Modern Art is Stupid; Everything Is

"Modern Art is Stupid; Everything Is." 1/12/14. Acrylic, spray, and watercolor paints, ink, oil pastels, food coloring, and charcoal. 60x40".
“Modern Art is Stupid; Everything Is.” 1/12/14. Acrylic, spray, and watercolor paints, ink, oil pastels, food coloring, and charcoal. 60×40″.

Artist’s statement (revised 4/2/14):

This piece was started in the last week of December and finished in mid-January, during the final days of my relationship with Heather. There’s a lot of emotional back-and-forth in it. On New Year’s Eve, I wrote:

If you’ve never walked the train tracks alone on New Year’s Eve, singing along (badly) to a song only you can hear and maybe – just once, in the course of that walk – thrown a fist in the air… Well – I don’t envy you.
I DON’T EVEN LOOK OVER MY SHOULDER ANYMORE.
Hit the pavement, light another cigarette. Life is beautiful.
I just jumped in the air and laughed. I’ve never even heard this song before.

The joy I felt in that moment soon gave way to dejection. I was walking to meet Heather to go out for the night. Our outing only lasted fifteen minutes or so, before she got mad at me, and I walked home alone in a very different state of mind. Hembrough called me around 2 AM. He was walking home along the tracks back in Sarasota. I laughed. “What am I doing?” he asked me, “Why is this happening? Because punk rock told me so, I guess.”

The next morning, I was feeling drained of any and all spirit. I wrote out two lists:

THINGS THAT MADE ME CRY TODAY:
(1) A Facebook post about the rain
(2) A pop punk song about resilience

THINGS THAT MADE YOU CRY TODAY:
(1) Me

A few days later, I added more text: “It gets better, it gets worse, it gets better, it gets worse. As soon as it’s good enough, it isn’t. Why am I so sad?”

Another day or two passed and Rational Anthem sent me the demos of their new eight-song EP that they were gearing up to record. One song in particular fucking wrecked me. The chorus begins: “I can’t convince myself that I’m happy.

Fuck. They nailed it.

The last lyric in the song repeats through the end. “Does it matter anyway?” I heard it differently though: “It doesn’t matter anyway.” If I had heard that song on New Year’s Day, I wouldn’t have just been crying, I’d probably have been bawling.

The song had a goofy working-title.  ”No,” I told Chris. “There’s nothing fucking silly about this song. It needs a real, honest title.” I told him to call it, “I Wish I Could Be Happy.” He, Noelle, and Pete took me up on it so that’ll be the title when the record comes out. Since then, it’s also been decided that my watercolor painting/cartoon, “Autobiography,” will be used as the front cover for the record (recaptioned with the album’s title, “Emotionally Unavailable”). (Before I move past punk rock, I wanna note that the album I was listening to as I walked on NYE was “The Constant One” by Iron Chic, and the song referenced in my list is “The Shades of Grey” by The Murderburgers.

The text about it getting better and getting worse was originally the largest caption on the canvas, but I decided to relegate it to semi-obscurity by rewriting it in pen in the shadows. I blocked out that original caption with a series of primary-colored rectangles. I liked them but they reminded me of what I guess I’d call the proverbial “modern art.” I don’t like to be so negative or critical as to suggest that any art is stupid (after all, I have no idea what goes into it or why the artist is making it) but – if I’m being honest – when I look at most artwork, I have the same response that I think most people have to art:“Um… okay.” Basically, I don’t get it. I’m not sure why I should care. I mean, if the artist is getting something out of it, then I think that’s spectacular (genuinely!) but I don’t think that that necessarily makes it worth my time or attention. “Modern Art is Stupid; Everything Is” is reflective of that attitude as well as the bad / hurt feelings swirling around my relationship and my general state of being as I painted this. It’s also part self-deprecation. After all (IN CASE YOU CAN’T TELL), this piece is itself a work of modern art. (And – depending on who you ask – thoroughly stupid!)

All of this sort of adds up to one big jumbled mess of emotion and incident. That’s what happens when my work on some piece spans two or even three weeks. Struggling with whether or not I should break up with my girlfriend, trying to figure out if I’m happy, walking along train tracks, pop punk, modern art, being an artist. I don’t know what’s what. I summed it up with one last caption along the bottom of the canvas: “This is one of them MAGIC EYE paintings. Look close, at just the right angle, and you can see… how full of shit I am.”



