Peeing in the Pool (of Tears (You’re Drowning In))

“Peeing in the Pool (of Tears (You’re Drowning In))” 1/4/25. Acrylic paint. 18×24″.

Trans women are women. Trans women aren’t women. It shouldn’t take longer than 30 minutes for a restaurant to serve a customer after their order’s been placed. JESUS CHRIST DIED FOR OUR SINS.

People have all kinds of beliefs. But at the end of the day, they don’t fucking matter. They are of absolutely zero consequence. I see people twisting themselves into knots, making themselves sick to their stomachs over their beliefs, just about every day. It’s fucking stupid. It accomplishes nothing. Sure – some beliefs are a little more valid than others (AT LEAST ACCORDING TO ME) but they’re rarely – if ever – anything to lose sleep over.

I’m pretty self-absorbed. So when I see someone flipping the fuck out because reality isn’t honoring some belief of theirs, I can’t help but think, “Don’t you have any real problems to be upset about?” It’s like that expression: “rich kids care about politics.” In order to be heavily invested in shit that doesn’t directly effect you, you’ve either got to have a pretty problem-free life or else put your own problems to the side.

I’ve written before about a time in my life when I would keep up with world events and get pretty emotionally invested in issues like war, or access to clean drinking water, or – whatever. (And – DON’T TELL ANYONE but – if I stumble onto something like those recent Gaza videos (children getting killed in war zones, or other shit like that) I’m probably still gonna cry). But I recognized a long time ago that that’s not doing me (or anyone else) any good. So I try not to focus on that sort of thing anymore.

If someone has the ability and will to dedicate themself to solving some problem for the sake of other people’s safety or health, that’s great. Anyone that’s actually doing good in the world, I commend and thank you. But for everyone else, it’s just not worth the emotional energy to stress over things you can’t control. And when people are losing their shit over things that TRULY don’t matter (or in many cases aren’t even fucking REAL (like last year’s “Haitians are eating cats and dogs”)) that’s when I start having thoughts like, “I want everyone who believes in anything to drown in a pool of their own tears that I can swim (AND PEE) in.”

So does that mean that I don’t believe in anything? Of course not. I believe that people should treat each other with respect. I believe that everyone (regardless of what country they’re born in) should be equal under the law. But I’m a fucking basket case. It’s a full-time job just to keep me from killing myself with drugs or otherwise hurting myself. I’m thoroughly preoccupied with Sam. So – for the most part – anything beyond my control is none of my fucking business or concern. I try to take care of my own shit, I try to be a good person, and I don’t fucking stress about it when other people don’t do those things. When I’m doing well and I’ve got money, will I maybe make a donation here or there? Sure. Even when I don’t have money, will I maybe give away what-I-do-have to some random person who’s even worse off than me? ON OCCASION. But it’s not doing anyone any good for me to be arguing on the internet, screaming at a town hall, or losing my mind because something didn’t go my way – so I don’t. (And if you do, I’m going to laugh at you).

And make a snarky painting about it. ‘Cause it’s important to have fun. I REALLY BELIEVE THAT.

(Just kidding).


Because I’m TERRIFIED TO SAY ANYTHING CONTROVERSIAL ON THE INTERNET, let me just really clarify my intent here: This painting is not truly making fun of people who have beliefs – only those who get OVERLY EMOTIONAL about their beliefs. The painting’s caption (“I want anyone who believes in anything to drown in a pool of their own tears – that I can swim (and pee) in“) is only phrased as it is because it’s more fun that way. Being a nihilistic little shit WHO DOESN’T CARE ABOUT NOTHIN’ is fun.


I finished another painting between this and “She’s Cut With Xylazine” that I haven’t yet shared because it’s much larger and, consequently, more difficult to photograph properly. But that is COMING SOON. I also know that I failed to keep my promise to write the statement for “Things You Can’t Come Back From” by the end of 2024. But I have a TO-DO LIST APP on my phone now and that’s right at the top of it so… maybe I’ll get to it by the end of 2025. (I kid, but that one is really tough to write about; I’ve gotta be in a really good frame of mind to tackle something like that). In any case, prints of “Peeing in the Pool” are now up in the webstore. I had an event cancelled on Sunday so could USE THE INCOME if you’d like to pick one up.

