Snowflakes Anonymous

November 22, 2013


“Snowflakes Anonymous.” 11/22/13. Acrylic, watercolor, and spray paints, food coloring, markers, pen, resin sand, cardboard and EBT card – on 24×30″ stretched canvas.

This piece took me over a week to finish. That left a lot of time for different issues to pop up, play off each other, and rearrange my ideas. I started it one nigh while I was thinking about missing Tranquil Shores. Then I thought about how I might like to work at a place like that except… For starters, I don’t have enough clean time. I’d have to pretend like I didn’t fuck up at any point. That made me sad. You know what I eventually realized though? Fuck that. Someone recently complimented my honesty / willingness to be vulnerable through my artwork – “especially for someone with so little clean time.” That threw me for a loop! There was nothing mean-spirited about the comment (it came from someone that’s been really positive and supportive) but still – the implication is that I’ve only recently started getting well. In reality, most of the pieces she had seen and read about were created before that – sometime after my previous clean date (the day I got to Tranquil Shores: August 17th, 2012). And I didn’t really start getting better ’til December 12th. The vast majority of honest text in my pieces was always scribbled out up until that point.

So – yeah – I may have fucked up over the summer, but that didn’t hit the reset button on my recovery; I didn’t fall down into a gutter with a needle in my arm, desperate and miserable as ever. I made a mistake, called myself on it, told the people I needed to tell, and carried the fuck on and moved forward with the things I know to be good for me and good for my mental health and emotional well-being. And you know what else? The dangerous position I allowed myself to be in (that led to my relapse): it was worth it. That month I spent working on that project – it had incredible highs, some (very obvious) lows, I learned a lot about myself, a lot about the world around me, and – overall – was a better stronger person when all was said and done.

And it still affects me today (both positively and negatively). I wouldn’t say I regret any of it. Life is for living and anyone that’s really living is gonna fuck up every now and then. That’s not a preemptive copout for future relapse, it’s just reality. You can count on my not repeating that mistake but I’m sure as shit gonna fuck up at one thing or another!

Back on point: on Tuesday, I was reading the NA literature and I realized that so much of it really has nothing to do with me. It’s totally undescriptive of my thinking and my behavior. Not all of it, but enough of it. Does that mean I’m gonna quit going to meetings? No. But it explains why I stopped going more than once a week back in February – and why my
counselors at Tranquil Shores didn’t throw a monumental fit about it the way they’d always done with everyone else. I may not be some beautiful fucking snowflake, thoroughly unlike all to come before me, but – you know what? I am different than a lotta people and meetings, meetings, meetings isn’t the fucking cure-all for everyone.

And if you wanna get technical – it’s got nothing to do with the twelve steps as they were originally written (and are still written in the AA text). Same with sponsorship – there’s nothing in the original text about going to meetings or finding a sponsor. It’s just about working with / helping other alcoholics [or addicts]. And I do that shit constantly. I hate a lot of the attitudes that dominate the rooms of AA and NA: “Do this or die” (especially when “this” isn’t even part of the program). You know why they think that the only people who succeed in recovery are the ones that continue going to meetings for the rest of their lives? Because the people that come back are the one that fucked up and needed to come back; they never hear the stories of the people that leave their group and succeed because they don’t have any reason to come back around and tell their tale. It’s right for some people – not everyone. And fuck the notion that “clean time” is the only measure of success. I do pretty okay. I like myself. I like my life. And it’s been that way for a while now. It didn’t start ’til I got clean (and then some) but it didn’t go away just ’cause I had a lapse in judgment. I still have that time. There are documents of it – all over my walls and all over this website.

SECOND (reason I can’t get a job at a treatment facility), I don’t think I’m cut out to work anywhere. I’m not some wild, outta control basket case but that’s ’cause I know what I need to do to keep my grip. When things get rough, I’ve got tools I can use to get ’em back on the right track. But mental health is a chore and I can’t schedule my emotions. Being on the clock, being on someone else’s time… it doesn’t work for me. I have too much to do – sick or well, fucked or not. So while I might like to do some volunteer kinda stuff now and then, I don’t think that “getting a job” is anything that’s ever gonna work out for me.

From there I was thinking about something that’s occurred to me before: that I could almost certainly qualify to receive disability payments. Up ’til my “recovery” began, I’d have taken those without a second thought; I had (and still have) no moral objections to something like that (even if I were/am fully capable of working). But getting disability doesn’t really seem in line with what I’m about these days. My brain might be a little off but I’ve been creatively building a life out of that, through my artwork. I’m not sure I want a label like “disabled” on me.

