Tag Archives: heroin

Expressive, Inpatient, Stories

So Smart I Got Life Lessons Dripping Out My Asshole

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"I'm So Smart I Got Life Lessons Dripping Out My Asshole (Also: Charm) Pay Me (...?)" 2/16/13. Acrylics and resin sand on cardboard. 12x14".
“So Smart I Got Life Lessons Dripping Out My Asshole.” 2/16/13. Acrylics and resin sand on cardboard. 12×14″.

So smart I got life lessons dripping out my asshole (also: charm); pay me (…?)

Expressive art. Self-deprecating humor. The ninth painting of ten in my series, “The Weak End.” If you’re at all familiar with my work, you’ve already read everything that I could possibly say about this painting or the two days over which I worked on it.

I do, however, have a new (almost-finished) painting that will be featured here soon. In presenting it, there are three stories that I’ll want to share. Were I to include them all in a single entry, it’d be a little overwhelming. So…

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The true story of my afternoon on April 28, 2012.

We met in a treatment facility that we had both transferred to from others. It was from her previous rehab that she knew Bill. He wasn’t a patient of theirs, he was an employee. He had clean time. (Emphasis on had). He started using yesterday.

J had a habit of not counting his money until he was back in his car. We didn’t have any money, but if we could find someone to throw in a hundred, we could pad the twenties with small bills to make it look like as much as three. We called Bill and he met us with a hundred dollars cash.

We had shorted J before but only by twenty or thirty and we’d always eventually (sort of) paid in full. In any case, we bought from him everyday. We were junkies; he knew we weren’t going anywhere.

I made the call and with her by my side and Bill in the backseat, we met up with J. As soon as we made the hand-off,  I put the car in gear and drove off as quickly as I could without raising suspicion – but it’d only be a matter of time before he sat down and counted that money. He called within a minute. I had (I thought, slyly) taken a residential street so that he wouldn’t see us in traffic, but before I knew it, he was there. He slid around us, cut off our path, and was out of the car. I floored it in reverse, struggling to keep the car from backing into any of the others parked on the narrow street. He chased after us and almost grabbed hold of me through the window when I swung the car out into the intersection and into drive. His girlfriend had taken the wheel when he got out and she picked him up. They were right on us immediately and we proceeded to play bumper cars across the streets of Delray Beach, running every red light, driving on the wrong side of the roads. Our car was already beat up but his was really nice. Or had been earlier that day anyway.

As soon as J was back in the car, he was back on the phone. As we swerved around and into each other, I tried to reason with him. “It’s only two hundred dollars. Report the damage as a hit and run and turn it in to your insurance. This isn’t worth it.”

“This car isn’t insured or registered. It’s not even my plate. You owe me a lot of money – and the dope – and I’m beating the shit out of you.”

“I’ll get you money later in the week but I’m not giving the drugs back so you might as well give up now.”

I got us to the on ramp for I-95, but  our car was old and slow. We didn’t stand a chance at outrunning him. Smashing the fuck out of his car hadn’t deterred him so I had to get creative. I swerved around other cars, trying to lead J into an accident that might actually slow him down.

“I’m gonna flip your car and kill you,” he said.

“That’s the only way you’re getting the drugs back. Chalk it up as a loss and give up before it gets any worse.” I was pretty bold for someone shaking so badly.

I tried a new technique: slamming on the brakes to take us from 90 mph to a dead stop in the middle of the interstate – counting on the cars around us to prevent J from doing the same. After a couple stalemates, where he pulled onto the shoulder up ahead to wait, knowing we had no option but to start driving again, I started to lose hope. How had we not passed a cop yet? How many other drivers must have called this demolition derby in by now? It was only a matter of time before this all ended very badly – one way or another. And my fucking fuel light was on.

“My boys are getting on at Lantana and are gonna light you the fuck up. You and your girl are as good as dead.”

I guess he didn’t notice that we also had Bill in the back seat. (Quite an experience for someone so freshly off the wagon, huh?)

Eventually, somehow, I was able to lose him. After an exit, I tore across two lanes and into the grass back toward the off-ramp at the last possible second when I’d be able to do so and J wouldn’t without losing sight of us for long enough for us to turn and leave him guessing which way we had gone.