Status update (2/22/14):
Here are two photos of the painting, hanging in Ettra (the gallery in which it was sold).

IMG_5399
IMG_5396

I also got set up at Burrito Gallery in Jacksonville this week. I have twenty-one pieces on their wall right now, though I may add more. The exhibit will run through the first week of April.

IMG_5393
IMG_5392
IMG_5391

I’m posting this from Chamblin’s Uptown. A few of my pieces are still up on the walls here, though I’ll be rearranging and adding more later in the week.

And I still have plenty of new pieces that I’ve yet to share online. I’ve been incredibly busy though so I’m going to hold off until I have time to write up proper statements to accompany them.

Anyway, things are going really well so far as all my art nonsense is concerned. Breaking my lease and moving into a van might not have seemed like the most sound game plan, but I couldn’t be happier with how things have been developing. Life’s been going a mile a minute and I’m just doing my best to keep up. I’ll be in Jacksonville until the show at Burrito Gallery ends and then I’ll head north to try and line up a show in a new city. The uncertainty and instability of my life can get scary at times but it’s also really exciting and – more than anything – I feel grateful. And I feel free. I don’t have to convince myself that I’m happy today; I just am.

My first beard got long enough that I was starting to feel like the grimy "homeless" kid that I sort of am. This is me after cutting it off, while working on some graphic stuff at the laundromat last night.
My first beard got long enough that I was starting to feel like the grimy “homeless” kid that I sort of am. Here I am after trimming it last night, working on some graphic stuff at the laundromat.


I don’t know where I’ll sleep tonight or wake up tomorrow. I couldn’t even attempt to guess where I’ll be in a month. Life is uncertain and scary (sometimes). I just used “frozen yogurt” body wash and that’s really, really funny.

I’ve got six or seven hours to drive today. I’ve got more friends than I can count. There are a lotta people out there that love me and a lot of people that I’ve got warm, fuzzy feelings for that (I think) approximate (or
maybe even are) that same kind of love.

Hey, Jacksonville – if I’ve been sayin’ I’ll hit you up when I get back, that day’s right around the corner. I been gone so long but I’m coming “home” and it’ll be at least two weeks before I bail “for good” and move on to whatever’s waiting for me outside of Florida.

Check me out – talkin’ like I’ve got a clue! Making a “plan!” As if things have ever worked out as I thought they would.

Here’s what I do know: (1) I’ve got so many stories, dark/light, beautiful/fucked up, egocentric, and otherwise from this last month or so that I’m really excited to get back to writing (publicly) real soon. (2) I got a bunch of new art to compliment and round up all my stories. (3) Some of this shit’s gonna make people feel weird, some is gonna make me uncomfortable, but I’m committed to being honest about what I’ve recently been up to, experienced, and how I’ve felt about it. (4) Chris Hembrough is the best friend I could ask for and I wish I could take him with me. Spillane too (OBVIOUSLY) but I’ve gotten to connect with Hemmy in such an outstanding, positive way this last month.

Yesterday, there was a tragedy. I’m not gonna get into it just yet but I wanna say this: we didn’t need a tragedy for me to be writing this way. It’s been on my mind for two weeks already and while there were some beautiful moments in the aftermath of the accident, there were plenty more, long before anything went wrong and even in between the time of the crash and the time it came to light. So as fucked up as it strikes me to describe it as at all “natural” or “good,” it felt very much like a natural extension of everything that’s been happening. And I think it was good for both of us, at least insofar as the roles that it lead us into. It also prolonged my stay in the area for one extra day. Now that I’m off, we’ve both got our own adventures and trials ahead of us. I’m pretty confident that we’ll both be kicking the shit out of them.

Death and loss feel surreal sometimes, we can feel the pain of the people we love almost as intensely as our own. I’m not sure what I’m getting at so I’m gonna stop until I can take the time to process and write about everything that’s been 2014 so far, in a less stream-of-consciousness kinda way…

We live on quite a planet. Let’s celebrate.


Don’t know if I can keep up but I try god dammit.

Here’s the drum head I made for Rational Anthem. Adapted from my painting, “Autobiography.” (It’ll also be featured on all of their summer merch and their new record cover; more on that later though).

20140213-121717.jpg


What more could an idiot ask for?

