POOR FOREVER

November 20, 2025

Poor Forever | 10/12/25 | acrylic on canvas | 36×36″

“Do you wanna be POOR FOREVER?” is what I ask my friends when they spend money frivolously. It’s also the question that rings out in my head whenever I’m considering spending money on ANYTHING.

My attitudes about money come from my dad, his dad, and my mom. There were the ways they talked about money and the ways I saw them use it.

My dad was POOR FOREVER. Or at least he acted like he was. Based on my inheritance [his clothing] I’m gonna assume that he probably was. He certainly never spent money on me or my siblings. And if any of us were to ever ask for something, it was QUITE THE ORDEAL. Because, as he told it, he just didn’t have it! If it was important enough, maybe he could ask my grandpa. 

But he also had some curiously expensive shit. And he traveled a lot. Maybe that was all paid for by his second wife. I don’t know.

My mom had FAMILY MONEY. She was very good at spending it. So far as I know, that’s why she no longer has any family money.

In any case, I don’t have a safety net. Not that I’m aware of anyway. 

My grandpa died recently. He worked his whole life and made a good living but still kinda behaved as if he were afraid of being poor forever. That’s how I’m trying to be.1 That’s how you accrue SAVINGS. And “savings” give you safety.

My grandpa wrote a bunch of different wills over the course of the last twenty years but I don’t know the details of his estate and I kinda feel like it’s none of my business anyway. Even if he didn’t provide for me directly, I’m pretty sure he provided for my dad and (SEEING AS MY DAD’S DEAD) maybe some of that’s supposed to trickle to me? Who the fuck knows. It all feels weird and fucked up and I don’t know anything about that kinda shit so I just focus on trying to take care of myself. 

Don’t get me wrong – I WOULD LIKE SOME MONEY. (PLEASE GIVE ME ALL THE MONEY). Not to spend – just to have. Because I kinda live in a perpetual, low-level state of financial anxiety. It would be super nice to know that I’m not gonna die in poverty.

(Isn’t this all SUPER UNIQUE AND INTERESTING? I’m definitely the only person who has these thoughts or fears, right? I journaled some shit along these lines into the painting only to realize  — and say as much, with arrows pointing out at my mundane concerns: “I’m PRETTY BORING”).

None of this is to say though that I’m even in poverty now. As I wrote into the top left of this painting: “I realized today that I have more money than I’ve ever had.” And since then, that number tends to tick down for a few days, before it shoots up to a new most-money-I’ve-ever-had number. We’re not talking numbers that are gonna blow anyone’s mind, but I could make a down payment on a house. Y’know – if any bank would ever give me a mortgage. (Which they wouldn’t).

My concern is that my overhead is very low. If I were living A NORMAL LIFE, I would not be able to tuck this much away. 

And if I can be a FUCKING FAGGOT for a second, I think I still wanna have a FOREVER PARTNER and a kid. And those things require money and stability.

[Please excuse my use of the word “faggot” but — as we all know — there’s nothing gayer than falling in love with a girl. And as someone who’s been called a faggot more times than I can count,  I think I should get to use the word just once (in GOOD HUMOR) seein’ as I made it to my 257th piece of art without ever having used it before]. 

[That said, if you’re gay and my joke bums you out, let me know. ‘Cause I don’t actually think amusing myself is more important than your feelings. And your telling me about it would be HOW I LEARN].

[It’s embarrassing how embarrassed I am to say I want to fall in love and HAVE A LITTLE FAMILY. That I have to resort to using that word for “balance.” Please, somebody shoot me].

Now, if it’s not too late to get back on track…

Just kidding. We just did a triple tangent on the word “faggot.” THERE’S NO GETTING BACK ON TRACK.

There are other journals scattered about the painting. I allude to officiating my grandpa’s funeral in place of a rabbi (despite my not having grown up Jewish (or anything)). I refer to the statement I wrote  on my blog (AND ON INSTAGRAM) right when he died. (It’s good – you should read it). I joke about making excuses for not becoming the MOST SUCCESSFUL ARTIST TO EVER LIVE.

