all over the place and I’d do just about anything for Noelle at this point. She’s my friend and – besides – I owe it to her. For all the times when I haven’t been a good friend to her. For all the times when the only thing she could really count on me doing was making trouble myself.

As it turned out, Andrea returned
the car in Iowa and made other plans. The five of us decided to hit the road as initially planned.

"Iowa." 8/19/13. Watercolor, marker, and pen. 9x12".
“Iowa.” 8/19/13. Watercolor, marker, and pen. 9×12″.

This was finished later that afternoon but drawn mostly the night before, on the way to (and at) the show in Des Moines (which was The Copyrights, Lipstick Homicide, Rational Anthem, Tight Bros, and a few others). The text is basically journaling about the situation and some other stuff that was on my mind at one point or another.

The text that stands out most to me says, “What’s to come is what matters. We roll with the punches. We’ll do whatever it is that we have to do.” It’s kind of about what is as well as what should be. Or maybe just what is when we’re at our best. Human beings, I mean.

I’m really grateful for the fact that – even when I thought it might mean that I’d have to go home early – the thought never occurred to me that I should go back and try to talk Andrea into taking Jessica after all.

And I’m grateful that I’m still here with four of my friends. And grateful that I’m finally able to treat my friends the way a friend should.

Whatevermind

Says: “I don’t accept what you consider fact, truth, or reality. But I do believe in freedom right now. And I’m gonna do my best to try to be happy. I’ll let you know how it works out.”

It was in response to being told that – what I’m doing / how I’m living – is okay for now but will have to end really soon. That I’ll need to get a real job or learn to draw boardwalk caricatures.

"Whatevermind." 5/12/13. Pen. 9x10¼".
“Whatevermind.” 5/12/13. Pen. 9×10¼”.

I drew this “for” the insert for (Rational Anthem’s) Whatevermind LP, but decided that it didn’t fit and – beyond that – almost seemed antithetical to it.

Actually, I just remembered: this didn’t start out as an expressive piece, I had something in mind, but I made a mistake (and since I was using ink, I couldn’t correct it) so I just worked around it and it turned into this.

We’re en route to Des Moines. Show tonight should be good. Rational, Copyrights, Tight Bros, and Lipstick Homicide. Kind of strange though: doors at 4, show at 5, and it’s 21+.

Found out The Heat Tape got added to the show tomorrow in Carbondale. Their album was my favorite thing on the planet that first week in Sarasota to make “No Real Than You Are.” It was actually when one of those songs came up in my headphones and I didn’t immediately feel great that I knew something was wrong. I wanted the feeling back – the one that I had gotten, riding around town listening to that album just a few days earlier. Raccoon Valley Recordings (and my response to it) were literally my mental health gauge.

I’m Building Up to Something

I once pitched “Another Successful Human Interaction” as a song title to Chris (for Rational Anthem). That’s the phrase that’s in my head again right now. I’m sure it’ll strike anyone that knows me as pretty absurd, but (as if I hadn’t covered this just earlier today) I get nervous in social situations sometimes. And when I have conversations that I can walk away from without feeling embarrassed, I feel proud of myself. Self-esteem requires a lot of maintenance, but (having a little bit these days) I can… it’s… I don’t know. I guess what I wanna say is that I’m able to use it to build up more. Just by having *some*, I’m able to develop more.

And it’s an easy slip, a fast fall, back to zero, but it’s not *really* zero anymore, even if it feels that way sometimes.

The Slow Death are playing soon and I’m excited to see them.

Just now – wanting to include a piece of art in this entry since I’m trying to get it all up on the site, piece by piece – I checked to see what I had photos of on my phone. This one seems appropriate.

"I'm Building Up To Something." 6/3/13. Crayon and digital. 8x10".
“I’m Building Up To Something.” 6/3/13. Crayon and digital. 8×10″.

I drew this with crayons in group back when I still lived at Tranquil Shores. Later, I played with it on the computer and turned it into something else. When I get home, I’ll add a photo of the original to this entry (if I have one, which I may not). In either case, I’ll upload a bigger picture of the “computerized” version. (That’s something I’ll have to do with everything I’m posting from the road). I can’t recall the specifics of why I was drawing in group on the day that I made this because I don’t know what day that was. Again, when I’m home, I’ll look into it. But I remember feeling a little inadequate, but – at the same time – a little hopeful. Like, “I may not be much now, but… you’ll see.” I guess I could call it a “letter to my detractors” of sorts. And – as noted – the original is entirely crayon – which I think is sort of perfect for this. I could call it “naive,” I could call it “immature,” but I’d rather call it innocent. I like that.

(Satanic Torture) For Andy

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“(Satanic Torture) For Andy.” 12/18/12. Pen on scrap. 3×4.5″.

Ritual satanic torture is the #1 cause of death among Americans aged 4 to 14.

After the Sandy Hook shooting, a friend of mine overheard someone say that “more kids are probably killed each year by ritual Satanists than by guns, but you never hear about that on the news.”

I thought it was funny so I drew this cartoon later that night (while sitting in a twelve-step meeting). I’m really good at recovery.