But – also on Tuesday – I realized that I use food stamps and… is that really any different? It’s basically partial-disability with no questions asked. “Oh? You don’t make enough money? Okay, here you go. No – we don’t care why, just take it.” Strangely enough, the very next day, I met a girl who does receive disability payments (and for borderline personality disorder!) That had me actually considering it for the first time but it wasn’t ’til later that night I realized that – immediately after meeting her – I volunteered to pick up a shift at Sun-Ray over the weekend if they needed any extra help. AND THEN(!) I had to modify my offer to exclude Saturday because I’m going to some kind of seven hour “personal growth” / mental health thing tomorrow.

Just like that – I went from ruling out work because of my obligations to myself and my mental health but rejecting the prospect of disability payments on principle, meeting a girl on disability with the same issues I have and starting to reconsider,  to unthinkingly offering to work, and then realizing I couldn’t because of a (very concrete, specific) mental health obligation.

For now, I’m gonna keep on as I have been. I already have everything I need. Well, maybe not a sense of security but what fun would that be?

Hey – speaking of “clean time,” “clean dates,” and what a beautiful fucking snowflake I am… When someone completes their treatment plan at Tranquil Shores, they have their coin-out ceremony and they get a little keychain with their clean date on it. Here’s the one they gave me back in February.

Clean date key tag

Yes, that is an “X” in place of a clean date. No, I had no idea that mine was going to be different and – no – of all the people that have been through the program, no one else has ever gotten anything other than their actual clean date.

Something I wrote in this entry reminded me of a lyric from a song I haven’t heard in a few years. “She asked me if I want to die / I said of course I do sometimes / Anyone who never wants to die / must not really be alive.” And now that I’m listening to it, I’m realizing that it’s right for this entry in more ways than one.

I got the Like Bats cassettes in the mail today. They’ll be the first new Traffic Street release in more than two years and will go on sale tomorrow! (This is a one-off sorta thing though; I’m not picking back up with Traffic Street for real – not anytime soon anyway).

I've had that box of inserts and covers for three years now!
I’ve had that box of inserts and covers for three years now!

Fun fact: Did you notice my (expired) EBT/foodstamp card glued to the top-right corner of the canvas? Did you notice that it says “ASK FOR VD” on the signature line? Just below that, it says “ARTS SUBSIDY” which I added after the card was on the canvas). I wrote “ASK FOR VD” on it back when it was still valid though – back when I first got it in March. I am a ridiculous human being.

This piece is available for purchase as a 12×16-inch print. The original sold in December 2013.

I Am Impossible

November 15, 2013

"First Day of My Life (Story)." 11/28/12. Colored pencil. 6x8½".
“I Am Impossible.” 11/28/12. Colored pencil. 6×8½”.

Jesse coined out and went on vacation with friends of her parents. She’ll be back, in two weeks, as an outpatient, and she’ll be living on property again. That makes me really, really happy. I don’t know what I would do if she left for good. She’s the source of all that’s good in my life. She’s what makes my life worth living. You know… since I had met her a couple weeks ago anyway.

We talk every day while she’s gone. I tell her about the note I got from Hal. She has something to tell me but won’t say what. I’ll get it out of her when I have her in person. I don’t think for a second that she’s relapsed. But she has. And that’s not fair.

Jesse got back two days ago and, yesterday, started to really push. She wants to get high. “That’s a terrible idea,” I tell her. But then something MONUMENTAL happens. This morning, she went off-property to go do something other than hang out with me. Naturally, I’m feeling rejected and depressed and  am in a really dark place again [unreasonable as that may be]. As she always does when I get this way, she’s distanced herself, which is – of course – making me feel even more rejected. But I know how I can feel better and win her back.

I call Stacy. She’s at the hospital because her sister is giving birth but – if I can meet her there – she’s got some thirtys on her that she’ll sell me. [Florida. It’s always pills with these kids.] Close enough. I set it up and look for Jesse. When I see her, I creep up with a grin that tells her everything she needs to know: “Go sign out and park your car at the strip mall. Soon as the coast is clear, I’ll sneak off property and meet you. We’ve got an errand to run.”

—–

That was part two of the story I started to tell yesterday.

I’m pretty sure anyone reading this already knows but just in case… A “thirty” is a 30mg oxycodone pill. More commonly known as “blues,” but I’ve always hated that name. It’s too cute. If you had asked me about it back in the day, I’d probably have said something like… “I shoot heroin and – absent that – synthetic heroin. But never blues. There’s nothing colorful or fun about this.”

Really, I think I was just upset that my SUPER COOL DRUG HABIT had been co-opted by half the dorks in Florida and I didn’t wanna use the same terminology as them. I was dangerous; they were cuttin’ loose! … Fuck that.

[Check it out, guys! You can be a douchey elitist when it comes to just about anything!]

The drawing I chose for this entry was drawn on the day that I shared the first half of my life story in group at Tranquil Shores. It was also a day on which I was similarly upset because I felt similarly rejected by a girl that I was similarly in treatment with.