Oh! Hey! Speaking of events, I have my first (well, first since I started back up anyway) gallery show booked! It’ll open on February 8th at the Love+Art+Repeat Gallery on Central Avenue in downtown Sarasota. More details on that coming soon!

And here are all the events I have scheduled at the moment…

  • February 8: Sammy thrashLife solo exhibition, opening night (Sarasota)
  • February 9: Love Yourself wellness market (Sarasota)
  • February 16: St. Pete Sunday Market (St Petersburg)
  • March 7+8: Village of the Arts artwalk (Bradenton)
  • March 9: Tropical Soirée artwalk (Sarasota)
  • March 15+16: Punk Rock Flea Market (Sarasota)
  • April 13: Spring Market & Artwalk (Sarasota)

I’ll put up a calendar soon with more details (and even more events) but, in the meantime, I’m sure you can find details on THE GOOGLE or you can always contact me with any questions.

It also occurs to me that it’s been a minute since I really shared much about what’s going on in my everyday life (and there’s been a LOT) so let me catch you up…

I did my first public event (in more than 9 years) in the last week of November. Since then, I’ve been getting out pretty regularly. Aside from one underwhelming night and one underwhelming event, it’s gone really well so far. I was so scared to get clean and try to rebuild this Sammy thrashLife thing that essentially is my life, but – at least so far – I’ve been very pleasantly surprised. Not only have I been making enough money to support myself, I’ve been meeting lots of people and finding lots of opportunities to do more and more out in the world. (The aforementioned gallery show, so far, being the most exciting of them).

I also bought an RV! Remember years ago when I was doing this art thing all across the country? Well this vehicle will set me up to do that again. Because of my commitment to my grandparents (who moved to Sarasota to be closer to my dad, only for him to suddenly die shortly thereafter – leaving me as their only family in the area), I likely won’t be making any trips that are too long or too far for now, but I’m still excited to get out and do as much as I can.

When I bought the RV, it was barely running and not in great shape but I’ve been working really hard on it (and paying people to do the jobs that I can’t handle myself) and it’s really coming together. It was initially a shuttle bus that someone else had mostly converted to an RV but then given up on before finishing. It has a bathroom (with shower, toilet, and sink), a tankless water heater, and a kitchen (with a sink and a propane stove) – NONE of those were working when I got it; now they all are. I also got an electrical system installed with a small battery and electrical outlets so I can plug in and charge my computer, phone, etc even without the engine running. I put a new mattress in. I built a custom rack to store my paintings. I sealed up some leaks and cracks in the roof/exterior. I’m almost finished with the walls of the bathroom (some of which were incomplete) and sealing the shower so that water doesn’t get out and damage the walls or floors. It’s been (and continues to be) a huge undertaking but when it’s all finished, I think I’m going to have something really cool that I’ll be able to be kinda proud of. It’s still not got air conditioning or heat at the moment and I also need to get and install a ladder on the outside, a rack for my easel, and a platform for the generator (that I’ll also need to buy so that I can recharge my electrical system/battery, and power the A/C once I get that installed) but – seeing as it could only drive 15mph when I got it and had NOTHING working inside, I’m really happy with the progress so far.

I suppose that’s all for now. I’ll share pictures and/or videos of the thrashBus once it’s all done. (HAVE I MENTIONED THOUGH THAT YOU SHOULD FOLLOW ME ON TIKTOK? And check out the short video I posted there about this painting’s secret).

As always, thank you for taking the time to read this – and thank you to everyone I’ve met recently that’s offered me an opportunity, hosted me at an event, or bought my artwork. I really can’t express how much all of it means to me. I don’t even wanna imagine what my life would be like without all of you.

And – as much as I hate to cheapen that sentiment by following it with a commercial plug, I did wanna end this post with a special offer exclusive to the people who actually read the blog. (I won’t be advertising this anywhere else). Use the promo code W!NT3R for 25% off any/everything in my webstore.