J didn’t follow and when I got to the first red light that I wouldn’t be running that afternoon, I eased into a stop with a police car right next to me. My headlight was dragging on the street in front of the car. The front bumper was partially detached and the back bumper was smashed in. The light turned green and the distance between us and the cop increased until I was able to exhale.

And then I laughed. We all laughed. A lot. It wasn’t funny but it was amazing in its way. As fucked up as all of it is in hindsight, in that moment we were triumphant and I was a hero. (Nothing could be further from the truth, of course, but it felt that way). We had no right to be alive. It defied all logic that we were driving away, unscathed and with heroin. I dropped Bill off at his car and drove back to the trailer park where she and I were renting a windowless room with no door to the outside. I left the car at the opposite end of the park and we got out to walk. We lived at the entrance of the park and J’s house was only a mile down the road; I didn’t want to run the risk were he to go out looking for us.

We walked into the trailer, into our room, shut the door, and shot up. I don’t remember anything that happened after that, but the next day, we packed our shit to leave for Miami.

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“The Weak End” series:

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  • 11×13″ prints of this piece are for sale in my webstore.
Inpatient, Intentional, Status Update, Stories

Pulp

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I’m in the middle of a silent temper tantrum, by which I mean I’m not talking and have dedicated myself to staying miserable until I exhaust myself. I used to do this almost every day, but they’ve been pretty few and far between since the day that I consider my “emotional sobriety date.” So – of course – I’m angry and now I’m even angrier with myself for this than I am about the stupid incident that sparked this episode.

Here’s the other of my two 9×12″ learning to draw with charcoal sketches from January.

"Pulp." 1/17/13. Charcoal. 9x12".
“Pulp.” 1/17/13. Charcoal. 9×12″.

In February 2012, I was kicked out of my second rehab in as many months. I found myself running around Delray Beach with the girl I had been kicked out with. I’m not going to try and diagnose her state back then but – if I did something that bothered her – she could flip a switch and go from being totally in love with me to telling me what an ugly, worthless, pathetic, despicable piece of shit I was. On one occasion in our first week out on our own, we were staying in some little shitbox motel. (If you’re familiar with Delray, I’m sure you know it). I don’t remember exactly what went wrong, but it had something to do with heroin or getting more heroin. And – in case I didn’t already hate myself enough (I did) – she was really piling on as much hatred and vitriol as she could manage, to ensure that there wasn’t so much as a shred of self-esteem left in me.

I went into the bathroom. I was crying. I looked at myself in the mirror and couldn’t fucking stand the sight. It made me angry that I was the person looking back at me. So I started punching myself in the face. I don’t remember how many times. Enough that, for a good while after, I looked like someone had kicked the shit out of me pretty well.

Which I’ve always been good at. I’ve always been good at beating myself up. But that was the one time when it was most literal.

 

I’ve had thoughts like these today. I have had these impulses today.

This seems appropriate.

Artist Statements, Cartoons, Inpatient

Merry Christmas 2K12 (and 2K13)

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I forget how it came up, but I found myself in rehab, defending some view as not being illegitimate or immoral. Something to do with property and how this world has enough for everyone to have everything that they need. But how people get scared, their fear morphs into greed, and they feel like they need to hoard wealth or resources to the detriment of others. One way or another, we got to that thing from the Beatitudes where Jesus says it’s easier for a camel to pass through the eye of a needle than it is for a rich man to enter the gates of heaven. And from there, “For God so loved the world, he gave his only begotten son to burn the banks to the fucking ground and drink the blood of the rich” popped into my head – which I, of course, thought was hilarious. And I immediately started jokingly trying to recruit my fellow inpatients for a crusade to burn down the banks and – you know – drink the blood of the rich.

The next day, in expressive art therapy group, we were told that the theme was Christmas (it was December 22nd). “Not really Christmas though – just in terms of birth or re-birth – just as a metaphor.” Everyone else in the group kind of ignored that. We produced a lot of paintings of Christmas trees and Santa Claus that day. I – predictably – went really literal with it though. I started painting myself being born (fully grown and clothed). And not so much being born, as much as pulling myself out of a woman’s birth canal. (The distinction is that birth wasn’t “happening” to me, I was taking the action). I thought that was pretty great given my circumstances. Recovery or rehabilitation weren’t happening to me – I was making them happen. I was bringing them about. Doing the work to get better.