But you get the gist. Money isn’t important but a sense of security is. We all wanna feel safe. We all wanna be able to take care of the people we love (EVEN IF THEY DON’T EXIST YET (and possibly never will)).

Some people think my art is HILARIOUS (and THEY’RE RIGHT) but a lot of them don’t look closely enough to see that’s not all that it is. I’m trying to be taken more seriously as an artist (for the $ame reason$ that thi$ piece i$ all about) but, at the risk of undercutting that, I’ll just say that this painting (like much of my art) is an attempt to find humor in the shit that freaks me the fuck out.

If that’s not the language of a SERIOUS ARTIST, then I’m a hopeless idiot. (And that can’t POSSIBLY be true — right??)

  1. I’m already pretty good at the second part. During my last (very extended relapse) I got an ALLOWANCE from my little sister of $115 a week. That wasn’t enough to cover my drug habit but – by the time I got clean – I’d still somehow managed to save up $6k in my Venmo account. Don’t ask me how. I am the GOLD MEDALIST in the DRUG ADDICT OLYMPICS. ↩︎

Run Free, Spit Fire, Yell at Clouds

October 6, 2024

“Run Free, Spit Fire, Yell at Clouds.” 1/11/18. Acrylic paint. 40×30″.

This painting was commissioned by a wonderfully supportive patron named Maura, as a tribute to her friend, Tommy, after his passing.

I knew Maura a little through emails but didn’t know Tommy at all. Honoring someone I didn’t know was a little intimidating. It felt like a big responsibility and I wanted to do a good job. 

After looking over his social media, I was able to paint little allusions to his interests, but I knew the text was gonna have to carry most of the weight. I needed something that would pay tribute to Tommy and – hopefully – bring some comfort to Maura and anyone else Tommy left behind that would see my work.

A week or so in, I saw a feature column about suicides and empathy that triggered something. I started journaling about it in the silver quadrant of the painting, but it didn’t really go anywhere. If it weren’t for the bit where I name a few friends, cut myself off, and instead say “WHOEVER READS THIS AND WANTS ME TO BE SAD WHEN THEY DIE” – and the fact that that gave me a shitty little smile – I probably would’ve painted over it. I’d mildly succeeded in amusing myself but certainly wasn’t meeting the bar I’d set to honor Tommy. I took another shot at it in the green quadrant:

This painting was commissioned for Tommy, who’s not with us anymore. Maura told me about this poem he liked. Asked if I could incorporate it somehow. The last part was his favorite. “I was a dog on a short chain and now there’s no chain.” I (think) I get it. It’s about being free. Which I can appreciate. I mean, I am a STRAY DOG. (Even if I sometimes consider trading that freedom for  the warmth of a home). Now - thinking of Tommy and the way his chain’s really been cut… Death is the ultimate freedom. It’s freedom from everything that fucks us up in life. AND it’s a home (of sorts) and…

That train of thought hit a wall. I was rambling again, lost, trying stumble into meaning.

What the fuck am I even talking about? I don’t know anything about anything. I wanna believe that Tommy and all the people we care about but aren’t here anymore - that they’re all free and okay and “singing loud” and safe and “warm” and… I don’t know. Maybe they are. Maybe it’s a nice thought at least. 
Fuck it. You know what? (You know where my fucking name comes from?) “Thrash life! No death!” And I think that’s the same sentiment that Tommy appreciated in that poem. Forget all that shit that comes with “the ultimate chain” or the freedom that comes in death. Tommy wanted to break the chains here on earth and LIVE FREE. So that’s what we ought to do and that’s what I wanna focus on. I wanna RUN FREE, SPIT FIRE, YELL AT CLOUDS, sing dumb songs, and thrash life. This one’s for you, Tommy. I hope you’re out there, fucking shit up in the ether.

It’s been six years since I painted “Run Free” and wrote those passages. Looking back at it today as I finally write a statement to accompany the painting, I can’t help but think of my friend, Steph, who just died. I didn’t cry right when I found out she was gone, but I did cry when I woke up the next morning, thinking about how trapped and hopeless she must have felt. We’d not been in regular contact for a while but she was important enough to me that – had I known how close to the edge she was – I’d have told her, “If you don’t want to go back to Jacksonville – fuck it – come here. You can stay with me. Or just try something – anything – different from what you’re doing now.