That’s everything. TALK SOON 😜


I Look Cool Doing It

"I Look Cool Doing It." 2/20/14. Acrylic paint. 18x24".
“I Look Cool Doing It.” 2/20/14. Acrylic paint. 18×24″.

I used to care about stuff. These days, whenever I hear someone railing on about how this or that is bullshit or a scam or [whatever], I just kinda roll my eyes. “Get some real problems,” I’ll think. “Isn’t there anything going on in your own life worth being concerned about?” I’ve only got so much emotional capital and I’m definitely not investing it in some shit that has zero bearing on my day-to-day. And (of course) I’ve got my own principles, but I’m not about to start preaching to other people about what they ought to support, not support, believe, or not believe. Again – I GOT ENOUGH GOING ON RIGHT HERE. I don’t have the time or energy to waste on trying to change or influence somebody else. Besides, I’m pretty sure that the most positive effect I’ve ever had on the world has been through my art and my writing, which I do for my own benefit but which seems to positively impact other people as an added bonus.

On another note: I’VE BEEN FUCKING A LOT LATELY. I’m getting a lot of attention from girls. It’s probably going to my head a little bit. There are still plenty of times when I’ll catch a glimpse of my reflection and get pretty bummed out about the way that I look but for the most part I’m pretty pleased with myself these days.

I painted this while I was selling prints at the opening of a new art space in St. Augustine. It’s been a really long time since I spent less than ten hours on a painting, but I’m pretty sure I wrapped this one up within an hour or so. If I’m being honest, it was half expressive art and half “hey, girls! look at me! come talk to me!” Even still, I’m pretty happy with it.

I chose to use only the second half of my caption as the title because (by itself) it’s sexually suggestive but silly. That line underneath the body was originally meant just to distinguish one leg from the other but I left it as is ‘cause it kinda looks like it’s meant to be a dick. That works too.

—–

This painting is already up as part up my exhibit at Burrito Gallery in Jacksonville, FL. By tomorrow afternoon, it’ll also be available as a 12×16″ print.

Speaking of prints, I set up at Rain Dogs to sell last night (thanks to my buddy, Mike, who does art under the banner of Hood Rat Shit). I just found out that Chris Wollard and Jon Snodgrass are playing there tonight, so I might try to go back and do the same. Here are some photos from last night though.

1619395_807522342611158_445789525_n
“Art by Sammy thrashLife. Buy something or don’t. I live in a minivan – NOTHING MATTERS.”
1798444_807545605942165_525637003_n
Gauging by the Facebook/Instagram reaction, it seems that I find this sign to be FAR MORE HILARIOUS than most people do.

Snarkiness, pride, self-deprecation, vanity, whatever… all that shit aside – I really do have fun. And I really am grateful. I couldn’t ask for anything more than what I’ve got. And when I think about all the people that have been so supportive of me recently – personally or in just buying my work – it really is humbling. I feel like I’m in a pretty good state of being, even if it is a delicate balancing act sometimes.



Give Up, Sniff Glue

It was my first expressive art therapy group after Tranquil Shores readmitted me. The theme was grief / loss… and I chose to paint a giant glue bottle, chasing down some kids, trying to get them to sniff him… (I had my reasons – and I’ll get to them, I promise). It was a scene I remembered from a cartoon we watched in fifth grade. It’s stuck with me not because it was effective but because it was so incredibly stupid and condescending – even to eleven year olds! We laughed through the whole thing. It was a big dumb joke.

"Give Up, Sniff Glue." 10/24/12. Watercolor, pencil, and pen. 12x18".
“Give Up, Sniff Glue.” 10/24/12. Watercolor, pencil, and pen. 12×18″.

Regarding anti-drug messages – in the short span between my discharge and return, I received some that were just slightly more powerful. I called a friend that had been my regular dealer whenever I was in Sarasota. She said she was in the hospital.  Chris and I picked up some things for her and went to visit. After a particularly strong shot of heroin, she had nodded out at the wheel and flipped/rolled her car. Her scalp was torn off, her teeth were knocked out, her neck was broken, and her body was filled with broken glass. She survived but it definitely didn’t seem to be a “what doesn’t kill you, makes you stronger situation.” What didn’t kill her left her a fragile mess, now forever at risk of paralysis or death.

