My Favorite Cartoon

"My Favorite Cartoon." 1/15/13. Pen on scrap. 3x4".
“My Favorite Cartoon.” 1/15/13. Pen on scrap. 3×4″.

I was sitting in an Alcoholics Anonymous meeting and I was pretty bummed out over (surprise!) a girl. (I’ve astutely noticed that this seems to be a pattern). You see… When we saw each other just before we went into the meeting, she hadn’t paid me quite as much attention as I felt that I needed (ALL OF THE ATTENTION).

So, as I had become prone to doing, I tried to work through my anxiety and hurt feelings with a pen and a piece of paper. I drew a little cartoon, but I wasn’t happy with it. Which made me even more upset. So I tried again. Annnnnnnd… same result. I put my pen and paper on the floor and decided to just sit in my misery and sulk. Because I so enjoy feeling that way. (Who doesn’t?!)

But that was what the old Sam would do. So I begrudgingly picked my pen and paper back up and started again, not even knowing what I was drawing. And this is what came out.

And then I wasn’t upset anymore.

So while I really like this cartoon, what makes it my favorite isn’t necessarily the cartoon itself as much as it’s evidence that I can use art to heal all my stupid, petty wounds. It helps me step back and realize that every little thing that happens around me is not (and is not meant to be interpreted as) proof that I’m a worthless, unlovable piece of shit.

Here are some related images…

This is the original as I've framed it. Underneath the glass, the cartoon is "laminated" in packing tape because... [see next picture for more]
This is the original as I’ve framed it. Underneath the glass, the cartoon is “laminated” in packing tape because… [see next picture for more]
When I had *my very own apartment* at Tranquil Shores, I took it upon myself to "decorate" (to the extent permitted). Of course, I put my favorite cartoon on my front door. To protect it from rain though, I had to "laminate" it first. After a couple days, I was told that I couldn't have it visible outside like that, so I hung it from a piece of scotch tape, just inside my front door, to greet any/all visitors.
When I had *my very own apartment* at Tranquil Shores, I took it upon myself to “decorate” (to the extent permitted). Of course, I put my favorite cartoon on my front door. To protect it from rain though, I had to “laminate” it first. After a couple days, I was told that I couldn’t have it visible outside like that, so I hung it from a piece of scotch tape, just inside my front door, to greet any/all visitors.
At Dave Strait Fest in Minneapolis last weekend, I picked up a copy of New Noise magazine. There was a feature on Rumspringer, in which Wes describes meeting me. I was selling records outside of Common Grounds and handing out fliers with a list of bands with upcoming releases on Traffic Street. In the feature, Wes says something to the effect of "Sam swears they weren't business cards, but they totally were!" I thought it was funny that I came across that while at another fest at which I was (arguably) distributing "business cards." But *this* time, I wasn't giving them to people, I was... [see next image for more]
At Dave Strait Fest in Minneapolis last weekend, I picked up a copy of New Noise magazine. There was a feature on Rumspringer, in which Wes describes meeting me. I was selling records outside of Common Grounds and handing out fliers with a list of bands with upcoming releases on Traffic Street. In the feature, Wes says something to the effect of “Sam swears they weren’t business cards, but they totally were!” I thought it was funny that I found that article while attending another fest, at which I was (arguably) distributing “business cards.” But *this* time, I wasn’t giving them to people, I was…
Using my homemade keychain to tape them up to walls, signs, bike racks, and all other vertical surfaces. "Business cards? Yeah, right! These are stickers! I just don't have a major label budget like all these millionaires with pre-stickified stickers. There's this thing, maybe you've heard of it. It's called punk."
Using my homemade keychain to tape them up to walls, signs, bike racks, and all other vertical surfaces. “Business cards? Yeah, right! These are stickers! I just don’t have a major label budget like all these millionaires with pre-stickified stickers. There’s this thing, maybe you’ve heard of it. It’s called punk.”

 

This piece is still for sale if you’d like to own it. This piece was among the twenty-five featured in my first art show. It sold 11/2/13. Signed 6×8″ prints are available in my webstore.

And so long as we’re talking about Rumspringer, did you guys know that their new full-length is the best thing they’ve ever written?


Warrior Princess

I just saw the shirts that I drew up for Lipstick Homicide and… I’m a little bummed out that they’re inverted and kind of want to know who’s responsible for fucking that one up. Those b/w-art-in-a-white-box designs that I do are about as easy to *not* fuck up as it gets.
And I know it doesn’t matter where along the line it got fucked up and that I shouldn’t care anyway, but… I don’t know. It’s a bummer when you spend some time on something, turn it in, and this happens.
Or maybe – if this is an issue to me – I should take that as an indication that my life must be pretty wonderfully worry-free lately if things like this so much as register a blip of concern.

20130814-091854.jpg

20130814-091923.jpg

Also, how did the A in “POMONA” get lost?

Anyway, this is only partially mine. I mean, I drew it, but it’s one of the only things (or maybe the only thing) where I was told pretty much exactly what to draw.


Stay Punk

When I interviewed Ryan Young (Off With Their Heads) back in 2007, he told me he was starting a record label and that his second release was going to be from some band called Turkish Techno. That didn’t come to be for whatever reason but I had looked them up and, when I started Traffic Street a year later, they were one of the first bands that I reached out to. I wound up releasing two split 7-inches for them: one with my band (Troublemake) and the other with The Brokedowns.