Could I have fixed her? No. But we could’ve spent time together. We could’ve laughed. And maybe she’d have seen that things weren’t so bad outside of the shitty little world she’d constructed around herself back in New Orleans. Maybe she’d have found it in her to build something new.

Life is hard enough for anyone, but when you don’t believe in anything and you’re miserable, it’s pretty tough to justify not killing yourself via overdose (intentional or not) – or even arguing to a suicidal friend that they wouldn’t be better off dead. But life can also be pretty great every now and then. Being in love. Genuine, caught-off-guard laughter. Even just seeing something that reminds you of someone you care about. Mischief. PUNK ROCK. Setting a goal and meeting or exceeding it. Making something that’s meaningful to you and then OTHER PEOPLE TELLING YOU IT’S ALSO MEANINGFUL TO THEM. Shit – last night I posted my first TikTok video that actually seemed to get some attention from strangers who are now following me. 

Some of these things (okay – mostly that last one) are pretty trivial. But they’re also ENERGIZING. They FEEL GOOD. Even with friends dying, and some girl breaking my stupid fucking heart, and feeling lonely (and like a 38 year-old fuck-up who’s starting from scratch again, barely able to support himself, AND (so far) NOT SELLING ANYWHERE NEAR AS MANY PRINTS FROM MY FRESHLY LAUNCHED WEBSTORE AS I’D HOPED). 

If we don’t know what the alternative is – and if it may well be simply ceasing to exist, why not try to make the most of the time we do have? What do we have to lose? 

And what can we do to honor the people we’ve lost?

Not much. But we can live in ways that would make them smile if they could only see us. And maybe they can. (Probably they can’t). But LET’S JUST SAY THEY CAN and do it anyway. If nothing else, it’ll make it easier for us to keep going. And we might as well. Those little moments and good feelings are worth living for.

Being a commission, this painting is already sold, but 16×12-inch prints are available (and BEAUTIFUL) in my new webstore. And if you’d like to commission your very own original painting, I would (of course) love to hear from you.

Your support (sharing/reposting, buying, whatever) means everything to me. Thanks for reading.

untitled prose poem

September 8, 2024

I wrote a stream-of-consciousness prose poem. It doesn’t have a title. It may or may not find its way into the painting I’m working on right now. It’s about the girl who says she can’t live without me – and the guy that she rebounded with when we broke up – who she’s still living with because she’s too piss-scared of change to crawl out of her rut.

If you’re going to cling to a safety net
Could you at least choose one that’s less pathetic?
A chronic masturbator, jerking off in his car
Into socks that he lets pile up in the back seat…

I know you like having someone you know will never leave you
Or hold you accountable for anything
But how about a chronic masturbator
who jerks off into tissues that he throws away?

‘Cause it’s embarrassing having to try to explain
Why we’re not together
Even though you’re in love with me
That this is a tough choice for you
DOES NOT REFLECT WELL ON ME

I think you’re afraid to be in a healthy relationship
Which is why you never leave the bad ones
I know you’ll try to come back to me
(Because you’re still trying)
But I know you’ll try harder
You will eventually make a real effort
But even if I took you back for real
And we made a real go of it
I don’t think you’d stick around
Because you wouldn’t be comfortable
With someone who makes you happy
With someone you like fucking
With someone who loves you
And dotes on you
You’re too used to neglect
And alienation
And watching TV on separate couches
And sleeping in the same bed
Without ever making physical contact

It breaks my fucking heart
How scared you are
How broken you are
How much fun we have
How much love we have
Until you self-sabotage
So I pull back
And you go back
To living alone
In a house with someone else
Where you drink
And cry
And are always sick
And never happy
Until we reconnect again
And you start to heal
And start to love
And start to smile
And laugh
And everyone can see how happy you are
And how in love we are
Until you fuck it up all over again
And the cycle goes on

I’m too old now
To be wasting time repeating the same mistakes
I’m ready to be happy
It breaks my heart
That it won’t be with you