The tombstone behind me reads: “Sickle Cell: November 4, 1985 to Any Day Now.” The original drawing was damaged before I ever got a good picture or scan of it, so this image is the best I can do.

 

28

November 8, 2013

"28" 11/5/13. Acrylic pain, food coloring, ink. 18x24" stretched canvas.
“28” 11/5/13. Acrylic paint, food coloring, ink. 18×24″ stretched canvas.

This is how bad at relationships I am: I wait until twenty-four hours after things start to get better to share my painting from when things were still fucked up – thereby risking that they get fucked up again. Actually, that’s bullshit – I don’t think this is going to fuck anything up. I’m just not comfortable sharing this ’cause I think it makes me sound petty and immature. I don’t need to write a statement for this piece because it’s got all the text it needs right on the canvas. Here’s what it says…

—–

I didn’t cry. Well, no, when it got bad, I did. But pre-addiction, if I cried, it was usually fake. To show a girl how hurt I was. It was emotional manipulation. But at my worst, I’d break down and cry. Then I went away to treatment and I watched other people cry. But I didn’t. Still “in,” a year later, I started. Like all the time. I was a mess but I was getting better. Then I “got” “better” and I stopped.

I have an idea for a cartoon. It won’t be hard to make. People will like it.  But I just wanna cry. But I don’t do that anymore. I can still force myself. I can fake it. But I don’t do it for real. I’m not holding back tears because I’m not in the kind of emotional state in which they can even begin to form.

The question of “what I wanted to do for my birthday” never came up. Maybe that’s my fault, but there were already other plans and I didn’t want to be disagreeable. Am I being crazy though to feel like I should have never been in that position? Is it unreasonable to think I should have been asked?

She’s not at all mean or selfish. She had good intent. But this gets to what was under my skin the other day. That we just might not be on the same page. We might not be right for each other. And that’s what I’m actually upset about.

On the ride home, I wanted her and told her so. She said she had to be up early for work in the morning. I guess I understand that but – at the same time – it’s my birthday and I guess I sort of thought she’d want to do whatever for me. And it makes me sad that she didn’t just want me the way that I wanted her.

I don’t think it’s supposed to be this way. I think something’s missing. She says otherwise but I can’t imagine that she gets what she needs out of me / this relationship. Which is why I feel guilty whenever I bring this stuff up. It’s not like I’m so great.

This is the story stripped of all its detail (at its vaguest). I write that way for myself. To keep the focus on my feelings. Even though I know it’ll be less satisfying for anyone else. Less “entertaining.” I enjoy an audience but I won’t cater to it. Not with this kind of work anyway.

I enjoy the sentiment of self-pity but not when its point of origin is with me. This feels like self-pity and it makes me feel embarrassed.

I wonder what I’m saying without realizing it. What I want this to say (or think it says) and what it actually says are probably wildly different. [I’m probably an asshole].

—–

So that’s the text on the canvas… Have I embarrassed myself enough for one day? Great! Here are links to the other pieces in what might as well be considered the “series” to which this one belongs.

Eradicating the Threat of Happiness (One Bold Decision at a Time)

November 1, 2013

"Eradicating the Threat of Happiness (One Bold Decision at a Time)." 11/1/13. Acrylic and spray paints, resin sand, ink, food coloring, fabric dye. 30x24" stretched canvas.
“Eradicating the Threat of Happiness (One Bold Decision at a Time).” 11/1/13. Acrylic and spray paints, resin sand, ink, food coloring, fabric dye. 30×24″ stretched canvas.

I was fourteen the first time I got kicked out of the house. The next few years, often enough, I’d move back in with my mom or dad, but never for very long. Fourteen’s when I had my Macaulay Culkin/Good Son epiphany – that I can do whatever I want. From then on, I was done with curfews and rules. When I moved in with my dad, I regularly came home to an empty house – which meant I didn’t even have to come home. Nobody was keeping tabs on me. I liked it. I liked not having to answer to anyone.

The thought that I might not be cut out for “sharing a life” has occurred to me before. I’m not great at making concessions. Doing what somebody else wants me to do instead of what I want to do isn’t something I’m good at. I like being away – in whatever city – and living out of a backpack. It’s an adventure. Nobody gives a fuck where I am or what time I’ll be home. I can go wherever I want, sleep here, sleep there. It doesn’t matter. The last time I did that was in Sarasota, for “No Real Than You Are.” Things eventually got ten kinds of fucked up but that’s a different thing. The being-on-my-own/adventure part was awesome. I had a fucking blast when I first got there.