Later that night, I saw something cryptic on Facebook that seemed to imply the death of my friend, Mitch. That familiar flood of panic and dread rose up through my body and swelled into my head. I called a mutual friend in Delray…

“Taylor?”
“Hi, Sam.”
I struggled to get the words out. “Is… um – is… is Mitch… ?”
“Yeah. He is.”

PHWOOSH.

(You know the feeling…)

I had only met Mitch nine months prior; he wasn’t my best or oldest friend. But we had been in the same “small group” at Wellness Resource Center and had gotten to know each other really well. I liked him a lot.  And there was another reason his death affected me as it did – a reason that didn’t really have anything to do with Mitch or my relationship with him, but that hit me on a really deep, personal level. I’ll save that for another time.

Drug addicts (particularly heroin addicts) die. And those that don’t – by virtue of their association with other addicts – get to witness a lot of death. But death isn’t the only kind of loss (it’s just the most permanent). I lost a lot in the midst of my addiction. A relationship with the girl I was about to propose to, my record label (which was sort of my whole fucking world), my integrity, and plenty of friends – to death and otherwise. So why was I sitting in expressive art therapy group (during grief/loss week), painting this stupid cartoon bottle of glue? I had my reasons, but I still felt pathetic.

I grew up as a snarky, cocky, little fuck. I had all the answers, I knew all the tricks, and I was always ready with the cynical, witty little quip. But now… now I had to be… something else. Desperation forced me into a corner where the only choices were to change everything or die. I was gonna have to look at the world with a new set of eyes and address it with a new tongue. If everything isn’t shit – and I’m not the shitty little kid – then what is it? And who am I?

The loss I was grappling with at that moment – and I mean really grappling with – was a loss of identity. Or a perceived loss of identity in any case. I was extremely grateful to have had the epiphany consequent to my discharge; I was really grateful to have been readmitted to Tranquil Shores. I was feeling upbeat, optimistic about the future, and sort of (dare I say) happy. And that was really fucking my shit up. I was friendly, and positive, and I felt like the biggest impostor on the planet. I wasn’t pretending, I wasn’t faking — but I felt like I must have been and I just didn’t know it.

At some point in that first week back, I actually asked everyone in group: “Be honest with me. Please. The way that I’ve been since I got back – positive, smiling, all that – does anyone think I’m full of shit? Like – does anyone suspect even a little bit that this is an act? You can tell me. I’m not gonna be upset.”

“Sam, there is one person who doesn’t believe you,” Tracy said.

I knew it! There was no way at least one of my peers hadn’t gone to a counselor to complain about the way I was acting. After all, this “transformation” was unbelievable! How could anyone buy into it? But was Tracy going to actually out this person? Unlikely but maybe this would goad them into coming forward themselves.

I nodded: “It’s okay, I understand absolutely.”

“It’s you, Sam. You’re the only one that doesn’t believe you.”

How did I not see that coming? I just kinda shook my head. “Okay. I guess if… I don’t know.” I shrugged my shoulders. “Seriously though? Nobody else?”

Everyone assured me that they believed it and they were happy about it. Which was nice but didn’t totally squelch my skepticism. It was another couple months before I’d be able to really set it aside (and I still have little questions with myself every now and then) but I think that was the point when I was able to stop grieving the loss of my identity or (maybe) started to recognize that I hadn’t really lost anything after all. Nothing of value anyway.

I still get to play that snarky little character sometimes – he’s just less of an asshole than he used to be. (His jokes aren’t mean anymore). And I also get to play another character now: the kind, loving friend that actually gives a shit. I think I’ve struck a pretty good balance.

—–

One of the albums I released through Traffic Street Records was the first full-length by The Credentials. The first song in particulalar has meant (and continues to mean) a lot to me.