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Status update: Everything’s going really well so far at Dave Strait Fest. It’s been a good night. I just had to creep away for a minute (as I sometimes do) to “recalibrate” a little bit…. I’ve got plenty more to say, but I think I’m done being an awkward, antisocial weirdo (for the time being) so I’m gonna pop out of the shadows and get back to it.

Sealed prints are available in my webstore. "For Andy" print [image]

Okay

I feel pretty good today. Not manically good, not hyper-excellent, but just good. Nothing is bothering me or clawing at me. It’s been a while since I painted. I made one piece on the 3rd, but it’s for a record so I’m not able to share it until the release is announced. Still, that was a week ago, so last night I decided to try and paint. Rather than take out a blank canvas, I pulled out one that I had painted a few months back but didn’t really care for. I repainted it and then decided to let what I had dry before I kept going with it. So I pulled out a second piece and repainted that And then decided to let that one dry too. Then I took out a piece that I started when I was sitting on the ledge, looking out over the water, and really having a hard time. I didn’t finish any of them last night.

Today I picked that first one back up and I guess it’s sort of finished now. It doesn’t look quite like my other pieces. Most noticeably, it’s missing any text. Well, it says “OKAY,” but not in any way that most people would spot it. I spent a lot of time on it, but it doesn’t seem quite right. I think that – maybe – I need to move away from paints for a little bit and work with a less fluid medium. And maybe work on some less abstract kinds of projects. I have some cartoons in my head that I’ve been meaning to draw, so it might be a good time to actually put those down on paper.

"Okay." 8/10/13. Acrylics and resin sand on a stretched canvas. 10x13".
“Okay.” August 10th, 2013. Acrylics and resin sand on a stretched canvas. 10×13″.

I reflected on how I’m feeling – on how I’m doing, overall – and I decided that I’m okay. During the painting process, I made myself look at the areas of my life that are… awry – in one sense or another. To see if maybe I could pull that into the painting and work with it. The only thing that came to mind was family. I’m not on speaking terms with two of my three siblings. I’m not on speaking terms with my mom. And the last interaction I had with my dad was earlier in the week, via text, and I told him to “fuck off.” And haven’t talked to him since then.

My dad’s done a lot for me lately, so I feel like I need to take a step to repair that but, at the same time, he said something that upset me. Still, “fuck off” probably wasn’t the correct response to that. I guess if I think about it – in each of these situations – I’m waiting for the other person to make it better when – really – if I want it to be better, I should probably take responsibility for that myself.

Which isn’t to say that I want to do that in each case. While it’d be pretty great if I could have good relationships with my parents and siblings, I’m not entirely sure that it’s even possible. Actually, I’m quite certain that it’s not. And that’s okay. I’m not aware of any rule that says I have to get along with everyone I’m related to. Life is easier without some of these people. And while – generally – I’m not interested in taking “easy ways out,” I can’t take on everything. Everyone has a breaking point. Somewhere along the line, what I know (or even what I want) doesn’t matter anymore. I get overwhelmed and negative feelings take hold. I’m not going to push myself into dealing with things that have the potential to ruin my day. Not today anyway. Outcomes aren’t guaranteed and now matter how I approach it…

[I’m done talking about this now]

I’m not stressed out about money anymore. Everything worked out this week and I don’t have a reason to be anymore. Which is a relief. And I’m grateful for that. I have all of the tools I need to maintain an income right now, I just need to remember to use them. For example, I still have a box of antique dolls and other stuff given to me (to sell on eBay) that I get to keep a share of the profits on. Granted, spending time creating eBay listings isn’t all that different from any other job, but I can do it on my own schedule and take time out for myself when I need it.

Having an online journal is tricky. When I was keeping a journal just for myself (with no intention of ever sharing it at all) I wrote differently. There are things I’d mention and things I wouldn’t. There are definitely more substantial, personal examples I could come up with, but – for example – Mike sent me the new Like Bats EP yesterday and it’s really awesome. And if this were a private journal, right now I’d be writing about why I think it’s awesome. But there’s something awkward about switching gears like that, here, online. Similarly, I joked with myself a lot more in my private journal, but – in this context – I find myself forcing myself to be serious so much of the time. Which just isn’t fun. And I like having fun.

Okay, I feel better about it now. That statement alone made me feel better about it. I’m gonna go listen to the Like Bats EP really loudly, smoke a cigarette, and then work on something else for a while. Today’s been good so far and I’m gonna keep it that way.

Oh – also, the fourth painting from “The Weak End” series in in the Gallery. If you don’t see the statement when you click this link, it’s just because you need to scroll down a little bit.

I’m breakin’ it bad over here! / Orange Is The New Black taught me nothing!

Re: “4-Hydroxybutanoic Acid Talent Show

I’m in the financial aid office at Georgetown waiting for someone to come up front and answer a question. Another kid comes in and I find out he also grew up in Sarasota; we even went to the same school at one point. I didn’t make any “friends” while I was in law school, but now I’ve got someone to exchange nods with when we pass each other on campus. His name is Joseph.