Because you’re everything I want
You’re my dream girl
I can’t imagine
Being more attracted to
Having more fun with
Having better sex with
Sharing more love with
Anyone else
You’re perfect
Except for that one little thing
Inside of your brain
That nullifies everything else
That makes it all worthless
Because it’ll never work
Because you’re too afraid
to just let yourself be happy

And you hate yourself so much
You can’t believe anyone could really love you
Unless there’s something wrong with them
So you stay stuck in your rut
With someone that you know you at least have control over
Because he’s the personification of a wet paper bag
Except that wet paper bags
Don’t get drunk and watch Andrew Tate videos
Or have a dozen jizz-crusted socks in the backseat of their car
You can cheat on him
(And show him videos of you cheating on him)
Show him what it looks like when you’re with someone else
Who you actually love
And actually fuck
And enjoy it
You can scream at him
You can say awful things to cut him down
To make him feel totally worthless
You can be cruel
Because you resent him
Because he doesn’t make you happy
And he’ll just take it
And resent you
But never leave
Just sulk
And get drunk
And text you Andrew Tate videos

That’s the life you’re choosing
That’s what you’re afraid to let go
It’s a tragedy
A genuine fucking tragedy
Because unlike the movies
This won’t have a happy ending
Unless you make it happen
And I don’t think you can

Update from two days later (Tue, Sep 10): The same day that I wrote this (but before I’d posted it) I got a phone call from someone on this girl’s behalf. I was told that she’d been looking at keepsakes of her father (who died a little over a year ago) and had come to the realization that she didn’t want to waste one more single day of her life living without me. I was asked to please call her and hear her out. I was skeptical when she gave me all the usual lines. She was going to officially break it off with that guy and let him know that she was moving out at the end of the month. She also told me she’d already found a couple of prospective apartments. She begged me to believe her and give her another shot. I told that, frankly, I didn’t believe her but that she could come over. So that night, she asked me to pick her up. When I told her I was outside, she told her sockboy (actually, we usually call him “Lumpy” but his real name is Brett) that she was going to the kitchen for a glass of water, but instead came out and got in the car. She stayed the night and – when I dropped her back off the next day – she said she was gonna tell Lumpy the truth about everything when he got home from work and that she’d call me the next morning to come pick her up so we could spend the day together.

Instead, she texted me just to say, “I’m an idiot.” I called to ask what that meant (as if I didn’t already know) and she said that she’d only gotten as far into the conversation with Lumpy to say that things weren’t working out, but hadn’t been able to muster the courage to tell him the full truth about her and I, or that she was planning on moving out. I asked if she was still planning on moving out and – oh so predictably – she said she didn’t know. Said she needed “time” to figure it out. Even though I had already been giving her all the time and space in the world and she reached out to me (as always) to once more say she was certain now.

So I’m cutting off communication again. And hoping that’s the last time I get dragged through that same cycle. I could make excuses for why I keep letting it happen or explain what I think needs to happen for me to stop but I’ll just leave it at that for now.

Oh, wait – one more thing. Remember the part where I mentioned that she sent Lumpy a video of me fucking her in order to hurt his feelings? While drunk, he told her that he had kept the video. Because he jerks off to it. Probably while sitting in his car. Into a sock. That’s probably still lying in his back seat. What a champ. Cheers, Brett Riddick. Or Reddick. Or whatever the fuck your name is. If anyone ever has cause to Google your name one day, I hope they find this page.

SECOND UPDATE!: This poem is now also a TikTok video because 🤪.

18 days clean in 2016

November 12, 2016

I’ve been such a reckless fuck-up that the state might put me in jail.

That’s pretty fucking crazy when I pause to really think about it.

My heart’s stopped a few times. I’ve been arrested, committed, and hospitalized more times than I can even remember now.

Why am I still alive?

I’ve taken everything for granted. I’ve wasted everything. And yet here I am.