On our way to Sarasota, a Friday, Heather and I weren’t getting along. Things got better but then, Saturday, got worse. I pitched the idea of “breaking up” for the first time. It got really intense and emotional but we figured it out. On Sunday, she went back to Jacksonville, leaving me in Sarasota for a month to make the movie. Riding around town each day, having places to go and things to do, I felt so alive.  I felt really free. I started thinking about if I’d happier on my own. But I’m not ever on my own. “Pretend for a second that I left Heather,” I thought, “how would that play out?” I already knew. I’d run around for a minute, get into a little trouble, have a little fun, and wind up in a relationship with another girl within a month. That’s how it always goes. I fall in love way too fast. And if I’m going to be in a relationship anyway, it should be with Heather… right? I had to think about that. Why did I love Heather? Of course she’s [insert romantic/positive adjectives here] but if I’m really being honest it’s not about the laundry list of nice traits. A lot of people are smart, pretty, sweet, [whatever]. Admitting it to myself made me feel more self-centered than I’d ever felt in my life, but what I most loved about Heather: She loves me.

“So, Sam – what do you look for in a girl?”

…um…  An affinity for… me?

That’s most of it anyway. She loves me enough (and she’s stable enough) that – should something go awry – she’s not gonna lose her shit or do anything really fucked up to hurt me. If we break up, I’m just gonna date somebody else. And there’s no guarantee that that girl will love me as much or be as even-keeled. I’d have to be crazy to leave her.

That was July. In August, I told her about it. I didn’t know how she’d react, but the next day she said something about being more in love with me than ever. When she says stuff like that to me, my kneejerk response is always “WHAT’D I DO??” Like the answers to most questions, I had to drag it out of her, but she said, “Because of what you told me last night.” “The thing about me loving you ‘cause you love me?” I asked. “Seriously?” I hadn’t exactly expected her to find it endearing.

[Quick interjection: For the first time, it’s occurred to me that she may have only said she “loved me more than ever” because (in light of what I had just told her) that would make me love her more… If that’s the case though, I don’t think it was conscious].

Shit’s been fucked up for the better part of two weeks. Not in a loud/battlefield kinda way, I’ve just felt seriously unloved. But, yesterday morning, things did get hostile.

I’m not happy and she doesn’t love me – or doesn’t treat me like it anyway – so why the fuck am I even bothering?

Tuesday, Wednesday, and one day last week, I didn’t sleep in the bed. It felt wrong; it was way too intimate for us. I’m not connected to this person – I’m not gonna sleep beside her.

I had a lot on my mind but I didn’t wanna let my emotions call the shots. I was making plans but wanted to be sure that they still made sense when I was a little more relaxed. I wanted to be certain that I wasn’t acting out of anger or hurt. After all, I love her. If I’m about to break up with her, I need to do it in a loving way. It shouldn’t be cavalier – if it’s really what’s right for me then I wouldn’t do it in a way that hurts her. I took some time to sort everything out and when I felt I was in a good place, I told her I needed to talk before she left for work. I let her take her time getting ready and continued to sort out my feelings, in my head and on paper.

“My plan is to move out at the end of the month. I’m not happy, I don’t feel like you love me, and I feel like we’re completely disconnected.” She said she didn’t feel that way at all. If she was upset by this news though, she didn’t show it. That’s perfectly in line with what I’ve come to expect and a perfect example of my biggest issue with her: an unwillingness (or at least hesitancy) to share how she’s feeling. She barely said anything in response; she just stood there. And then I’d stand silently too, waiting for something that never came, before finally saying something else or asking her to please respond.

The whole thing just reinforced my idea that we might not be compatible. That we couldn’t communicate. When I ran out of things to say, we just stood there. Even if it was ending, I wanted to be loving. I gave her a hug. She hugged back the same way she always does: just barely. I went outside to smoke a cigarette and she left for work.

I thought about it all day as I painted. I’ve written a lot about it the last few days, but I wrote more on my canvas. A lot of it’s been obscured by paint but – of the (still visible) statements that strike me as having genuine relevance – here’s what it says:

I wanna live alone in a city where no one wants me.  I wanna be a stranger.  I’m so much more interesting when you’ve just met me. I want a recurring guest role (for just one season) in your life. And yours. And yours. I like long distance friendships. I like sex for the first time. It’s only been 9 months I’ve known her. It’s only been ten months I’ve known me. I love her but I don’t know what the fuck that means. What’re the implications? What’s my obligation? Is this about me or about her? If I’m getting an ego again, then I’m a fucking joke. Because I am a joke. I’m fucking Halloween every day. I wanna wake up alone on my birthday. I wanna go days on end. I still don’t know what’s real or right. I’m insane. That’s part of the deal.