“Nice Girl / Coffee Shop” by The Credentials
Rolled down the footbridge, waited for the light
Like giving up on all my dreams or finding out a friend had died
It seems like anywhere I go from here won’t really take me anywhere.
Our fingertips are numbing from the cold and how we make it go away
The deafening silence, alone in our heads, won’t leave us alone
So we hope that our friends can relate to that feeling
That weight on your chest, walking back home across the turnpike again

I saw her standing there behind a counter across the street
I crumpled up a flier in disgust and in defeat
You see, I’m sick of knowing what it is I want out of this life – and fucking up While all these assholes mill around and can’t decide
Same old story, drunk and bored
We trudge on through the slush and stormy weather
Wishing superstitious fears would go follow someone else.

—–

—–

Get in touch if you’re interested in purchasing this painting (or a 9×12″ print).


I’m Publishing a Socialist Newspaper in Tampa, Florida

"I'm Publishing a Socialist Newspaper in Tampa, Florida." 4/6/13. Watercolor and pen. 9x12".
4/6/13. Watercolor and pen. 9×12″.

This image was an accident. It was just a piece of paper, on my desk, beneath something that I was actually working on. I brought it with me to work on while I tabled at Indie Market [the day I painted “Roller Skating Sideways Through Blood” and “Getting Greedy“]. Ultimately, I didn’t do anything to it; instead, opting to use it as a statement about THE VALUE OF ART. (Wow! I sure am thoughtful and interesting!)

Set up on the sidewalk across from me were some kids selling a socialist newspaper they had written and published. When I was younger, I might have thought that was kind of cool and impressive but – at this point – I couldn’t help but marvel at how incredibly fucking fruitless of an endeavor that must be. To publish a socialist newspaper in Tampa, Florida. I mean – what kind of a person thinks that they’re going to make the slightest fucking bit of a difference with something like that? I mean – ARE YOU FUCKING KIDDING ME? Not to mention: how incredibly fucking boring.

I picked my “Value of Art” piece back up to add the words: “AND SOCIALISM!”

Though I saw the similarity between this piece and their newspaper even then, it’s only in hindsight that I see the similarity between their newspaper and everything that I do. After all, if their paper is even slightly worth a shit, I’m sure they turn someone on to a new idea every once in a while and set them on a path to… something or other… I’m sure they’ve made some kind of a positive difference in someone’s life. And I’m sure it gives a sense of purpose to theirs.

So while – on some level – I might think that publishing a socialist newspaper is a total waste of fucking time… I’ve got to admit that it’s roughly equivalent to everything  I’ve ever made and everything I ever will make. So – you know – power to the proletariat or what-the-fuck-ever.

  • 5×6″ prints of “I’m Publishing a Socialist Newspaper in Tampa, Florida” are available in my webstore. The original sold earlier this year.
  • I’m still sick and it’s bumming me out. I think one of those two new paintings I’ve been talking about is done though. If so, it’ll be online tomorrow… So… that’s kinda cool, I guess.

Powerless Over Flexeril

"Powerless Over Flexeril." 3/15/13. Marker. 9x12".
“Powerless Over Flexeril.” 3/15/13. Marker. 9×12″.

I wrote a statement about this piece after I finished it:

Awoken by pain at 5 AM this morning, I was given a heating pad and a Flexeril (a drug which I have not been prescribed). Lying in bed, I started this drawing and continued until the pain subsided enough that I was able to get back to sleep. I finished later that afternoon on the ride back home from my outpatient group at Tranquil Shores.

In case you’re wondering, neither my integrity nor my recovery were at all compromised by my decision to ingest a Flexeril. If you think that’s at all questionable though, let me assure you that I am totally happy for you!

I only bring it up to clarify that this title is tongue-in-cheek.

—–

—–

I’ve been insanely busy the last few days, getting all of my stuff ready for Artwalk in Jacksonville next week. I’m happy about it insofar as it’s put a fire under me and gotten me to work on editing my statements (since I’m putting printed copies in the sealed sleeves along with each print). I’m aiming to have around 50 different prints ready for sale so that means 50 statements. The less fun part is all of the tedious presentation stuff. Putting the prints in the sleeves, cutting thick backing board into the right size for each print, formatting the statements in Word to be the right size for each piece — stuff like that. It’s cool though; I’m going to feel really good about it when it’s all done. (Only four days left to go).