And then it occurred to me that the “For God so loved the world…” thing that I had come up with the day before would be PERFECT for this painting. It was supposed to be about Christmas, right? The celebration of the birth of Christ. And while I had intended for the character in the painting to be me (and – no – I don’t think I’m the messiah) adding the caption would make this a depiction of what must be the second coming of Christ. When he comes back as a lion instead of a lamb. Lion Christ just might be the kind of guy that WOULD burn the banks to the fucking ground and drink the blood of the rich, the greedy, and the selfish. After all, Jesus never spoke ill of homosexuals or [whoever evangelists are bummed out about these days] but he sure as fuck had a distaste for the rich.

So this may sound absurd, but this painting, the little things leading up to it, and the process itself.. this was a spiritual experience for me. No offense to any of my peers, but they all painted Christmas trees and (by their own admission in group that day) didn’t get much out of it, so this assignment/prompt MUST have been for my benefit. And the way that it all panned out – what I chose to paint without even thinking of the previous day – and then remembering it at just the right time – this was all predestined. Similarly, back when I was told that I needed to have some kind of faith – that I’d need to believe in some kind of higher power if I ever wanted to get better and stop shooting heroin – the first belief I adopted (albeit sarcastically) was that “my higher power thinks I’m fucking hilarious“; if this whole episode isn’t proof of that, then I don’t know what is. The universe really brought it all together for me this time around.

"Merry Christmas 2K12." 12/22/13. Acrylics and pen. 9x12".
“Merry Christmas 2K12.” 12/22/13. Acrylics and pen. 9×12″.

HISTORICAL note!: Our art therapy counselor brought us acrylic paint and canvas boards as a Christmas present, so this was my first time using “real” art supplies. (Normally we used cheap paper and tempera/poster-paint). And I kinda can’t mention that counselor without saying something else…

Even when everyone else thought that “something might need to be done” about the kind of stuff I was turning out in art group, Julie stuck up for me and insisted that I be allowed (and encouraged) to create whatever I was feeling. It’s so much more than entirely possible that – were it not for Julie – what little enjoyment I got out of those early art groups might have been snuffed out. Had that been the case, there’s no way in hell that you’d be reading this right now because this website (and all of these pieces) wouldn’t even exist. And It’s not quite as certain, but it’s extremely likely that I’d either still be shooting heroin or dead. A lot of people and factors played into my recovery but the one piece that I’m almost positive is totally crucial is art. And Julie gets total credit for that. (With an assist from my friend (and fellow inpatient) Mary Beth, who was also a huge source of encouragement in the early stages of the game.

And so long as I’m going on tangents: After I finished this painting, as I was carrying it from group to my room, one of the property techs stopped and asked me if he could see what I had made. Staff aren’t really supposed to be “friends” with patients/clients, but I definitely considered Kenny a friend and (as a Christian) I was afraid this would bum him out. But I showed it to him and he surprised me. He knew exactly what I was going for, got the joke, told me it was actually a really Christian sentiment, and even gave me the [call number or whatever it’s called] for a verse of scripture. That sort of reaffirmed my faith in humanity that day. It was really awesome.

By the way, that movie I was cast in over the summer… the production designer saw this painting and asked if I could redraw it so that it could be screened onto a t-shirt for my character to wear. So I did!

"Merry Christmas 2K13." 7/2/13. Digital. 12x18".
“Merry Christmas 2K13.” 7/2/13. Digital. 12×18″.