In 2011, they released their first LP. It wasn’t on Traffic Street but they did use the title (and sequence!) that I suggested. It’s a great album and they’re almost done with the follow-up. Since those songs haven’t gone online yet though, here are four from 2011’s “Past Due.”

 

Back in April, I designed a shirt for them; it’s an adaptation of the dry erase board in my room back in Bradenton.

"Stay Punk." 4/3/13 (image) + 4/30/13 (text). T-shirt.
“Stay Punk.” 4/3/13 (image) + 4/30/13 (text). T-shirt.

 

And here’s some art that I’m not responsible for:

 

 


Bug Problem

"Bug Problem." 8/11/13. Colored pencil and ink on newsprint paper. 3¼x9¾”.
“Bug Problem.” 8/11/13. Colored pencil and ink on newsprint paper. 3¼x9¾”.

There have been a bunch of big, mean-looking ants, trolling around my front porch like they own the place. And they’re biters. Yesterday, I sprayed some poison around. I went outside this morning: not a bug in sight! I don’t have to be hyper-vigilant when I got outside anymore; I can sit outside and relax.

I thought about how nice that is. And how simple. I’m all fucked up right now. I’m supposed to be celebrating one year clean this week and I’m not. Money makes no sense to me. The future scares the shit out of me sometimes. Life without heroin… it sometimes reminds me of why for so long I chose life with heroin. I needed a little victory today. A problem I could act on and resolve without years of uncertainty. Like I said: simple.

But then I started thinking about how the poison might effect the lizards that hang out on my porch. Are they gonna be poisoned by it too? Am I destroying their food supply? What other environmental consequences does this spray have? Is this really all that simple?

But ultimately, I’ve got too many real problems to let myself get caught up in shit like that. Sure, it’d be nice if I could save all the trees and the lizards and we could all live happily ever after, but – first – I think I’ll just work on saving myself. Not from bugs. That’s not what I mean. From the stress and anxiety that comes with taking on problems that I don’t need to. (“Precious on the Edge” by Drunken Boat is one of my favorite songs: He knows he’s gotta save the world somehow, but first he’s gotta save himself and that’s the hardest trick of all).

I’m also reminded of a Riverboat Gamblers lyric: It seems we’ve been conditioned to think it’s unreasonable not to be miserable. That was definitely one of my core beliefs for a long time and something I had to work on a lot in treatment. If I felt good, I felt like an idiot. Like, “Hey, dumbass! Look around you! What the fuck is there to be happy about??” I try not to think that way anymore. It hasn’t been easy to shed a lot of those old ideas. I held on to them for at least two decades.

I’m glad that I have the capacity to be thoughtful—reflective. But sometimes I need to tell my inner-critic to just shut the fuck up already.

Here are both songs (and the full lyrics to “Precious on the Edge”).

Precious on the Edge lyrics

 

This cartoon is available as an 8×10″ print.


Sam Explains Avi’s Life to Him

Was flipping through pictures, looking for a piece that I don’t see all the time and settled on this one. It’s a cartoon I drew for my friend Avi. It’s about what a judgmental butthole I used to be. The text below it is from the same time as the cartoon.

"Sam Explains Avi's Life to Him." 5/28/13. Colored pencil and pen collage. 3.5x5".
“Sam Explains Avi’s Life to Him.” May 28th, 2013. Colored pencil and pen, collage. 3½x5”.

My first reaction to the Silver Sprocket Bicycle Club was something along the lines of “Fuck this hippy dippy, peace punk, Plan-It-X, fake community bullshit. This is one kid running a record label and trying to make it seem like more than that as a marketing tactic aimed at dorks who want to believe that their ill-attended costume parties and stupid fucking dance parties are somehow important.”

That might say a little something more about me than it does about anything relating to Silver Sprocket or Avi.

When I met Avi (2009) at the Basement House in Tampa, he was a nice enough sort, but I also found out that he was making these custom jackets (that he was selling for – I don’t know – eighty dollars? One hundred dollars?) I scoffed when I found out – if not out loud, then in my head. (Expensive clothing = not punk). I also remember hearing about his “business model” and about “presentations” he’d given to bands before putting out their records. This only confirmed my suspicions: not punk, not cool.

In spite of all this, I liked him. He was a geek and he had it all wrong, but I liked him. In the nicest way I could manage, I tried to tell him why the way he ran his label was wrong and the way I ran my label was right. My memory isn’t too clear, but I’m sure I sounded like a tremendous asshole.

Silver Sprocket may not be a bicycle club, but – as I’ve come to realize – it is more than a record label. Or – at the very least – it’s more than your typical DIY record label. Avi does things. He does things that other people are afraid to do. He has ideas and he follows through on them. He believes in fun. He’s not jaded and cynical. From what I can tell, he doesn’t worry about how other people are going to react to the things he does. I have a sneaking suspicion that Silver Sprocket is more profitable than your typical DIY label, but I no longer think that there’s anything wrong with that. The more well-adjusted I’ve become, the more I realize that my contempt was nothing but jealousy. He had something that I didn’t: self-esteem. And, from that, the courage to be innovative, different, and (most of all) really, really punk.

Punk.

 

And here’s an incredibly appropriate song (by a band with releases on both Silver Sprocket and Traffic Street)!

http://www.youtube.com/watch?v=I1a8UcGuf5M