6 AM. Walking home.
It’s 40 degrees outside and I still haven’t gone to bed.
Pineapple soda, a cigarette,
BRAND NEW RATIONAL ANTHEM playing in my headphones.

What more could an idiot ask for?

—–

I stayed up all night, clearing out my house,
Getting rid of the things in my life that I don’t need.
Some of it is really hard to get rid of.
I still don’t know if I’ll actually be able to part with my zine collection.
And (honestly) I haven’t even considered the records.
But I’m young, itinerant,
I’d rather not be weighed down by possessions.

Do you ever fantasize about your house burning down
And starting over with nothing?
I do.
I’m working to be okay with the idea that if something is important
It’ll come back to me.
I don’t need to cling to anything.
Or only to so much, in any case.

—–

Here’s a cartoon I drew in an Alcoholics Anonymous.
It was the second of three that night.
The third being My Favorite Cartoon.
This one’s not important.
It’s just about me,
Being a resentful little jerk-off.

"Broken Records." 1/15/13. Pen on scrap. 5x3½".
“Broken Records.” 1/15/13. Pen on scrap. 5×3½”.

There’s no way for me to explain what I was thinking when I drew this without sounding like an asshole. Which is okay – after all – sometimes I’m an asshole!

This kid was rambling on and every word out of his mouth reeked of “here’s some shit I heard some other clueless bastard say at a meeting, so now I’m gonna repeat it at all of you so that I can walk back to my halfway house confident that you guys will think I’ve really got a handle on this recovery thing.”

Which – who knows – maybe that’s me projecting. Or maybe it’s just me being bitter about some girl not paying enough attention to me. And – honestly – what the fuck should I even care? I guess it’s easy to fall into this kind of judgmental/negative thought when you’re compelled to go to more meetings than you’d otherwise elect to on your own. I might have needed that many at one point early on (or I might not have) but by this time last year, I was definitely ready to move on to the next phase. And within a month I had done just that.

Cool!

—–

Some (more recent) pieces on the subject of twelve-step groups are Save Yourself and Snowflakes Anonymous.


Another reason I love punk rock (and the world)

There was a little confusion at the printer and – after getting home – I had to turn around and go right back. I got everything sorted/fixed (free of charge!) and flipped on the new Iron Chic album, The Constant One, as I made my way home. I like to put off listening to albums until I have a physical copy and can sit down with it but it’s been long enough that I didn’t wanna wait anymore. (Money’s not too tight but tight enough that I’ve had to put off picking up a few records that I’d have otherwise bought by now).

The first song, “The End,” is a fairly ambient intro to the record and it was the perfect soundtrack as I made my way down the quiet little backstreets of Riverside. Under a perfect grey sky, I passed a kid sitting on the sidewalk with a book.

After just one minute, “Bogus Journey” kicked in and I had a thought about the guitar tone. It’s different, which is kind of cool. We don’t need to reinvent the wheel here but it’s nice when someone puts a little bit of thought into making something interesting.

But guitar tones aren’t really important. What is important is that I had a big grin on my face before Lubrano had even started singing. This song just sounds joyful. I became conscious of my smile and it grew even more. And then I laughed out loud. This is wonderful.

I love punk rock.

—–

Here’s a piece with the same kind of sentiment as Everything Works Out Exactly As It Should that I painted in March, as a gift for someone that needed it.

"Leaky Sinks and Stupid Fucking Garbage Disposals." 3/18/13. Watercolor and ink on canvas. 5 ½x13 ½.".
“Leaky Sinks and Stupid Fucking Garbage Disposals.” 3/18/13. Watercolor and ink on canvas. 5 ½x13 ½.”.

 

  • Iron Chic are building a discography out of the basic idea that life is ordinary most of the time. Buy their latest album, The Constant One, on CD or LP here.
  • I’m building a portfolio out of the basic idea that I don’t have to be a fuck-up anymore. Buy some of my art here.

Winter Colors

I could describe my day in a way that’d sound horribly tragic and it’d be totally true. Shit – I could frame my entire life in such a way that it’d sound really awful…

But… as much as I feel like a crybaby in this moment – as stressed as I am right now – I know that the other truth – the one in which my life is awesome and I’ve got nothing but good things to be grateful for… it’s a better story and it’s better for me. And like I said, it’s totally true.