Flash forward five months. My part-time job is still “assistant to the Law Center’s Director of Wellness Promotion” – and I’m running the school’s Healthy Recipe Exchange. As I manage this wholesome event, I’m more than a little strung out on heroin. Really – I’m not managing shit. I’m nodding out and sweating at a table while people swirl around me and ask questions that I answer with a shrug and a funny face.

Here comes Joseph. He tells me I don’t look well, asks exactly what the hell I’m doing – and finds it thoroughly amusing. Then he asks me how I’m doing. For some reason, he becomes one of the only people whom I tell that I’ve recently been arrested for possession of heroin. And then he tells me about some serious drug charges he had faced at one point for dealing meth. Of course we exchange phone numbers. Clearly, this is a good person for me to know!

It’s been a month since I talked to Joseph at the Healthy Recipe Exchange when I get a text message from him. “Do you have a stove?”

“Hmmmm,” I think to myself. “What are the implications of this text message? He knows I live in an apartment building, so he can’t possibly think he can get away with cooking meth here. What then might he be up to…?

I write him back, “Yes. I do. And I don’t want to know why you’re asking. Just let me know when you want to come over.”

Because this sounds like an adventure! Right???

As it turns out, Joseph has learned a new trade. GHB! Which – as he tells me – doesn’t stink up a place the way meth does. Well – what’re we waiting for?!

[insert Act II here]

There is nothing worse than the pain of opiate withdrawals. Except for the pain of opiate withdrawals, experienced in a cloud of disgusting, noxious, chemical shit.

I wish I were dead. The end.

4-Hydroxybutanoic Acid Talent Show

"4-Hydroxybutanoic Acid Talent Show." 2/16/13. Acrylics on cardboard. 18x27".

“4-Hydroxybutanoic Acid Talent Show.” 2/16/13. Acrylics on cardboard. 18×27″.

 

Sometimes someone will compliment my “talent,” despite the fact that I have none. What I lack in ability though, I make up for in willingness. Almost anyone can do what I do. What makes my art special is that they don’t (and I do!) Creativity? I get good ideas sometimes, but when I’ve got nothing that’s when the willingness really helps out. If I don’t know what to paint, I just go. Honestly, it’s mostly out of necessity. My brain is damaged and expressive art therapy is the best tool I’ve got.

It was Friday and I was upset. I had been at Tranquil Shores for six months so I had the kind of freedom that allowed me to go outside, cross the street, and grab a cardboard box off the curb. I spent the next two hours painting nothing, just moving colors around on the cardboard. When I was done, I was covered in paint and had a 72-inch panel of cardboard that was… also covered in paint. I let it dry and still had no idea what to do with it. I started looking for images that were already there and outlined them with black paint, adding details at will. Two hours later, I realized that I had one “canvas” but (the beginnings of) close to a dozen paintings. So I cut it up and spent the next two days finishing them. I did virtually nothing but paint for about 48 hours. Which is not really the kind of balance that one is taught to strive for while in recovery (and especially treatment)…

But that’s okay because that phase of my life was about to come to an (unanticipated) end. What had started fifteen months (and three facilities) earlier ended the following Tuesday. I gradually started moving out of Tranquil Shores and within ten days, fully transitioned to outpatient treatment. This is the first of those cardboard paintings I made between Friday and Sunday. There are ten in all and I consider them all part of a series that I call “The Weak End”.

The title of this first painting is an allusion to our first group session earlier that day. We had to perform a “talent” of some kind. I had been dreading it all week and tried to get out of it. Initially, I joked that my talent would be a demonstration: “how to cook GHB” (also known as 4-Hydroxybutanoic Acid) – something I learned (through doing) in my last year of law school. Then I joked that my entire life had been performance art and that I should be allowed to simply show up. That didn’t fly either. Ultimately, I brought in a painting, read a statement, and spoke off the cuff a little about it (all while Troublemake songs played in the background).

My apprehension turned out to be for nothing, as my whole “act” was incredibly well received. But as well as I felt about that, I was still off somehow. I think I knew that the end was coming and I was scared to move on. But I did move on and everything worked out really well. I didn’t fall apart the second I moved into the outside world and I actually started to enjoy life more than I ever had in the past. And I discovered that I could stay off heroin, out on my own, for more than three or four days.

One more thing about the title: it’s also (inadvertently) about fear. I hadn’t ever painted anything without some kind of caption but this piece felt right without one. Still, while any words I might add would feel tacked on, I felt a little vulnerable without one. That made it all the more necessary for the painting to have an absurd title for me to hide behind.

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Today was a really great day and I think I’m finally starting to get my grip back. In case it doesn’t go without saying, I haven’t been using anything, but abstinence doesn’t equal wellness and it’s been a tough week. I decided this morning to start posting some of the paintings from this series and I’ve got the first four ready to go. The second one will be online soon with more to come…

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Here are a couple photos from early in the process of creating “The Weak End” series of paintings.

The giant painting from which all ten paintings were eventually made.
The giant painting from which all ten paintings were eventually made.

 

Today, I use my hands as often as I use brushes. This was the first time I had done that though.
Today, I use my hands as often as I use brushes. This was the first time I had done that though.

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“The Weak End” series includes:

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  • This painting sold in April, but signed 10×14″ prints are available in my webstore (and they look awesome)!