A lot of what you’ve just read was written a few months back. Some of it is even older than that. The word “predestined” jumps off the page at me. Do I really believe in such a concept? I don’t know. I’m tempted to say “not really.” I’ll say this though… on December 22nd, back when all of this was happening… when I say, “this was a spiritual experience for me”, I mean it. Did I believe anything was predetermined earlier that day? No. Did I believe it in that moment? Again – I don’t really know. But I know that I was having fun acting as if I did… This really struck me as too perfect to be random (it just felt too excellent) but … eh… Well, like I sort of said: this was the best evidence I had ever seen that [to borrow from Andrew Jackson Jihad] “my god thinks my jokes are funny.” And it was all great fodder as I explained the cartoon/painting/sentiment to the patients and staff that were giving me funny looks. So I was having a lot of fun with it. So far as my real (confident) beliefs go… – only what I laid out in my entry for “Everything Works Out Exactly As It Should.”

Anyway, here’s a song that I was listening to a lot around the time this was painted.

Here’s a song that strikes me as otherwise relevant.

This painting is still available for purchase. As are an incredibly limited number of t-shirts. And – as with all of my art – either version of the image can be purchased as a signed, numbered, and framed print/poster.

Artist Statements, Cartoons, Current Journal, Outpatient, Status Update

Blow Bubbles! For Fun! (Not Strangers For Drug Money)

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"Blow Bubbles!" 3//13/13. Crayon and digital. 8x10".
“Blow Bubbles!” 3//13/13. Crayon and digital. 8×10″.

In the last year, I learned to use art as a tool for emotional health. Since I’ve been out of treatment, I’ve been doing very well in that area. One area in which my counselor insists I need improvement is my social health.

One day, I accidentally went out to lunch with a group of people. I crept around until I found the restaurant’s stock of crayons and paper. I didn’t have anything in mind when I started (other than removing myself from the world around me so I wouldn’t have to interact awkwardly with other human beings) so I just chose a color that appealed to me and drew some shapes that I liked. At some point, I decided what the shapes were, added to them to form the image of a kid blowing a bubble, and then captioned it with the first thing that came to mind.

This little cartoon has no unique significance to me, but – like a lot of what I do – it’s evidence of how far I’ve come. Granted, one could suggest that – ideally – I wouldn’t feel the need to escape reality at all, but I think that drawing is a big step up from shooting heroin. And – while I can see some validity to the opposing point of view – I don’t think that social interaction is all that much more important than doing something that helps me feel productive and (in a very real sense) valuable.

For years, I’d wake up with a sigh, as I contemplated another day of being alive and – even worse – being me. Sometimes I create things that have deep meaning to me. Other times, I just draw little cartoons that I think are cute or clever and are little more than they appear. Both of these kinds of art are important because both are pieces of what makes me happy to be living and breathing as Sam North. A lot of people could do what I do, but a lot of people don’t. For whatever reason, I do – and that’s something I’ve been rewarded for in innumerable ways every day. What I once considered a terrible fate, I’m now incredibly grateful for. I’m pretty excited about being me. [written 5/29/13]

 8×10″ prints of this cartoon are available in my webstore.

 

Today, I went to Art Walk, a monthly event in downtown Jacksonville. People set up tables and sell art and other stuff they’ve made. Within minutes of arriving, a kid asked if he could give me a flier for a record store. I told him I’d trade him and handed him one of mine. And then we realized who we were. It was Josh from Dead Tank, one of the two kids in the area that I (met ten million years ago and) decided to email last month to find out about DIY shows/spaces in the area. Pretty excellent chance encounter.

From there, I just kind of poked around, scoping things out. (I sent in an application to be a participant, but it wasn’t in time for this month’s Art Walk). I met and talked to a few people though, awkwardly handed some strangers cartoons/fliers, and… then I rode home.

Artist Statements, Expressive, Post-Treatment

Bright Side Nihilism: (Syria +/= Video Music Awards) < The Dog Peed on the Futon

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I don’t have the slightest idea what’s happening in Syria. Something about weapons or genocide or… [who the fuck knows?] (Not me!). I am intentionally ignorant of it. I don’t give a shit. Not because I have some sort of bigoted animosity toward people in that part of the world, but because it’s not good for my mental health to be concerned with it. I don’t stress about it for the same reason I don’t stress about whether my friends in other parts of the country are consumed by drugs and at risk of dying. Because I can’t control it, I can’t change it, and worrying about it isn’t going to bring about anything positive for anyone.

