Where Do Rats Go When They Die?

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Minneapolis has been on my list of cities to hit. Cleveland Bound Death Sentence reuniting to play Extreme Noise’s 20th anniversary seemed like a good excuse to be impulsive, bail on Asheville, and spontaneously trek halfway ‘cross the country.

We overnighted in Lexington and Chicago along the way since CBDS doesn’t play ’til tomorrow afternoon. We’re just pulling out of Chicago and making our way north now. 11 PM is a little later than I’d like to be heading out but we don’t operate on a schedule and it’s hard to walk out of Dave and Mike’s place. I just have too much fun with those kids. They definitely come across as jaded, grumbly, curmudgeonly old men (who are actually five years younger than me) but that’s also definitely part of their charm, since they’re secretly some of the warmest, funniest kids around.

I met Dave in the Baltimore punk scene – mostly around Charm City Art Space – back when we both lived out that way. And he met Spillane when I recruited both of them to come on tour with me and Rational Anthem back in 2009. Neither of them had even been on tour before and this one was TEN WEEKS long. (They’re both fucking warriors after surviving that thing).

I met Mike that same year. His band had just recorded their first demo and a friend in Ohio tipped me off, thinking I might be interested in them for Traffic Street. Their first tour included a house show somewhere in Maryland. I went out to meet/see them and brought ’em back to DC for a day or two after. We’ve been friends ever since.

So the plan was to hit the road earlier in the day but we stuck around ’til now, doing mostly nothing, just joking around, having fun. We did go out to Logan Square for a few hours though and I got to finish my latest painting (“Something to Cry About,” which I’ll post later in the month). Anyway, one joke led to another and I wound up giving Dave his first tattoo. It’s on the front of his right thigh, just a couple inches up from the knee. The caption comes from something Mike said this morning in a sleepy haze: “Where do rats go when they die? I don’t mean, like, in a spiritual sense…”

I’m looking forward to coming back to Chicago real soon.


Art Intervention (in the Life of Kendra Sheetz)

Sick of paintings? Today’s piece is a SHORT FILM. Well, it’s a video… But the video isn’t the art – it’s just how I’ve chosen to document and present the art) to anyone that wasn’t fortunate enough to witness it firsthand at Dave Strait Fest last Saturday. Enjoy!

http://youtu.be/eIGRMSNPLF8

“Art Intervention (in the Life of Kendra Sheetz).” August 17th and 25th, 2013.

Update (five hours after posting):
I’ve now been called “douchey” for this video. If anyone thinks this comes across as “frat boy bullshit,” you obviously don’t know me and haven’t taken the time to read anything else on my site. This *joke* is at Chris’s expense. I frame this as a sex thing (rather than a schoolboy crush) to belittle Chris – not Kendra. Because that’s what’s at the root of any crush developed before really getting to know a person. He didn’t come to me and say, “I wanna fuck Kendra.” He said that he had a crush.

I know where my heart’s at. I know what my intentions are. I’m not objectifying anyone. This is a funny little social experiment, inspired by a female friend’s plan to do something similar. If you think we’re sexist, let me assure you that I’m really happy for you. Congratulations on constructing a black and white world to live in as a humorless butthole.

I hate that I’m getting defensive, but I’m frustrated. Who knows? Maybe I am wrong. Maybe I did cross some line of propriety. I don’t know! I’m imperfect. Is it possible that what I thought was funny and satirical wound up being exactly what I was trying to poke fun at in the first place? (The whole enterprise of “hitting on” girls). It’s possible! Like I said – imperfect!

But I stand by this. Either as exactly what I wanted it to be – or as evidence of my own defects. It is what it is. I’m happy to say though that – thus far – all these questions were sparked by the dissent of just one person. Everyone else that’s seen it (that’s expressed an opinion anyway) has enjoyed it. I hope that continues to be the case. It was meant to be funny – to make people smile. Not to bum anyone out. Hopefully this statement will mean something to anyone that’s on the fence, not knowing what to make of it.


Tour photos / wrap up

After the show in Valdosta (which was just Rational Anthem and Johnathan Coody of Ninja Gun), I drove the van back to my place in Jacksonville, where we spent the night. The rest of the crew left around noon and I’ve spent the day kind of catching up around here. Did some yardwork, started to replace the blurry images (in all of my posts made from the road) with high-res ones. I should have that done by tomorrow, at which point I’ll also add them all to the Gallery page.

I don’t take a lot of photos, but here’s what I got.