Late last night, we finally had a back and forth conversation. “When I said I was planning on moving out at the end of the month, it’s not like I was committing to anything. That was just my notice, in case I’m still unhappy. I don’t actually make plans because I have no idea where I’ll be, how I’ll feel, one moment to the next.” In the end, she said if she was gonna make an effort that I had to try too. That I couldn’t still be upset. “I can’t just flip a switch in an instant and be okay. Then again, there’s a good chance I’ll wake up tomorrow and be totally fine.”

Which is exactly what happened.

And today, everything’s been okay, so I’m okay. Today. Right now.

Later? We’ll see… But I’m gonna try and I can already see that she’s trying so I’m hoping for the best.

There’s a good few things that come up in the text on the canvas that I didn’t begin to touch with this statement. But I wanted to push this out into the world already ’cause I’m ready to move past it. The parts that really hold water – I’ll have ample opportunity to look at later on down the line.

I’m not sure I really even accept the concept of a personality disorder but … Do other people really not think / behave / feel this way? I kind of have a hard time believing that. Then again, I go back and forth with it. I mean – obviously – I’m not ashamed (or I wouldn’t talk about it as much as I do) but…

  • Signed, limited edition (#/100) 12×16″ Eradicating the Threat of Happiness prints are available in my webstore. Each print is packaged in a sealed Crystal Clear acid/lignin-free plastic archival sleeve, with a heavy backing board, and a single sheet artist’s statement on the reverse.
  • The original painting sold January 4, 2014.
  • Please write for information regarding the availability of other original pieces.

Group Therapy

October 30, 2013

"Group Therapy." 12/8/12. Colored pencil. Ink outline. 5½x4¼”.
“Group Therapy.” 12/8/12. Colored pencil. Ink outline. 5½x4¼”.

While in rehab last year, I drew a cartoon for a Christmas card to send my friends. It’s me and Santa hanging out with The Devil, Borderline Personality Disorder, an undefined higher power, a Disney-fied syringe full of heroin, myself at age four, an identity issue monster, and two girls that I’m either in love with, trying to fuck, or just looking to get some kind of self-esteem bump out of.

——

We didn’t have a community event that week so I had Saturday almost entirely to myself. After trying and failing to create something a little more self-serving, I decided to do something nice. I drew this – my most detailed piece up to that point – for a card I could send to all the people I care about. My list had 110 names on it. That wouldn’t have been all that difficult had I not made it into the most emotionally intensive project ever. If these were people I cared about, I decided, then I should write each of them a letter letting them know why I cared about them, just how much I appreciated them, or [you get the idea]. It was more than I could handle. In the end, I got around 60 cards written (and about 55 actually mailed out). The people that have meant the most to me over the years: their cards were the hardest to write. I forced myself to scratch a few of those out early in, but others I kept putting off ’til I could find what I needed to give it the focus and honesty it deserved. Since I had about 50 names left to cross out when I threw in the towel though, some of those people never got any card at all.

As a whole, this was one of the toughest things I ever tried my hand at. Though I ultimately fell short, I’m still really glad that I did it. The 50 or so people that did receive cards – well, that’s still something.

For the backs of the cards, I traced the Traffic Street logo (with one modification) and the barcode from a box of Cap'n Crunch.
For the backs of the cards, I traced the Traffic Street logo (with one modification) and the barcode from a box of Cap’n Crunch.

As for the content of the image, sitting around me are physical manifestations of all of my “issues.” From the bottom-right, we’ve got Satan as my dark, sarcastic, attention-seeking behavior;  the mask I made in our expressive art group on identity [it’s not up on the site yet and won’t be ’til I can summon some bravery]; a syringe filled with heroin; the ghost that I used in this period as a symbol for borderline personality disorder; Santa’s just hangin’ out ’cause it’s like, Christmas, yo;  the girl represents different issues with sex, love, and codependency; the empty chair is for my [then] undefined higher power; the little kid is me at four years old, an age that came up a lot in the course of my treatment and that a lot of my core beliefs can be traced back to; and the second girl is for sex, love, and codependency. Yeah – two chairs for that set of issues. They come up a lot.

—–

Status update (10/30/13): This isn’t exactly my strongest entry but I don’t have much in me tonight. I feel pretty hollow right now. [More on that later, I suppose]. Earlier today I was extremely productive though and got a lot of writing and editing done. I’m really happy about that. While most of that work isn’t anything I want to share here yet,  I did completely overhaul the statement for one piece, edit the fuck out of another, and add a good amount to a third.

Normal Fuck b/w Who Do You Work For?

October 22, 2013

"Normal Fuck b/w Who Do You Work For?" 10/21/13. Acrylic painting. 16x20" stretched canvas.
“Normal Fuck b/w Who Do You Work For?” 10/21/13. Acrylic painting. 16×20″ stretched canvas.