So – with an eye toward focusing on the positive – check out how happy this kid is….

roberts-painting

 

And that’s from just earlier today!

I posted that photo on Instagram a little bit ago with the caption: “The (former) police officer and the KING OF THE SUPER PUNKS had a few disagreements when they first met last January. But *today* Robert bought a painting from his friend, Sam, who happily posed for a photo before he parted ways with the piece, less than 48 hours after its completion.” That was after Robert had posted it on Facebook with the caption: “I am now the proud owner of an original Sammy ThrashLife canvas! He is an intelligent (went to law school) and talented artist I’ve had the pleasure to get to know; he creates edgy works via stream of consciousness and drawing upon his emotions at the time.”

And all of that’s really awesome. It means a whole, whole lot to me. This little art thing I do… it’s my life. It’s saved my life. It’s brought people into my life. It’s made me a better person. It’s made it all worthwhile.

It’s what I do when I’m feeling down – to pull me out of that and get me back to a better place… it takes me places I never used to go.

Here’s one of my very first pieces, from November of last year; I made it one night when I was feeling especially depressed and suddenly (well, by the time I finished it HOURS after I started) I wasn’t depressed anymore.

"Winter Colors." 11/26/12.  Sharpie, colored paper, kids paint, pencil, hair dye, and glue. 12x18".
“Winter Colors.” 11/26/12. Sharpie, colored paper, kids paint, pencil, hair dye, and glue. 12×18″.

In the past, when I’d felt as I did that night, it was an occasion to do way too much heroin. A few times in an attempt to fatally overdose, other times to just not have to exist for a little while. But – you know – I was in rehab so it seemed like the thing to do would be to maybe just create that image. It’s a mixed media collage – can you see the little cartoon syringe that I drew and glued onto my arm? The caption says, “Is blue a good color on me?”

Here’s a song I like a lot.

http://youtu.be/c0cxrA3dTv4

“Rejoice despite the fact this world will hurt you. Rejoice despite the fact this world will kill you. Rejoice despite the fact this world will tear you to shreds. Rejoice because you’re trying your best.”Andrew Jackson Jihad

—–

Numbered, signed, and sealed 12×18″ prints of Winter Colors are available in my webstore.

If you’re interested in the original piece, please get in touch.


Happy, Joyous, and Free b/w Give Us Your Blood

"Give Us Your Blood." 1/19/13. Charcoal. 12x8½".
“Give Us Your Blood.” 1/19/13. Charcoal. 12×8½”.

I’m still riding the high of that sale from last night. On top of that, I was carrying a couple of paintings into Sun-Ray when someone asked if they could take a look.  It’s not in stone or anything but it looks like, from the brief exchange that ensued, I might have another opportunity to show some pieces in a pretty great location in January. And I still have two other offers on the table (to display some work) that I haven’t taken advantage of yet just ’cause I was busy, outta town, sick, and then busy again. So things are going really well and I’m pretty excited. And really grateful.

Oh – and how could I forget… My mood wasn’t in the slightest bit hindered by the arrival of a veritable shit ton of records and zines today!

records december 13th

I’m really excited about all of them but especially the Teenage Softies 7-inch. Like the Brokedowns / Vacation Bible School split 7-inch and the Humanoids LP that I’ve mentioned here before, this was one of the records that was slated to be released on Traffic Street (my record label) before I crumbled and gave it all up.

"Happy, Joyous, and Free." 1/19/13. Charcoal. 8½x12".
“Happy, Joyous, and Free.” 1/19/13. Charcoal. 8½x12″.

The whole EP is great, but I think the opening track might be my favorite: “If your life is easy, you got caught in their trap. Distracted like monkeys, living life flat on your back. But if you’re working for some asshole then you’ll understand that life’s not that easy – so what about getting ahead? If you’re looking for a solution, it’s not to fuck it all up. If you’re looking for a solution, it’s not to give up. So just do what you can to get by. You’re the one that can change it this time. Stay with it.”

—–

The two drawings in this entry were products of an Alcoholics Anonymous meeting, early on a Saturday morning last January. Give Us Your Blood was inspired by some asshole giving my friend a hard time; it says: “we are insane (and mean) and we’re here to help – give us your blood.” Happy, Joyous, and Free was my second attempt (following Pulp) to draw a more realistic kind of portrait. I only had one sheet of paper folded up in my coat pocket, so one is on the back of the other.