The floor of the van. We are children.
The floor of the van. We are children.
This firework had no fuse, but I figured if we enveloped the whole thing in fire, that ought to do the trick. Zack gathered up some junk mail and made it happen.
This firework had no fuse, but I figured if we enveloped the whole thing in fire, that ought to do the trick. Zack gathered up some junk mail and made it happen.
Here's the aftermath. We set it off underneath an awning in front of a business, rather than in the street. Because we're real smart guys.
Here’s the aftermath. We set it off underneath an awning in front of a business, rather than in the street. Because we’re real smart guys.
Lipstick Homicide's front porch. I just really like that skateboard.
Lipstick Homicide’s front porch. I just really like that skateboard.
I was pretty bummed when my huge Evan Wolff poster got thrown out when I got evicted (while in rehab) in December 2011. Evan's playing in Tight Bros now though, so I saw him all weekend and he traded me a new poster for an "I Can't Compete With Harry Potter" print.
I used to have a different one until it got thrown out while I was away in rehab in December 2011. Evan‘s playing in Tight Bros now though, so I saw him all weekend and he traded me a *new* poster for an “I Can’t Compete With Harry Potter” print.
I lucked into two awesome trades in one night. Brett didn't have anything on him in Des Moines, but The Heat Tape were on the Carbondale show, so I let him snag my "I Don't Go Out Much" cartoon in Iowa and he brought me these the next night in Illinois.
Two rad trades in one night. Brett didn’t have anything with him in Des Moines (where Rational played with The Copyrights), but The Heat Tape were on the bill in Carbondale, so I let him snag my “I Don’t Go Out Much” cartoon in Iowa and he brought me these the next night in Illinois. (Going on tour / punk rock is awesome).
St. Louis.
Driving into St. Louis.
I was down the street from the Triple Rock (not especially dressed) when Mike Cranberry walked up with a ridiculous leather jacket and told me to try it on. Because I didn't look like enough of a creep to begin with.
I was down the street from the Triple Rock (not especially dressed) when Mike Cranberry walked up with a ridiculous leather jacket and told me to try it on. Because I didn’t look like enough of a creep to begin with.

I guess that’s it for now. But speaking of Mike…

And if you’re tired of my nonsense, those links in the photo captions will take you to Brett and Evan’s websites, which both have a bunch of their art online.

More tomorrow!


I’m Building Up to Something

I once pitched “Another Successful Human Interaction” as a song title to Chris (for Rational Anthem). That’s the phrase that’s in my head again right now. I’m sure it’ll strike anyone that knows me as pretty absurd, but (as if I hadn’t covered this just earlier today) I get nervous in social situations sometimes. And when I have conversations that I can walk away from without feeling embarrassed, I feel proud of myself. Self-esteem requires a lot of maintenance, but (having a little bit these days) I can… it’s… I don’t know. I guess what I wanna say is that I’m able to use it to build up more. Just by having *some*, I’m able to develop more.

And it’s an easy slip, a fast fall, back to zero, but it’s not *really* zero anymore, even if it feels that way sometimes.

The Slow Death are playing soon and I’m excited to see them.

Just now – wanting to include a piece of art in this entry since I’m trying to get it all up on the site, piece by piece – I checked to see what I had photos of on my phone. This one seems appropriate.

"I'm Building Up To Something." 6/3/13. Crayon and digital. 8x10".
“I’m Building Up To Something.” 6/3/13. Crayon and digital. 8×10″.

I drew this with crayons in group back when I still lived at Tranquil Shores. Later, I played with it on the computer and turned it into something else. When I get home, I’ll add a photo of the original to this entry (if I have one, which I may not). In either case, I’ll upload a bigger picture of the “computerized” version. (That’s something I’ll have to do with everything I’m posting from the road). I can’t recall the specifics of why I was drawing in group on the day that I made this because I don’t know what day that was. Again, when I’m home, I’ll look into it. But I remember feeling a little inadequate, but – at the same time – a little hopeful. Like, “I may not be much now, but… you’ll see.” I guess I could call it a “letter to my detractors” of sorts. And – as noted – the original is entirely crayon – which I think is sort of perfect for this. I could call it “naive,” I could call it “immature,” but I’d rather call it innocent. I like that.


The Day I Sold Out For Nine Dollars

Everything went extremely well today, but I’m feeling a little uneasy at the moment. Luckily, I have some time right now and (later tonight) I’ll get to see three of my favorite bands. And I’ve got a lot of great friends. Speaking of which, two of them offered to pay me for a quick sketch today. Here’s my cartoon Megan and Servo.

"The Day I Sold Out For Nine Dollars." 8/17/13. Pen and (dry) watercolor pencil. 5x7".
“The Day I Sold Out For Nine Dollars.” 8/17/13. Pen and (dry) watercolor pencil. 5×7″.

(Satanic Torture) For Andy

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“(Satanic Torture) For Andy.” 12/18/12. Pen on scrap. 3×4.5″.