Though it had become fairly regular with my expressive art therapy pieces, it’s been three months since I last felt compelled to cover my canvas with a sprawling journal entry. My newest painting though…

I take Adderall. If I don’t, I’m unproductive. But sometimes I can’t take my Adderall. Because I haven’t yet taken my Adderall. As much as I’d like to be clever – that’s not a joke. And when I admit that, it feels kind of pathetic.

I still don’t have a job, but I work at least eight hours a day. Many days, it’s much more than that. The work that I do is probably the only work that I’m capable of doing at this point in my life. It’s good for me and (it seems to be) good for a lot of other people too. It certainly seems to have more of a positive impact on the world than my work in [let’s say] a gas station would. It’s too bad that it doesn’t pay as well.

I’m not sure what my “job” is… Do I just do what I do, or do I need to dedicate the same kind of energy to marketing myself? I don’t wanna do that any more than I wanna work in a gas station.

I think a lot about “success” lately. I don’t think it’s just freedom (from rules, bosses, schedules, orders), I think it’s also… – I want to say freedom from anxiety – comfort (internally / spiritually). Excepting my EDD freak-outs, I stress about not having enough money to 1) pay bills and 2) keep Heather in love with me.

Look at that! I finally fucking admitted it!

You know… for a second, I thought this was big. But, really, it only means that I’m just like every other normal fuck on the planet.

Oh – shit. That is big.

Growing up, my dad taught me (or at least tried to teach me) a few things. One of those is at the crux of this piece. “If you don’t make enough money, (sooner or later) she’ll leave. It doesn’t matter how much she loves you. If you can’t afford to do things like go on vacation, then – eventually – she’ll find someone that can.”

My biggest regret (or possibly just the one I think of most) is something I said to Heather when we first started seeing each other. I was still living in Tranquil Shores then, so I was very much a blank slate; no one really had any idea what the fuck my life would look like even 30 days into the future. I had recently decided that I wanted to live, essentially, as I was at Tranquil Shores: I wanted to dedicate myself to art and other creative projects, and have a little time left to do standard mental health / recovery sorta stuff. When I told Heather, she asked how that could possibly be tenable in the long-term. I assured her that I was really clever – that I’d make it work somehow. And that “shit – if all else fails, I’ve got a fucking law degree from Georgetown – I can always go get a regular job. Work seasonally (or something like that). In any case, if I ever needed money, I’d be able to come up with it.” And why not? I always had in the past.

But “why not” is that I’m not a fucking drug addict anymore. Sure, I was always able to come up with money before but that’s because I was okay with heading over to the nearest college and stealing laptops (or anything else valuable I might come across). And – in case it doesn’t go without saying – I don’t do shit like that anymore. All that aside, what I emphasized was simply that I’m really clever and that things are going to work out for me. I think I was more lacking in thoughtfulness than I was being dishonest.

When she told me she liked to go on vacations – and asked if I’d be able to afford something like that – the word probably rang that old bell in my head and sent me into panic mode. Without a second of pause, I just said “yes.”

Because of all that, I feel like I started this relationship under false pretenses – and now that I’ve already suckered her into liking me, it’s not the kind of thing I can just take back. In the end, I know it won’t make any difference (whether or not I promised to be not broke one day); if I don’t ever make money (and it is an issue for her) it’s not like she’ll be obligated to stick around just because “she knew what she was getting into.” Then again, I was a heroin addict and a mental patient so… it might be fair to say that she knew (or at least should have known) what she was getting into either way.

I selected the “most outrageous” text from this piece for the title because I want to distract from how uncomfortable I am with the real subject. ”Who Do You Work For?” would make for a far more genuine title. I like it because it implies Heather and myself, as well as (potentially) a third-party audience (with – or instead of – Heather). After all, so much of the journal reads like I’m defending myself / trying to justify my life to someone. And just mentioning anything about financial anxiety within a piece of art makes the whole thing feel like a commercial solicitation (which also makes me uncomfortable).

Although, as Heather pointed out, I’m well aware that my pieces with journal entries on them as way less salable than the others and that by using her name in the piece (rather than a generic equivalent like “my girlfriend”) I made it even less salable. Which makes me happy – to spot concrete evidence that, though I might stress out about money in relation to my art, that tension isn’t influencing me in such a way as to detract from my (or my art’s) authenticity. I don’t ever make something with salability in mind; I just fucking make it. So while I may prove to be a commercial failure – so long as I honor myself and my expression – I can still be a personal success. And maybe that’s enough…

—–

14

October 20, 2013

"14." 1/2/13. Calligraphy ink and sewing needle (tattoo). 1x2".
“14.” 1/2/13. Calligraphy ink and sewing needle (tattoo). 1×2″.