I don’t know how my story ends but I have a really hard time envisioning any kind of future. I’m staying clean but I’m not sure what for.

shitty children suicide stitches

I’m still working on my “Suicide Stitches” series. Tonight I’ve been sewing up “Shitty Children.” If you look close at my blurry iPhone photo, you can see that the biggest tear goes across the entire painting. It’s definitely coming together though. And this one was especially bad. In addition to the rips, the frame that the canvas is stretched over was snapped in three places. Earlier today this painting was nothing more than a crumpled pile. I’m proud of the progress I’ve made on it so far.

Did you see I’ve got a webstore up on my agency’s website now? I don’t even know if it’s live and processing payments yet but check it out.

There Might Be Something Wrong With My Penis

September 25, 2015

"There Might Be Something Wrong With My Penis." 7/26/14. Acrylic paint. 8x10".
“There Might Be Something Wrong With My Penis.” 7/26/14. Acrylic paint. 8×10″.

I went to the VD clinic yesterday ‘cause I thought there was something wrong with me. I suspected that I might have been a bit hypochondriacal but – sure enough – there was something wrong. To quote the doctor’s precise and horrifying diagnosis, I was suffering from “a minor skin irritation.”

So that’s good news but it doesn’t end there. While I was sitting in the waiting room, I got to watch an educational video in which a cartoon penis rolled a condom over his body and then proceeded to lube himself up. I swear to god, I’m not fucking with you. This exists. Giant cartoon condom – rolls a condom over his body – and then covers himself with lube.

“And I say to myself… what a wonderful world.”

I made this painting over a year ago, in a state of sheer terror, while waiting for test results. Being back at a clinic yesterday, I remembered that I had never put it online.

Early in 2014, I sold some art to a girl named Rachel Rabinowitz in Delray Beach, FL. She emailed me later and told me that she was an artist too and that I should hit her up if I was ever in Asheville. Later that year, while in Asheville, Chris Spillane and I  met her for coffee. She asked if I’d be interested in collaborating and I told her that she could paint something and then I could paint something over it. (That’s the only way I know how to collaborate; I had done it twice before with my buddy, William Somma, on “Limp” and “Yo – I Painted a Fuckin’ Unicorn“). Here’s what the canvas looked like when she gave it to me:

This part of the painting was done by Rachel Rabinowitz.
The pre-Sammy version of “There Might Be Something Wrong With My Penis.” Painted in June 2014 by Rachel Rabinowitz, who probably didn’t realize I’d later use the canvas to work through STD test anxiety (but was a very good sport about it).

11/8/14 status update

November 8, 2014

I’ve neglected my blog for so long that it’s hard to know where to start. While anyone who follows me on Facebook is pretty up to date with the gruesome details of what’s going on in my life, here’s the gist of it for anyone who’s not up to speed:

  • I moved in with a girl in Chicago in July. We broke up in August.
  • A day and a half later, I started seeing another girl in Chicago. That lasted three months, until Thursday, when I finally left.
  • I love the girl but the relationship was incredibly dysfunctional and it had me more fucked up, twisted around, confused, depressed, anxious, and suicidal than I’ve been since December 2012.
  • While I’ve neglected writing the statements for my artwork, I’ve still been actively creating new pieces. The lack of updates can be accounted for by (1) not having had the new pieces photographed yet, (2) not having their statements written, and (3) the fact that these new pieces are HUGE and the last two have each taken more than a month to complete.
  • My charges are still pending and still stressing me out but I’m still (sort of) optimistic that some kind of a resolution can be reached – or at least resigned to accept the punishment that’s being offered as part of the plea deal that’s currently on the table.
  • As the weather got colder in Chicago, I saw a dramatic decrease in my print sales when I’d go downtown to set up, paint, and sell. Consequently, my income this last month is lower than it’s been since January, which is stressing me out but not killing me.
  • I desperately needed to get out of Chicago to escape my shitty relationship, so I’m in St. Louis now. On November 22nd, I’ll go to Minneapolis for the Rivethead reunion. On November 24th, I’ll return to Normal/Bloomington, IL for my next court date. From there, I’m not sure what I’ll do but if I have to accept the plea deal, I’ll be put on two years probation and will need to choose a state to serve it out in, since my movement will be restricted and I’ll have to be physically present for monthly check-ups. My art career would warrant that I choose either New York or California but I would probably have to choose Florida for the sake of my mental health, as that’s where I’ve got the most emotional support. In theory, I would be able to apply for travel permits to leave the state for my “job” (for example, to go to Minneapolis for my exhibition in March).
  • When I left Chicago on Thursday, I left without Chris Spillane. It was six months ago that I petitioned the court to have him picked up by police and put into detox and six months since I picked him up from detox and brought him out on the road with me. He now has six months clean, a job, a place to live, and everything else that could be reasonably expected of relatively well-balanced kid of our ilk. When I return to Illinois for my court date at the end of the month, he’ll have the option to rejoin me but I suspect that he’s gonna keep on in Chicago, building up his new life.
  • In September, I started seeing a psychiatrist in Chicago. In October, she put me back on antipsychotic and antidepressant medications (in addition to the Adderall that I’ve been on for ten years). The last time I was on antidepressants was as an inpatient at Tranquil Shores in February 2013. The last time I was on antipsychotics was (I think) as an inpatient at the Wellness Resource Center in February 2012, though I almost went back on them in January 2013.
  • In addition to the psychiatrist in Chicago, I’ve also started meeting once weekly (via Skype or Facetime) with Tracy, my counselor from Tranquil Shores.
  • Anxiety and depression destroyed my appetite the last month or so and I’m skinnier than I’ve been in at least twelve years. That’s good because I have body dysmorphic disorder and being this thin makes me feel good about myself. It’s bad ’cause… I don’t know… ’cause people say it’s bad…?

1182014

I have no idea how this all comes across as a whole but here’s what I think should be the important point to take away from it all: October was a bad month but – here, in St. Louis – I am safe, and cared for, and feeling eight million times better. I am no longer suicidally depressed and though I am afraid of what will happen once I leave St. Louis in two weeks, I am okay and I am once again grateful.

I’m going to spend the day with my current work-in-progress, possibly do some layout work for a new flier or work on written statements for finished pieces, and – tonight – I’m going to go downtown to see Rational Anthem play with The Copyrights and The Murderburgers.

If you wanna buy some art right now, that’d be pretty great.

Adventures Per Minute

June 3, 2014

"Adventures Per Minute." 5/5/14. Acrylic paint, spray paint, and ink. 36x48".
“Adventures Per Minute.” 5/5/14. Acrylic paint, spray paint, and ink. 36×48″.

“Adventures Per Minute” is how I felt in early April. From the moment I woke up until I crawled into bed each night, I was busy. Traveling back and forth between Jacksonville, Delray, and Sarasota; giving interviews and being photographed; attending the premiere of the movie I starred in; directing a music video; setting up exhibits; making and distributing fliers and meeting people; selling prints at One Spark and Spring Fest; fucking; designing album covers and merchandise for some of my favorite bands; making more money than I’ve ever made in my life; and (of course) painting – at parks, at friends’ houses, on the streets, at punk shows, on rooftops, and at galleries.

It was just outside one of those galleries that I started this painting. Passers-by would stop, compliment my work, and ask how I was doing. That sparked the first small caption: “HOW AM I? I’m standing on a stool, paintin’ funny faces outside the gallery that sells my paintings for all the moneys. So – yeah – I’m okay.”

At the other end of the canvas, I elaborated: “I have everything.” And I really do. I’m not super rich just yet but all of my needs are met and then some.

I went back to Sarasota with the intention of trading in my van for a bigger one; it was my last stop before I finally took my show on the road outside of Florida. I changed my mind about the van but had quite a time back in that city where I (sort of) grew up. Things were messy – not only with friends in Sarasota but in my “adoptive” family’s house up the road in Bradenton. Drugs, lying, screaming, stealing… it was all around me and it was starting to fuck with my head. I don’t often feel “triggered” and – for the most part – think it’s sort of a bullshit concept. One afternoon in particular became an exception. I was on the back porch painting when the weather started acting up but there was no way I was walking back into the house. I took to the top corner of my canvas and started journaling:

It’s been ten days [since I last wrote on this painting]. I’m on the porch in Bradenton. There’s a tornado warning. I don’t care. That’d be cooler if I actually thought it might hit. I would totally shoot up right now if I had drugs in front of me. [and] I HAVE THE MONEY THESE DAYS.