I have a memory from when I was twenty years old. I was reading constantly and the things I was reading were consuming my thoughts. I remember walking through a grocery store and I started to cry (just a little bit) because I was thinking about water privatization in South America. I’m not interested in living that way anymore.

I saw some stuff on Facebook this week, criticizing our culture at large for being so consumed by the spectacle of MTV’s video music awards. I don’t give a shit about that either, but I actually saw some of it. (I went over to Angie and Alex’s house last night with Heather because Andrew and Claire came into town. They wanted to see some parts of the VMAs so Alex pulled it up on their magical internet television). I didn’t think it was awesome and I didn’t think it was the worst thing to ever happen. But it was really fucking boring. But [whatever]. It’s not important because – like Syria – things like that don’t need to be a part of my life at all.

Is it sad that bad things happen every day, whether or not we know about them? Absolutely. Is it frustrating that people obsess over (what I think is) vapid garbage “entertainment?” Sometimes, I guess. But none of it matters. Nothing matters. Not inherently. Things only have the significance that I assign to them. I don’t know if you’d call it a sort of nihilism or a “personal relativism” or what, but I get to choose my own truths and I get to create my own world.

As the only text on this painting (that isn’t in the title) says, “I like colors and contrast, bad teeth, crooked smiles, and nonsense. Things are better than they’ve ever been.”

"Bright Side Nihilism: (Syria +/= Video Music Awards) < The Dog Peed on the Futon." 9/1/13. Mixed media. 30x40".
“Bright Side Nihilism: (Syria +/= Video Music Awards) < The Dog Peed on the Futon.” 9/1/13. Mixed media. 30×40″.

This was the biggest fresh canvas I’ve ever worked with. I started on Thursday (8/29) and finished last night. It is acrylic, watercolor, pen, marker, carbon, and oil pastel.

Aside from “colors and contrast,” here’s something else that matters to me. Last night, when I was trying to figure out how to get a high-resolution photograph of something this big (and getting a little bit annoyed with how poorly my efforts were going) I realized that I was sitting alone in my kitchen, bouncing around in my seat, and singing along to this song. It made it a little tougher to feel at all annoyed or frustrated.

Edit(!): I can’t get the song to embed! Just go here and absorb everything: thebrokedowns.com

Artist Statements, Cartoons, Inpatient, Intentional, Stories

Little Vomit-Colored Hearts

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"Little Vomit-Colored Hearts." 2/12/13. Acrylics, pen, and collage (cardboard, resin sand, and crushed up Peptol-Bismol) on a strange wooden frame. 12" (diameter) round.
“Little Vomit-Colored Hearts.” 2/12/13. Acrylics, pen, and collage (cardboard, resin sand, and crushed up Peptol-Bismol) on a strange wooden frame. 12″ (diameter) round.

The text in the center says: “It’s my hope that someday I’ll be able to draw a cartoon Heather that’s maybe 5% as adorable as the real thing.” The large (vomit-colored) text says, “Lovesick.” The rest:

If I had to guess, I’d say you might not be the biggest Valentine’s day celebrant to walk the earth. Which is cool. But any excuse I can grab hold of to tell you I think you’re great with some extra-effort-little gesture… I’m into. Can I be unabashedly romantic/sappy for a minute? You make me wanna puke up little vomit-colored hearts. (What’d I tell you? Romantic). I’m a heroin addict – you see past it. I’m weird as shit – you’re into it. You think you’re (relatively) boring – you’re not. You’re just (relatively) sane (maybe).  Which is awesome. You make me wanna be as good as I can be. You make me wanna live the best life possible. (I already wanted those things, but you make me want ‘em even more). And still have plenty of ridiculous adventures. But with you by my side. I wanna get in all kindsa trouble (and fuck up all kindsa shit) with you. (I mean that in the best way possible). I wanna get in good kindsa trouble. I don’t know about all these words. When I think about you and when I’m with you, sometimes I feel insecure. Until you speak. And then I feel the opposite. I feel safe and okay. (Still pretty new for me). You’re the warmest, most supportive, encouraging, loving, inspiring, high-school-mean-girl-Christian-bully that I’ve ever met. You’re so fucking sharp and beautiful and honest and [fuck!] You’re stylish and funny and perfectly imperfect and strong and independent. and everything good on this wacky fucking planet. You’re a dream I don’t want to wake up from. Happy (two day’s early) Valentine’s day, Heather.