In early November, Alexis and I were “just friends” but it was obvious that something was going on. We walked into the room laughing, toward some empty chairs near Delia. “So when are you two going to get married?” she asked. “Pffft… What are you talking about? We’re just friends,” I said as we sat down. Alexis turned and whispered in my ear: “So… when are we going to get married?” I smiled. At this point, that kind of flirting was still a bit of a lapse in our usual insistence (even to one another) that this was a strictly platonic friendship. “Hmm…That’s a pretty serious commitment. I might need some time to think about it.”

A few minutes into the meeting, I motioned her in a little closer. “Okay, so here’s the deal,” I whispered in her ear, “We’re not allowed to be in relationships until we’ve had a year clean, right? So we can’t date until next August… Recovery: twelve steps, the last of which is “helping other addicts,” which is why – you know – the joke about fucking someone you meet in recovery is “the thirteenth step.” So – from that – you could say that the fourteenth step is getting married. So… 12, 13, 14: December 13th, 2014. By then, we’ll have known each other for two and a half years, in which we got our year clean, started dating, and then spent a year and a half together as a couple. 12-13-14.” I pulled back from her ear with a smile to see her reaction. She loved it. She looked giddy.

—–

In writing my statement / story for “Another Opportunity For Growth!!!,” I did some digging… I didn’t find what I was looking for, but I did find this conversation from a week after that story (and two months after the one at the start of this entry).

Texts: January 13th

Alexis: I love you. I wish we could communicate like before but I guess this is how It’s supposed to be. I’m sorry for being a shit but I’ve been working out my own demons. It isn’t easy on my own but I’m managing. Will I get to see you again?

Sam: You can see me pretty much anytime you want to.

A: That’s not true. I can’t leave the county. Have you talked to Tracy since you left [Tranquil Shores]?
[Tracy was my counselor, as well as hers]

S: I didn’t leave. I was just desperate to get you to open up. And I was hurt and angry – feeling like you had locked me out. Feeling unloved, neglected, and rejected. So I was probably trying to fuck with you a little bit. To get a reaction out of you and get you to call me back for once. I’m sorry for doing that.

A: So you didn’t leave? You LIED TO ME? Played mind games?

S: Yes. And not that there’s any excuse for it, but that’s what I felt like you were doing to me when you’d disappear for four days. Or lie to me and promise that you’d call me at a certain time and then ignore my calls and just text me a day later. But like I said, two wrongs don’t make a right. You’re going through your own shit, I’ve got my shit. So – yeah – I’m sorry. I was hurt and desperate to get you to talk to me.

A: This is what our relationship has become?

S: Lexi, I didn’t do this alone. You can’t put it all on me. You practically ended our relationship on New Year’s Eve when you disappeared all week and then refused to tell me anything about what’s going on.

A: What have you been going through?

S: There was this girl that I was totally crazy for. We met up one night and I told her how much I loved her. She told me how much she loved me and how she knew it was for real. And I was so happy. I couldn’t wait to see her again. We made plans for NYE but she never called me back. And then, when she did – days later – she wouldn’t tell me anything about what was going on. But I knew something serious was happening because she also stopped going to groups and seeing her counselor (who she had always seemed to love). I didn’t know what was up, but I was terrified for her. Because I loved her and cared about her so much. Even a week later, she was still being spotty and still wouldn’t tell me what was going on. I would have told her anything but she wouldn’t tell me even one thing. It got to be more than I could handle. It hurt too much, worrying about what this girl was going through and at the same time dealing with the pain of being locked out by someone that I had bared my soul to and opened up in a way I never had before.

S: That’s what I was going through.

A: I’m not dead, Sam.

S: I know you’re not dead. But there were a few days where I was afraid you might be. And I’m still scared that you might be mixed up in something dangerous. But I’m not letting it get to me.

A: I’m here for you. Always.

S: Kid, I love you to death, but you can’t say that. You’re NOT always there for me. You won’t ever answer my calls or call me and you only respond to my texts half the time. But that’s okay. I accept that.

A: So because you’re assuming everything, that’s how you want us to be?

S: No. I want us to be partners. But I can’t always get what I want, so I’m settling for being your friend. To whatever extent you’ll allow me to be.

S: If I could, I’d see you every day. But if all you want from me is the occasional text, I’ll take what I can get.

A: We did see each other every day. We had that. I want to hear from you daily and see  you.

S: Can I call you so we can talk for a minute?

A: Talk of what?

S: About whatever. I can just tell you about my weekend. I just like to hear your voice ’cause I miss you.

[no response]

S: If you don’t want to talk on the phone, that’s fine. You don’t have to stop texting me just to avoid it.

[no response]

S: Hey – by the way – did you see that picture of my Lexi tattoo?

A: What tattoo?

S: The ghost from the painting I made way back in October when I first started trying to figure out if I was in love with you or if I even knew what love was or if I was capable of loving someone. And – next to it – “14.” Because I did it on 1/2/13 (the same numbers in the same order as 12/13). So – you know – to complete the number: 12/13/14.