My best friend (the one that used to shoot heroin) – he started shooting heroin again. And smoking [and shooting] crack. I had him Marchman Acted soon as I got back to Sarasota. Everyone’s pretty happy about that – and I’ve been buying into it too. But let’s get real. Nothing has changed. This is just getting started. And it’s gonna get a lot worse. I kind of think he’s gonna die soon. What should I do? Drag him around the country with me? That’s a lot of responsibility. And what would he do all day everyday?

And I love Abby too but her situation is even tougher, more hopeless.

I was talking to Heather about some of this and she asked me if I’ll “ever get to live for myself.” But I’m more independent, disconnected, and uninvolved than anyone. I “do me” constantly. But I grew up a fuck-up with other fuck-ups and what little I’m able to do these days when this shit goes on – I need to. Sometimes I’m the only one that can. I can’t live without people anyway. It’s all part of the package.

It’s all worth it, I think. Even when it hurts a lot. And makes me wanna put a needle back in my arm. I don’t think I will but, for the second time since I stopped, I really want to. This shit is dangerous.

And I haven’t even gotten into the other shit that’s eating me right now… My phone is ringing. What kinds of decisions am I gonna make today?

I feel safer in this house with drugs, screaming, CPS, threats, lies, theft, etc. than at Morgan’s (’cause she’s got roommates) and this [house] is the only place I don’t feel like an intruder.

I paused and thought about all the good things that had happened lately – and the specifics of some of the bad… I brought the pen back to the canvas.

Life is sad and tragic and funny and beautiful. I’m usually having a pretty good time. I laugh and smile a lot. I don’t want the people I care about to die. Or to live without knowing happiness.

Up to this point, I hadn’t given any thought to what I was writing or how it might be received. I just let it come out, even when it occurred to me that I might need or want to remove Abby’s name at some point. But after I finished that long journal down the left side of the canvas, I remembered that I was creating art and that I had intended for this to be a joyful painting – a celebration of the wonderful, exciting things happening in my life. “I need to balance out all this dark with some the light I experienced leading up to this.” But (in my soul, not my brain) I really only felt compelled to write the darker (more recent) stories. I decided to phrase everything in the present tense.

I am standing in an alley while my friend smokes the last of her crack before I take her to the police station, from which she’ll be transported to detox, under court order. I picked her up in an empty parking lot.

I am dropping my “sister” off (with everything she owns) at a drug dealer’s house. An hour ago, she attempted to transfer custody of her daughter to me. I still live in / operate primarily out of A VAN. We hugged and I told her to not be a fuck-up.

I am back on Adderall [after a month without] and I think the dose is too high now and I’m too in my head and having thoughts like these: [An arrow points at the long, sad, I-wanna-shoot-heroin / my-friends-are-dying journal].

I needed my positive adventures to balance the painting and convey what “adventures per minute” had meant to me initially. But I had already told those nice stories on my blog. Repeating them here felt contrived. I did it anyway but in just four short sentences – covering One Spark, the music video, the film festival, and painting on rooftops. A few days later though, I had another adventure. But one that I didn’t want to be the first thing to pop out at someone. I hid it against a dark blue backdrop. It says: “I just PRETEND (consensually) ‘raped’ a girl that identifies as ‘gay.’ It was pretty awesome. I like her.”

So THAT sort of raises some questions and probably warrants a whole exposition of its own but this statement’s already long enough, I’m writing this in Atlanta, and – you know – I got some more adventures I really ought to be getting up to right about now so…

This blog entry was originally published in 2014. In 2024, however, I published a supplementary entry which addresses the content of the last two paragraphs.

“Adventures Per Minute” prints are available for purchase in my webstore (and are one of my MOST FAVORITE prints). Every purchase subsidizes the creation of more paintings, more writing, and ANOTHER DAY OF LIFE FOR SAM. Your support means everything to me.

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