I don’t remember the exact details of what was said to my friend that morning, but I do remember something else that the same guy had said to me after I shared/spoke at that meeting for my first time (after having gone every Saturday for several months). “I hope you make it. I doubt that you will, but I hope you do.” Some of my friends thought that was pretty fucked up but I didn’t think much of it at the time. I kind of liked it actually. (Although – in hindsight – what purpose is a statement like that supposed to serve?) But like I was saying, I liked it just ’cause it was brash, insulting, and honest.  After all, most of us don’t / aren’t going to make it, so it made sense for him to doubt me. Shit – especially me. Very, very few people ever thought I’d do anything besides die with a needle in my arm. (And – in their defense – there’s still plenty of time for me to prove them right). I remember in March of last year (in between inpatient stints) I picked my girlfriend up from her first outpatient session with a therapist she had started seeing while we were still in treatment. The therapist knew me so I asked my girlfriend if she had given her any advice or had any thoughts concerning our relationship. “She says there’s a 99.999% chance that you’re never going to get it and that you’ll die an addict, more likely sooner than later.” I cracked up laughing. She didn’t know me that well! I was a little shocked she’d make any kind of a statement so bold. I asked her (the therapist) about it at some point shortly thereafter (we’d talk a little after some of my girlfriend’s sessions). I told her what I had heard and she just kind of smiled and shrugged at me. “Prove me wrong,” she said.

No sweat! (So far, so good).

—–

Go check out my store!!! It’s got cool stuff in it!

If you’re interested in these drawings, I’m interested in selling them to you. Hit me up.


Give Me Money and Praise

"Give Me Money and Praise." 2/24/13. Acrylic paint and ink on cardboard. 14x6".
“Give Me Money and Praise.” 2/24/13. Acrylic paint and ink on cardboard. 14×6″.

I made this on the day that I first tried to sell my artwork. It’s kind of embarrassing. Beneath the bolder caption  is some less legible text: “Fill your arms with paint. Sorry. I fill my arms with paint. Or I want to anyway. Um. Metaphorically. This thing is kind of cool. I guess it is what I thought it’d be. I feel selfish though. Like I’m not watching the other bands.”

Translation: Dumb phrase that sounds poetic. Apology for not speaking in the first person (as we’re taught in treatment). Analogy about using artwork in place of heroin to manage my anxiety. Craft Fest [in St. Pete] is kind of cool and about what I expected it to be. I haven’t looked at anything any of the other people are selling at their tables and I feel guilty in the same way I might if I were playing a show and didn’t go inside to watch any of the bands before/after my own.

I felt weird about all of that so I decided to just write out my bluntest, most human feelings on top of it: “Give me money and praise and I’ll give you this.”

"Beachtown Graffiti." 2/14/13. Mixed media. 33x13".

Fun facts: On that first day, I did sell a few pieces: Why I Fail, Clarity, and – my favorite at the time – Beachtown Grafitti. A few others too. I do okay, huh?

—–

Status Update (December 12, 2013)

“Snowflakes Anonymous.” 11/22/13. Acrylic, watercolor, and spray paints, food coloring, markers, pen, resin sand, cardboard and EBT card – on 24×30″ stretched canvas.

Alex and I went to go see the “Everything is Terrible” holiday show at Sun-Ray tonight. When we walked out of the theater, there was a big gaping hole on the wall where one of my paintings once hung. I asked what happened and was handed an envelope with more money in it than I’ve ever been given for a single painting. Somebody bought it right on the spot and gave instructions to tell me that I’m “an international artist now” because it’s going in their home in Paris. So that’s pretty fucking awesome. And (like Beachtown Grafitti) – at the time of this one’s sale – it was also my favorite: Snowflakes Anonymous.

I’m really wrapped up in a “project” right now that’s costing me a lot of money and won’t pay anything (it’s not for me – it’s for some people that I care about). I was stressing about it earlier today but just told myself that it’s a nice thing to do and I don’t need to get all nervous because I like to believe that things will always work out when I’m making good, positive choices. And then this happened tonight so… Life’s kinda cool, right?

—–

Here’s a song that’s rad as fuck.

—–

Numbered, signed, and sealed Give Me Money and Praise prints are available in my webstore. If you’re interested in purchasing the original, get in touch.