So reads the text at the top of this piece. Following that are some “nervous afterthoughts,
which I wrote over the course of the next hour or so, and then bracketed and labeled as such.

Wanna be my girlfriend? Like – for realsies?
Actually, scratch that.
You already are.
Like it or not!
{You make me feel like a kid again. Not much of a stretch, but – you know…).
Thanks for taking a chance on a kid in rehab.
I adore you.

New relationships in early recovery are not recommended. And if you’re inpatient in rehab (I think it goes without saying that) they’re not allowed at all. For me especially – they’re a bad idea. Keeping the proper distance between girls and me had been a task my various rehab counselors and I had been dealing with for more than a year. This last January, I was still living at Tranquil Shores, but I was no longer technically an inpatient. I operated according to a different set of rules. I could leave property for up to two hours at a time, provided I got approval from my counselor first and got all the paperwork signed and into the hands of the residential property staff.

There was this girl (Heather!) that I had added on Facebook at some point, thinking that she was someone else. Sometime later, after her name popped up a few times, I actually checked her page and realized she wasn’t who I thought. She was pretty and we had mutual friends in Sarasota; I thought it was strange that I didn’t know her (or at least have some idea of who she was), but [whatever]. Now – in January – I saw a post of hers: “When I do good at work, I like to reward myself by breaking out with ‘THIS GIRL IS ONE FIREEE.’ Customers love me.” I had no idea what that lyric was from, but I thought that was pretty fucking cute. I responded with “In theory, if I had an internet crush on you – how would you feel about that?” The next day, she commented on something I posted, I responded, and we started emailing back and forth. Within a couple days, we were spending hours exchanging messages. I liked her a lot and I realized really quickly that there was something different this time. The last few girls that I had dated, I was constantly asking myself whether or  not I really liked them… I was always having to convince myself that it was genuine for [this reason] or [that reason]. I didn’t have to convince myself of anything this time. I was unqualifiedly into this girl. I somehow coaxed her into agreeing to come up to visit me (in rehab). And I got her phone number and started calling her instead of writing her because that seemed like the healthy, brave thing to do.

Funny aside: The three Rational Anthem kids were amongst our mutual friends. After Heather and I had been writing each other for all of a day or so, I called each of them and said something like: “I’m going to ask you about someone but – before I give you the name – I need to warn you to speak carefully because this is the girl I’m going to marry. What can you tell me about Heather Pierce?” Admittedly, those calls were partially motivated by something authentic and partially by my own enjoyment of how perpetually lovesick I seemed to make myself. As miserable as it made me at times, I thought there was something cute or funny about it.

So she was interested in coming to see me but that didn’t mean that my counselor was actually going to approve it. And I was fairly certain that even if she allowed this girl to come see me, there was no way she’d actually let me leave the courtyard/property with her. But she did. She and the rest of the treatment staff decided that in light of everything, the best approach was to allow it and monitor it through my sessions. Talk to me about it, counsel me, and just make sure that I didn’t somehow lose my shit as a consequence. It was one thing to keep me off heroin, but to keep me off girls was pretty much impossible. Better to let me get involved now, while they could help me along the way, then wait until I was out on my own and not under their care and guidance twenty-two to twenty-four hours a day.

There’s so much more that I could say, but I’ve got another piece that I can use to tell more of this story. Her first visit was January 29th. I made and gave this to her on February 12th, the night of our fourth “date.”

Artist Statements, Cartoons, Intentional, Outpatient, Stories

Girls Are Not Pokemon

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"Girls Are Not Pokemon." 3/26/13. Colored pencil and pen. 8x10".
“Girls Are Not Pokemon.” 3/26/13. Colored pencil and pen. 6×8″.