A: Where’d you tattoo it on your body? That’s seriously about me? Wow, Sammy.

S: It’s right above my right knee, in the only spot that I don’t ever patch on my jeans so that it’ll always show.

A: Where’s mine gonna be?

S: Wherever you want it to be. But you’d actually have to meet up with me to get it. Will I get to see you sometime this week?

A: Up until an hour ago, I thought you’ve been in Sarasota. I definitely crave and truly miss your energy. Why the ghost though?

S: In the painting?

A: Yeah.

S: This sound lame but (when I made it) it was because I felt possessed or haunted by doubt and uncertainty. And then (when I did the tattoo) – even though I didn’t doubt my feelings anymore and knew that I loved you – it made sense to reuse it. Not just because that was the first thing I painted about my feelings for you but also because I felt like you had disappeared. You were there one minute and gone the next. Like a ghost. Which was scary (like a ghost) because I thought you might be dead… like a ghost. And I was upset again – about something going on with us – just like i had been when I first painted it.

S: I miss you a ton, kid. I still think about you all the time. One of these days, you’ll have to let me come see you, or at least hear your voice. But it’s nice even just to text.

A: I’m laying in bed so I don’t sound cute right now. Sleepy and in pain.

S: You always sound cute but it’s okay if you don’t feel like talking. Sorry to hear you’re in pain. What hurts?

A: I pulled a muscle.

A: Think I may just be getting old.

S: Aw. I’m really sorry to hear that. I pulled a muscle in my arm that’s been hurting for a week now. Not bad though (sometimes not at all). I hope it feels better soon.

S: Yours, I mean. I hope YOURS feels better. Mine, I can manage.

A: Lol. You’re cute. We’re just linked and connected in some strange cosmic way I suppose. It feels good to talk to you. You make me feel at peace. It’s weird to explain.

S: You don’t have to explain a thing. Even if it’s just texting, you make me feel the same way. When I’m not losing my mind worried about you, you’re pretty much my favorite person on the planet.

S: And hopefully those days are done with. I’m gonna do my best to just hold it down and deal even if I can’t get in touch with you for days.

A: That’s where trust and faith come into play.

S: Yeah, you’re absolutely right.

A: Don’t lose your mind. And I couldn’t possibly be your favorite person. There are a lot more interesting people out there.

S: Well, you’ll have to introduce me to some of them then, I guess. I sure haven’t found them on my own.

A: Stop making me smile. It hurts.

S: So when I get my “vehicle” this week, you gonna let me come over and tattoo you?

A: What vehicle?

S: If I tell you, you promise not to make fun of me?

A: Yes.

S: I’m getting a scooter. I should have it by Sunday. Not exactly a car, but it’s a start. Plus, I can paint it and cover it in stickers and stuff, so it’ll be REALLY, REALLY PUNK.

A: I love it. Fucking adorable and so totally punk.

S: So does this mean I can scoot on over and draw something under your skin?

A: Yup!

A: I’m laying down now. It’s time I try to get back to a schedule of early bedtime, up early.

S: Okay, I should do the same.

A: I love you, Sammy. Sweet dreams.

S: Love you too, kid. Sleep tight.

—–

  • If you’re reading that and thinking, “Nobody writes messages like that,” you’re half right. Mine are unedited but she writes messages like a normal human being (without “proper” capitalization/punctuation, with typos, etc.); so I changed that when I typed this up for… um… uniformity? Otherwise, it’s pretty much a straight transcript.
  • When asked about this tattoo, I don’t usually mention the girl – only that the ghost is my emblem for borderline personality disorder (as it came from an expressive art piece created in the midst of an episode / incident of particularly strong “symptoms” – and used in later pieces when I was either experiencing or commenting on the same). Both explanations are equally true (and very much related).
  • The first thing about this conversation that jumps out at me is the way I was trying so hard to be okay with what was going on, when I should have just turned my back and ran. She wasn’t in a good place and I had “fallen down” with girls in situations just like this so many times.
  • Second: She says “That’s where trust and faith come into play” and I respond, “You’re absolutely right.” She was absolutely wrong insofar as she was suggesting that I should trust (and have faith in) her. And I knew that even then. But I chose to knowingly misunderstand her, which enabled me to agree with her. Because I did have trust and faith (or I was trying to have them anyway). Not in her – (she was obviously fucking up hard) – but in … everything, I guess. I was trying to believe that everything was happening exactly as it needed to (or – at the very least – the only way that it could happen). Whatever had happened so far, I was just hoping that she’d spin herself back into Tranquil Shores before shit got really bad.
  • But that didn’t happen. The night of December 30 remains the last time that I ever saw her.

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