Ritual satanic torture is the #1 cause of death among Americans aged 4 to 14.

After the Sandy Hook shooting, a friend of mine overheard someone say that “more kids are probably killed each year by ritual Satanists than by guns, but you never hear about that on the news.”

I thought it was funny so I drew this cartoon later that night (while sitting in a twelve-step meeting). I’m really good at recovery.

—–

Status update: Everything’s going really well so far at Dave Strait Fest. It’s been a good night. I just had to creep away for a minute (as I sometimes do) to “recalibrate” a little bit…. I’ve got plenty more to say, but I think I’m done being an awkward, antisocial weirdo (for the time being) so I’m gonna pop out of the shadows and get back to it.

Sealed prints are available in my webstore. "For Andy" print [image]


Spotlight on Mental Illness

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“Spotlight on Mental Illness b/w Drink Bleach + The Barney Generation.” 4/27/13. Acrylics and ink. 12×12″.

I made this piece on the least successful of my four art-fair-days back in St. Pete. The text on the left says, “Nobody likes me, everybody hates me, guess I’ll go drink bleach.” From the top, it’s a little more sincere.

Embarrassingly so, actually. It says, “I think I’m special and that my artwork is really different and really great. I think my story is really interesting. I don’t know how much of that is self-esteem, how much is pride, and how much can be chalked up to my being a member of the Barney generation. I get really impatient though. I suffer from the same sense of entitlement as the other brats my age.”

Went to the Hexagon last night for the first Dave Strait Fest show. It was cool and it was fun and it was really great getting to see a lot of the people I haven’t seen in the last two years. Everyone was really sweet and supportive and – though it shouldn’t have – it made me a little uncomfortable at times. Not because of anything that anyone said or did, but my own response to it. It’s still hard sometimes for me to receive that kind of support/encouragement/love. I wanna say “thank you” because that’s how I feel – I feel grateful. But at the same time, I still struggle with whether or not I really deserve that kind of love and support so I get kind of awkward and sometimes sort of dismiss it with a shrug and a little self-deprecation. I need to be more cognizant of my behavior in those situations and force myself to respond authentically and gratefully.
I saw Ryan, one of my best friends from when I was living in DC. He invited me to come hang out with him at Extreme Noise today, but we’re staying on the outskirts of the city so I’m not able to get over that way until we all head out for the show tonight. We talked a good deal last night though and, at some point, he mentioned the “Diazepam” painting/blog entry. No one said anything when that went online, but it made me realize that more people probably saw it and were affected by it then I thought. I think I might have alienated some people with that. I think people were/are disappointed in me for that slip. But it happened and I’m glad that I was able to be honest about it, even if it is damaging to people’s impressions of me. I’m not proud of my behavior that day but I’m not upset that it happened either. It is. It’s real. I’m not perfect and while I’d like to be the shining-star-success-story that everyone can be proud of… this is real life. It’s not a narrative in three acts with simple conflict and resolution. Sometimes the path winds, sometimes things get messy.
None of this is to suggest that Ryan made me feel this way. It was just in his bringing it up that I got to thinking about it. Sometimes I’m so caught up in each new day that I forget that I have a past and that certain impressions from different days will last longer than the time between each post to my website. And – let’s be real – I’m talking about something that happened two weeks ago. It may feel like a lifetime to me, but – really, in some ways, it might as well have been two days ago.

I don’t want to take my focus off of myself, but there were two people I saw last night that … sparked different sorts of thought or concern. (A luxury for someone like me, I know). One, a close friend; the other, an acquaintance. I journaled a lot about it last night, but I don’t think there’s any way to share any of that without compromising somebody else’s privacy.

I know I’m not the champion of mental health, but I’ve got a little something and it makes me sad when I can’t give that to someone I care about. I wish there was more that I could do to help. Maybe there is, but I don’t know what it looks like. I might have to risk hurting some feelings for the sake of honesty. That’s being a better friend than keeping my mouth shut and letting someone fall apart without so much as a word. I’m not talking about “calling anyone out” but just genuinely expressing real concern. I need to tell the people that I care about that I care about them.

Anyway, I’m doing well and I’m looking forward to the rest of my day, which has already been nice so far. Andrea, Mike, and I went to the grocery store and brought back a feast of a breakfast, which Pete, Luke, and I then cooked up. Right now, everyone’s just resting up for tonight or doing their own thing. We’re staying at Natalie’s house with Servo and the Lipstick Homicide kids and it’s really nice and relaxed. It’s pleasant. Sometimes, on tour, in someone else’s home, it’s easy (for me anyway) to feel like an imposition or intruder, but Natalie does a great job of making everyone feel welcome and at ease.


Hit me up if you wanna buy this painting (assuming no one else has yet) or a 12×12″ print.