I’ve been to three different rehabs and – at each – I got involved with a girl. Though it only (directly) got me kicked out of treatment once, it was never not a serious problem. If I include life outside of rehab, in times when I was trying to stay clean, I’ve relapsed with six different girls (and, each time, while upset about something that happened with me and the girl). That number doesn’t include times I’ve relapsed without [the] girl but while upset about something with her. Heroin is dangerous for me, but girls are probably more dangerous. I first started trying to get clean in November 2010 and – in all the time since – there have been plenty of occasions when I’ve been in dangerous situations where drugs were available through someone I was with (and/or someone was actually using around me). When that person’s been male, I’ve never once caved and gotten high, but when it’s been a girl that I’m even slightly interested in (i.e. most girls), I’ve found myself with a needle in my arm just about every time.

At Tranquil Shores, this was one of the issues that we spent the most time on. In my fifth month as an inpatient, Alexis, the girl with whom I was the most mixed up, moved out. She was signed up to come in three times a week for outpatient treatment but, two weeks later, stopped showing up. We were talking regularly by phone even after she left, but it wasn’t long before I lost touch with her too. She fell off – back into drugs – and lives behind bars now. I could have easily been right there with her when it all went down.

So now there were exactly zero girls in my age range at Tranquil Shores but I had others in the area that I had met at AA or NA meetings that I was constantly texting and meeting up with. (And I was doing that long before I lost touch with Alexis). Nothing serious happened between (any of) us, but I came pretty close to making some bad decisions on more than a few occasions. And that I even came close is insane. How many times did I need to put my life at risk just ‘cause I liked the way some girl smiled at me? But I couldn’t help it. It was the definition of compulsive behavior. I felt like I needed it.

A year prior, at the Wellness Resource Center, after getting caught with a girl (somewhere that we shouldn’t have been, doing something we shouldn’t have been doing), I was sitting in my room, contemplating the trouble I was about to be in. I didn’t want to get kicked out because I knew that I wasn’t “better” yet. I knew I’d get fucked up again and fuck everything up. I remember sitting there and thinking, “I don’t care if they never let me anywhere near her again. I don’t care if they basically lock me in my room. So long as I know that she’s also locked up in her room, sitting there pining for me, still in love with me, that’s all I need. I don’t ever need to see her again.”

I think that’s all it’s really about for me. I just want someone to love me or – more specifically – to be in love with me. I needed for someone to think that I was the most important person in their world. The best person. Their favorite. Once I’d get that, it never really changed anything. I never actually felt any better or less insecure. It seemed so at times, in short little moments, but if that had really been the case, then I wouldn’t have been constantly pursuing multiple girls, even when I already had one “on the hook.” [That term sounds shitty but it conveys the idea I’m trying to get across. Also, it is shitty].

Sitting in group in December 2012, I did some math. I had six girls that I was trying to juggle to varying degrees. While I’d like to write it all of as inauthentic codependent bullshit – to be honest – with half of them I wasn’t even sure [and I’m still not]. I thought there might be (at least some spark of) authentic love. Yet I was still leading on the three girls with whom I knew it was just bullshit.

What was I really after? What was the point? A thought occurred to me; it was really silly but it was also totally dead on, which just made it that much funnier…

Girls are not pokemon – I do not “gotta catch ’em all…”

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If you know me personally you might be looking at the date on this cartoon and thinking, “What the fuck? You were already dating Heather by then – that’s fucked up.” [I decided to turn the idea into a cartoon back when I thought of it, but it wasn’t ’til two or three months later that I actually drew it].

Originally, I set out to write this entry about a different piece but I kind of had to throw all of this stuff about my codependent traits and behaviors out there as background info first. I’ll get to the other one tomorrow. [Update: That one’s online now too].

Anyway, I really love this cartoon. I love how superficially cute / innocuous it is but how the truth to it is kind of dark, sad, and pathetic. So often, I’ve let myself to sink to the greatest depths of hell because of something a girl said (or didn’t say) to me. I’ve dwelled in shit and misery for days, on account of facial expressions that I’d later discover I had completely misread. I’ve let my emotions, as triggered by girls, run and ruin my life.

But I’m getting better, you guys! For serious this time!

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  • The original drawing already sold but hit me up to buy a 6×8″ print.
  • For more on my relationships at this point in my life, check out “Autobiography.”